SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Grano"/1) | (@(roleclean,performerclean) "John Grano")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe. MS: Larpent 608; not published. CG playbill of 16 Nov. 1795 has a detailed synopsis of the action]: Intermixed with Songs and Dialogue. With new Music, Scenes, Dresses, Machinery, and Decorations. The new Music composed by Shield. The new Scenes designed by Richards, and executed by Richards, Hodgins, and assistants. To conclude with a Representation of the Lord Mayor's Show on the Water. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. "As to the Pantomime it wanted nothing on the first Night but Abbreviations . . . [which should be] omission of the Doctors, the two Women of the Town, and the whole of Edwin's Character" (Public Advertiser, 27 Nov.). Gentleman's Magazine, Jan. 1783, pp. 29-31, contains a detailed synopsis of the procession, and adds, "The personages of this procession were all dressed in the characters of the time in which they lived, and before each of them a label, a scroll, or a pageant was carried, bearing their name, or some allusion of the poets to their occupation. The figures in transparency were all painted as large as the life, and had a most grand and beautiful effect . . . The idea of the paintings was furnished by Mr Richards and Mr Smirk [sic], and all of them executed by the latter in a style of so much taste and excellence that it is a matter of some wonder to us, where an artist of Mr Smirk's abilities has been so long concealed . . . The glee introduced with so much applause is the composition of the late Dr Rogers (who lived in 1600); the other airs in the pantomime and procession arc by Handel, Lord Kelly, Abel, Stamitz and Shield, and have very great merit. The expense of preparing this splendid spectacle must have been very great, and the cost of continuing its representation cannot be inconsiderable, since more than 200 supernumeraries are employed to walk in the procession." Receipts: #215 3s. (206/3; 9/0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland

Related Works
Related Work: Lord Mayor’s Day; or, A Flight from Lapland Author(s): John O'Keeffe
Event Comment: [Miss Harper married John Bannister at Hcndon on 26 Jan. 1783.] Receipts: #217 11s. (208/2; 9/9)

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Rosina

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Author of Prologue unknown. Epilogue by John O'Keeffe (O'KeefFe, II, 301); it included a song, music by Carter, When I was a little baby, written by Hannah Cowley]: New Scenes and Dresses. Public Advertiser, 26 Jan. 1784: This Day is published A Bold Stroke for A Husband (1s. 6d.). Receipts: #199 5s. 6d. (194/13/0; 4/12/6)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe
Event Comment: Benefit for Lewis. Public Advertiser, 25 Mar.: Tickets to be had of Lewis at his house in Broad-court, Bow-street. Afterpiece [1st time in London; co 2. MS: Larpent 620; not published]: Written by the Author of The Castle of Andalusia, The Agreeable Surprise, Son-in-Law, &c &c. [John O'KeefFe, 1st acted at the Crow Street Theatre, Dublin, 15 Apr. 1777, and altered in the CG season of 1783-84 as The Poor Soldier]. The Airs Select [ed by the author from] Irish [airs]. With a New Overture and Accompaniments by Shield, who composed the music of Rosina. The Words of the Songs to be had at the Theatre. Receipts: #256 9s. (201/10; tickets: 54/19) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Shamrock; or, The Anniversary of St

Related Works
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): John O'Keeffe
Related Work: The Shamrock Author(s): John O'Keeffe
Related Work: The Poor Soldier Author(s): John O'Keeffe

Dance: As17830221

Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

Performance Comment: Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy .
Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Performances

Mainpiece Title: Maid Of Honour

Related Works
Related Work: The Maid of Honour Author(s): John FletcherJohn Philip Kemble

Afterpiece Title: The Padlock

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

Related Works
Related Work: Musick; or, A Parley of Instruments Author(s): John Bannister
Related Work: Obi; or, Three-Finger'd Jack Author(s): John Fawcett
Related Work: Andronicus Author(s): John Wilson
Related Work: The Cheats Author(s): John Wilson
Related Work: Andronicus Comenius Author(s): John Wilson
Related Work: Belphegor; or, The Marriage of the Devil Author(s): John Wilson
Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, by John Dent. On 16 Aug. acted at HAY under its 2nd title]. 2nd piece: As altered in 3 acts by Garrick. [Kean was from the HAY.]

