SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Leigh"/1) | (@(roleclean,performerclean) "John Leigh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 2279 matches on Performance Comments, 1208 matches on Event Comments, 332 matches on Performance Title, and 8 matches on Roles/Actors.
Event Comment: At Hall-Leigh Great Theatrical Booth in Bird-Cage Alley. Mainpiece. an excellent Droll

Performances

Mainpiece Title: The True, Famous And Ancient History Of King Saul, And The Witch Of Endor; Containing The Death Of Gyant Goliath, The Friendship Of David And Jonathan, And The Defeat Of King Saul And His Host, By The Philistine Army; With The Comical Humours Of Dame Double-dabber, Weezel Her Son, And Corporal Bowling-pin

Performance Comment: Parts-Leigh, Hall, Williams, Oates, Hewlet, Mrs Willis, Mrs Cook.

Song: Ray, Mrs Bowman

Dance: The best Masters

Event Comment: Benefit Berry and Boman. Tickets for Leigh taken

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17360415 but Manly-Berry; Richard-Leigh; Myrtilla-Mrs Villeneuve .
Cast
Role: Richard Actor: Leigh
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): John Vanbrugh

Afterpiece Title: The Mock Doctor

Dance: I: English Maggot by Villeneuve and Mrs Walter. III: Dutchman and his Frow by Phillips and Miss Brett. V: Revellers by Essex, Mrs Walter, &c

Event Comment: Benefit Woodward. Tickets for Leigh taken

Performances

Mainpiece Title: The Relapse

Performance Comment: Foppington-Woodward; Loveless-Milward; Berinthia-Mrs Giffard; Hoyden-Mrs Clive; Worthy-Mills; Sir Tunbelly-Shepard; Coupler-Johnson; Lory-Macklin; Amanda-Mrs Butler.
Cast
Role: Coupler Actor: Johnson
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Fortune Tellers; With Harlequin Skeleton

Performance Comment: Harlequin-Woodward; Pierot-Lalauze; Queen of Gypsies-Miss Jones; Sir Positive-Winstone; Staytape-Leigh; Constable-Reed; Lady Positive-Yates; Maid-Miss Story; Young Rustick-Liviez; Colombine-Mrs Walter.
Cast
Role: Staytape Actor: Leigh
Related Works
Related Work: The Female Fortune Teller Author(s): Charles Johnson

Ballet: concluding with Aconcluding with A Voyage to the Island of Cytherea. Adonis-Desnoyer; Venus-Mlle Chateauneuf; Pilgrims-Liviez, Cooke, Mrs Walter, Mrs Thompson; Cupid-Muilment

Event Comment: Benefit Mrs Macklin and Mrs Bennet. Tickets deliver'd out by Leigh, Carter and Miss Story will be taken. Tickets and places to be had of Bradshaw &c., and of Mrs Macklin at No. 12 in Wild Court, Wild St. Afterpiece: The Most Grave, Whimisical, Serious, Operatical Tragedy of Half and Act. Receipts: #150

Performances

Mainpiece Title: The Committee

Performance Comment: As17420106, but Abel-Leigh; Bookseller-Green; Arabella-Mrs Bennet.
Cast
Role: Abel Actor: Leigh
Role: Obadiah Actor: Johnson

Afterpiece Title: Chrononhotonthologos, Emperor of Queeramania

Performance Comment: Chrononhotonthologos-Winstone; Bombardinion-Green; Quack-Gray; Aldiborontiphoscophornio-Cross; Captain of Guards-Woodburn; King of Fiddlers-Leigh; King of Antipodes-Hough; Rigdumfunidos-Macklin; Fadladinida-Mrs Cross; Tatlanthe-Mrs Bennet; Venus-Mrs Philips; Cupid-Miss Cole; Ladies of Honour-Miss Story, Miss Minors.
Cast
Role: King of Fiddlers Actor: Leigh

Song: I: A Ballad-Lowe; III: Bumper Squire Jones-Beard; IV: Elin@a@Roon (By Particular Desire)-Mrs Clive

