SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Ward"/1) | (@(roleclean,performerclean) "John Ward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9838 matches on Author, 2218 matches on Performance Comments, 1202 matches on Event Comments, 330 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Chapman. Mainpiece: Written by the late Sir John Vanbrugh. N.B. The afore-nam'd Gentlemen attempt those Characters for their own Diversion (as other Gentlemen have done before 'em) and Mr Chapman's Profit only

Performances

Mainpiece Title: The False Friend

Performance Comment: John-W. Mills; Galindo-Miller .
Cast
Role: John Actor: W. Mills
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Afterpiece Title: The Mock Doctor

Event Comment: Benefit Chapman. Mainpiece: Written by the late Sir John Vanbrugh. N.B. The afore-nam'd Gentlemen attempt those Characters for their own Diversion (as other Gentlemen have done before 'em) and Mr Chapman's Profit only

Performances

Mainpiece Title: The False Friend

Performance Comment: John-W. Mills; Galindo-Miller .
Cast
Role: John Actor: W. Mills
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Afterpiece Title: The Mock Doctor

Event Comment: Benefit for Mrs Ward. Afterpiece: Never acted there before. Mainpiece: Not acted this season. Mrs Ward having been defrauded of a number of Tickets for the above play, those sold at the door will not be admitted. [Afterpiece is John Lee's alteration of Wycherley's play into two acts. See dl 26 April 1765.] @Receipts #74 2s. 6d.@House charges #63@Candles #1 5s.@Extra: Kettle drum 5s.@Side Drum 2s.@Wardrobe #1 9s.@Total #66 1s.@Balance due Mrs Ward #8 1s. 6d.@Tickets 115 129 179 #66@Money #74 2s. 6d.@Total value of House #140 2s. 6d. (Account Book). [Mrs Ward seems to have profited only to the extent of #74 1s. 6d.

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Antony-Smith; Ventidius-Gibson; Dolabella-Clarke; Alexas-Dyer; Serapion-Gardner; Octavia-Mrs Ward; Charmion-Mrs Stephens; Iras-Miss Mills; Cleopatra-Mrs Yates, for that night only; In Act III, A Dance of the Egyptians, incident to the play,-Arnauld, Miss Valois.
Cast
Role: Octavia Actor: Mrs Ward
Related Works
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Afterpiece Title: The Country Wife

Performance Comment: Pinchwife-Clarke; Sparkish-Dyer; Dorilant-Davis; Harcourt-Casey; Alithea-Mrs DuBellamy; Country Wife-Miss Ward.
Cast
Role: Country Wife Actor: Miss Ward.
Related Works
Related Work: The Country Wife Author(s): John Lee

Dance: End: The Highland Reel, as17680307

Event Comment: Mainpiece [1st time; T 5, by the Hon. John St.John. Prologue by William Fawkener.-Epilogue by the author (see text)]. Public Advertiser, 1 May 1789: This Day is published Mary Queen of Scots (1s. 6d.). [As afterpiece the playbill announces Who's the Dupe?, but it was not acted. Kemble Mem. lists the substitute play.] Receipts: #240 9s. (226.4.0; 13.8.6;0.16.6)

Performances

Mainpiece Title: Mary Queen Of Scots

Performance Comment: Characters-Kemble, Aickin, Barrymore, Whitfield, Packer, Williames, Fawcett, Phillimore, Wilson, Jones, Chaplin, Benson, Wroughton Mrs Ward, Mrs Farmer, Miss Tidswell, Mrs Siddons. [Cast from text (J. Debrett, 1789), and World, 23 Mar.: Norfolk-Kemble; Cecil-Aickin; Herries-Barrymore; Murray-Whitfield; Davison-Packer; Beton-Williames; Paulet-Fawcett; Huntingdon-Phillimore; Sheriff-Chaplin; Shrewsbury-Benson; Lenox-Wroughton; Nawe-Alfred; Lieutenant of the Tower-Lyons; Queen Elizabeth-Mrs Ward; Lady Douglas-Mrs Farmer; Lady Scroop-Miss Tidswell; Queen Mary-Mrs Siddons; unassigned-Wilson, Jones; Prologue-Wroughton; Epilogue-Mrs Siddons. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: Mary Queen of Scots Author(s): John St. John

