SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Williams"/1) | (@(roleclean,performerclean) "John Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 19021 matches on Author, 3212 matches on Performance Comments, 1527 matches on Event Comments, 373 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Bensley; Harcourt-Williamson; Sparkish (for that night only)-Bannister Jun.; Belville-Bland; Footman-Farley; Ralph-Barrett; William-Rock; Alithea-Mrs Whitfield; The Country Girl-Mrs Jordan (last appearance on this stage); Lucy-Miss Fontenelle.
Cast
Role: Harcourt Actor: Williamson

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Song: V 2nd piece: song-Miss Hagley

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Quick; Orlando-Holman; Amiens (with songs)-Johnstone; Adam-Hull; Duke Senior-Powel; Oliver-Davies; William-C. Powell; Le Beu-Macready; Sylvius-Evatt; Corin-Cross; Duke Frederick-Thompson; Charles-Williamson; Jaques-Aickin; Caelia-Mrs Mountain; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Esten.
Cast
Role: Amiens Actor: Johnstone
Role: Charles Actor: Williamson

Afterpiece Title: The Crusade

Cast
Role: Raymond Actor: Johnstone
Role: Officer Actor: Williamson

Dance: End I: The Irish Lilt-Mrs Ratchford, Mrs Ratchford; In V: Dance of Forresters-

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Dance: Afterpiece: Grand Dance-[See17911210]

Performances

Mainpiece Title: The Inconstant

Related Works
Related Work: The Inconstant: or, The Way to Win Him Author(s): John Fletcher

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Dance: In afterpiece: the young D'Egvilles, Miss DeCamp. [Included, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Marian

Cast
Role: Edward Actor: Johnstone

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Song: As17911003

Entertainment: Monologue. End I afterpiece: Easter Monday; or, A Description of The Cockney Hunt-Dodd

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Quick; Orlando-Holman; Amiens (with songs)-Johnstone; Adam-Hull; Duke Senior-Powel; Oliver-Davies; William-Farley; Le Beu-Macready; Sylvius-Evatt; Corin-Cross; Duke Frederick-Thompson; Charles-Rowson; Jaques-Aickin; Caelia-Miss Chapman; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Esten.
Cast
Role: Amiens Actor: Johnstone

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Performance Comment: Captain Patrick-Johnstone; Quiz-Quick; Darby-Munden; Marshall Ferbelin-Davies; Father Luke-Rock; Olmutz-Cubitt; Rupert-Lee; Adjutant-Evatt; Mabel Flourish-Mrs Webb; Norah-Miss Francis; Flora-Mrs Harlowe.
Cast
Role: Captain Patrick Actor: Johnstone
Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): John O'Keeffe

Dance: End I: The Irish Lilt-Mr and Mrs Ratchford; V: a Dance of Forresters-

Performances

Mainpiece Title: At King's The Fugitive

Afterpiece Title: Richard Coeur De Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Dance: In afterpiece: Master L. D'Egville, Miss Menage, Miss S. D'Egville. [Danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

Performances

Mainpiece Title: At King's The Haunted Tower

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Performances

Mainpiece Title: At King's The Haunted Tower

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Burton

Dance: End: Le Pas Russe-Master and Miss Menage; End I afterpiece: Dance-Whitmell

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Tit for Tat

Performance Comment: Villamour-Barrymore; Old Meanwell-Usher; Young Meanwell-Evatt; Servant-Abbott; Skipwell-Johnstone; Letty-Mrs Gibbs (Their 1st appearance in those characters); Florinda-Mrs Brooks.
Cast
Role: Skipwell Actor: Johnstone

Afterpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): John O'Keeffe

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Burton

Song: As17931207

Performances

Mainpiece Title: As You Like It

Afterpiece Title: THE CHILDREN IN THE WOOD

Song: In Act V of mainpiece a song by Mrs Bland

Performances

Mainpiece Title: As You Like It

Afterpiece Title: LODOISKA

Related Works
Related Work: Lodoiska Author(s): John Philip Kemble

Song: As17940425

Performances

Mainpiece Title: The Woodman

Cast
Role: O'Donnel Actor: Johnstone

Afterpiece Title: The Frolics of an Hour

Afterpiece Title: Harlequin and Faustus

Cast
Role: O'Leary Actor: Johnstone
Related Works
Related Work: Harlequin Doctor Faustus Author(s): John Thurmond
Related Work: The Necromancer; or, Harlequin Doctor Faustus Author(s): John Rich

Song: In the course of the EveningOld Towler-Incledon

Entertainment: In the course of the Performances: Imitations of the principal Performers of both Theatres-Townsend

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Ozmyn-Miller; Manuel-Williams; Gonzalez-Clifford; Garcia-Robinson; Perez-Harley; Alonzo-Sadler; Heli-Herbert; Selim-Adcock; Zara-Mrs Sidney; Leonora-Mrs Forster; Almeria-Mrs Gooch.
Cast
Role: Manuel Actor: Williams

Afterpiece Title: Bon Ton

Performance Comment: Sir John Trotley (with the original Prologue)-Wilkinson; Lord Minikin-Martin; Col. Tivy-Clifford; Jessamy-Williams; Davy-Baker; Lady Minikin-Mrs Gooch; Gump-Mrs Forster; Miss Tittup-Miss Crow.
Cast
Role: Sir John Trotley Actor: Wilkinson
Role: Jessamy Actor: Williams

Song: End: The Soldier Tired-Miss Crow

Entertainment: Monologue Previous: an Occasional Address-Miller

Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Smugglers

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Alive and Merry

Related Works
Related Work: All Alive and Merry; or, Men in Pursuit of Money Author(s): Samuel Johnson
Related Work: Alive and Merry Author(s): John Grubb

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: My Grandmother

Ballet: End: The Triumph of Love. Corida-Mlle Parisot (by permission of the Proprietor of the king's Theatre); Olympio-Gentili; Aristea-Sga Bossi? DelCaro; Cupid-Master Menage; Discord-Master Chatterley; Nymphs-Mrs Brooker, Mrs Brigg, Mrs Haskey, Mrs Barrett, Miss Bourk, Miss Daniels, Mrs Byrne, Mrs Thompson; Shepherds-Roffey, Whitmell, Thompson, Wells, Banks, Garman, Butler, Nicolini

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Dance: III afterpiece: Dance-Master and Miss Menage