Performances

Mainpiece Title: The Lawyers' Panic; Or, Westminster Hall In An Uproar

Related Works
Related Work: The Lawyer's Panic; or, Westminster Hall in an Uproar Author(s): John Dent

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Devil upon Two Sticks

Song: End of Act I of 2nd piece The Twaddle by Wilson. imitations. End of Act II of 2nd piece a great variety of Imitations by Kean (1st appearance on this stage)

Monologue: 1785 05 07 End of 2nd piece Joe Haynes's Epilogue, riding on an ass, by Wilson

Related Works
Related Work: Andronicus Author(s): John Wilson
Related Work: The Cheats Author(s): John Wilson
Related Work: Andronicus Comenius Author(s): John Wilson
Related Work: Belphegor; or, The Marriage of the Devil Author(s): John Wilson
Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Performance Comment: Principal Characters by Johnstone, Quick, Edwin, Wewitzer, Davies, Fearon, Cubitt, Darley, Mrs Kennedy; Mrs Martyr, Mrs Wilson, Mrs Bannister. [Cast from Songs (T. Cadell, 1785): Capt. Farquar-Johnstone; Gen. Howitzer-Quick; Gregory (or Tippoo)-Edwin; Squad-Wewitzer; Lieut. Sulphur-Davies; M'Saunderson-Fearon; Ensign Flag-Cubitt; Rifle-Darley; Saib-Mrs Kennedy; Drill-Doyle; Fuzee-Thompson; Miss Maria M'Saunderson-Mrs Martyr; Susan-Mrs Wilson; Miss Lucy Seymour-Mrs Bannister.] hathi. hathi.
Cast
Role: . Farquar Actor: Johnstone
Related Works
Related Work: Love and War Author(s): John O'Keeffe

Afterpiece Title: Retaliation

Dance: As17841116

Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Performances

Mainpiece Title: Orfeo

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Related Works
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Fool

Performance Comment: Characters by Wroughton, Wewitzer, Davies, Booth, Fearon, Kennedy, Quick; Mrs Martyr, Mrs Wilson, Mrs Pitt, Mrs Davenett, Mrs Wells. [Cast from text (John Strahan, 1786): Beaufort-Wroughton; Abbe-Wewitzer; Paul-Davies; O'Reilly-Booth; Landlord-Fearon; Waiters-Kennedy, Helme; Pepper-Quick; Floretta-Mrs Martyr; Malapert-Mrs Wilson; Laura-Mrs Wells. Mrs Pitt, Mrs Davenett are unassigned.] Prologue spoken by Lewis. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Lewis. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Related Works
Related Work: No Fools like Wits; or, The Female Vertuosoes Author(s): John Gay
Related Work: A Fool's Preferment; or, The Three Dukes of Dunstable Author(s): John Fletcher
Related Work: Win Her and Take Her; or, Old Fools Will Be Medling Author(s): John Smyth

Dance: As17851112

Performances

Mainpiece Title: George Barnwell

Performance Comment: Barnwell-Farren; Millwood-Mrs Bates. [Acting edition (John Bell, 1792) adds: Thorowgood-Hull; Uncle-Booth; Trueman-Davies; Blunt-Thompson; Gaoler-Ledger; Maria-Mrs T. Kennedy; Lucy-Mrs Wilson.] hathi. hathi.

Afterpiece Title: Omai [and see17851220]

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Amorous Prince

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): John Burgoyne

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Foundling, As 8 Apr

Performance Comment: but omitted: John .

Afterpiece Title: Omai

Related Works
Related Work: Omai; or, A Trip round the World Author(s): John O'Keeffe
Event Comment: Benefit for Pope. Mainpiece: Not acted these 3 years [acted 22 Jan. 1784. Epilogue by John Wolcot (European Magazine, May 1786, p. 369)]. Afterpiece: With Additional Songs, &c., as 28 Apr. Morning Herald, 18 Apr.: Tickets to be had of Pope at his house, Half-Moon Street, Piccadilly. "There is a mellow richness in [Pope's] voice superior to any other performer on the stage" (Candid Strictures, p. 47). Receipts: #255 16s. 6d. (156/13/0; 2/14/6; tickets: 96/9/0) (charge: #105)

Performances

Mainpiece Title: Zenobi A

Afterpiece Title: The April Fool

Cast
Role: : Harebrain Actor: Johnstone

Dance: End of Epilogue, as17860504

Event Comment: Benefit for Palmer and Meadows. Morning Chronicle, 20 May: Tickets to be had of Palmer, No. 36, Bow-street, Covent Garden; of Meadows, John-street, Golden-square. Receipts: #208 10s. (36/19/6; 9/11/6; tickets: 141/19/0) (charge: #105)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Dance: As17851112. vaudeville. End of Act II of mainpiece a Variety of Imitations of Birds by Meadows

