SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "John Rich"/1) | (@(roleclean,performerclean) "John Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11035 matches on Author, 1734 matches on Performance Comments, 1507 matches on Event Comments, 352 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Speculation

Afterpiece Title: Harlequins Treasure 0 or Jewels New Set

Afterpiece Title: Harlequins Treasure 1

Performance Comment: Part I. A View of the Desarts of Arabia , with the passing of the Caravan.; The Banditti- (from The Magic Cavern) painted by Richards, the music by Shield.; A Garden-; song-Mrs Clendining composed by Shield.; The Hotel-; (from The Choice of Harlequin) with the Views of the Temple of Virtue and Pleasure painted by Richards, Dall, and Smirk; the music by Michael Arne; The Hazard Club (from The Choice of Harlequin)-; Come pass the Box composed by M. Arne,-Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland; The Building Scene and Falling Scaffold- (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-; Harlequin from the Tea Urn-, invented by Messink and Martinelli.; The Dog Kennel and Pigeon House- invented by Rich.; Outside of Bagnio- (from The Choice of Harlequin); -The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-; with a Hornpipe in Fetters-Byrn.

Afterpiece Title: Harlequins Treasure 2

Performance Comment: Part II. An exact Representation of the Telegraphe-, in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.; A View of Dover, with the Fleet prepared for Sea-The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet; new song by Spofforth-Haymes; Park Wall changes to a Public House; The Trick Tea Chest; Harlequin's Leap and Transformation; The Kitchen Scene- by Messink.; Harlequin changes to a Lobster.; A Landscape-; painted by Lambert.; A new Drinking Song and Chorus by Spofforth-Bowden; The Wash@House Scene- (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.; The Statuary Yard- invented by Messink-the formation of the Stone Figure invented by Delpini.; A Dark Wood-;Harlequin and Columbine, guarded by Virtue, are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. This is succeeded by the Temple of Virtue, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, Faith, Hope, and Charity. Harlequin and Columbine are united at the Altar by Hymen, and the Piece concludes with a Finale-; Grand Dance-Byrn, Holland, Mlle St.Amand.
Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Event Comment: Benefit John and Chr. Rich. At 6 p.m. Notice concerning scenes and machines essentially as 3 Dec. 1715. Receipts: money #35 10s. and tickets #45 16s

Performances

Mainpiece Title: The Fatal Vision

Event Comment: LLondon Daily Post and General Advertiser, 6 Feb., contains a letter: To Mr John Hill, on his Answer to Mr Rich's Defence

Performances

Mainpiece Title: King Henry The Fourth Part Ii

Cast
Role: Northumberland Actor: Johnson

Afterpiece Title: The Dragon of Wantley

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: Grand Ballet-Glover, Mlle Roland Ynger; In Afterpiece: Grecian Sailors-Glover

Performances

Mainpiece Title: Dame Dobson Or The Cunning Woman

Performance Comment: Edition of 1684: Prologue-Mrs Currer; Dame Dobson-Mrs Corey; Decoy-Saunders; Beatrice-Mrs Twiford; Mrs Francis-Mrs Baker; Goslin-Richards; Collonel-Kynaston; Gillet-Jevon; Gerrard-Wilshire; Hartwell-Monfort; Farmer-Bright; Jenkin-Leigh; Lady Noble-La. Slingsby; Lady Rich-Mrs Petty; Mrs Cleremont-Mrs Butler; Mrs Featly-Mrs Currer; Mrs Jenkin-Mrs Percival; Mrs Prudence-Mrs Leigh; Mrs Hellen-Mrs Osborn; Mrs Susan-Mrs Percival; Epilogue-Mr Jevorn.
Cast
Role: Goslin Actor: Richards
Role: Lady Rich Actor: Mrs Petty
Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar Or The Moors Revenge

Event Comment: A Comparison Between the Two Stages (1702), commenting upon Betterton's success with I Henry IV (see 9 Jan. 1699@1700) pictures Betterton entering his Closet and praying to Shakespeare for further assistance (p. 25), with the result that "tho' some of those Plays that Batterton Acted were Historical, and consequently highly irregular, yet they never fail'd to please" (p. 26). Sullen adds: Well, this lucky hit of Batterton's put D. Lane in a non-plus! Shakespear's Ghost was rais'd at the New-house, and he seem'd to inhabit it for ever: What's to be done then? Oh, says Rich I'll pray as well as he-What? Shall a Heathen Player have more Religion than a Lawyer? No, it shall never be said--with that Mr R@@ goes up to the Garret (a pair of Stairs higher than his own Apartment) and taking Ben Johnson's Picture with him, he implores. This work implies that Betterton presented Henry VIII in addition to I Henry IV and that Rich revived Volpone, The Alchymist, and The Silent Woman, which had, according to the author of this work, lain unacted for twenty years (p. 26)

Performances

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Beaufort-Mills; Bruce-Booth; Lovis-Bickerstaffe; Wheadle-Keene; Sir Nicholas-Norris; Palmer-Estcourt; Dufoy-Bowen; Graciana-Mrs Rogers; Aurelia-Mrs Porter; Widow Rich-Mrs Knight; Betty-Mrs Mills; With a new Epilogue-Wilks.
Cast
Role: Widow Rich Actor: Mrs Knight

Performances

Mainpiece Title: Injurd Love Or The Ladys Satisfaction

Performance Comment: Edition ca. 1711 lists: Ogle (alias Fidelia)-Mrs Oldfield; Frolick (alias Lucie)-Mrs Bicknel; Rashlove-Wilks; Captain Cruize-Cibber; Thrivemore-Mills; Surefriend-Elrington; Sir Bookish Outside-Bullock; Sir Saveall Scrape-Norris; Young Scrape-Dogget; Snuffle-Johnson; Tipple-Penkethman; Mons de la Tirouette-Burkhead; Widow Rich (alias Amabella)-Mrs Bradshaw; Lady Outside-Mrs Knight; Charmilla-Mrs Santlow; Wrinkle-Mrs Willis; Pomade-Mrs Saunders; Prologue-; Epilogue-Dogget, Penkethman.
Cast
Role: Snuffle Actor: Johnson
Role: Widow Rich Actor: Mrs Bradshaw

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Widow Rich-Mrs Oldfield.
Cast
Role: Widow Rich Actor: Mrs Oldfield.

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Sir Nicholas-Norris; Bruce-Booth; Palmer-Johnson; Dufoy-Bowen; Mrs Rich-Mrs Oldfield; Jenny-Mrs Saunders.
Cast
Role: Palmer Actor: Johnson
Role: Mrs Rich Actor: Mrs Oldfield

Song: As17161022

Dance:

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Beaufort-Mills; Dufoy-Cibber; Bruce-Booth; Sir Nicholas-Norris; Palmer-Johnson; Widow Rich-Mrs Horton; Graciana-Mrs Younger; Jenny-Mrs Saunders; Betty-Mrs Garnet.
Cast
Role: Palmer Actor: Johnson
Role: Widow Rich Actor: Mrs Horton

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Dufoy-Cibber; Beaufort-W. Mills; Bevil-Cory; Bruce-Bridgwater; Lovis-Watson; Sir Nicholas-Norris; Palmer-Johnson; Wheedle-Shepard; Widow Rich-Mrs Oldfield; Graciana-Mrs Butler; Amelia-Mrs Cibber; Jenny-Miss Tenoe; Betty-Miss Lindar.
Cast
Role: Palmer Actor: Johnson
Role: Widow Rich Actor: Mrs Oldfield

Performances

Mainpiece Title: The Half Pay Officers

Performance Comment: Culverin-Wells; Bellair-Lacy; Fluellin-Jones; Mackmorris-Hallam; Loadum-Mullart; Meagre-Reynolds; Jasper-Wells Jr; Sharp-Marshall; Charlotte-Miss Jones, her first appearance on this stage; Lady Rich-Mrs Clarke; Benedict-Mrs Sparling; Jane-Mrs Mullart.
Cast
Role: Lady Rich Actor: Mrs Clarke

Afterpiece Title: Flora

Related Works
Related Work: Flora's Vagaries Author(s): Richard Rhodes
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley
Event Comment: During this month was publish'd The Dramatic Congress, a short state of the stage under present management, by W. R. Chetwynd. The older actors and dramatists sit in Elysium and discuss the fate of the theatre under Fleetwood and Rich. Much on cartels and the decay of the stage, and the chicanery indulged in to starve the Macklin-Garrick revolters. Probably about this time was also publish'd Tyranny Triumphant...Or Historical and critical remarks on the famous Cartel lately agreed on by the masters of the two theatres, by Patrick Fitz-Crambo. Discusses the rumor that Rich shut up Lincoln's Inn Fields for six months and for #600 gave the key to the Manager of Drury Lane, leaving the actors to starve, and the town to be satisfied with whatever nonsense Drury Lane chose to put on

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: The School Boy

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition [repeated in the bills]. From The Museum, or Literary and Historical Register, No 25, 28 Feb. 1747, p. 382: On the Present State of the Theatre: I remember when you and I were last in Town together, some years ago, we were eternally repining at the wretched condition of the stage. Quin was then at the head of the Fraternity; but a very different man from what he is at present, and merely a bad copy of Booth; with all his mouthing and pageantry, but without his musical elocution, or his dignity. Whether Time or Emulation has had the greatest hand in Improving him, I know not; but certain it is, that he is improved, beyond what you will really imagine. He has got much more variety, and much more Spirit. He was always a tolerably just speaker; but then he has hardly anything more; he recited rather than acted....However, Rich has...got Quin, Garrick, Mrs Cibber and Mrs Pritchard to the new house. The consequence has been, that the stage was never, in my memory, so fashionable; not even in the Time of Mrs Oldfield's highest fame. A good taste both of acting and of plays themselves, is much more general than I ever expected to have seen it; and those who are skilled in such matters, tell me, that Rich will be a greater gainer this season than has been known for these many years. Receipts: #108 1s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sir John Bevil Actor: Bridgwater
Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Susanna An Oratorio

Performance Comment: Parts were: Chelsias (Susana's father); Joacim (Her Husband); Daniel; 1st Elder; 2nd Elder; Judge-; [ Susannah; Attendant (Larpent MS). But Susanna-Signora Frasi; Attendant-Signora Sibilla; Daniel-the Boy; Joacim-Signora Galli; First Elder-Lowe; Second Elder-Rheinhold; Chelsias-Reinhold (Deutsch, Handel, p. 656).*c1749 2 10 cg [For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.
Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Virgin Unmaskd

Event Comment: [B$Barry's one-third of surplus came to #40 16s. 4d. The fourteen Renters who received payments on 23 Feb. were New Renters (i.e., they had purchased shares only since the beginning of the current season). The Hutchison Mure Esq Account (See cg 1757 Estimate of Constant Expenses) lists forty shares outstanding for Old Renters at 2 shillings per night. Rich, during the next thirty days, sold new shares until by 27 March 1758 he had on his books forty-five New Renters in addition to the 40 old ones. Their names will appear as they bought in. On this night (25 Feb.) George Wolley purchased one share. This was an appropriate time to sell stock in the theatre since Rich could now show a favorable balance on his nightly Account Books of #620 3s. 9d. with all bills paid, including interest to Old Renters.] Receipts: #202 9s. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston
Related Work: Alexander the Great Author(s): John Philip Kemble

Afterpiece Title: A Lover His Own Rival

Dance: JJovial Coopers, as17571107

Event Comment: During this month was published The Case of Authors...Stated with Regard to Booksellers, the Stage, and the Public by James Ralph. Pages 23-31 condemn both Garrick and Rich for their treatment of authors: "Those who have custody of the stage claim also custody of the Muse...There is no drawback on the profit of the night in old plays....To fly from Garrick in case of any contempt or neglect to Mr Rich, is enough to deter any man in his senses from embarking a second time on such a hopeless voyage.

