SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "John Powel"/1) | (@(roleclean,performerclean) "John Powel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11035 matches on Author, 2174 matches on Performance Comments, 1485 matches on Event Comments, 324 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Munden. Mainpiece [1st time; CO 3, by Thomas Hurlstone. Text (J. Debrett [1792]) gives cast for season of 1792-93. Poetical Sketch by John Wolcot (Morning Herald, 11 May)]: With new Scenery, Dresses, and other Decorations. The Overture and Music entirely new, composed by Carter. Morning Herald, 13 Apr.: Tickets to be had of Munden, No. 15, Catherine-street. Ibid, 1 Dec. 1792: This Day is published Just in Time (1s. 6d.). Receipts: #415 3s. (126.4.6; 4.9.6; tickets: 284.9.0) (charge: #105)

Performances

Mainpiece Title: Just In Time

Performance Comment: Principal Characters by Quick, Blanchard, Munden, Powel, Marshall, Thompson, C. Powell, Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton, Incledon, Mrs Martyr, Mrs Mountain, Mrs Webb, Miss Dall (1st appearance this season). The other Vocal Parts-Mrs Arnold, Miss Francis, Mrs Davenett, Miss Leserve, Mrs Watts, Mrs Gray, Mrs Lloyd, Mrs Powell, Miss Barnett, Mrs Masters, Mrs Cross; Cast from London Chronicle, 12 May 1792: Sir Solomon Oddly-Quick; Handy-Blanchard; Stave-Munden; Commodore Larboard-Powel; Dr Julep-Marshall; Roger-Thompson; Le Friz-C. Powell; Captain Melville-Incledon; Judith-Mrs Martyr; Maria-Mrs Mountain; Lady Oddly-Mrs Webb; Augusta-Miss Dall; Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned. Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned.

Afterpiece Title: The Deaf Lover

Performance Comment: As17920202, but Old Wrongward-Powel; Meadows-_; here called The Deaf Lover-Munden.
Cast
Role: Old Wrongward Actor: Powel
Role: John Actor: Thompson
Role: Sternhold Actor: Powel

Dance: In: Dance incidental to the piece,-Byrne, Mlle St.Amand

Entertainment: Monologue End: (by way of Epilogue) Poetical Sketch, Jemmy Jumps in the Dumps; or, A Sunday Lounge in Hyde Park-Munden

Event Comment: 1st piece [1st time; MD 5, by James Boaden, based on Herman von Unna, by Anders Fredrik, Count Skjoldebrand. Prologue by John Litchfield. Epilogue by the author (see text)]: In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgement-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. In the last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by Secrecy and Certainty of its Judgements, produced many alarming Events in the 15th Century, throughout the Germanic Empire. Morning Herald, 20 June 1795: This Day is published The Secret Tribunal (2s.). Receipts: #93 11s. (82.19; 10.12)

Performances

Mainpiece Title: The Secret Tribunal

Performance Comment: Principal Characters by Holman, Pope, Harley, Middleton, Hull, Macready, Powel, Claremont, Thompson, Miss Morris, Miss Wallis. Cast from text (T. N. Longman, 1795): Herman-Holman; Ratibor-Pope; Holstein-Harley; Ulric-Middleton; Principal Judge of the Tribunal-Hull; Duke of Wirtemberg-Macready; Badendorff-Powel; Rudolph-Claremont in text: Williamson; Minister of Vengeance-Thompson; Ellen Holstein-Miss Morris; Ida-Miss Wallis; Prologue-Macready; Epilogue-Miss Wallis.
Cast
Role: Badendorff Actor: Powel

Afterpiece Title: The Irish Mimick

Cast
Role: Parrots Actor: Johnstone
Related Works
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe

Afterpiece Title: The Tythe Pig

Cast
Role: Parrots Actor: Johnstone
Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lovers Vows