Dance: II: Le Boufon, as17420325 V: The Drunken Peasant, as17411029

Event Comment: Benefit for Ray, Leigh, and Dickenson a Door Keeper (Cross). [The General Advertiser lists Dickenson as Gallery Office Keeper.] Receipts: #219 (Cross); house charges, #63 (Powel); cash, #37 18s. 6d.; tickets, #181 6s. (Clay MS)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17480415 but Tom-Macklin; Daniel-Leigh; With song-Lowe.
Cast
Role: Daniel Actor: Leigh
Role: Sir John Bevil Actor: Winstone

Afterpiece Title: Damon and Phillida

Dance: V: Savoyards, as17471215

Event Comment: Benefit John Leigh. Receipts: #103 12s. 6d

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Walking Statue

Dance: As17150314

Song: As17150310

Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Related Works
Related Work: The Contrast: A Tragi-Comical Rehearsal of Two Modern Plays: Match Upon Match; or, No Match at All, and the Tragedy of Epaminodas Author(s): John Hoadley
Event Comment: The King's Company. The date of the premiere is not certain. This performance is known from an entry in the Newdigate newsletters, which also states that Rollo was to be acted on the following Monday. If this statement is accurate, the performance of The Loyal Brother on 4 Feb. 1681@2 may be the third night rather than the opening performance. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treaty and in ye afternoon goes to see Rollo D. of Normandy at ye Ks playhouse wre ye K was this afternoon to see ye new play calld ye Loyall brothr (Wilson, More Theater Notes from the Newdigate Newsletters, p. 59). The Prologue and Epilogue were printed separately and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 70-72. Luttrell acquired his copies (Huntington Library) on 7 Feb. 1681@2. In The Life of John Dryden (Chapel Hill, 1961), Charles E. Ward believes (pp. 166, 355) that The Loyal Brother was first acted in the autumn of 1681; but the entry in the Newdigate newsletters seems to make February 1682 the more probable time

Performances

Mainpiece Title: The Loyal Brother; Or, The Persian Prince

Performance Comment: Edition of 1682: The Prologue [Written by John Dryden]-; Seliman-Goodman; Tachmas-Clark; Ismael-Major Moon; Arbanes-Griffin; Osman-Saunders; Begona-Mrs Corey; Semanthe-Mrs Cook; Sunamire-Mrs Guin [Quin]; The Epilogue [Written by John Dryden]-Semanthe [Mrs Cook].Mrs Cook].
Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 3 May 1790]. Paid Say for Tallow Candles last Season #88 6s. 3d. "That beautiful and best drawn character that the world ever saw, Sir John Falstaff, was mangled by Ryder. He substitutes savageness to jollity, and stiff mimicry to the natural debauchery that should hang as easily on Sir John as the Roomy mantle he moves in...Lewis gave us more the manner of the pretty man of fashion than of a dissipated hero" (Prompter, 4 Nov.). Receipts: #168 1s. 6d. (164.12.6; 3.9.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Sir John Falstaff-Ryder; King-Aickin; Prince of Wales-Lewis; Sir Richard Vernon-Farren; Worcester-Powel; Poins-Davies; Francis-Edwin; Sir Walter Blount-Macready; Bardolph-Rock; Douglas-Egan; Carriers-Bernard, Blanchard; Hotspur-Fennell (1st appearance in that character); Hostess-Mrs Pitt; Lady Percy-Miss Chapman.
Cast
Role: Sir John Falstaff Actor: Ryder

Afterpiece Title: Don Juan

Dance: As17890916

Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The London Hermit; or, Rambles in Dorsetshire

Performance Comment: The Characters by Bannister Jun., Suett, Aickin, Evatt, Usher, Parsons, Alfred, Johnstone, Ledger, Abbott, Lyons, Wewitzer, Bland, Barrett, Cooke, Palmer Jun., Benson, Miss Heard, Mrs Webb, Mrs Cuyler, Mrs Hale, Mrs Kemble. [Cast from text (J. Debrett, 1793); O'Keeffe's Dramatic Works, Vol. III (T. Woodfall, 1798); London Chronicle; 1 July: Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Evatt; Barleycorn-Usher; Toby Thatch-Parsons; John Grum-Alfred; Tully-Johnstone; Coachman-Ledger; Skip-Abbott; John-Lyons; Barebones-Wewitzer; Apathy-Bland; Poz-Barrett; Bite-Cooke; Natty Maggs-Palmer Jun.; Carter-Benson [in text: Burton (see17930701]; Post Boy-Comerford (see17930706; Countryman-Waldron Jun. (see17930706; Dian-Miss Heard; Mrs Maggs-Mrs Webb; Mrs Dainty-Mrs Cuyler; Mrs Anymorn-Mrs Hale; Kitty Barleycorn-Mrs Kemble; Fishwoman-Mrs Powell (see17930701; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]
Cast
Role: John Grum Actor: Alfred
Role: Tully Actor: Johnstone
Role: John Actor: Lyons
Related Works
Related Work: The London Hermit; or, Rambles in Doresetshire Author(s): John O'Keeffe