Performances

Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. [Only sagnificant changes from this regular notice will be recorded hereafter.] Paid Mrs Margaret Lamb 6 months interest on #315 due 8 Sept. #7 10s. (Account Book). Receipts: #155 15s. (Account Book). Estimate of a Constant@N.B. The Ground Rent and Taxes is calculated to be Paid in 150 Days.@Per Annum Per Day@To 50 Old Shares at 2s. --- #5@To 50 New Ditto at 2s. --- #5@T 50 New Ditto at 2s. --- #5@To Ground Rent for the Theatre #100@To Ditto for Buildings in Harte St. #30@To Ditto for Mr Thurmond's House in Bow Street Passage #25@ #155 #1 0s. 8d.@ #11 0s. 8d.@Taxes (Viz)@To Land and Window Taxes for Theatre #98 2s.@To Do for a House in Bow St. Passage #5 15s 6d.@To Poor's Rate for the Theatre #20@To Do for a House in Bow St. Passage #1 10s.@To Watch rate for the Theatre #8 6s. 8d@To Do for a House in Bow St. Passage 10s. 6d.@To Rector's rate for the Theatre #6 13s. 4d.@To Do for a House in Bow St. Passage 8s. 4d.@To Scavenger's Rate for the Theatre #6 17s. 4d.@To Do for a House in Bow St. Passage 6s. 4d.@To Water for the Theatre #4@ #152 10s.@ #1 4d.@To Renters, Ground Rent & Taxes #12 1s.@To Gawrds [sic] per Day 14s.@To Barbers Do 5s. 4d.@To Scenemen Do #2 10s.@To Music as Per List #4 9s 2d.@For 150 Days To Candles #3 3s.@Do To Coales 10s 10s.@Passages, Stage Etc. To Lamps #1 12s.@To Bills #1 7s.@To Advertisements 5s.@To Billsetters 4s. 6d.@#16 6s. Sallery [sic] #14 6s. Estimate To Wardrobe bill about #1 11s.@#2 Sallery #5 Estimate To Property Bill Do 7s.@To Chorus Singers Do 10s.@To Mr J. Rich #5 5s.@To Mr C. Rich #1@ #36 1s.@Nightly Charge@Musick List@Messrs Wood 5s.@Gillier 5s.@Miller 5s.@Chapman@ 3s. 4d.@Goodman 3s. 4d.@Woodson 5s.@Ward 6s. 8d.@Rolland 5s.@Rawlings 3s. 4d.@Vincent 6s. 8d.@Wrexell 5s.@Beale 5s.@Jones 4s. 2d.@Biche 3s. 4d.@Heron 4s. 2d.@Stockdon 3s. 4d.@Scovell 3s. 4d.@Lampe 3s. 4d.@Smart 3s. 4d.@Assistant Writer 10d.@Harpsicord 5s.@#4 9s. 2d.@Men Dressers Charg'd in the Wardrobe Bills@Messrs Mearns 2s. 6d.@Cason 2s.@Esbury 1s.@Fenwick 1s.@Winterton 1s.@Besford 1s.@Francis 1s.@Cawder 1s.@Hays 1s.@Hollingsworth 1s.@Cabell 1s.@Nicholls 1s.@Norris 1s.@Cole 1s.@16s. 6d.@Billstickers as per List@Messrs Abbott 2s.@Mislebrook 2s.@Dymuck 2s@Tidd 2s.@Gale 2s.@Cole 1s. 6d.@11s. 6d.

Performances

Mainpiece Title: The Jovial Crew Or The Merry Beggars

Related Works
Related Work: The Jovial Crew Author(s): Richard Brome
Related Work: The Little Thief Author(s): John Fletcher

Afterpiece Title: The Mock Doctor

Event Comment: Full Prices. [N.B. Winston MS 9, indicates from Rich's Register that Henry V was played this night by Royal Command. Playbill for 4 Dec. lends credence to this as it states Not Acted this season." For cast of Henry V see 18 Nov. TheAccount Book clinches the matter by listing Henry V with Dancing, and an indication that the Boxes this night held #70 5s., or some 281 people.] Present His Majesty and Attendance. House gave Yeomen of the Guards the usual gratuity of #1 1s. [Rich also paid that night #1 1s. for an Occasional Prologue for Henry V for 18 Nov. last, and #2 2s. for an occasional prologue to Thomas and Sally for 28 Nov. (Account Book).] Receipts: #210 (Account Book)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for a Clergyman's Widow under misfortunes. [Receipts: #88 2s. 6d. plus #87 19s. from tickets (Box 251; Pit 136; Gallery 48). Profits to Mrs Seede, the clergyman's widow, #90 15s. 6d.] Paid Mr J. Rich on account #531 (Account Book). [The profitable balance on the treasurer's books this night before deducting expenses and Rich's #500, withdrawal was #996 4s. 2d.] Charges: #85 5s. (Account Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Lethe

Dance: LLes Charboniers, as17601215

Event Comment: Mainpiece: Not acted this season. Boxes #37 15s. Paid Macklin his fifth of surplus above #63. House charges: #16 19s. 3d. Paid Mr Rich on account #300 (Account Book). [Rich's ledger system was broken down into 96 headings, of which his large sum withdrawal account was numbered 1.] Receipts: #147 16s. 6d. (Account Book)

Performances

Mainpiece Title: The Siege Of Damscus

Afterpiece Title: Love a la Mode

Dance: Dances-Poitier Jr, Mlle Capdeville [the particular ones unspecified]