Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Page"/1) | (@(roleclean,performerclean) "John Page")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
13200 results for: Keyword - John Page
We found 11035 matches on Author, 2125 matches on Performance Comments, 1289 matches on Event Comments, 323 matches on Performance Title, and 0 matches on Roles/Actors.

11726
30 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva (1st time)-Barrymore; Figaro-R. Palmer; Antonio-Wewitzer; Bazil-Maddocks; Page-Miss DeCamp; Countess (1st time)-Miss Biggs; Susan-Mrs Jordan (1st appearance in that character).
Cast
Role: Page Actor: Miss DeCamp

Afterpiece Title: Blue Beard

11727
01 October 1798 @ Covent Garden

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Pope; Acasto-Murray; Polydore-Clarke; Chaplain-Powel; Ernesto-Thompson; Page-Master Standen; Chamont-Holman; Serina-Miss Mansel; Florella-Miss Leserve; Monimia-Mrs Pope.
Cast
Role: Page Actor: Master Standen

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Lewis; Figaro-Farley; Antonio-Munden; Bazil-Powel; Page (with a song)-Mrs Martyr; Countess-Miss Chapman; Marcelina-Mrs Gilbert; Agnes-Miss Sims; Susan-Miss Betterton (1st appearance in that character).
Cast
Role: Page Actor: Mrs Martyr

11728
24 January 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Performers-Leete, Page, Friend, Walker, Sale, Master Elliot, Miss Leak, Miss Poole; Conductor-Dr Arnold; Leader of the Band-Barthelemon; Organ-Jacob.
Cast
Role: Principal Performers Actor: Leete, Page, Friend, Walker, Sale, Master Elliot, Miss Leak, Miss Poole

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

11729
01 March 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Come, come, all noble souls-Incledon, Page, Sale (Rogers); Tune your harps-Mrs Atkins; Every day will I give thanks-Incledon (Chandos Anthems); The Mighty power-Chorus; Rejoice O Judah-Sale (Athalia); Let the bright Seraphim-Mme Mara; Let their celestial concerts-Chorus (Samson).
Cast
Role: all noble souls Actor: Incledon, Page, Sale

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

11730
13 March 1799 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel boyce And purcell

Performance Comment: Principal Vocal Performers-Incledon, Sale, Denman, Page, Bartleman, Mme Mara, Miss Capper, Miss Waters, Miss Poole.
Cast
Role: Principal Vocal Performers Actor: Incledon, Sale, Denman, Page, Bartleman, Mme Mara, Miss Capper, Miss Waters, Miss Poole.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17990306

11731
15 March 1799 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel

Cast
Role: Principal Vocal Performers Actor: Incledon, Sale, Denman, Page, Bartleman, Mme Mara, Miss Capper, Miss Waters, Miss Poole.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Fifth Concerto (Martini)-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Softly sweet-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He was despised-Sga Galli, who is in her 77th year and in the greatest distress, and most humbly hopes for the protection of the Public on the occasion (The Messiah); Disdainful of danger-Incledon, Page, Bartleman (Judas Maccabaeus); Oft on a plat-Incledon; Let me wander-Mme Mara; Or let the merry bells-Chorus (L'Allegro).
Cast
Role: Disdainful of danger Actor: Incledon, Page, Bartleman

Afterpiece Title: Grand Selection 3

Music: As17990215

11732
06 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Purse

Performance Comment: As17990619 but The Baron-Caulfield; Page-Master Chatterley; Edmund-_; Theodore-_.
Cast
Role: Page Actor: Master Chatterley
Related Works
Related Work: The Purse; or, Benevolent Tar Author(s): John Cartwright Cross

Afterpiece Title: The Jew

Afterpiece Title: Fortunes Frolick

11733
22 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The Heir at Law

Cast
Role: John Hartopp Actor: Davenport
Role: Walwyn Actor: H. Johnston
Role: Walter Actor: H. Johnston