Afterpiece Title: High Life below Stairs

Event Comment: Mainpiece [1st time; C 5, by Joseph Richardson, based on The Coxcomb, Francis Beaumont and John Fletcher. Prologue by Richard Tickell. Epilogue by John Burgoyne (see text)]: With new Dresses, Decorations, &c. Morning Herald, 1 May 1792: This Day is published The Fugitive (1s. 6d.). Receipts: #315 7s. 6d. (275.0.0; 39.2.0; 1.5.6)

Performances

Mainpiece Title: The Fugitive

Performance Comment: Characters by Dodd, Bensley, King, Wroughton, Parsons, Palmer, Barrymore, Maddocks, Wewitzer, Phillimore, Benson, Banks, Mrs Hopkins, Miss Farren, Mrs Jordan, Mrs Kemble, Mrs Ward, Miss Pope. [Cast from text (J. Debrett, 1792): Lord Dartford-Dodd; Sir William Wingrove-Bensley; Admiral Cleveland-King; Mr Wingrove-Wroughton; Old Manly-Parsons; Young Manly-Palmer; Mr Welford-Barrymore; Jenkins-Maddocks; Larron-Wewitzer; O'Donnel-Phillimore; William-Benson; Servant-Banks; Mrs Manly-Mrs Hopkins; Miss Herbert-Miss Farren; Miss Julia Wingrove-Mrs Jordan; Miss Manly-Mrs Kemble; Mrs Rachel Cleveland-Mrs Ward; Mrs Larron-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances, except on 14 and 16 May.]These were spoken, as here assigned, at all subsequent performances, except on 14 and 16 May.]
Related Works
Related Work: The Fugitive Author(s): John O'Keeffe

Afterpiece Title: All the World's a Stage

Cast
Role: Ghita Actor: Mrs Edwards.
Event Comment: Mainpiece [1st time; C 5, by John Philip Kemble]: Taken from [The Rover, by] Mrs Behn, with considerable Alterations. With new Dresses and Decorations. Receipts: #165 14s. 6d. (133.8.0; 31.14.0; 0.12.6)

Performances

Mainpiece Title: Love In Many Masks

Performance Comment: [Characters-Barrymore, R. Palmer, Wroughton, Kemble, Whitfield, Bannister Jun., Suett, Phillimore, Benson, Lyons, Webb, Maddocks, Alfred, Master Gregson, Master Grimaldi, Miss Gawdry, Fairbrother, Mrs Powell, Mrs Jordan, Mrs Kemble, Mrs Ward, Mrs Hedges, Mrs Heard, Miss Tidswell, Miss Barnes. Cast from text (T. and J. Egerton [1790]): Don Antonio-Barrymore; Don Pedro-R. Palmer; Belville-Wroughton; Willmore-Kemble; Frederick-Whitfield; Blunt-Bannister Jun.; Stephano-Suett; Sancho-Phillimore; Philippo-Benson; Sebastian-Lyons; Biskey-Webb; Officer-Maddocks; Soldier-Alfred; Antonio's Page-Master Gregson; Helena's Page-Master Grimaldi; Blunt's Boy-Miss Gawdry; Taylor-Fairbrother; Florinda-Mrs Powell; Helena-Mrs Jordan; Valeria-Mrs Kemble; Angelica-Mrs Ward; Moretta-Mrs Hedges; Callis-Mrs Heard [in text: Mrs Booth]; Lucetta-Miss Tidswell; Flower Girl-Miss Barnes.

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Burton.
Role: Young Wrongward Actor: Haymes
Role: Old Wrongward Actor: Waldron

Dance: End: a new Comic Dance, The Elopement; or, Marriage-a-la-Mode-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for Mrs Ward. Mainpiece: Not acted these 4 Years. [See 18 Nov. 1766.] Charges #64 5s. Balance to Mrs Ward #67 18s. plus #28 13s. from Tickets (Box 33; Pit 84; Gallery 78) (Account Book). Receipts: #132 3s

Performances

Mainpiece Title: The Unhappy Favorite; Or, The Earl Of Essex

Performance Comment: Essex-Kniveton, first appearance this stage; Southampton-Wroughton; Burleigh-Gibson; Sir Walter Raleigh-R. Smith; Lieut.-Fox; Rutland-Mrs Bellamy; Nottingham-Mrs Vincent; Queen Elizabeth-Mrs Ward.
Cast
Role: Queen Elizabeth Actor: Mrs Ward.
Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks

Afterpiece Title: The Cheats of Scapin

Ballet: End: The Wapping Landlady. and Double Hornpipe. As17700420

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Related Works
Related Work: Joan of Arc; or, The Maid of Orleans Author(s): John Cartwright Cross
Event Comment: Benefit Ward and Mrs Haughton. By Mr Bullock's and Spiller's Company of Comedians At their great Theatrical Booth in Bird-Cage Alley. With all the Scenes, Machines, and other Decorations proper to the Play

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performance Comment: Oedipus-Ward; Creon-Ogden; Adrastus-Miller; Haemon-Buck; Tiresias-Browme; Phorbas-Merrivale; Diocles-Buchanan; Jocasta-Mrs Haughton; Eurydice-Mrs Plomer; Manto-Miss Edward; Comic Parts-Bullock, Spiller, Penkethman, Willcox.
Cast
Role: Oedipus Actor: Ward
Role: Manto Actor: Miss Edward
Related Works
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Related Work: Oedipus Author(s): John Dryden

Dance: Haughton, Mrs Ogden, James, Mrs Haughton; End II: particulary Tollet's Grounds-Mrs Haughton, Mrs Ogden; End IV: French Peasant-; End V: Swedish Dale Karl-Haughton, Mrs Ogden

Related Works
Related Work: The Night Walker; or, The Little Thief Author(s): John Fletcher
Event Comment: Benefit for Mrs Ward

Performances

Mainpiece Title: Don Sebastian

Performance Comment: As17490111, but Almeyda-Mrs Ward, 1st time.
Cast
Role: Almeyda Actor: Mrs Ward, 1st time.
Related Works
Related Work: Don Sebastian Author(s): John Dryden
Related Work: Don Sebastian, King of Portual Author(s): John Dryden
Related Work: The Captive Author(s): John Dryden

Afterpiece Title: The Lying Valet

Performance Comment: As17480923, but Sharp-Mr Achurch from York; Kitty Pry-Mrs Ward.
Cast
Role: Kitty Pry Actor: Mrs Ward.

Dance: J. Granier, J. Granier's sister; by Particular Desire the Drunken Peasant-Phillips

Event Comment: Benefit for Grimaldi and Aldridge. Tickets deliver'd by Tassoni will be taken. Mr Yates being ill Mrs Ward was borrow'd to play Belvidera (Hopkins). Receipts: #53 18s. (MacMillan); charges: #64 4s. [Deficit to Grimaldi and Aldridge: #10 6s.

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: As17640313 but Belvidera-Mrs Ward from cg.
Cast
Role: Belvidera Actor: Mrs Ward from cg.
Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: Fortunatus

Related Works
Related Work: Fortunatus Author(s): Henry Woodward

Dance: II: By desire, a Hornpipe-Miss Rogers; III: A New Dance call'd the Running Footman-Aldridge, Miss Baker; End: The Cow@Keepers-Grimaldi, Miss Rogers

Event Comment: Mainpiece [altered by John Philip Kemble; see text (J. Christie, 1789)]. In Act II an Ovation, or Entry of Coriolanus into Rome. In Act V a Procession of Roman Matrons to the Volscian Camp. [These were included in all subsequent performances.] Afterpiece: Regattav, as 13 Sept. 1788. Receipts: #196 13s. 6d. (170.14.0; 24.11.6; 1.8.0)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Performance Comment: Caius Marcius Coriolanus-Kemble; Menenius-Baddeley; Cominius-Aickin; Tribunes-Barrymore, Whitfield; Citizens-Suett, Burton, Fawcett, Jones; Officers-Phillimore, Benson; Volusius-Williames; Tullus Aufidius-Wroughton; Virgilia-Mrs Farmer; Valeria-Mrs Ward; The Roman Matron [i.e. Volumnia]-Mrs Siddons; Edition of 1789 (J. Christie) adds: Young Marcius-Master Grimaldi; Gentlewoman-Miss Tidswell.
Cast
Role: Valeria Actor: Mrs Ward
Related Works
Related Work: Coriolanus; or, The Roman Matron Author(s): John Philip Kemble
Related Work: The Invader of His Country: or, The Fatal Resentment Author(s): John Dennis

Afterpiece Title: The Waterman

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.
Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): John Cartwright Cross

Dance: In afterpiece: Dance of Negroes-

Event Comment: [In mainpiece the playbill retains Miss Farren, "but on account of the sudden indisposition of Miss Farren her part in the play was read by Mrs Ward, who gave it with great effect, and having studied Miss Farren's manner, was a very tolerable substitute" (Diary, 2 May).] Afterpiece [1st time; C 3, by John Philip Kemble]: Taken from [The Country Lasses; or] The Custom of the Manor [by Charles Johnson]. Diary, 6 May 1789: This Day is published The Farm House (1s.). And see 6 May. Receipts: #165 3s. (125.12.0; 34.18.6; 4.12.6)

Performances

Mainpiece Title: False Appearances

Performance Comment: As17890420, but Countess-read by Mrs Ward; Prologue as17890420 Epilogue-Mrs Ward?.

