Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Event Comment: N.B. This was Mr Packer's first appearance at Drury Lane Theatre. He had acted one night at Covent Garden in the preceding season, Johnson, in the Rehearsal and the Frenchman in Lethe, which pieces were perform'd for Mr Lee's Benefit. Mr Garrick was there, and engag'd Mr Packer, who was going to Ireland, with Mr Barry, and Mr Woodward, into the Drury Lane Company. I am writing this on the sixth of April 1801--tonight Mr Packer told me the above Particulars at Drury Lane Playhouse, where he has always remained since his first being engaged there (J. P. Kemble's note on Huntington bill). Receipts: #100 (Cross); #107 1s. 6d. (Winston MS 8)

Event Comment: By Command of His Royal Highness the Prince of Wales (playbill). Prince of Wales and 6 more (Cross). Receipts: #210 (Cross). [Kemble's note in MacMillan suggests that Holland was ill so Garrick gave Moody 5 guineas to play Thyreus, actually his first appearance at dl.

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Kemble">Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Event Comment: DDesdemona-Mrs Davies. $Mrs Havard being ill Mr King play'd Iago (Hopkins). Mrs Yates ill...Mrs Davies Desdemona (Cross Diary). Benefit for Vernon. Tickets for The Roman Father will be taken. Both main and afterpiece, By Particular Desire. Mr King Iago. Mr Havard could not play Mrs Havard being dead (Hopkins Diary-MacMillan). A mistake in the Diary. Mrs Havard died Friday 27th (J. P. Kemble MS Notes-MacMillan). Music A La Mode deferr'd on account of Indisposition of a principal performer. Last time of performing till the Holidays. Charges: #64 4s. (MacMillan)

Event Comment: [Y+Young Gentleman is J. Aickin, in writing on Kemble's Bills. Genest, V, 159, suggests Palmer.

Event Comment: [The Young Gentleman who played Posthumus is identified by Kemble and Winston as Mr Warboys.] Gave Duke of Cumberland's Footmen #2 2s. (Account Book). [Town and Country Magazine (quoting Theatre No XIII) remarked on Warboys acting: "The success he met with will probably deter him from following the profession of the stage...not happy either in person or in physiognamy."] Receipts: #250 6s

Event Comment: Paid Messrs Cropley and Hart for men's cloaths, #13 2s. 6d. (Treasurer's Book). [Kemble Diary notes this as Burton's last performance. He died in May.] Receipts: #220 (Treasurer's Book)

Event Comment: Miss Mansell made her first appearance upon this Stage in Louisa Dudley She has a good face her figure rather Clumsey a hoarse Voice & not much Simplicity (Hopkins Diary). [Reviewer for Town and Country Magazine agrees Miss Mansell not too good as Louisa. Macmillan note from Kemble differs slightly: "Miss Mansell's first appearance,--she played Louisa Dudley,--a slattern figure, rather clumsy,--a coarse voice,--and no simplicity,--very unfit for the character Hopkins Diary No 7."] Paid three day's salary list at #80 7s. 5d. per diem,-#241 2s. 3d.; Mr S. French, 6 days, #1 10s.; Lampmen #2 12s.; Bill stickers #3 12s. Handbills 5s.; Candlemen #1 8s.; Mantua Maker #6 1s. 2d.; J. Stevens (Porter) 18s. (Treasurer's Book). Receipts: #205 16s. 6d. [The constant payments are tabulated for the season as follows and will not be further itemized]: @Item Weekly Average Season Total Lampmen #3 #111@Bill Stickers #2 14s. #99 15s.@Handbills 12s. #21 12s.@Candlemen & extras #8 #296@Mantua Maker #4 5s. #150@J. Stevens 18s. #33 6s.