Afterpiece Title: The Purse

Performance Comment: As17990619 but the Baron-Caulfield; Edmund-Trueman; Page-Master Chatterley.
Cast
Role: Page Actor: Master Chatterley.
Role: John Hartopp Actor: Davenport
Role: Walwyn Actor: H. Johnston
Role: Walter Actor: H. Johnston
Related Works
Related Work: The Purse; or, Benevolent Tar Author(s): John Cartwright Cross

11734
13 August 1799 @ Haymarket Theatre

Performances

Mainpiece Title: Zorinski

Performance Comment: Zorinski-Barrymore; Casimir-Aickin; Radsano-[J.] Palmer; Rodomsko-Caulfield; Naclo-Trueman; Witzki-Fawcett; Amalekite-Suett; O'Curragh-Johnstone; Zarno-Wathen (1st appearance in that character); Winifred-Mrs Bland; Rachel-Miss DeCamp; Rosolia-Miss Heard.
Cast
Role: O'Curragh Actor: Johnstone

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-C. Kemble (1st appearance in that character); Figaro-Palmer; Nasil-Trueman; Antonio-Suett; Servants-Abbot, Lyons, Chippendale; Page-Miss DeCamp; Countess-Miss Chapman; Agnes-Miss Menage; Susan-Mrs Gibbs.
Cast
Role: Page Actor: Miss DeCamp

Song: End: My Mother bids me bind my Hair (by Haydn)-Master Suett (1st appearance in public)

11735
11 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-C. Kemble; Figaro-Palmer; Antonio-Wewitzer; Bazil-Maddocks; Page-Miss DeCamp; The Countess-Miss Heard; Agnes-Miss Wentworth; Susan-Miss Mellon.
Cast
Role: Page Actor: Miss DeCamp

Music: As17991127

Dance: As17991127

11736
16 January 1800 @ Covent Garden

Performances

Mainpiece Title: Joanna

Performance Comment: Principal Characters by Pope, Holman, Waddy, Davenport, Munden, H. Johnston, Claremont, Klanert, Murray, Emery, Thompson, Gardner, King, Abbot, Rees, Curties, Mrs H. Johnston, Mrs Whitmore, Miss Gilbert, Mrs Pope. Vocal Parts-Incledon, Townsend, Linton, Street, Hill, Miss Waters, Miss Wheatley, Miss Sims, Mrs Iliff, Mrs Castelle; [Cast from text (Lackington, Allen & Co., 1800), and Dramatic Censor, I, 102: Albert-Pope; Lazarra-Holman; Wensel-Waddy; Old Peasant-Davenport; Wolf-Munden; Philip-H. Johnston; Mountaineer-Claremont; Soldiers-Klanert, Thompson, Atkins; Hermit-Murray; Guntram-Emery; Shepherd-Gardner; Ulrick-King; Reinhard-Abbot; Romuald-Rees; Lazarra's Servant-Curties; Darbony-Incledon; Page-Miss Waters; Eloisa-Mrs H. Johnston; Old Woman Peasant-Mrs Whitemore; Joanna-Mrs Pope; Girl-Miss Cox; unassigned-Miss Gilbert; Prologue-Murray. [This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]
Cast
Role: Philip Actor: H. Johnston
Role: Page Actor: Miss Waters
Role: Eloisa Actor: Mrs H. Johnston

Afterpiece Title: The Intriguing Chambermaid

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox

11737
10 February 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Cast
Role: Henry Actor: H. Johnston
Role: Miss Blandford Actor: Mrs H. Johnston

Afterpiece Title: Raymond and Agnes or The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun., Blurton; Baptist (their Father)-Delpini; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Whitmore Sen.; Theodore (Page to Raymond)-Simmons; Antonio (Page to Agnes, with a Song)-Miss Sims; Father Ansellum-Whitmore; Master of Hotel-Atkins; Old Steward (to Felix)-Wilde; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, Gardner, Denman, J. Linton, Lee, Potts, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, L. Bologna, Lewiss, Webb, Abbot, Goostree, Howell, Vials, Letteney; Maugerette (Baptist's mistress)-Mrs Mills; Spectre of the Bleeding Nun (mother of Agnes-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Mrs Norton; Abbess of St. Claire-Mrs Gilbert; Agnes (Daughter to the Count of Lindenbergh)-Mrs Parker (1st appearance in that character); Nuns of the Convent of St. Claire-Ms Castelle, Ms Iliff, Ms Leserve, Ms Sydney, Ms Lloyd, Ms Norton, Ms Masters, Ms Cox, Ms Bologna, Ms Whitmore.