Afterpiece Title: The Deaf Lover

Performance Comment: As17930612 but John-Burton; Sternhold-Barrett.
Cast
Role: John Actor: Burton
Event Comment: Benefit for Burton, Miss Heard, Miss Tidswell, & Mrs Bramwell. [2nd piece: With alterations by John Philip Kemble.] 3rd piece: Not acted these 6 years. "Of [Wroughton's] comedy something favourably must be said. His personations are usually natural, easy, and spirited; he is perhaps too locomotive: he cannot bear to stand still...To this peculiar bustle of his motion may be attributed much of his success in Sir John Restless [in All in the Wrong]...For the same reason, no man can play Ford with half the effect Wroughton does" (Monthly Mirror, Mar. 1796, p. 304). Morning Herald, 30 May: Tickets to be had of Miss Heard, No. 43, Haymarket [others not listed]. Receipts: #337 6s. 6d. (30.13.0; 40.16.6; 3.4.6; tickets: 260.10.0; odd money: 2.2.6) (charge: #202 11s.)

Performances

Mainpiece Title: The Purse

Related Works
Related Work: The Purse; or, Benevolent Tar Author(s): John Cartwright Cross

Afterpiece Title: The Merry Wives of Windsor

Performance Comment: Sir John Falstaff-Palmer; Fenton-Trueman; Shallow-Waldron; Slender (1st time)-Russell; Mr Page-Packer; Mr Ford-Wroughton; Sir Hugh Evans (1st time)-Dodd; Dr Caius-Wewitzer; Host of the Garter-Moody; Bardolph-Hollingsworth; Pistol-R. Palmer; Nym-Webb; Robin-Master Kean; Simple-Burton; Mrs Page-Miss Pope; Mrs Ford (1st time)-Mrs Goodall; Mrs Ann Page (1st time)-Miss Heard; Mrs Quickly-Mrs Hopkins.
Cast
Role: Sir John Falstaff Actor: Palmer
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: The Gentle Shepherd

Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)

Performances

Mainpiece Title: Adelaide

Performance Comment: Characters by Aickin, Kemble, Barrymore, C. Kemble, Cory, Maddocks, Mrs Siddons, Miss Heard, Mrs Coates. Cast from text (John Stockdale, 1800): King Henry-Aickin; Prince Richard-Kemble; Prince John-Barrymore; Clifford-C. Kemble; Legate-Cory; Officer-Maddocks; Adelaide-Mrs Siddons; Emma-Miss Heard; Abbess-Mrs Coates; Prologue-C. Kemble; Epilogue-Miss Mellon.
Cast
Role: Prince John Actor: Barrymore

Afterpiece Title: The First Floor

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Related Works
Related Work: London's Triumphs Author(s): John Tatham
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham
Event Comment: The United Company. The date of the first performance is not known; It is one of several plays which may have been acted in or near December, for three were entered in the Term Catalogues at approximately the same time. Of the three, The Mistakes was given first near Christmas 1690; the other two may have come earlier in the month. A song, When Sylvia was kind, the music composed by John Eccles, is in Joyful Cuckoldom, ca. 1695. In the text of the play is a song, Corinna in the bloom of youth, sung by Mrs Botoler