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Pope (1st appearance in that character [in London]); Lewson-Farren; Jarvis-Hull; Bates-Fearon; Dawson-Thompson; Stukeley-Inchbald [1st appearance on this stage]; Charlotte-Mrs Wells (1st appearance in that character); Lucy-Miss Platt; Mrs Beverley-Mrs Pope. [Edition of 1792 (John Bell) adds: Waiter-$Ledger.]
Related Works
Related Work: The Pharo Table Author(s): John O'Keeffe

Afterpiece Title: The Romp

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Performances

Mainpiece Title: Richard Coeur De Lion

Performance Comment: Principal Characters by Johnstone, Edwin, Quick, Inchbald, Wewitzer, Davies, Cubitt, Darley, Mrs Brown, Gaudry, Stevens, Swords, Mrs Kennedy, Mrs Martyr, Mrs Billington. Cast from Public Advertiser, 17 Oct., and Universal Magazine, Oct. 1786, p. 211: Blondel-Johnstone; La Bruce-Edwin; Morgan-Quick; Richard-Inchbald; Berghen-Wewitzer; Florestine-Davies; Guillet-Cubitt; Principal Knight-Darley; Antonio-Mrs Brown; Margery-Mrs Kennedy; Lauretta-Mrs Martyr; Berengaria-Mrs Billington; Beatrice-Miss Brangin; unassigned-Gaudry, Stevens, Swords.
Cast
Role: Blondel Actor: Johnstone
Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Afterpiece Title: The Romp

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Holman; Tattle-Lewis (Their 1st appearance in those characters); Foresight-Quick; Scandal-Farren; Sir Sampson Legend-Fearon; Snap-Thompson; Buckram-Stock; Jeremy-Davies; Trapland-Booth; Ben-Ryder; a song-Ryder; Mrs Frail-Mrs Mattocks; Miss Prue-Mrs Brown; Mrs Foresight-Mrs Bates; Angelica-Mrs Pope. [Edition of 1791 (John Bell) adds: Nurse-$Mrs Pitt; Jenny-$Miss Brangin.]

Afterpiece Title: Rosina

Performance Comment: Belville-Johnstone; Captain Belville-Brown; Rustic-Davies; Irish Haymaker-Rock (1st appearance on this stage); William-Mrs Kennedy; Phoebe-Mrs Martyr; Dorcas-Mrs Pitt; Rosina-Mrs Billington.
Cast
Role: Belville Actor: Johnstone

Dance: As17861002

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Kemble (1st appearance in that character); Polydore-Barrymore; Acasto-Packer; Ernesto-Chaplin; Chaplain-Fawcett; Page-Miss DeCamp; Chamont-Bannister Jun.; Serina-Miss Collins; Florella-Miss Tidswell; Monimia-A Young Lady (1st appearance [Mrs Pollard]) Edition of 1791 (John Bell) adds: Servant-$Phillimore.

Afterpiece Title: Harlequin's Invasion

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by Edmond Malone. Epilogue by John Courtenay (see text)]: With new Dresses, Decorations, &c. Public Advertiser, 18 Dec. 1787: This Day is published Julia (1s. 6d.). Receipts: #217 2s. 6d. (201.5.0; 15.11.0; 0.6.6)

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Afterpiece Title: The First Floor

Event Comment: Mainpiece: Performed but once [on 14 Apr. 1787]. With new Dresses, Decorations, &c. [Prologue by Edmond Malone; Epilogue by John Courtenay (see text). Afterpiece in place of The First Floor, advertised on playbill of 10 Dec.] Receipt2: #223 10s. (195.13.0; 27.8.6; 0.8.6)

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Afterpiece Title: The Humourist

Event Comment: Benefit for Bowden. Public Advertiser, 22 Jan.: Tickets to be had of Bowden, No. 5, John-street, Great Portland-street. Receipts: #288 9s. (182.4.6; 1.18.6; tickets: 104.6.0)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Young Meadows Actor: Johnstone

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): John DaltonJohn Milton

Dance: As17880129

Song: In afterpiece: Sweet Echo-Mrs Ambrose (1st time); accompanied on the hautboy-W. Parke; II: the celebrated Laughing Song from L'Allegro il Penseroso-Bowden