11738
15 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Cast
Role: Harry Bertram Actor: H. Johnston
Related Works
Related Work: The Birth Day; or, The Prince of Arragon Author(s): John O'Keeffe

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Lewis; Figaro-Farley; Antonio-Munden; Bazil-Rees; The Page (with a song)-Mrs Mills (1st appearance in that character); The Countess-Miss Chapman; Susan-Mrs Glover.
Cast
Role: The Page Actor: Mrs Mills

Afterpiece Title: St

Song: End I 1st piece: song-Master Gray; End I 2nd piece: Time has not thin'd my flowing Hair-Incledon, Townsend; End 2nd piece: This Life is like a Country Dance-Fawcett; The Advantage of Toping-Townsend; Fat Dolly the Cook-Munden; The Anchor Smiths-Townsend

Entertainment: Imitations End I 1st piece: a Few Select Imitations-Townsend

11739
06 June 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Barrymore; Ismael-Caulfield; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Lilla-Mme Bolla (First Comick Singer from the Opera House, by permission of the Proprietors; 1st and only appearance on the English [speaking] stage); Ghita (1st time)-Miss Clara Dixon (of the Opera House); Katharine-Mrs Crouch; Page-A Young Lady (1st appearance on any stage [in a speaking part: Miss Jacobs]).in a speaking part: Miss Jacobs]).
Cast
Role: Page Actor: A Young Lady

Afterpiece Title: Of Age To morrow

Song: III: a new song (composed by Kelly)-Mme Bolla

11740
26 May 1662 @ The Red Bull Theatre

Event Comment: Hotson (Commonwealth and Restoration Stage, pp. 178-79) believes that this was Jolly's organization. See also the list of Sir Edward Browne's attendance at plays in the introduction to this season. An edition of this play appeared in 1663, but the title page does not state at what theatre the play was given. Pepys, Diary: Thence to taken my wife to the redd bull, where we saw Doctor Faustus, but so wretchedly and poorly done, that we were sick of it, and the worse because by a former resolution it is to be the last play we are to see till Michaelmas

Performances

Mainpiece Title: Doctor Faustus

Related Works
Related Work: The Necromancer; or, Harlequin Doctor Faustus Author(s): John Rich
Related Work: Harlequin Doctor Faustus Author(s): John Thurmond

11741
04 March 1671 @ no theater listed

Event Comment: Lady Mary Bertie to Katherine Noel, 4 March 1670@1: I was with my Lady Rochester and my Lady Bettey Howard and Mrs Lee at a play (HMC, 12th Report, Part V, Vol. II, page 23)

Performances

11742
16 March 1671 @ no theater listed

Event Comment: Lady Mary Bertie to Katherine Noel, 16 March 1670@1: I have sent you the songs that were in the ballet (HMC, 12th Report, Part V, Vol. II, page 23)

Performances

11743
11 November 1672 @ Charing Cross

Event Comment: A playbill [PRO, State Papers 29, Vol. 317, No. 187): At the Booth at Charing-Cross, every day in the Week will be presented variety of Farces Drolls, and Comical Entertainments by Mr Anthony Devo, His Majesties Servant. And this present Monday being the Eleventh of November, will be presented the Dutch cruelties at Amboyna, with the humours of the Valiant Welch-Man. Acted by Men and Women. Beginning exactly at Two of the Clock in the Afternoon, and at Four. Vivat Rex. [This playbill is reproduced in Theatre Notebook, VI (1952), opposite page 36.] L. C. 5@140, p. 129 (Nicoll, Restoration Drama, p. 250): That Antonio diVoto Doe sett forth Exercise & Play all Drolls and Interludes, He not receiuing into his Company any person belonging to his Mates or Royal Highnesse Theatres Nor Act any Play usually acted at any of ye said Theatres Nor takes peeces or Sceenes out of ye Playes Acted at ye said Theatres

