SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Williams"/1) | (@(roleclean,performerclean) "John Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 19021 matches on Author, 3212 matches on Performance Comments, 1527 matches on Event Comments, 373 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company. This performance is known through a document summarized in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 25, and summarized in Fitzgerald, A New History, I, 145. Although this performance is the first certainly known, it is probably not the premiere, for the attendance (see below) was too small for the premiere of a new work by John Dryden. Since the play was entered in the Stationers' Register, January 1678, the first production was probably not long before this performance. The document in The Theatrical Inquisitor gives this information: The King's Box, no receipts; Mr Hayles' boxes, #3 (probably 15 spectators); Mr Mohun's boxes, #1 12s. (probably 8 spectators); Mr Yeats' boxes, 12s. (probably 3 spectators); James' boxes, #2 (probably 10 spectators). Mr Kent's pitt, 82 spectators, and Mr Britan's pitt, 35 spectators, a total of 117, paying #14 12s. 6d. Mr Bracy's gallery, 42 spectators; and Mr Johnson's gallery, 21 spectators; a total of 63 spectators, who paid #4 14s. 6d. Mr Thomson's gallery, 33 spectators, paying #1 13s. The total attendance appears to have been 249; the receipts were #28 4s. The house rent came to #5 14s. Downes (Roscius Anglicanus, p. 11) gives a cast which is identical except for omissions

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Related Works
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Performances

Mainpiece Title: Sir Hercules Buffoon; Or, The Poetical Squire

Related Works
Related Work: Sir Hercules Buffoon; or, The Poetical Squire Author(s): John Lacy

Performances

Mainpiece Title: Darius, King Of Persia

Related Works
Related Work: Darius, King of Persia Author(s): John Crowne
Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points to this day as a strong Possibility. Downes, Roscius Anglicanus (p. 44) states that it was given thirteen days consecutively, and John Coke (see 16 March 1696@7) states that it was acted "till Saturday" (16 March 1696@7). If the tragedy was acted on Wednesdays but not Fridays, as was often the practice in Lent, and if the farce alluded to for Saturday, 16 March 1696@7, comprised the entire program, this day was probably the premiere. The following sequence of performances is based on these premises. Downes, Roscius Anglicanus, p. 44: The Mourning Bride...had such Success, that it continu'd Acting Uninterrupted 13 Days together. Gildon, English Dramatick Poets, p. 23: This Play had the greatest Success, not only of all Mr Congreve's, but indeed of all the Plays that ever I can remember on the English Stage, excepting some of the incomparable Otway's. Aston, A Brief Supplement (in Cibber, Apology, II, 302): His [Betterton's] Favourite, Mrs Barry, claims the next in Estimation. They were both never better pleas'd, than in Playing together.--Mrs Barry outshin'd Mrs Bracegirdle in the Character of Zara in the Mourning Bride, altho' Mr Congreve design'd Almeria for that Favour

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Betterton's Company. James Brydges, Diary: About 4: we went to ye playhouse in Lincolns inn fields, and meeting Sr John Cope here, after having Put ye Ladies in box kept for them, I went with him to Hyde Park, & from thence came again to ye play (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Betterton's Company. This performance is recorded in A Calendar of the Inner Temple Records, ed. Inderwick, III, 227. Post Boy, 30 Oct.-2 Nov. 1697: There was Yesterday a very great Feast in the Temple, there being present the High Honourable the Lord Chancellor, with Divers of the Judges; after Dinner there was a Play Acted. John Oldmixon, Reflections on the Stage (London, 1699), p. 69: The Bar-Gown has often been play'd with, and shewn in a more despicable Figure, yet the Lawyers don't think it worth their while to cry out against Comedy, as aiming at the ruin of the Courts in Westminster-hall, and the Judges themselves have desir'd Love for Love, with all the faults Mr Collier has laid to its charge, to be presented 'em, and were extreamly well pleas'd with their entertainment, tho' the Lawyer there makes a trivial appearance

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: The Judgment Of Paris

Related Works
Related Work: The Judgment of Paris; or, The Triumph of Beauty Author(s): John Weaver
Event Comment: Afterpiece: [By John Vanbrugh.] Never Acted before. Mainpiece: With all the Original Scenes, Machines, and Decorations. To which will be added several new ones, particularly the intire front prospect of Blenheim Castlev. And another Piece alluding to the late glorious Successes of her Majesty's Arms, &c

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Afterpiece Title: The Cuckold in Conceit

Related Works
Related Work: The Cuckold in Conceit Author(s): John Vanbrugh
Event Comment: Benefit Williams and Willer [Weller?]. Tickets delivered for Saturday 23 taken this night

Performances

Mainpiece Title: Venice Preserv'd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Song: As17070327