Performance Comment: Principal Characters by Pope, Munden, H. Johnston, Knight, Murray, Powel, Thompson, Rees, Curties, Mrs Johnson, Mrs Davenport, Miss Leserve, Mrs H. Johnston. [Cast from text (G. G. and J. Robinson, 1798): Frederick-Pope; Verdun the Butler-Munden; Anhalt-H. Johnston; Count Cassel-Knight; Baron Wildenhaim-Murray; Cottager-Powel [in text: Davenport (see17981022)]; Landlord-Thompson; Farmer-Rees; Countryman-Curties [in text: Dyke]; Agatha Friburg-Mrs Johnson; Cottager's Wife-Mrs Davenport; Country Girl-Miss Leserve; Amelia Wildenhaim-Mrs H. Johnston; Prologue-Murray; [This was spoken, as here assigned, at the 1st 9 performances only (see17981029).] Epilogue-Munden. [This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]
Cast
Role: Anhalt Actor: H. Johnston
Role: Cottager Actor: Powel
Role: Agatha Friburg Actor: Mrs Johnson
Role: Amelia Wildenhaim Actor: Mrs H. Johnston

Afterpiece Title: A Day at Rome

Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress Or A Woman Once In The Right

Performance Comment: Edition of 1693: Sir Charles Romance-Freeman; Sir Quibble Quere-Bright; Tom Romance-Powel; Dr Guiacum-Sandford; Frederick-Williams; Rice ap Shinken-Bowman; Dick Stockjobb-Underhill; Hotspur-Hudson [Hodgson]; Quickwit-Dogget; Cummington-Bowen; Fulvia-Mrs Bracegirdle; Sophronia-Mrs Barry; Mrs Stockjobb-Mrs Bowman; Madam Squeamish-Mrs Knight; Marmalette-Mrs Lee; Prologue-Mr Dogget [with a Fools Cap with Bells on his Head; Epilogue-.
Cast
Role: Tom Romance Actor: Powel
Event Comment: The King's Company. The date of the first production is uncertain, but John Harold Wilson (Six Restoration Play-Dates, pp. 221-22) assigns it to mid-June primarily because of the Prologue intended to be spoken by Haines and the order, dated 18 June 1677, for the arrest of Haines for speaking an obscene Epilogue (error for Prologue?); in addition, the next play at Drury Lane, The Rival Kings, refers to Haines and "last time," establishing the sequence of performance of these two plays. For the arrest of Haines, see Nicoll, Restoration Drama, p. 328n. Wits Led by the Nose was licensed for printing on 16 Aug. 1677

Performances

Mainpiece Title: Wits Led By The Nose Or A Poets Revenge

Performance Comment: Edition of 1678: Prologue [by F. W. Gent-Sir Symon Credulous; Antellus-Goodman; Oroandes-Lydell; Zannazarro-Perrin; Arratur-Watson; Vanlore-Powel; Sir Symon Credulous-Haynes; Sir Jasper Sympleton-Stiles; Jack Drayner-Nathaniel Q [Cue]; Dick Slywit-Coysh; Heroina-Mrs Baker Jr; Glorianda-Mrs Bowtell; Amasia-Mrs Baker; Theocrine-Mrs Farlee?; Epilogue-.
Cast
Role: Vanlore Actor: Powel
Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Edition of 1693: Prologue intended for the Old Batchelor [sent to the Author, by an unknown Hand-; Prologue-Mrs Bracegirdle; Epilogue-Mrs Barry; Heartwell-Betterton; Bellmour-Powel; Vainlove-Williams; Sharper-Alexander [Verbruggen]; Sir Joseph-Bowen; Bluff-Hains; Fondlewife-Dogget; Servant-Underhill; Araminta-Mrs Bracegirdle; Belinda-Mrs Mountfort; Laetitia-Mrs Barry; Sylvia-Mrs Bowman; Lucy-Mrs Leigh.
Cast
Role: Bellmour Actor: Powel
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3130, 7-11 Nov. 1695, suggests that it was acted not later than October 1695, although the first production may have been earlier than that. Part of the music was composed by Henry Purcell: Celia has a thousand charms, sung by Young Bowen; Take not a woman's anger ill, sung by Leveridge; and How happy is she, sung by Miss Cross; all are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XXI (1917), x-xi. Another song, To me you made a thousand vows, set by John Blow, is in Amphion Anglicus, 1700. Dedication, Edition of 1696: I...found so much interrutpion and discouragement from some prejudic'd Gentlemen, who ought to have us'd me better, or, at least, had no reason to use me ill, that I repented I had bestow'd any time upon it....In spite of 'em, my Lord, it was kindly receiv'd, and that too, at a time when the Town was never thinner of Nobility and Gentry