Performances

Mainpiece Title: Alphonso King Of Naples

Performance Comment: Edition of 1691: The Prologue-Mr Powell by Mr John Haynes; Alphonso-Bowman; Ferdinand-Powell; Cesario-Mountfort; Tachmas-Hodgson; Vincentio-Bridges; Sigismond-Cibber; Oswell-Freeman; Fabio-Bowen; Attendant-Kirkham; Urania-Mrs Bracegirdle; Ardelia-Mrs Richardson; Epilogue-Mrs Knight by Mr D'Urfey.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that it was advertised in the Post Boy, 27-29 Feb. 1695@6 and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than January 1695@6. It may have appeared around the turn of the year. One song, While Phillis does drink, set by John Eccles and sung by Coper; and another, So well Corinna likes the joy, the composer not named but sung by Young Laroch, a Boy of seven, are in Deliciae Musicae, The First Book of the Second Volume, 1696. Downes, Roscius Anglicanus, p. 45: A Comedy, wrote by Mr George Greenvil, when he was very Young; Extraordinary Witty, and well Acted; but offending the Ears of some Ladies who set up for Chastity, it made its Exit. A Comparison Between the Two Stages (1702), p. 20: And a good Comedy, tho it had the Misfortune to be ill receiv'd

Performances

Mainpiece Title: The She-gallants

Performance Comment: Edition of 1696: Prologue to the She@Gallant-Mr Betterton; Epilogue-Mrs Bracegirdle; Bellamour-Betterton; Philabel-Hodgson; Frederick-Thurman; Sir Toby Cusifle-Underhill; Sir John Aery-Bowen; Vaunter-Dogget; Courtall-Bailie; Lady Dorimen-Mrs Barry; Angelica-Mrs Bracegirdle; Constantia-Mrs Bootell; Lucinda-Mrs Bowman; Plackett-Mrs Lee.
Cast
Role: Sir John Aery Actor: Bowen
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Related Work: Tu Quoque; or, The City Gallant Author(s): John Cooke
Related Work: The Wild Gallant Author(s): John Dryden
Related Work: The She Gallant Author(s): John O'Keeffe
Related Work: The Amorous Gallant; or, Love in Fashion Author(s): John Bulteel
Related Work: The Positive Man Author(s): John O'Keeffe
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 16-18 April 1700, suggests that the first production came before Easter, March 31. A song, Delia tired Strephon with her flame, with music by John Eccles and sung by Bowman, is in Wit and Mirth, 1706

Performances

Mainpiece Title: The Beau Defeated; Or, The Lucky Younger Brother

Performance Comment: Edition ca. 1700: Prologue-Mr Bowman; Epilogue-a Boy; Sir John Roverhead-Bowman; Elder Clerimont-Trout; Younger Clerimont-Verbruggen; Belvoir-Thurmond; Lady Landsworth-Mrs Bracegirdle; Mrs Rich-Mrs Barry; Mrs Clerimont-Mrs Bowman; Lady la Basset-Mrs Prince; Mrs Fidget-Mrs Willis.
Cast
Role: Sir John Roverhead Actor: Bowman
Event Comment: Benefit Griffin. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Performance Comment: As17320210, but Sir John-A. Hallam; Berinthia-Mrs Heron; Nurse-Mrs Wetherilt (in Daily Journal, 7 April; Daily Post missing). Daily Post missing).
Cast
Role: Sir John Actor: A. Hallam
Role: Coupler Actor: Johnson
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley
Event Comment: Benefit Taylor, Beaw, Cooper, Widow Cook (Boxkeeper). Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Performance Comment: As17320210, but Sir John-A. Hallam; Berinthia-Mrs Horton; Nurse-Mrs Wetherilt.
Cast
Role: Sir John Actor: A. Hallam
Role: Coupler Actor: Johnson
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Actor: Stoppelaer
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: TThe Hussars-Essex, Mrs Booth; Saraband-Lally, Miss Mears

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: Set to Musick by Mr T. Arne Jr

Performances

Mainpiece Title: The Relapse

Performance Comment: As17331006, but Sir John Bull, Page omitted .
Cast
Role: Coupler Actor: Johnson
Role: Sir John Actor: Ridout
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Opera of Operas

Dance: As17331031

Event Comment: Mainpiece: A new Tragedy. [By John Hewitt.]

Performances

Mainpiece Title: Fatal Falshood

Performance Comment: Cast not listed, but edition of 1734 lists: Belladine-Bridgwater; Rainford-Marshall; Manlove-Paget; Wilraot-Turbut; Maria-Mrs Horton; Louisa-Miss Holliday; Amanthe-Mrs F.lmy. Prologue written by John Stacie and spoken by Bridgwater. Epilogue written by Aaron Hill and spoken by Mrs Clive .