Dance: As17070403

Performances

Mainpiece Title: The Maid's The Mistress

Performance Comment: Edition of 1708 lists: Sir David Fancy-Johnson; Beauford-Powell; Gaylove-Mills; Squire Empty-Bullock; Roger-Norris; Nicholas-Bright; Lady Fancy-Mrs Knight; Harriot-Mrs Bradshaw; Charlot-Mrs Bicknell; Prologue-; Epilogue-.
Cast
Role: Sir David Fancy Actor: Johnson
Related Works
Related Work: The Maid's the Mistress Author(s): John O'Keeffe
Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Mr Skeete reported that John Honeycott, the master of the charity school at Clerkenwell, had yesterday [6 Feb.], with the children of the above school, publickly acted the play called Timon of Athens, and by Tickets signed by himself had invited several people to it (Minutes of the Society for Promoting Christian Knowledge, in Secretan, pp. 129-30)

Performances

Mainpiece Title: Timon Of Athens

Event Comment: Minutes of the Society for Promoting Christian Knowledge, 7 Feb.: Mr Skeate reported that John Honeycott the master of the Charity School at Clerkenwell had yesterday with the Children of the School publickly acted the play called Timon of Athens, and by Tickets signed by himself invited Several people to it

Performances

Mainpiece Title: Timon Of Athens

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear, and since revis'd with several Alterations. Admission: 5s., 3s., 2s. Benefit John and Christopher Rich. Receipts. #61 8s

Performances

Mainpiece Title: Cimbeline

Afterpiece Title: The Jealous Doctor; or, The Intriguing Dame

Related Works
Related Work: The Jealous Doctor, or, The Intriguing Dame Author(s): John Rich

Dance: duPre, Mlle Gautier, from the Opera at Paris, being the first time of her appearing upon the English Stage

Event Comment: Benefit John Rich. Afterpiece: With all the Scenes, Machines, Flyings, and other Decorations proper to the Play. Receipts: money #66 3s. 6d.; tickets #20 8s

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Amadis; or, The Loves of Harlequin and Colombine

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John Rich

Song: Leveridge, Mrs Fletcher; Leveridge's new song The Tippling Philosophers-Leveridge

Related Works
Related Work: Jupiter and Europa; or, The Intrigues of Harlequin Author(s): John Rich

Dance: As17200120

Event Comment: Benefit John Rich, Author of the Afterpiece. At the particular Desire of several Ladies of Quality. Receipts: money #113 6s. 6d.; tickets #10 8s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: The Magician

Related Works
Related Work: The Magician; or, Harlequin a Director Author(s): John Rich

Performances

Mainpiece Title: Venice Preserv'd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Dance: Desnoyer, Thurmond Jr, Boval, Mrs Bicknell, Mrs Younger, Mrs Tenoe

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Event Comment: Benefit John Rich. At the Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. Afterpiece: With all the Sinkings, Flyings, and usual Decorations. Receipts: money #99 4s. 6d.; tickets #22 18s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: Amadis; or, The Lovers of Harlequin and Colombine

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John Rich

Dance: As17221030

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Event Comment: Benefit Robinson and Mrs Willis. At the particular Desire of several Persons of Quality. Mainpiece: Written by Shakespear. With all the Song, Dances, and other Decorations proper to the Play. Afterp1ece: Compos'd by Mr John Eccles, Master of the King's Musick

Performances

Mainpiece Title: Macbeth

Cast
Role: Hecate Actor: Johnson
Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: Acis and Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

Afterpiece Title: Acis and Galatea; or, The Country Wedding

Related Works
Related Work: Acis and Galatea Author(s): John Eccles
Event Comment: Benefit John Rich. Receipts: #132 12s

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: The Necromancer

Related Works
Related Work: The Necromancer; or, Harlequin Doctor Faustus Author(s): John Rich
Event Comment: Benefit Rob. Williams, Mrs Whitherilt [Mrs Wetherilt], Mrs Boman, Miss Davison. Afterpiece: Set to Musick by Mr Eccles

Performances

Mainpiece Title: Don John

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: Sir Courtly Nice; or, It Cannot Be Author(s): John Crowne
Related Work: The Rambling Justice; or, The Jealous Husbands: With the Humours of Sir John Twiford Author(s): John Leanerd
Related Work: Mary Queen of Scots Author(s): John St. John
Related Work: The Island of St. Marguerite Author(s): John St. John
Related Work: Aglaura Author(s): John Suckling
Related Work: Brenoralt; or, The Discontented Colonel Author(s): John Suckling
Related Work: The Goblins Author(s): John Suckling
Related Work: Aminta: The Famous Pastoral Author(s): John Dancer
Related Work: The Little French Lawyer Author(s): John Fletcher
Related Work: The Beggar's Bush Author(s): John Fletcher
Related Work: Philaster Author(s): John Fletcher
Related Work: The Loyal Subject Author(s): John Fletcher
Related Work: The Mad Lover Author(s): John Fletcher
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher

Afterpiece Title: Acis and Galatea

Performance Comment: Acis-Miss Lindar; Galatea-Miss Johnson; Roger-Oates; Joan-Mrs Willis.
Cast
Role: Galatea Actor: Miss Johnson
Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Music: Mainpiece: Original Shepherd's Musick by the late Mr Henry Purcell-

Dance: