SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Jackson"/1) | (@(roleclean,performerclean) "John Jackson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9853 matches on Author, 1970 matches on Performance Comments, 1192 matches on Event Comments, 384 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Tickets delivered for this Evening [by Wm. Banks, Dale Sen., Chippendale, Gregson, Jacobs, Wells, Thompson, Whitmell, Mrs Byrne, Mrs Butler, Miss Jackson (Account-Book)] will be admitted. Receipts: #305 4s. (17.4.6; 22.0.0; 1.7.0; tickets: 264.12.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro

Related Works
Related Work: The Albion Queens Author(s): John Banks
Related Work: The Rival Kings; or, The Loves of Oroondates and Statira Author(s): John Banks
Related Work: The Destruction of Troy Author(s): John Banks
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks
Related Work: Vertue Betray'd; or, Anna Bullen Author(s): John Banks
Related Work: The Island Queens; or, The Death of Mary, Queen of Scotland Author(s): John Banks
Related Work: The Innocent Usurper; or, The Death of the Lady Jane Grey Author(s): John Banks
Related Work: Cyrus the Great; or, The Tragedy of Love Author(s): John Banks
Related Work: The Island Queens Author(s): John Banks

Performances

Mainpiece Title: Ipermestra

Performance Comment: [Principal Characters by Rovedino, Viganoni, Braghetti, DeGiovanni, Mme Banti, Sga Pastorelli. Cast from libretto (E. Jackson [1797]): Danao-Rovedino; Linceo-Viganoni; Plistene-Braghetti; Adrasto-DeGiovanni; Ipermestra-Mme Banti; Elpinice-Sga Pastorelli.

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

Performances

Mainpiece Title: La Scola Dei Maritati

Performance Comment: [Principal Characters by Viganoni, Morelli, Rovedino, Sga Angelelli (1st appearance upon the stage). Cast from libretto (E. Jackson [1798]): Conte Lelio-Viganoni; Bonario-Morelli; Don Giglio-Rovedino; Fiuta-Bonfanti; Valerio-Braghetti; Donna Ciprigna-Sga Angelelli; Isabella-Sga Colombati; Cilia-Sga Pastorelli.

Dance: As17980116

Performances

Mainpiece Title: Cinna

Performance Comment: [see17980224 Cast from libretto (E. Jackson [1798]): Ottavio-Rovedino; Cinna-Viganoni; Murena-DeGiovanni; Agrippa-Braghetti; Servilia-Mme Banti; Livia-Sga Pastorelli.

Dance: As17980210

Event Comment: Composed by G. F. Handel. Among the Instrumental Performers: C. Ashley, Sarjant, Wm. Parke, Boyce, R. Ashley, Bridgtower, Pinto, Parkinson, Lavenu. the Flacks, Taylor, Mackintosh, Wm. Ware, Dresler, Francis, Gwilliam, Nicks, the Munros, Archer, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Betts, Cobham, Jackson, Wood, Coyle, Cornish, Jones, Purney, Leffler, Woodham, Piele, the Cantelos, Skillern, &c. Organ-J. Ashley. Double Drums (used at Westminster-Abbey)-Jenkinson. The Chorusses will be numerous and complete; the whole under the direction of Ashley. The Doors to be opened at 6:00. To begin at 7:00 precisely [same throughout oratorio season]. Books of the Performance (with the Imprimatur of E. Macleish) to be had at the Theatre, price 6d. Places for the Boxes to be had of Brandon, at the Stage-Door in Hart-street. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Performances

Mainpiece Title: La Cifra

Performance Comment: [Principal Parts by Morelli, Bonfanti, Viganoni, Sga Angelelli. Cast from libretto (E. Jackson [1798]): Rusticone-Morelli; Sandrino-Bonfanti; Milord Fideling-Viganoni; Leandro-Braghetti; Eurilla-Sga Angelelli; Lisotta-Sga Colombati.

Dance: As17980306

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: [Principal Characters by Benelli (from Naples; 1st appearance in this country), Morelli, Rovedino, Sga Angelelli. Cast from libretto (E. Jackson [1798]): Paolino-Benelli; Il Conte Robinson-Morelli; Geronimo-Rovedino; Carolina-Sga Angelelli; Elisetta-Sga Pastorelli; Fidalma-Sga Colombati.

Dance: End I: A New Divertisement, as17980419; End Opera: La Vengeance de l'Amour-; Pas de Quatre de Panurge-

Performances

Mainpiece Title: Elfrida

Performance Comment: [Principal Characters by Viganoni, Benelli, Mme Banti. Cast from libretto (E. Jackson [1798]: Adelvolto-Viganoni; Egardo-Benelli; Orgando-Rovedino; Siveno-Braghetti; Osmondo-DeGiovanni; Elfrida-Mme Banti; Evelina-Sga Pastorelli.

