SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Harold Wilson"/1) | (@(roleclean,performerclean) "John Harold Wilson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11041 matches on Author, 2780 matches on Performance Comments, 1274 matches on Event Comments, 351 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Related Works
Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Quick; Shelty-Wilson; Serjeant Jack-Darley; Sandy-Johnstone; Charley-Blanchard; Captain Dash-Davies; Croudy-Cubitt; Laird of Raasay-Thompson; Jenny-Miss Broadhurst; Moggy-Mrs Davis.
Cast
Role: Shelty Actor: Wilson
Role: Sandy Actor: Johnstone
Related Works
Related Work: The Highland Reel Author(s): John O'Keeffe

Performances

Mainpiece Title: The Road To Ruin

Cast
Role: Characters Actor: Johnstone, Macready, Lewis.

Afterpiece Title: The Maid of the Oaks

Performance Comment: Hurry-Quick; Dupely-Macready; Old Groveby-Wilson; Oldworth-Thompson; Sir Harry Groveby-Davies; The Musical Characters-Cubitt, Miss Stuart, Miss Francis; Maria (with the original song)-Miss Broadhurst; Lady Bab Lardoon-Mrs Esten.
Cast
Role: Old Groveby Actor: Wilson
Related Works
Related Work: The Maid of the Oaks Author(s): John Burgoyne

Dance: In I afterpiece: a Dance-Byrn, Holland, Mrs Ratchford

Performances

Mainpiece Title: Notoriety

Performance Comment: Nominal-Lewis; Colonel Hubbub-Quick; O'Whack-Johnstone; Clairville-Farren; Sir Andrew Acid-Wilson; Lord Jargon-Munden; Saunter-Davies; James-Farley; Sophia Strangeways-Mrs Wells; Lady Acid-Mrs Webb; Honoria-Mrs Esten; Original Epilogue-Lewis.
Cast
Role: O'Whack Actor: Johnstone
Role: Sir Andrew Acid Actor: Wilson

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Lord Edmond-Davies; Jack Connor-Macready; Count Fripon-Marshall; Tough-Rock; Frill-Farley; Father Frank-Rees; Landlord-Thompson; Trap-Powel; Phelim-Ledger; Dowdle-Wilson; Rachael-Mrs Harlowe; Mary-Miss Stuart; Adelaide-Miss Chapman.
Cast
Role: Dowdle Actor: Wilson
Related Works
Related Work: The Prisoner at Large Author(s): John O'Keeffe
Event Comment: [This was Wilson's last appearance in London; subsequently he acted at Edinburgh, Manchester, &c.] Receipts: #250 10s. 6d

Performances

Mainpiece Title: Just In Time

Cast
Role: Barney O'Liffy Actor: Johnstone
Role: Commodore Larboard Actor: Wilson

Afterpiece Title: The Prisoner at Large

Cast
Role: Dowdle Actor: Wilson
Related Works
Related Work: The Prisoner at Large Author(s): John O'Keeffe

Performances

Mainpiece Title: Douglas

Performance Comment: Glenalvon-Wilkinson; Lord Randolph-Turner; Old Norval-Walker; Officer-Wilson; Servant-Service; Young Norval-Baker; Anna-A Young Lady [unidentified]; Lady Randolph-Mrs Murray.
Cast
Role: Officer Actor: Wilson
Related Works
Related Work: Douglas Author(s): John Home

Afterpiece Title: A Wife to be Lett

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Related Works
Related Work: The City Politiques Author(s): John Crowne
Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks
Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur Or The British Worthy

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: Arthur and Emmeline Author(s): John Philip Kemble
Related Work: Bonduca Author(s): John Fletcher
Event Comment: By Subscription. Benefit John and Chr. Rich and Hamilton. Pit and Boxes together at 7s. Receipts: money #34 8s.; tickets #78 13s

Performances

Mainpiece Title: The Island Princess

Related Works
Related Work: The Island Princess Author(s): John Fletcher

Afterpiece Title: The Cheats

Related Works
Related Work: The Cheats; or, The Tavern Bilkers Author(s): John Rich
Related Work: The Cheats Author(s): John Wilson

Music: As17200205

Song: A new Cantata in Italian by Mr Rosengrave-Gordon

Dance: As17200120

Event Comment: Benefit for Kear, Keen and Watkins. Tickets deliver'd by Mr Wilson will be admitted

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Vernon
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Song: II: A Song Call'd The Whistling Plowman-Kear

Dance: End: Tambourine, as17651004; End Farce: Hornpipe-Miss Watkins

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son in Law

Performance Comment: As17820610 but Wilson in place of Parsons .
Cast
Role: John Actor: Stevens
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Monologue: 1782 08 27 End of Act I of 2nd piece Joe Haynes's Epilogue, on an Ass, by Dick Wilson, after the manner of Ned Shuter. imitations. End of 2nd piece, as 9 Aug

Performances

Mainpiece Title: The Spanish Barber

Cast
Role: John Actor: Wewitzer

Afterpiece Title: The Agreeable Surprise

Performance Comment: As17830531, but Wilson in place of Gaudrey; Kenny in place of Ledger .
Cast
Role: John Actor: Egan
Related Works
Related Work: The Agreeable Surprise Author(s): John O'Keeffe

Dance: End of mainpiece, as17830611

Event Comment: Benefit for Carleton, Wilson, J. Shade & Daglish. Receipts: #284 1s. 6d. (25.3.0; 5.5.6; 2.1.0; tickets: 251.12.0) (charge: #106 1s. 4d.)