Performances

Mainpiece Title: The Rival Sisters Or The Violence Of Love

Performance Comment: Edition of 1696: Prologue by Mr D'Urfey-Mr Horden; Epilogue by Mr D'Urfey-Mr Verbruggen who enters laughing; Vilarezo-Dizny; Sebastian-Verbruggen; Antonio-Powel Jr; Alonzo-Williams; Vilander-Horden; Gerardo-Johnson; Diego-Tho. Kent; Catalina-Mrs Knight; Berinthia-Mrs Rogers; Alphanta-Miss Cross; Ansilva-Mrs Verbruggen; Julia-Mrs Seagrove; Clara-Mrs Newman.
Cast
Role: Antonio Actor: Powel Jr
Role: Gerardo Actor: Johnson
Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)

Performances

Mainpiece Title: Bonduca Queen Of The Britons

Performance Comment: Caratach-Holman; Petillius-Pope; Penius-Farren; Suetonious-Harley; Junius-Middleton; Hengo-Miss Standen; Demetrius-Macready; Decius-Davies; Curius-Richardson; Macer-Powel; Judas-Quick; Bonvica-Miss Wallis; Emmeline-Miss Hopkins; Bonduca-Mrs Pope.
Cast
Role: Macer Actor: Powel

Afterpiece Title: He Woud be a Soldier

Cast
Role: Sir Oliver Oldstock Actor: Powel
Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): John Brownsmith
Related Work: The Rival Soldiers Author(s): John O'Keeffe
Related Work: The Poor Soldier Author(s): John O'Keeffe

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Event Comment: Benefit for Holman. Afterpiece : Not acted these 8 years [not acted since 16 sar. 1786]. Oracle, 16 Mar.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #318 19s. (205.3.6; 5.11.0; tickets: 108.4.6)

Performances

Mainpiece Title: King Henry The Fourth First Part

Performance Comment: As17951214, but Westmorland-_; Sheriff-_; Peto-_; Gadshill-_; Prince John of Lancaster-_; Messenger-_; Hotspur's Servant-_; Travellers-_.

Afterpiece Title: St

Performance Comment: Patrick's Day; or, The Scheming Lieutenant. Justice Credulous-Quick; Lieut. O'Connor-Macready; Dr Rosy-Powel; Serjeant Trounce-Haymes; Corporal Flint-Wilde; Clown-Farley; Servant-Ledger; Lauretta-Mrs Mountain; song-Mrs Mountain; Bridget-Mrs Davenport.
Cast
Role: Dr Rosy Actor: Powel

Entertainment: Monologue. End: Dryden's Ode of Alexander's Feast-Holman

Song: After the monologue: My Mother had a Maid called Barbara, as17960314The Minstrel's Song, Where is that tow'ring spirit fled? as17960314Tho' Hurricanes rattle (composed by Shield)-Incledon, Bowden; Ye Gentlemen of England, as17960314

Event Comment: Benefit for Quick. 2nd piece: In one Act. A Tragi-Comic, Pastoral, Operatical, Farcical Drama, written by the Author of The Beggar's Opera [John Gay]. True Briton, 3 Apr.: Tickets to be had of Quick, No. 30, Little Queen-street, Lincoln's Inn-Fields. Receipts: #352 0s. 6d. (140.15.6; 5.9.0; tickets: 205.16.0)

Performances

Mainpiece Title: The Way To Get Married

Cast
Role: John Actor: Farley

Afterpiece Title: What dye Call It

Performance Comment: JonasDock, alias Timothy Peascod-Munden; Sir Roger-Davenport; Sir Humphrey-Thompson; Justice Statue-Street; Steward-Powel; Peter Nettle-Farley; Constable-Abbot; Countryman-Follett; Unborn Ghost-Master Standen; Smut, the Farrier's Ghost-Simmons; Squire Thomas, alias ThomasFilbert-Knight; Mother's Ghost-Mrs Henley; Grandmother-Mrs Gilbert; Dorcas-Mrs Watts; Aunt-Mrs Platt; Ghost of Bees-Mrs Norton; Kitty Carrots (with the original song, 'Twas when the seas were roaring)-Mrs Martyr.
Cast
Role: Steward Actor: Powel

Afterpiece Title: Tom Thumb

Event Comment: [Miss Powel is identified in Morning Chronicle, 2 July.