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Middleton; Harcourt-Wentworth; Sir Walter Manny-Sparks; John de Vienne-Aickin; Ribbomont-Barrymore; Eustache de St. Pierre-Cory; Officer-Surmont; John d'Aire-Trueman; Citizens-Wewitzer, Russell, Webb, Chippendale; O'Carrol-Caulfield; La Gloire-Bannister Jun.; Crier-Hollingsworth; Old Man-Packer; Carpenters-Suett, Maddocks; Serjeant-Wathen; Queen-Miss Heard; Julia-Miss DeCamp; Madelon-Mrs Bland.
Cast
Role: John de Vienne Actor: Aickin
Role: John d'Aire Actor: Trueman

Afterpiece Title: The Apprentice

Song: Vocal Parts-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Performance Comment: ] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates.
Related Works
Related Work: Barbarossa Author(s): John Brown
Related Work: Athelstan Author(s): John Brown

Performances

Mainpiece Title: Aurelio And Miranda

Afterpiece Title: The Children in the Wood

Song: Mainpiece: Chorusses-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Performance Comment: ] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates.
Related Works
Related Work: Barbarossa Author(s): John Brown
Related Work: Athelstan Author(s): John Brown

Performances

Mainpiece Title: Elfrida

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (E. Jackson [1798]): Adelvolto-Viganoni; Orgando-Rovedino; Egardo-Benelli; Siveno-Braghetti; Osmondo-DeGiovanni; Elfrida-Mme Banti; Evelina-Sga Pastorelli.

Dance: As17981226

Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger]: With new Musick, Scenery, Machinery, Dresses and Decorations. The Musick entirely new, composed by Kelly with an overture by Dussek]. The Scenes designed and executed by Greenwood? Jun, with the assistance of Chalmers and Banks. The Machinery, Decorations and Dresses designed and under the direction of Johnston, and executed by him, Underwood and Gay. The Female Dresses designed and executed by Miss Rein. Books of the Songs to be had at the Theatre. "We have to congratulate the town on the acquisition of three admirable dramatic writers, in the persons of Johnston, Greenwood, and Miss Rein, who have here exhibited a specimen of the Sublime and Beautiful which it will be difficult, indedd, to surpass" (Monthly Mirror, Jan. 1799, p. 47). [This piece is "an exhibition of music and dialogue, pantomime and dancing, painting and machinery, antique dresses and armour, thunder and lightning, fire and water, illumination, processions, banquets, battles, sieges, explosions, and everything that can surprize, enchant or terrify the spectators" (Morning Chronicle, 21 Jan.). Morning Chronicle, 16 Feb. 1799: This Day is published Feudal Times (1s. 6d.). Receipts: #483 15s. 6d. (381.10.6; 100.6.6; 1.18.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Feudal Times; or, The Banquet Gallery

Performance Comment: [Characters by Cory, Barrymore, Kelly, Middleton, Surmont, Bannister Jun., Wathen, Suett, Sedgwick, Dignum, Caulfield, Trueman, Sparks, Hollingsworth, Webb, Ryder, Roffey, Grimaldi, Mrs Crouch, Mrs Bland, Miss Menage, Mrs Maddocks. Cast from text (Cadell and Davies [1799]: Baron Fitzallan-Cory; Baron Ruthenwolf-Barrymore; Edmund-Kelly; Henry-Middleton; Orlando-Surmont; Martin-Bannister Jun.; Andrew-Wathen; Nicholas-Suett; Villagers-Sedgwick, Dignum, Caulfield, Trueman, Hollingsworth; Servants-Webb, Ryder; Claribel-Mrs Crouch; Rachael-Mrs Bland; Susan-Miss Menage; Old Woman-Mrs Maddocks; unassigned-Sparks, Roffey, Grimaldi; Chorus of Soldiers-Danby, Tett, Atkins, Dibble, Denman, Caulfield [Jun.], Maddocks, Brown, Wentworth, Fisher, Cook; Chorus of Villagers-Potts, Meyers, Willoughby, Phillimore, Fisher, Evans, Aylmer, Gallot, Bardoleau, Peck, Ms Butler, Ms Bowyer, Ms Coates, Ms Gawdry, Ms Jacobs; Minstrels-Ms Roffey, Ms Jacobs [sic], Ms R. Jacobs, Ms Jackson, Ms Wentworth, Ms Arne, Ms Illingham, Ms Saunders, Ms B. Menage; Principal Dancer-Mlle Parisot; Vassals-Whitmell, Wells, Garman, Johnston, Goodman, Gauron, Bayzand, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: Mme Allegranti (1st appearance in England [since 13 May 1783]). See17990413 [Cast adjusted from libretto (E. Jackson [1798]): Il Conte Robinson-Morelli; Geronimo-Rovedino; Paolino-Benelli; Carolina-Mme Allegranti; Elisetta-Sga Pastorelli; Fidalma-Sga Rovedino.]

Dance: As17990330

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Performance Comment: , Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates.
Related Works
Related Work: Barbarossa Author(s): John Brown
Related Work: Athelstan Author(s): John Brown

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

Afterpiece Title: The Humourist

Song: Mainpiece: Vocal Parts-Dignum, Danby, Danby Jun., Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Maddocks, Ms Coates, Ms Jackson, Ms Gawdry, Ms Butler, Ms Benson, Ms Chippendale, Ms Saunders, Ms Jacobs; In V: Masque of Neptune and Amphitrite. Neptune-Caulfield, Amphitrite- Miss Leak

Performance Comment: , Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Maddocks, Ms Coates, Ms Jackson, Ms Gawdry, Ms Butler, Ms Benson, Ms Chippendale, Ms Saunders, Ms Jacobs; In V: Masque of Neptune and Amphitrite. Neptune-Caulfield, Amphitrite- Miss Leak.
Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

Performances

Mainpiece Title: Elfrida

Performance Comment: Principal Characters-Benelli, Rovedino, Viganoni, Mme Banti. [Cast adjusted from libretto (E. Jackson 1798]): Egardo-Benelli; +Orgando-Rovedino; +Adelvolto-Viganoni; +Siveno-Braghetti; +Osmondo-DeGiovanni; +Elfrida-Mme Banti; +Evelina-Sga Rovedino.

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: Telemaque, as18000619 but in which also D'Egville, Mlle +Guiardele (+Morning Herald, 23 June)

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Performances

Mainpiece Title: Esther

Performance Comment: Esther-John Randall; Assuerus-James Butler; Haman-John Moore; Mordecai-John Brown; Priest of the Israelites-John Beard; Harbonach-Price Cleavely; Persian Officer-James Allen; First Israelite-James Butler; Second Israelite-James Allen; Israelite Boy-John Brown; Israelites and Officers-Samuel Howard, ThomasBarrow, Robert Denham (Dean, Handel's Dramatic Oratorios, p. 204).
Cast
Role: Esther Actor: John Randall
Role: Haman Actor: John Moore
Role: Mordecai Actor: John Brown
Role: Priest of the Israelites Actor: John Beard
Role: Israelite Boy Actor: John Brown
Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Cast
Role: King John Actor: Quin

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Beard; Jobson-Berry; Lady Loverule-Mrs Bennet; Nell-Mrs Clive; In the character of Sir John will be introduced the song Early Horn-Sir John.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Song: Mattocks

Performances

Mainpiece Title: The Ghost

Related Works
Related Work: The Ghosts Author(s): John Holden

Afterpiece Title: The Widow of Malabar

Cast
Role: Little John Actor: Simmons
Role: Song by Irish Pilgrim Actor: Johnstone

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but as the play was licensed for printing on 9 Jan. 1676@7, this performance may well be the first one. Downes (Roscius Anglicanus, pp.9-10) lists the same cast except for the ommission of Letice. It is not certain which Mrs Knight played Letice. Possibly it was Frances Maria Knight (see Wilson, All the King's Ladies, where she is tentatively listed for that role), but the presence of Mrs Ursula Knight on an undated L. C. list, 3@24, with the date of her swearing into the company given as 12 March 1676@7, it is quite likely that she played this role. (I owe this reference to Ursula Knight to Professor John Harold Wilson.) John Dennis: And when upon the first representations of the Plain Dealer, the Town, as The Authour has often told me, appeard Doubtful what Judgment to Form of it; the foremention'd gentlemen [The Duke of Buckingham, Earl of Rochester, Earl of Dorset, Earl of Mulgrave, Savil, Buckly, Sir John Denham, Waller] by their loud aprobation of it, gave it both a sudden and a lasting reputation (Defense and Defects of Dramatick Poetry, 1725, in The Works of John Dennis, ed. Hooker, II, 277)

Performances

Mainpiece Title: The Plain Dealer

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Related Work: The Plain Dealer Author(s): John Philip Kemble
Event Comment: Paid John Doe and John Claridge 12s. 6d. each for performing 5 nights in the Ass [in Mother Shipton] to the 2nd inst. Paid John Smith 12s. 6d. for performing in the Hog in the same. Paid Younger for writing parts as per bill #7 4s. 10d. (Account Book). [N.B. The three Johns receiv'd 2s. 6d. each for making up in the ass and hog each night Mother Shipton was played for the rest of the season. No further notation will be transcribed of this payment.] Receipts: #152 8s. (Account Book)

Performances

Mainpiece Title: Rule A Wife

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Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher

Afterpiece Title: Comus

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Related Work: Comus Author(s): John DaltonJohn Milton