Afterpiece Title: Cupid and Psyche

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Performance Comment: Othello-Sir Francis Delaval; Iago-John Delaval Esq; Cassio-E. Delaval Esq; Brabantio, Lodovico-Sim Pine Esq; Roderigo-Capt. Stevens; Desdemona-Mrs Quarme (Hogan) , Mrs Quan (Cross), Mrs Qualm (Winston); Emelia-Mrs Stevens (Hogan).
Cast
Role: Iago Actor: John Delaval Esq
Related Works
Related Work: The Gentleman Cully Author(s): Charles Johnson
Related Work: The Noble Gentlemen Author(s): John Fletcher
Related Work: A Fool's Preferment; or, The Three Dukes of Dunstable Author(s): John Fletcher
Related Work: Justice Busy; or, The Gentleman Quack Author(s): John Crowne
Event Comment: Benefit for Mr Pritchard--pretty well (Cross). Tickets at Pritchard's Warehouse. The only time this play and farce will be performed this season. Afterpiece: Taken from Sir Charles Sedley. [The Larpent MS 112 indicates additional parts in The Grumbler: Lovemore-$Jefferson; Capt. Bellmount-$Ackman; Sir John Rightou'd-?; +Rigant-$Marr; Shallow-$Vaughan; Victoria-$Mrs Simson; Sersnet-Miss ?; +Footboy-?; The MS contains prompt notes also.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17540330 but Dogberry-Taswell; Don John-Bransby; Antonio, Verges-_.
Cast
Role: Don John Actor: Bransby
Role: Don John Actor: Davies
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: The Grumbler

Dance: II: Masquerade Dance-

Event Comment: Receipts: #58 4s. Paid for sundries for Mr Ross, viz.: a hat at #1 1s. and a pair of shoes at 14 shillings for Essex; a pair of black shoes at 14 shillings and a pair of black shammy shoes at 10s. 6d. for Hamlet (Account Book). [See Hamlet in Shammy Shoes, by John Yoklavitch, Shakespear Quarterly, III (1952), pp. 209-18.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Ross; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Cimberton-Arthur; Tom-Dyer; Humphrey-Anderson; Daniel-Collins; Lucinda-Mrs Baker; Phillis-Mrs Vincent; Mrs Sealand-Mrs Stephens; Isabella-Miss Ferguson; Indiana-Mrs Hamilton; with Singing-Lowe.
Cast
Role: Sir John Actor: Gibson

Afterpiece Title: Merlin (Harlequin Skeleton)

Dance: JJovial Coopers, as17571107

Event Comment: Benefit for Woodward. Mainpiece: Not acted in 20 years. [See 27 Jan. 1744.] With the Humours of Sir John Falstaff. Pit and Boxes laid together, and the Stage formed into a commodious amphitheatre. Boxes, pit, and Stage 5s. Ladies send servants by 3 o'clock; otherwise, Woodward cannot be responsible for any mistake. Places with tickets to be had of Woodward at his house in the Piazza, cg. This Day Publish'd, The Dramatic Execution of Agis. Price 6d. Receipts: #300 (Cross)

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-Garrick, 1st time; Prince of Wales-Palmer; John of Lancaster-Usher; Archbishop of York-Havard; Chief Justice-Bransby; Shallow-Yates; Silence-Rooker; Pistol-Blakes; Hostess-Mrs Macklin; Doll Tearsheet-Miss Minors; Falstaff-Woodward, 1st time.
Cast
Role: John of Lancaster Actor: Usher
Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Afterpiece Title: The Male Coquette

Event Comment: bout this time in the month was printed a 42-page pamphlet, Reasons why David Garrick should not appear on the Stage, in a Letter to John Rich. This is high praise of Garrick: 'I am so blinded either by prejudice of admiration that I can see nobody else" when Garrick plays.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Leonato-Davies; Balthasar (with a proper song)-Atkins; Beatrice-Miss Pritchard; Don Pedro-Havard; Claudio-Palmer; Dogberry-Yates; Frair-Burton; Don John-Bransby; Verges-Philips; Borachio-Blakes; Hero-Mrs Davies; In Act II a Masquerade Dance-; in which will be introduc'd a Minuet-Noverre, Miss Pritchard; To conclude with a Country Dance-the characters of the play.
Cast
Role: Don John Actor: Bransby
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: Fortunatus