Afterpiece Title: The Farm House

Performance Comment: Characters-Wroughton, Suett, Whitfield, Fawcett, Phillimore, Alfred, Aickin, Mrs Kemble, Mrs Jordan. Cast from text (J. Debrett, 1789): Modely-Wroughton; Shacklefigure-Suett; Heartwell-Whitfield; Sir John English-Fawcett; Constables-Phillimore, Alfred; Freehold-Aickin; Flora-Mrs Kemble; Aura-Mrs Jordan.
Cast
Role: Sir John English Actor: Fawcett
Related Works
Related Work: The Farm House Author(s): Charles JohnsonJohn Philip Kemble
Related Work: The Country Lasses: or, The Custom of the Manor Author(s): Charles Johnson
Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Characters by Lewis, Quick, Johnstone, Munden, Fawcett, Bernard, Townsend, Farley, Thompson, Rees, Davenport, Burton, Rock, Follett, Cross, Williamson, Ledger, Wilde, Blurton, Abbot, Miss Wallis, Mrs Lee (1st appearance on this stage), Miss Stuart, Mrs Platt, Mrs Watts, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman, 1795), and O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), and playbill of 27 Nov. 1795: Arthur D'Aumerle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Bernard; Robin Hoofs-Townsend; L'Oeillet-Farley; Coachman-Thompson; Tradesmen-Davenport, Follett, Cross, Williamson; John-Ledger; Constable-Blurton; Robinson-Abbot; Thomas-Simmons; Augusta-Miss Wallis; Fanny-Mrs Lee; Miss Clare-Miss Stuart; Landlady-Mrs Platt; Fruit Woman-Mrs Watts; Martha-Miss Leserve; Lady Torrendel-Mrs Pope; unassigned-Rees, Burton, Rock, Wilde; Prologue-Middleton [This was spoken, as here assigned, at all subsequent performances.; An Address by way of Epilogue [not listed on playbill,-Lewis [(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].
Cast
Role: Timolin Actor: Johnstone
Role: John Actor: Ledger
Related Works
Related Work: Life's Vagaries Author(s): John O'Keeffe

Afterpiece Title: Rosina

Cast
Role: Belville Actor: Johnstone

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Hart?; First Constantia-Rebecca Marshall?.
Cast
Role: Don John Actor: Hart?
Related Works
Related Work: The Chances Author(s): John Fletcher
Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performance Comment: Edition of 1699: Prologue-; Rinaldo-Betterton; Ubaldo-Thurman; Carlo-Scudamore; Armida-Mrs Barry; Urania-Mrs Boman; Phenissa-Mrs Lee; Epilogue-; The Musical Entertainment ...All Compos'd by Mr John Eccles, and Writ by Mr Dennis-.
Related Works
Related Work: Rinaldo and Armida Author(s): John Dennis
Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: John Moody Actor: Miller
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): John Vanbrugh
Event Comment: Mainpiece: Written by Sir John Vanburgh [sic], with Alterations [by John Philip Kemble]. [Afterpiece in place of Arthur and Emmeline, advertised on playbill of 22 Oct.] Receipts: #176 1s. (140.1.0; 31.9.6; 4.10.6)

Performances

Mainpiece Title: The False Friend

Performance Comment: Characters by Kemble, Bannister Jun., Barrymore, R. Palmer, Packer, Wroughton, Miss Pope, Mrs Goodall, Miss Farren. Cast from European Magazine, Nov. 1789, p. 378: Don John-Kemble; Lopez-Bannister Jun.; Don Guzman-Barrymore; Galindo-R. Palmer; Don Felix-Packer; Don Pedro-Wroughton; Jacintha-Miss Pope; Isabella-Mrs Goodall; Leonora-Miss Farren.
Cast
Role: Don John Actor: Kemble
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Afterpiece Title: The Doctor and the Apothecary