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna With The Humours Of The Valiant Welch man

11744
December 1673 @ Lincoln's Inn Fields

Event Comment: The King's Company. It is difficult to assign a date to this burlesque, but it is obviously a satiric thrust at Elkanah Settle's The Empress of Morocco, which had been acted on 3 July 1673, and on Macbeth, which had been most recently acted (probably) on 9 Aug. 1673. As the title page of Duffett's burlesque does not name a theatre, it is not known whether it was acted before the King's Company left Lincoln's Inn Fields for the new theatre in Drury Lane. But the fact that Settle's Empress of Morocco was acted again at Dorset Garden on 6 Dec. 1673 makes December 1673 a likely month (or the King's Company to play its burlesque, although it may have been given in the late summer or early autumn, as many lesser actors are in the cast

Performances

Mainpiece Title: The Empress Of Morocco

11745
March 1674 @ Lincoln's Inn Fields

Event Comment: The King's Company. The date of the premiere is not known, but, as the play was entered in the Term Catalogues, May 1674, a first production not later than March 1674 is likely. In addition, the relatively large number of minor actors suggests that it might be a Lenten performance by the young players of the company. As to the authorship, the title page states: Written by a Person of Honour. On the other hand, Langbaine (English Dramatick Poets, p. 526) reports that he had heard that it was written by Duffett. The second Prologue is in Covent Garden Drollery, 1673, but the fact that it was intended but not spoken does not assist in dating the first performance

Performances

Mainpiece Title: The Amorous Old Woman Or tis Well If It Take

11746
19 November 1674 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this is the premiere, but the frequency of performance of The Tempest during September-October-November would make November 1674 a suitable time for a burlesque of this sort. A small quarto, The Songs & Masque in the New Tempest (in the Huntington Library, 122925), without a title page, contains what are apparently the songs and concluding masque of the play. It may have been issued during the run of the play and sold at the theatre. It does not name any performers. Langbaine (English Dramatick Poets, p. 177): This Play was to draw the Town from the Duke's Theatre, who for a considerable time had frequented that admirable reviv'd Comedy call'd The Tempest

Performances

Mainpiece Title: The Mock tempest Or The Enchanted Castle

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

11747
25 May 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Virtuoso

Performance Comment: Edition of 1676: Prologue-; Epilogue-; A copy in the William Andrews Clark Jr Memorial Library, Los Angeles, has the following manuscript cast, which may well be the original cast. (The trimming of the page has sometimes cut off the first letter or two of a name, and these have been supplied.) Sir NicholasGimcrack-Percivall; Sir Formal Trifle-Anthony Leigh; Sir Samuel Hearty-Underhill; Longvill-Betterton; Bruce-Smythe; Hazard-Jevon; Lady Gimcrack-Mrs Shadwell; Clarinda-Mrs Currer; Miranda-Mrs Betterton; unassigned-Mrs Price.

11748
March 1681 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known. As the play was entered in the Term Catalogues, May 1681, it was probably first acted not later than March 1681. The title page states: Revis'd with Alterations

Performances

Mainpiece Title: The History Of King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

11749
04 May 1682 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: On this date the officers of the Duke's Company and the King's Company entered into agreements to merge the two companies. For details, see Hotson, Commonwealth and Restoration Stage, p. 271; Fitzgerald, A New History, I, 154-58; and Nicoll, Restoration Drama, pp. 296-97. See also Langhans, New Restoration Theatre Accounts, p. 122, for evidence that the union had been effectively made by 13 May 1682. See page 123 for evidence that the company probably acted continuously to 7 August 1682, then closed until early October. But see 10 August 1682

Performances

Mainpiece Title: Omment

11750
29 October 1685 @ Whitehall or St. James's

Event Comment: The United Company. This performance, which is out of the chronological order, is on L. C. list, 5@147, p. 68; the list does not indicate which Part of this play was given. See also Nicoll, Restoration Drama, p. 350, and page 380, for an order (L. C. 5@147, p. 1) for rehabilitation of the seats in the theatre

Performances

Mainpiece Title: The Rover

Related Works
Related Work: Love In Many Masks Author(s): John Philip Kemble