SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Weaver"/1) | (@(roleclean,performerclean) "John Weaver")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1694 matches on Performance Comments, 1146 matches on Event Comments, 373 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [Mainpiece altered by John Philip Kemble.] An Accurate Edition of King Lear to be had in the Theatre. Receipts: #214 19s. 6d. (159.2.6; 54.9.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Village Lawyer

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: Alexander the Great Author(s): John Philip Kemble
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: My Grandmother

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

Related Works
Related Work: Tu Quoque; or, The City Gallant Author(s): John Cooke
Related Work: Tu Quoque Author(s): John Cooke
Related Work: The Capricious Lady Author(s): John Fletcher
Related Work: Prometheus Author(s): John A. Fisher
Related Work: The Court of Alexander Author(s): John A. Fisher
Related Work: Harlequin's Jubilee Author(s): John A. Fisher
Related Work: Zobeide Author(s): John A. Fisher
Related Work: The Sylphs; or, Harlequin's Gambols Author(s): John A. Fisher
Related Work: The Sirens Author(s): John A. Fisher

Performances

Mainpiece Title: The Dramatist

Performance Comment: As17950916, but Floriville-Macready; Willoughby-Claremont; John-_; Letty-_.

Afterpiece Title: Merry Sherwood

Cast
Role: Little John Actor: Simmons
Role: Song by Irish Pilgrim Actor: Johnstone
Event Comment: Mainpiece: With Alterations [by John Philip Kemble]. The Scenery and Dresses are entirely new. The Scenes designed and executed by Marinari and Capon. [Oracle, 29 Feb.: Capon painted three scenes of Westminster Hall.] An accurate Edition of The Plain Dealer to be had in the Theatre. Receipts: #324 14s. 6d. (322.6.6; 2.8.0)

Performances

Mainpiece Title: The Plain Dealer

Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble

Afterpiece Title: Harlequin Captive

Event Comment: Account-Book, 13 Feb.: Received from John Ashley Oratorio rent #52 10s. [i.e. for every performance]

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Music: End Part I: concerto on the violin-G. Ashley

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

Performance Comment: As17960220, but Lord Rakeland-Benson; Mrs Hamford-Mrs Maddocks; John-_; William-_.
Event Comment: Benefit for the Widow and Three Orphan Children of the late Mr Benson. [Address by John Taylor, Poems, I, 62.] "Benson [who committed suicide on 19 May] was remarkable for a very retentive memory, which enabled him on the slightest notice to become a substitute for almost any performer who might be suddenly disabled from appearing" (European Magazine, June 1796, p. 397). The house was a very good one, but it has been said that Sheridan went to the Treasury and carried off the money, so that Benson's widow and children never got a sixpence" (Genest, VII, 245). Receipts: #678 10s. 6d. (319.8.0; 66.3.6; 2.19.0; tickets: 276.6.0; odd money: 13.14.0) (charge: #212 15s.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Sultan

Song: End I: Whither my Love, Ah! Whither art thou fled? (from The Haunted Tower)-Sga Storace; From Shades of Night-Braham; This fond Sorrow-Braham, Sga Storace (both from Mahmoud); End II: the celebrated Harp Song Ah che nel petto io sento, from Idalide,-Mme Mara; In IV: a Masquerade Scene, in which Ally Croker-Miss Leak, Master Welsh

Entertainment: MonologueEnd: a new Occasional Address-Mrs Jordan

Event Comment: [As afterpiece the playbill announces Olympus in an Uproar, but it "was obliged to be postponed, on account of the sudden indisposition of Mrs Martyr. The change was announced in bills published at a late hour, and the door-keepers were ordered to acquaint the audience as they entered of the change. This information ought to have been given from the stage; but instead of that decent ceremony the curtain drew up on Rosina. John Bull resented this want of respect, and made a tremendous clamour, which Incledon and Townsend in vain attempted, by repeated apologies, to allay. At last, however, the storm gradually subsided, and Rosina was suffered to warble her mellifluous tones" (True Briton, 14 Nov.).] Receipts: #199 4s. (193.6; 5.18)

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Rosina

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson, based on La Clemenza di Tito. by Pietro Bonaventura Trapassi? Metastasio. Text (unauthorized), Dublin: John Archer, 1796; it assigns no parts. Authors of Prologue and Epilogue unknown]: The Scenery by Marinari. Receipts: #237 10s. (169.18; 64.12; 3.0)

Performances

Mainpiece Title: The Conspiracy

Afterpiece Title: Harlequin Captive

Event Comment: Mainpiece: Not acted these 9 years. [Mrs Worthington is identified in MS list in Kemble playbills of new performers for this season.] Ballet: 1st time; composed by Giacomo? Gentili. Afterpiece [1st time: ENT 1, by Richard Brinsley Sheridan; acted in place of The Prize, advertised on playbill of 4 Mar. Text (C. Lowndes, 1797)]: Altered from a Dramatick Entertainment performed 1794 [The Glorious First of June]. In the course of which will be introduced a representation of the late Glorious Engagement between the British and Spanish Fleets on the Fourteenth of February [1797, under Sir John Jervis, off Cape St. Vincent]. Receipts: #253 9s. (151.2.6; 100.17.0; 1.9.6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Cape St

Song: III: a Masquerade Scene-; with Hark! the Lark at Heaven's Gate sings-Sedgwick, Dignum, Welsh, Master Welsh

Ballet: End: The Labyrinth; or, The Country Madcap. Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp

Event Comment: [Address by John Taylor (see text).] Receipts: #236 17s. (229.5; 7.12)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Related Works
Related Work: The Maid of the Mill; or, The Country Revels Author(s): John Fletcher
Related Work: The Maid of Honour Author(s): John FletcherJohn Philip Kemble
Related Work: The Provok'd Wife Author(s): John Vanbrugh
Related Work: The Wife's Relief; or, the husband's cure Author(s): Charles Johnson
Related Work: The Wife's Relief; or, The Husband's Cure Author(s): Charles Johnson
Related Work: The Distrest Wife Author(s): John Gay
Related Work: The Modern Wife Author(s): John Gay
Related Work: The Maid in the Mill Author(s): John Fletcher
Related Work: The Maid's Tragedy Author(s): John Fletcher

Afterpiece Title: Harlequin and Oberon

Related Works
Related Work: Harlequin and Oberon; or, The Chace to Gretna Author(s): John Follett
Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Purse

Related Works
Related Work: The Purse; or, Benevolent Tar Author(s): John Cartwright Cross

Ballet: The Scotch Ghost. As17961221

Event Comment: By Authority of the Lord Chamberlain. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. Benefit for the Unfortunate Sufferers in the Glorious Action between Sir John Jervis, and the Spanish Fleet, off Cape St. Vincent [on 14 Feb. 1797]

Performances

Mainpiece Title: The Battle Of Eddington

Related Works
Related Work: The Battle of Eddington; or, British Liberty Author(s): John Penn

Afterpiece Title: The Romance of an Hour

Song: Mainpiece: Vocal Parts, as17970123, but Master _Willoughby, Master Paul, A Young _Lady, Miss +Jones; End: +Ye Gentleman of England-; and the Companion, To all you Ladies now at Land-; A Sea Song, The Muffin Man-Master Sincock

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit the Widow of a Baronet [Sir Richard Perrott] and a large Infant Family. [Address by John Taylor (True Briton, 21 Sept.).] Tickets to be had of the Widow, No. 28, Spring-street, Portman-square [and see 28 Jan. 1799]

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Miss in her Teens

Performance Comment: Captain Flash-Palmer Jun.; Loveit-Knight; Puff-G. Aickin; Jasper-Waldron Jun.; Fribble-Johnston; Miss Biddy-Mrs Barre; Tag-Mrs Harlowe.
Cast
Role: Fribble Actor: Johnston

Entertainment: Monologue. End: Occasional Address-the Widow (see below); After which: Collins's Ode on the Passions-Mrs G. Aickin

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue and Epilogue by John Taylor (see text)]: With new Scenes, Dresses, and Decorations. Morning Herald, 3 Nov. 1797: This Day is published Cheap Living (2s.). Receipts: #348 14s. 6d. (283.4.0; 62.18.6; 2.12.0)

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Irish Widow

Entertainment: Entertainment.As17971019

Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Event Comment: Under the Patronage of H. R. H. the Prince of Wales, H. R. H. the Duke of York, and H. R. H. the Duke of Clarence. Benefit for a Fund for the Relief of the Wounded Seamen, and also for the Widows and Orphans of the Brave Men who fell in the late Glorious Action, under Admiral Lord Viscount Duncan [see 16 Oct.]. The Tickets for the Boxes are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangement of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Guildford, The Earl of Thanet, The Right Honorable the Lord Mayor [Brook Watson], Mr Alderman Combe, M. P., Mr Alderman Skinner, John Julius Angerstein, Esq. Tickets and Places for the Boxes not disposed of by the Committee to be had of Fosbrook at the Box Office, Little Russell-Street, and at the Bar of Lloyds Coffee House. Ladies and Gentlemen having Privilege of the Theatre are requested by the Stewards to waive the use of it for this Evening. [Address by Richard Cumberland (European Magazine, Nov. 1797, p. 339). True Briton. 23 Nov. 1797, prints a letter from the Chairman of Committee of Subscribers to the performers of the theatre, thanking them for not "accepting the usual emolument on the night of performance."] Receipts: #631 8s. (357.17.6; 57.4.6; 1.11.0; money extra left at the doors: 2.14.6; tickets: 212.0.6) (charge: #161 0s. 6d.)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize

Related Works
Related Work: The Tamer Tamed Author(s): John Fletcher
Related Work: The Tamer Tam'd Author(s): John Fletcher

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger, based on Raoul Barbe Bleue, by Michel Jean Sedaine (although, in the 1st edition of the play, this denied by Colman). Text (Cadell and Davies, 1798)]: The Scenery, Machinery, Dresses, and Decorations entirely new. The Musick composed and selected [from Paisiello] by Kelly. The Scenes designed and executed by Greenwood? Jun, Chalmers, and others. The Machinery, Decorations, and Dresses designed and under the direction of Johnston, and executed by him, Underwood, Gay, and Miss Rein. Books of the Songs to be had in the Theatre. Times, 8 Feb. 1798: This Day is published Blue Beard (1s. 6d.). "In the course of the representation, many blunders in working the scenery, which are unavoidable in a first representation of this nature, occurred, and the delays which took place were frequently very great...It was twelve o'-clock before the curtain dropped...The Expense of getting it up is said to be not less than #2,000" (London Chronicle, 18 Jan.). Proud swells the tide, with loads of capering heels, And vacant Folly shouts applause in peals; Hoards, even beyond th miser's wish, are thrown, To deck some sham farago for the town...Money for dresses, money for new scenes, New music, decorations, and machines; The cost of these, including every freak, Would pay ten decent players four pounds a week. Anthony Pasquin (pseud. for John Williams), "Innovation," in The Devil [1787], II, no. 2, 46. Receipts: #319 14s. 6d. (216.17.6; 102.2.0; 0.15.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17971122, but Tom-_; John-_; Chamber@Maid-_; Toilet-_.

Afterpiece Title: Harlequin and Quixotte

Related Works
Related Work: Harlequin and Quixotte; or, The Magic Arm Author(s): John Cartwright Cross
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, adapted from Le Complaisant, by Antoine de Feriol comte de Pont-de-Veyle, and from Clavigo, by Johann Wolfgang von Goethe. It has been attributed to John Fenwick (Genest, VII, 360-61; London Chronicle, 14 Feb. 1798). But for Holcroft's acknowledgment of authorship see his Life, ed. Elbridge Colby, 1925, II, 170. Author of Prologue unknown. Epilogue by the author (Knapp, p. 88)]. Times, 12 Apr. 1798: This Day will be published He's Much to Blame (2s.). "Mrs Mattocks has of late habituated herself to a constant titter, which destroys the effect of her best scenes" (Times, 14 Feb.). Receipts: #249 1s. (240.5; 8.16)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Related Works
Related Work: Joan of Arc; or, The Maid of Orleans Author(s): John Cartwright Cross
Event Comment: 3rd piece [1st time; MF 2, by George Moultrie. Larpent MS 1199; not published; synopsis of plot in Morning Herald, 18 Mar. Prologue by John Taylor (Poems, I, 97)]: The Music composed by Attwood. Books of the Songs to be had at the Theatre. Receipts: #250 14s. (243.16; 6.18)

Performances

Mainpiece Title: The Ghost

Related Works
Related Work: The Ghosts Author(s): John Holden

Afterpiece Title: He's Much to Blame

Afterpiece Title: A Devil of a Lover

Performance Comment: Principal Characters by Munden, Fawcett, Johnstone, Knight, Wilde, Street, Linton, Gray, Mrs Davenport, Mrs Mountain. Cast from Larpent MS: Don Wizardo-Munden; Pedro-Fawcett; Capt. Fitzpatrick-Johnstone; Soaker-Knight; Viletta-Mrs Davenport; Donna Clara-Mrs Mountain; unassigned-Wilde, Street, Linton, Gray; Prologue-Clarke.
Cast
Role: Fitzpatrick Actor: Johnstone
Event Comment: Benefit for Holman. 2nd piece [1st time; D 5, by Joseph Trapp, adapted from Siri Brahe; oder, Die Neugierigen, by J. A. Gruttschreiber, itself a translation of Siri Brahe, by Gustavus III. Larpent MS 1206; not published. Prologue and Epilogue by John Taylor (Poems, I, 56-57)]: Written by the Late King of Sweden. Times, 28 Mar.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #231 16s. (138.12.0; 4.10.6; tickets: 88.13.6)

Performances

Mainpiece Title: British Fortitude; Or, An Escape From France

Performance Comment: Capt. O'Leary-Johnstone; Edward-Incledon; Joey-Munden; Sedgley-Hull; Patrick-Waddy; Annette-Miss Wheatley.
Cast
Role: O'Leary Actor: Johnstone
Related Works
Related Work: British Fortitude and Hibernian Friendship; or, An Escape from France Author(s): John Cartwright Cross

Afterpiece Title: Curiosity

Performance Comment: Principal Characters-Holman, Murray, Whitfield, Johnston, Mrs Pope, Miss Chapman, Miss Mansel, Miss Betterton; [Larpent MS lists the parts: Count Almerstan, Thurston, Siddolph, Goran, Countess, Lady Anne, Lady Almanda, Eva.] Prologue-Holman; Epilogue-Miss Betterton.

Afterpiece Title: Lock and Key

Event Comment: Benefit for Bannister. 3rd piece [1st time: INT 1. Larpent MS 1218; not published]: A Sequel [to Sylvester Daggerwood], written by John? O'Keeffe. Times, 24 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #318 17s. (86.6.0; 44.4.6; 2.0.6; tickets: 186.6.0, of which Bannister to pay for half over #100) (charge: none listed)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June; or, The Daggerwoods at Dunstable

Related Works
Related Work: The Eleventh of June; or, The Daggerwoods at Dunstaple Author(s): John O'Keeffe

Afterpiece Title: Blue-Beard

Song: 1st piece: Vocal Parts, as17980224, but Ms _Leak

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Battle of Hexham; or, Days of Old

Afterpiece Title: Blue Devils

Performance Comment: Characters-Fawcett, Munden, Wathen, Waldron Jun., Mrs Gibbs. [Cast adjusted from text (John Cawthorn, 1808): Megrim-Fawcett; Demisou-Munden; James-Wathen; Bailiff-Waldron Jun,; Annette-Mrs Gibbs.]
Event Comment: The last Night of the Company's performing this season. [This was John Palmer's last appearance in London. He died on the stage of the Liverpool theatre, while acting in The Stranger, on 2 Aug. 1798.] Receipts: #164 19s. (113.2.6; 50.9.0; 1.7.6)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): John DaltonJohn Milton

Dance: In I afterpiece: Dancing-Mlle Parisot, Sga Bossi DelCaro

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters by Pope, Munden, H. Johnston, Knight, Murray, Powel, Thompson, Rees, Curties, Mrs Johnson, Mrs Davenport, Miss Leserve, Mrs H. Johnston. [Cast from text (G. G. and J. Robinson, 1798): Frederick-Pope; Verdun the Butler-Munden; Anhalt-H. Johnston; Count Cassel-Knight; Baron Wildenhaim-Murray; Cottager-Powel [in text: Davenport (see17981022)]; Landlord-Thompson; Farmer-Rees; Countryman-Curties [in text: Dyke]; Agatha Friburg-Mrs Johnson; Cottager's Wife-Mrs Davenport; Country Girl-Miss Leserve; Amelia Wildenhaim-Mrs H. Johnston; Prologue-Murray; [This was spoken, as here assigned, at the 1st 9 performances only (see17981029).] Epilogue-Munden. [This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]

Afterpiece Title: A Day at Rome