Event Comment: Mr Diamond made his first appearance upon the Stage in the Part of Romeo he is very younge a Smart Figure good Voice & made a very tolerable first appearance he met with great Applause (Hopkins Diary). [Macmillan's note from Kemble differs slightly.] Paid Chorus 2 nights (this inc.) #5 1s.; Paid Mr French on acct #20; Paid printer's bill #11. Paid Mr Garland, for copper plate printing #10 17s. 6d.; Paid Mr Weston, per order #18 17s. 4d. [The printer's bill was paid regularly each Thursday, averaged #8 19s. per week, and will not be further noted. Total payments this season #353. See Town and Country Magazine for favorable review of Miss Mansell as Juliet and of Diamond as Romeo.] Receipts: #208 13s. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these 3 years. [See 7 Oct. 1768.] Mr Clinch made his first appearance in the part of Alexander tolerable figure & Voice a Little too much upon the Brogue, he is very wild & Aukward-but was receiv'd with Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly.] Paid Dr Arne as per order #31 8s.; Mr Stacie for drawing leases, #3 3s. Tallow chandler's first bill #29 13s. 3d.; Mr Jefferson on note, #200 (Treasurer's Book). [Reviewer for Town and Country Magazine more favorable to Clinck's performance than is Hopkins.] Receipts: #149 19s. (Treasurer's Book)

Event Comment: Mrs Smith made her first Appearance in Sylvia a pretty Innocent looking figure a Sweet Voice & very proper for the Character She had vast Applause & very deservedly. (Hopkins Diary). [Macmillan note from Kemble differs slightly in wording.] Receipts: #125 2s. (Treasurer's Book)

Event Comment: This Farce was wrote on purpose to Shew Mrs Barry in an Irish part. She did not succeed so well in it as was expected but upon the Whole the Farce was well perform'd & met with great Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly. See Account of the Irish Widow" in British Theatre article, London Magazine, Oct. 1772.] Paid Mr Rochfort for men's cloaths #7 7s. (Treasurer's Book). [The account in Town and Country Magazine of the afterpiece: "Upon the whole it is very indifferent production and as it did not meet with the applause that was expected, no one has adopted the bantling. The many are of opinion that Garrick had a hand in it, as it is got up to the best advantage, and a new dance is introduc'd between the acts to put the audience in a good humour for the succeeding scenes. Mrs Sutton is the principal dancer in the Irish Fair, in which she displayed great spirit and activity. The piece concludes with a song sung by Mrs Barry, which we think injudiciously alloted to her, as her forte does not consist in singing."] Receipts: #200 9s. 6d. (Treasurer's Book)

Event Comment: Afterpiece [by Bickerstaffe]: a Musical Entertainment never performed there before. The Cnaracters new dress'd. [Daphne identified by Winston MS 10 and by Kemble note on playbill.] Paid Cooper (printer) #42 1s. (Account Book). [Reviewer for Town and Country Magazine commends Miss Wewitzer for the lower register of her voice. Belives she will be a credit to her tutor, Griffiths the Organist."] Receipts: #181 4s. 6d

Event Comment: The Rose is a New Musical performance of Two Acts by Dr Arne a very dull insipid piece. Mr G. protested against its being perform'd its being perform'd it was hiss'd from the beginning & wd not Suffer it to be given out again, therefore Mr King went on & told them it Should not be perform'd again until it be alter'd (Hopkins Diary). [Macmillan's note from Kemble differs slightly. See critical damnation of The Rose in British Theatre Article in The London Magazine, Dec. 1772.] Book of the Entertainment to be had at the Theatre (playbill). Paid Mr Petit for men's cloaths, #8 8s. CTreasurer's Book). [Reviewer for Town and Country Magazine (Theatre, No. XLI) disappointed with the Rose: "We are told that this precious piece of stuff is the production of an Oxford student; it may be so, of this every auditor is certain, that the collegian who penned it was so entirely lost in the pursuit of some abstruse study, that he has totally forgot grammar, common sense, and even his mother tongue...it was unanimously damn'd."] Receipts: #172 6s. (Treasurer's Book)

Event Comment: Mainpiece: Never perform'd. New Scenes and Dresses (playbill). This Comedy was written by Mr Obrien. It was very much hiss'd from the 2d Act & with the greatest difficulty we got thro' the Play amidst Groans hisses &c. They would not Suffer it to be given out again. After many Altercations between the Audience Mr G. & Mr King by the Author's Consent the Play was withdrawn (Hopkins Diary). [Macmillan's note from Kemble briefer. See long review of The Duel in British Theatre article, London Magazine, Dec. 1772, and Town and Country same month.] Paid Mr Scott (c[opper] laceman) #83 9s.; Mr Waller (hosier) #17 18s. 6d.; Mr Hatsell (mercer) #80 19s.; Mr Barrow & Co. for oil, #45 13s.; Mr Cropley (linen draper) #73 14s.; Mr Cubitt (tinman) #15 19s. (Treasurer's Book). Receipts: #241 4s. (Treasurer's Book)

Event Comment: The Tragedy of Hamlet having been greatly Altered by D. G. was perform'd for the first time Mr Garrick playd divinely & Merited the great Applause he receivd It is Alterd much for the better in regard to the part of Hamlet & I think the alterations very fine & proper (Hopkins Diary). [MacMillan's note from Kemble considerably briefer. See "Garrick's Long Lost Alteration of Hamlet," PMLA, Sept. 1934.] Paid Mr George Garrick on account #100; Mr Bulkley for Mr Weston, #2 8s. (Treasurer's Book). [Reviewer for Town and Country Magazine comments unfavorably on the Hamlet alteration: "How far the critics will approve these mutations we will not at present determine; but the admirers of Shakespeare must certainly be displeas'd, whenever they see his immortal works mutilated."] Receipts: #284 5s. 6d. (Treasurer's Book)

Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The Lady identified as Mrs Sage by Kemble note on playbill.] Charges #65 10s. 6d. Profit to each beneficiary #18 6s. 3d., plus income from tickets: Fishar #61 14s. (Box 104; Pit 150; Gallery 132); Sga Manesiere, #66 12s. (Box 125; Pit 179; Gallery 85) (Account Book). Receipts: #002 3s

Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Event Comment: Doors open at 5 o'clock. Play begins at 6 o'clock. [Young Lady identified by Kemble note on playbill and by Winston MS 10. Her identity appears from playbill of 13 Oct. where her name occurs in character of Rosetta along with the statement that it is her fourth appearance on any stage. She appears on the weekly payroll from the first week at 16s. 6d. per day (Account Book). The Westminster Magazine believed her to be no actress (October issue): "Her musical powers were not extraordinary; her acting powers still worse."] Receipts: #206 14s. (Account Book)

Event Comment: Mainpiece by Command. Mrs Jefferson made her first appearance upon this Stage in Miss Grantham a Small figure not Handsome no Spirit & not at all like the Character. Some applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Masque of Alfred oblig'd to be deferr'd till Saturday next. Paid Mr Nicoll for lines #10 (Treasurer's Book). Receipts: #230 14s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these 26 years. [See 13 April 1748.] Dressed in The Habits of the Times (playbill). This play is altered by Mr G was well perform'd a New Prologue & Epilogue all receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs sligntly in wording.] Paid Properties #1 11s. 11d.; Housekeeper's bill #4 13s. Receipts: #153 13s. (Treasurer's Book)

Event Comment: Music of Afterpiece by Monsigny, Phillidor, and Dibdin. Books of songs at Theatre. The Farce was well rec'd the Music is very pretty. rather too long--much applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Receipts: #183 18s. 6d. (Treasurer's Book)

Event Comment: Mr G. very fine in Hastings Miss Young's first appearance in Alicia pretty well She was a little too Mad Mrs Canning a Widow made her first appearance upon the Stage in Jane Shore a Small mean figure very little power (very So, So.) great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Stopages #30 5s. 6d.; Paid Salary list #522 18s.; Mr King 6 nights extra salary #3; Mr Johnston's Music Bill for Alfred, &c. #19 16s. 9d.; Mr Baddeley on note per Mr. G G #21. Receipts: #267 11s. (Treasurer's Book)