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: [Principal Characters by Palmer, Griffin (from the Theatre Royal, Bath), Gardner, Jackson, Massey, Painter, Webb (from the Theatre Royal, Edinburgh), Mrs Webb, Miss Farren, Mrs Poussin, A Young Gentlewoman (1st appearance on any stage Miss Powel]). [Cast from London Chronicle, 2 July, and adjusted from playbill of 9 June 1777: Young Marlow-Palmer; Hastings-Griffin; Sir Charles Marlow-Gardner; Tony Lumpkin-Jackson; Diggory-Massey; Landlord-Painter; Hardcastle-Webb; Mrs Hardcastle-Mrs Webb; Miss Hardcastle-Miss Farren; Betty-Mrs Poussin; Miss Neville-Miss Powel.
Cast
Role: Miss Neville Actor: Miss Powel.

Afterpiece Title: Buxom Joan

Event Comment: Receipts: #120 (Cross); #129 11s. (Powel)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Barry; Tom-Macklin; Myrtle-Mills; Cimberton-Taswell; Sealand-Berry; Indiana-Mrs Cibber; Phillis-Mrs Clive; Sir John Bevil-Winstone; Humphrey-Blakes; Lucinda-Mrs Ridout; Isabella-Mrs Bennet; Mrs Sealand-Mrs Cross; in Act II, Song-Lowe.
Cast
Role: Sir John Bevil Actor: Winstone

Dance: II: Les Caprices-; III: Grand Ballet-; V: Polish Dance, as17471102

Event Comment: Benefit for Cooke. Part of Pit laid into Boxes. Stage form'd into front and side Boxes. Tickets and Places to be had of Cooke at Mr Clark's, an Upholsterer, in James Street, Covent Garden; and of Hobson at the Stage Door. Receipts: #200 (Cross); house charges, #60 (Powel); cash, #55 17s.; tickets,124 3s. (Clay MS)

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: As17480122, but Richard-_; John Moody-_; Poundage-_; Mrs Motherly-_; Myrtilla-_; Trusty-_.
Cast
Role: John Moody Actor: Winstone

Afterpiece Title: The Lying Valet

Dance: I: Polish Dance, as17471109; III: Dutch Dance, as17471128; IV: Pastoral Dance-Cooke, Janeton Auretti; V: A Ball Dance, call'd The Louvre-; concluding with: a Minuet-Cooke, Anne Auretti

Event Comment: Receipts: #160 (Cross); #135 7s. 6d. (Powel)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Tom-Woodward; Daniel-Vaughan; Lucinda-Miss Cole; Isabella-Mrs James; Mrs Sealand-Mrs Cross; Young Bevil-Barry; Sir John Bevil-Winstone; Sealand-Berry; Myrtle-Lee; Cimberton-Taswell; Humphrey-Blakes; Phillis-Mrs Clive; Indiana-Mrs Cibber; In II a Scotch Cantata-Beard.
Cast
Role: Sir John Bevil Actor: Winstone