Event Comment: The United Company. The date of the first performance is not known, but according to the Gentleman's Journal, May 1694, it followed Have at All: the other call'd The married Beau, or the Curious Impertinent, by Mr Crown, already acted many times (p. 134). The manuscript of a song composed by John Eccles and sung by Doggett is in Bodleian, School of Music Collection, c. 95, f 102. One by Henry Purcell, See, where repenting Celia lyes, sung by Mrs Ayliff, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XX (1916), xvii-xviii

Performances

Mainpiece Title: The Married Beau; Or, The Curious Impertinent

Performance Comment: Edition of 1694. The Prologue-; see Epilogue; The Epilogue-Mr Dogget who Acts Thorneback. A copy of the 1694 quarto in the Folger Shakespeare Library has a manuscript cast which appears to be the original one; Loveley-Powell; Polidor-Betterton; Thorneback-Dogget; Sir John-Bowen; Mrs Loveley-Mrs Barry; Cecilia-Mrs Bowman; Camilla-Mrs Bracegirdle; Lionell-Mrs Verbruggen; Prologue-Mr Powell?.
Cast
Role: Sir John Actor: Bowen
Related Works
Related Work: The Married Beau; or, The Curious Impertinent Author(s): John Crowne
Event Comment: [By John Vanbrugh. Date of premiere unknown. Published 10 Feb.

Performances

Mainpiece Title: The False Friend

Performance Comment: Edition of 1702 lists: Don Felix-Griffin; Don Pedro-Wilks; Don Guzman-Mills; Don John-Cibber; Lopez-Penkithman; Galindo-Bullock; Leonora-Mrs Rogers; Isabella-Mrs Kent; Jacinta-Mrs Oldfield; Prologue-Griffin; Epilogue-Mrs Oldfield.
Cast
Role: Don John Actor: Cibber
Related Works
Related Work: The False Friend Author(s): John Vanbrugh
Event Comment: Written by Sir John Vanbrugh. Receipts: #15 2s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John-Quin; Heartfree-Leigh; Constant-C. Bullock; Razor-Spiller; Lady Brute-Mrs Seymour; Lady Fanciful-Mrs Cross; Mademoiselle-Mrs Egleton; Belinda-Mrs Bullock.
Cast
Role: Sir John Actor: Quin
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Dance:

Event Comment: Not Acted these Ten Years. Written by Sir John Vanbrug. Receipts: #22 9s

Performances

Mainpiece Title: The False Friend

Performance Comment: Felix-Boheme; Pedro-Ryan; John-Quin; Guzman-Walker; Lopez-Egleton; Galindo-Hippisley; Leonora-Mrs Bullock; Isabella-Mrs Moffat; Jacinta-Mrs Egleton.
Cast
Role: John Actor: Quin
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Dance: PPastoral-Mrs Wall; Peasant-Nivelon; Passacaile-Mrs Wall

Event Comment: Benefit Quin. Written by Sir John Vanbrugh. Receipts: money #48 4s.; tickets #93 9s

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John-Quin; Constant-Walker; Heartfree-Ryan; Razor-Egleton; Lady Brute-Mrs Parker; Belinda-Mrs Bullock; Mademoiselle-Mrs Legare; Lady Fanciful-Mrs Younger.
Cast
Role: Sir John Actor: Quin
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Song: With new Songs proper to the Play-Leveridge, Legare

Dance: Nivelon, Salle, Mlle Salle, Mrs Bullock

Event Comment: Benefit Lesac and Miss Latour. Written by the late Sir John Vanbrugh. Receipts: money #12 10s. 6d.; tickets #54 2s

Performances

Mainpiece Title: The False Friend

Performance Comment: Felix-Boheme; Pedro-Ryan; John-Quin; Guzman-Walker; Lopez-Egleton; Galindo-Hippisley; Leonora-Mrs Bullock; Isabella-Mrs Moffet; Jacinta-Mrs Egleton.
Cast
Role: John Actor: Quin
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Dance: SSpanish Dance-Young Lesac; Chacone-Miss Latour Dupre's Scholar; Shepherd and Shepherdess representing Acis and Galatea -Young Lesac, Miss Latour

Song: Mrs Barbier

Music: Set of Mr Hendel's Lessons on Harpsicord-Miss Latour , Scholar of Mr Troas