Performances

Mainpiece Title: The Chances

Cast
Role: Don John Actor: Palmer
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The Quaker

Cast
Role: Floretta Actor: Mrs Wilson.
Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Dance: The Lucky Return, as17870530, but _Hamoir, Ferrere

Event Comment: H. B. Wilson, The History of the Merchant-Taylors' School (London, 1814), 1, 344n: 15 March 1664@5. There was this day presented to the court, the bill of charges in erecting the Stage and Seates and other necessaries in the hall, when the Schollers of the companies schoole, at St Laurence Pounctneys, London, acted the play called Love's Pilgrimage, amounting unto seventeen Poundes, Tenn-shillings, and nine-pence

Performances

Mainpiece Title: Loves Pilgrimage

Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Related Works
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Related Work: Oedipus Author(s): John Dryden
Event Comment: The Duke's Company. The date of the first production is not known, but the fact that Narcissus Luttrell purchased a copy on 22 March 1679@80 suggests that the premiere occurred not later than February. A copy, with Luttrell's date of purchase, is in the Ohio State University Library. (I am indebted to Professor J. H. Wilson for this information.

Performances

Mainpiece Title: The Misery Of Civil war

Related Works
Related Work: The Misery of Civil War Author(s): John Crowne
Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until May 1681, Wilson (Six Restoration Play-Dates, p.222) has argued that the reference in the Prologue to the young men (presumably Gray, Goodman, and Clarke; see February 1679@80) who had gone to Scotland and returned empty-handed suggests a performance near March 1680, when these references would have more point than they would have a year later

Performances

Mainpiece Title: Thyestes

Related Works
Related Work: Thyestes Author(s): John Wright
Event Comment: The Duke's Company. The date of the first production is not known, but the date 31 May 1681 on a copy in the Ohio State University Library, representing Luttrell's purchase of a copy, argues for a performance initially in April or early May 1681. See Wilson, Six Restoration Play-Dates, p. 222

Performances

Mainpiece Title: Henry The Sixth The First Part With The Murder Of Humphrey Duke Of Glocester

Related Works
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne
Event Comment: The King's Company. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treapy & in ye Afternoon goes to see Rollo D. of Normandy at ye Ks playhouse (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: Rollo Duke Of Normandy

Related Works
Related Work: Rollo, Duke of Normandy Author(s): John Fletcher
Event Comment: The Duke's Company. Newdigate newsletters, 5 Aug. 1682: [Yesterday the] Dutchess goes to ye Dukes Theatre--that and ye Kings house haveing Joyned interests the latter being Discontinued where will be purposely Acted for her Anna Bullen being a deepe Tragedy of the beheading of the said Lady by Henry the 8th (Wilson, Theatres Notes from the Newdigate Newsletters, p. 81). See also London Mercury, 8 Aug. 1682. Juliana Brabazon to the Countess of Rutland, Aug. 1682: The Dutches of Yorke kept her bed the day after seeing Anna Bulloigne acted (HMC, 12th Report, Rutland MSS., Part V, 1889, p. 77)

Performances

Mainpiece Title: Virtue Betrayed Or Anna Bullen

Related Works
Related Work: Vertue Betray'd; or, Anna Bullen Author(s): John Banks
Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Related Works
Related Work: The Duke of Guise Author(s): John Dryden
Event Comment: The United Company. The players received the customary fee of #20. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 179. Newdigate newsletters, 3 Feb. 1682@3: Yesterday the Governors? of ye Temple Invited the Greate Lds: of [...] together with the Ld. Keeper to dinner where afterwards they were entertayned with variety of songs & a play was Acted before them Called the Chances by the Kings players (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher
Event Comment: The United Company. That the King saw a play on this evening is indicated by the Newdigate newsletters, but the reference to the play is not by title. The play which most closely fits the brief description is The Duke of Guise. Newdigate newsletters, 24 May 1684: [In] the Evening his Matye is Entertained with Mr Dryden s new play the subject of which is the last new Plott (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Duke Of Guise

Related Works
Related Work: The Duke of Guise Author(s): John Dryden
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Event Comment: Mainpiece: By Command of the Princess of Wales. Tomorrow Noon will be publish'd Appius, a Tragedy, as it is acting at Covent Garden. Printed for A. Miller, D. Wilson, and T. Durham in the Strand at 1s. 6d

Performances

Mainpiece Title: Appius

Related Works
Related Work: Appius and Virginia Author(s): John Webster
Related Work: Appius and Virginia Author(s): John Dennis
Related Work: Appius Author(s): John Moncrieff

Afterpiece Title: Orpheus and Eurydice