Afterpiece Title: The Anatomist

Music: II: By Desire a piece of Music-the Child

Dance: III: Savoyards, as17480920

Event Comment: Play Never acted there, written by Shakespear. Receipts: #160 (Cross); #134 1s. 6d. (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick for the first time; Don Pedro-Havard; Leonato-Berry; Don John-Winstone; Claudio-Lee; Friar-Bridges; Borachio-Blakes; Dogberry-Taswell; Sexton-Ray; Town Clerk-James; Verges-Neale; Conrade-Bransby; 1st Watchman-Vaughan; 2nd Watchman-Marr; Margaret-Mrs Havard; Ursula-Miss Cole; Hero-Mrs Elmy; Beatrice-Mrs Pritchard; Musical parts-Beard, Reinhold, Mrs Clive.
Cast
Role: Don John Actor: Winstone
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble
Event Comment: Play Never acted there. Characters New Dress'd. toller: [tolerable -?-] (Cross). We hear a new Tragedy called Mahomet and Irene will be acted at the Theatre Royal in Drury Lane after Christmas (General Advertiser). Receipts: #160 (Cross); #155 6d. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Escalus-Winstone; Capulet-Berry; Paris-Lee; Benvolio-Usher; Tybalt-Blakes; Friar Lawrence-Havard; Old Capulet-Wright; Friar John-Champness; Gregory-Taswell; Sampson-James; Balthasar-Bransby; Abraham-Marr; Mercutio-Woodward; Apothecary-Simpson; Peter-Vaughan; Page-Mas Cross; Guards-Raftor, Gray, Ray; Lady Capulet-Mrs Bennet; Nurse-Mrs James; Juliet-Mrs Cibber; with a new dance proper to the play-Cooke, Miss Janneton Auretti.
Cast
Role: Friar John Actor: Champness
Event Comment: Receipts: #140 (Cross); #113 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17481201, but add Montague-Barnet; Friar John-_; Apothecary-_; Page-_; Peter-_; Guards-_.
Cast
Role: Friar John Actor: Champness

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Powel, Thompson, Rock & Mrs Henley. [3rd piece in place of THE SHIPWRECK, advertised on playbill of 10 June.) Morning Herald, 11 June: Tickets to be had of Rock, No. 4, Martlett-court, Bow-street, Covent Garden [other recipients not listed). Receipts: #295 13s. 6d. (54/10/6; 10/19/0; tickets: 230/4/0)

Performances

Mainpiece Title: Columbus

Cast
Role: Catalpo Actor: Powel

Afterpiece Title: BRITISH FORTITUDE AND HIBERNIAN FRIENDSHIP

Related Works
Related Work: British Fortitude and Hibernian Friendship; or, An Escape from France Author(s): John Cartwright Cross

Afterpiece Title: THE WATERMAN

Performance Comment: Tom Tug (with The Mid Watch)-Incledon; Bundle-Powel; Robin-Munden// Mrs Bundle (with a favorite song)-Mrs Henley; Wilhelmina-Mrs Mountain (Their 1st appearance in those characters) .
Cast
Role: Bundle Actor: Powel

Music: End of 1st piece several favorite pieces of music on the Union Pipes by Courtney, accompanied on the Harp by Weippert

Song: 3rd piece: To conclude with Rule Britannia by Incledon

Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Related Works
Related Work: The Contrast: A Tragi-Comical Rehearsal of Two Modern Plays: Match Upon Match; or, No Match at All, and the Tragedy of Epaminodas Author(s): John Hoadley
Event Comment: The King's Company. The date of the premiere is not certain. This performance is known from an entry in the Newdigate newsletters, which also states that Rollo was to be acted on the following Monday. If this statement is accurate, the performance of The Loyal Brother on 4 Feb. 1681@2 may be the third night rather than the opening performance. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treaty and in ye afternoon goes to see Rollo D. of Normandy at ye Ks playhouse wre ye K was this afternoon to see ye new play calld ye Loyall brothr (Wilson, More Theater Notes from the Newdigate Newsletters, p. 59). The Prologue and Epilogue were printed separately and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 70-72. Luttrell acquired his copies (Huntington Library) on 7 Feb. 1681@2. In The Life of John Dryden (Chapel Hill, 1961), Charles E. Ward believes (pp. 166, 355) that The Loyal Brother was first acted in the autumn of 1681; but the entry in the Newdigate newsletters seems to make February 1682 the more probable time

Performances

Mainpiece Title: The Loyal Brother Or The Persian Prince

Performance Comment: Edition of 1682: The Prologue [Written by John Dryden]-; Seliman-Goodman; Tachmas-Clark; Ismael-Major Moon; Arbanes-Griffin; Osman-Saunders; Begona-Mrs Corey; Semanthe-Mrs Cook; Sunamire-Mrs Guin [Quin]; The Epilogue [Written by John Dryden]-Semanthe [Mrs Cook].Mrs Cook].
Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The London Hermit or Rambles in Dorsetshire

Performance Comment: The Characters by Bannister Jun., Suett, Aickin, Evatt, Usher, Parsons, Alfred, Johnstone, Ledger, Abbott, Lyons, Wewitzer, Bland, Barrett, Cooke, Palmer Jun., Benson, Miss Heard, Mrs Webb, Mrs Cuyler, Mrs Hale, Mrs Kemble. [Cast from text (J. Debrett, 1793); O'Keeffe's Dramatic Works, Vol. III (T. Woodfall, 1798); London Chronicle; 1 July: Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Evatt; Barleycorn-Usher; Toby Thatch-Parsons; John Grum-Alfred; Tully-Johnstone; Coachman-Ledger; Skip-Abbott; John-Lyons; Barebones-Wewitzer; Apathy-Bland; Poz-Barrett; Bite-Cooke; Natty Maggs-Palmer Jun.; Carter-Benson [in text: Burton (see17930701]; Post Boy-Comerford (see17930706; Countryman-Waldron Jun. (see17930706; Dian-Miss Heard; Mrs Maggs-Mrs Webb; Mrs Dainty-Mrs Cuyler; Mrs Anymorn-Mrs Hale; Kitty Barleycorn-Mrs Kemble; Fishwoman-Mrs Powell (see17930701; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]
Cast
Role: John Grum Actor: Alfred
Role: Tully Actor: Johnstone
Role: John Actor: Lyons
Role: Fishwoman Actor: Mrs Powell
Related Works
Related Work: The London Hermit; or, Rambles in Doresetshire Author(s): John O'Keeffe

Afterpiece Title: The Deaf Lover

Performance Comment: As17930612 but John-Burton; Sternhold-Barrett.
Cast
Role: John Actor: Burton
Event Comment: Benefit for Burton, Miss Heard, Miss Tidswell, & Mrs Bramwell. [2nd piece: With alterations by John Philip Kemble.] 3rd piece: Not acted these 6 years. "Of [Wroughton's] comedy something favourably must be said. His personations are usually natural, easy, and spirited; he is perhaps too locomotive: he cannot bear to stand still...To this peculiar bustle of his motion may be attributed much of his success in Sir John Restless [in All in the Wrong]...For the same reason, no man can play Ford with half the effect Wroughton does" (Monthly Mirror, Mar. 1796, p. 304). Morning Herald, 30 May: Tickets to be had of Miss Heard, No. 43, Haymarket [others not listed]. Receipts: #337 6s. 6d. (30.13.0; 40.16.6; 3.4.6; tickets: 260.10.0; odd money: 2.2.6) (charge: #202 11s.)

Performances

Mainpiece Title: The Purse

Related Works
Related Work: The Purse; or, Benevolent Tar Author(s): John Cartwright Cross

Afterpiece Title: The Merry Wives of Windsor

Performance Comment: Sir John Falstaff-Palmer; Fenton-Trueman; Shallow-Waldron; Slender (1st time)-Russell; Mr Page-Packer; Mr Ford-Wroughton; Sir Hugh Evans (1st time)-Dodd; Dr Caius-Wewitzer; Host of the Garter-Moody; Bardolph-Hollingsworth; Pistol-R. Palmer; Nym-Webb; Robin-Master Kean; Simple-Burton; Mrs Page-Miss Pope; Mrs Ford (1st time)-Mrs Goodall; Mrs Ann Page (1st time)-Miss Heard; Mrs Quickly-Mrs Hopkins.
Cast
Role: Sir John Falstaff Actor: Palmer
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: The Gentle Shepherd

Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)

Performances

Mainpiece Title: Adelaide

Performance Comment: Characters by Aickin, Kemble, Barrymore, C. Kemble, Cory, Maddocks, Mrs Siddons, Miss Heard, Mrs Coates. Cast from text (John Stockdale, 1800): King Henry-Aickin; Prince Richard-Kemble; Prince John-Barrymore; Clifford-C. Kemble; Legate-Cory; Officer-Maddocks; Adelaide-Mrs Siddons; Emma-Miss Heard; Abbess-Mrs Coates; Prologue-C. Kemble; Epilogue-Miss Mellon.
Cast
Role: Prince John Actor: Barrymore

Afterpiece Title: The First Floor

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: Londons Triumph Or The Goldsmiths Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Related Works
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham