SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John George"/1) | (@(roleclean,performerclean) "John George")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14992 matches on Author, 2302 matches on Performance Comments, 1672 matches on Event Comments, 497 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Being the last time of Garrick's appearing in character of Sir John Brute . When the Song Encor'd Mr Garrick said Come Col. give us that Song again for two very good Reasons, the first because your friends desire it-and Secondly because I believe I shall never be in such good company again. House Mr and Mrs Davies (Sold) (Hopkins Diary). Paid Mr Davies in lieu of Bt #60. Rec'd of Mr Davis on acct #30. Receipts: #281 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Sir John Brute Actor: Garrick

Afterpiece Title: The Padlock

Event Comment: Last time but one of the Company's performing this season. House. Mr Garrick as before Mr Vernon being hoarse Mr Davies play'd Sr. John Loverule some body in the Pit call'd for Vernon as his Name was in the Bills Mr Davies told them that Mr Vernon had been ill these two day [sic] and it was thought unnecessary to trouble them with an apology they afterwards call'd for the Early Horn Mr Davies told them he did not know of doing the part till after two therefore he was not prepar'd. they call'd out & bid him go on his own way (Hopkins Diary). [MacMillan's note from Kemble omits the comment on the afterpiece. Song The Early Horn had been traditional for the part of Sir John for over 30 years. See 10 Sept. 1741.] Paid Mr Short, Chorus, 5s.; Blurton 4 days salary in full #1 6s. 8d.; French on acct #100. Receipts: #305 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Macklin; Heartfree-Bensley (of dl); Col. Bully (with a song)-Mattocks; Razor-Quick; Justice-Thompson; Taylor-Jones; Lord Rake-Mahon; Constant-Wroughton; Lady Fanciful-Mrs Mattocks; Belinda-Miss Leeson; Mademoiselle-Mrs Lessingham; Lady Brute-Mrs Bulkley.
Cast
Role: Sir John Brute Actor: Macklin

Afterpiece Title: The Reprisal

Dance: As17771016

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute (for that night only)-King; Constant-Brereton; Col. Bully (with a song)-Vernon; Lord Rake-Davies; Razor-Baddeley; Justice-Chaplin; Watchmen-Wright, Burton; Constable-Wrighten; Heartfree-Bensley; Lady Fanciful-Miss Pope; Belinda-Miss Hopkins; Mademoiselle-Miss P. Hopkins (their 1st appearance in those characters); Lady Brute-Miss Younge.
Cast
Role: Sir John Brute Actor: King

Afterpiece Title: The Jubilee

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar
Related Work: Harlequin's Jubilee Author(s): John A. Fisher

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: Sir John Brute-Digges; Heartfree-Aickin; Constant-Lamash; Lord Rake-Egan; Justice-Massey; Constable-Stevens; Watchmen-Jackson, Peirce; Razor-R. Palmer; Tailor-Blissett; Col. Bully (with a song)-Bannister; Lady Brute-Mrs Greville; Belinda-Mrs Hitchcock; Mademoiselle-Miss Walton; Lady Fanciful-Miss Farren (1st appearance in that character).
Cast
Role: Sir John Brute Actor: Digges
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Apprentice

Dance: As17780624

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Digges (1st appearance on this stage); Heartfree-Aickin; Col. Bully (with a song)-Mattocks; Razor-Brunsdon; Ld. Rake-Robson; Constant-Wroughton; Lady Fanciful-Mrs Mattocks; Belinda-Miss Leeson; Mademoiselle-Mrs Lessingham; Lady Brute (1st time)-Mrs Jackson.
Cast
Role: Sir John Brute Actor: Digges

Afterpiece Title: The Wives Revenged

Dance: End: The Merry Sailors-Aldridge

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Digges; Constant-Dimond; Lord Rake-Egan; Colonel Bully (with a song in character)-Bannister; Justice-Massey; Constable-Stevens; Watchmen-Jackson, Peirce; Razor-R. Palmer; Tailor-Blissett; Heartfree-Aickin; Lady Fanciful-Miss Farren; Belinda-Mrs Hitchcock; Mademoiselle-Miss Walton; Lady Brute-Mrs Lloyd (who performed Maria in The Citizen [on 15 July]).on 15 July]).
Cast
Role: Sir John Brute Actor: Digges

Afterpiece Title: The Son in Law

Cast
Role: John Actor: Stevens
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Dance: End: new Dance, The Spanish Lovers-Master and Miss Byrn

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-King; Constant-Bannister Jun.(1st appearance in that character); Col. Bully (with a song)-Williames; Lord Rake-R. Palmer; Razor-Baddeley; Taylor-Waldron; Justice-Chaplin; Watchmen-Wright, Burton, &c.; Constable-Wrighten; Porter-Alfred; Heartfree-Bensley; Lady Fanciful-Miss Pope; Belinda-Mrs Wilson; Mademoiselle-Mrs Wrighten (1st appearance in that character); Cornet-Miss Hale; Lutewell-Miss Palmer; Lady Brute-Miss Farren(1st appearance in that character) .
Cast
Role: Sir John Brute Actor: King

Afterpiece Title: The Virgin Unmaskd

Dance: End of Act IV of mainpiece The Lucky Return, as17860420

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performance Comment: Lord Townly-Gibbons; Manly-Smith; Squire Richard-Benson; Count Basset-Wilson; John Moody-Watts; Poundage-Sadler; Sir Francis Wronghead-Waldron; Lady Grace-Mrs Chambers; Miss Jenny (with songs in character)-Mrs Benson; Lady Wronghead-Mrs Johnston; Mrs Motherly-Miss Williams; Myrtilla-Mrs Clarke; Trusty-Mrs Harlowe; Lady Townly-A Young Lady (1st appearance on this stage [unidentified]) .unidentified]) .
Cast
Role: John Moody Actor: Watts
Role: Lady Wronghead Actor: Mrs Johnston
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): John Vanbrugh

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Waldron; Leander-Price; Mungo-Benson; Ursula-Mrs Johnston; Leonora-Mrs Benson .
Cast
Role: Ursula Actor: Mrs Johnston

Afterpiece Title: Harlequins Gambols

Song: End of 1st Monologue A Tax on Old Maids, as sung by Mrs Kennedy at Vauxhall, by Mrs Benson. monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Ryder (1st appearance in this Kingdom); Heartfree-Aickin; Constant-Farren; Col. Bully (with a song)-Davies; Lord Rake-Cubitt; Razor-Wewitzer; Taylor-Kennedy; Justice-Booth; Mademoiselle-Mrs Mattocks (1st appearance in that character); Lady Brute-Mrs Bates; Belinda-Mrs Wells (1st appearance in that character); Lady Fanciful-Mrs Pope (1st appearance in that character).
Cast
Role: Sir John Brute Actor: Ryder

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Blondel Actor: Johnstone
Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Ryder; Heartfree-Aickin; Constant-Farren; Col. Bully (with a song)-Davies; Razor-Bernard; Lord Rake-Cubitt; Constable-Thompson; Feeble-Stevens; Taylor-Brown; Justice-Booth; Lady Fanciful-Mrs Mattocks; Belinda-Mrs Wells; Mademoiselle-Mrs Morton; Lady Brute-Mrs Pope.
Cast
Role: Sir John Brute Actor: Ryder

Afterpiece Title: The Farmer

Related Works
Related Work: Harlequin Executed Author(s): John Rich
Related Work: The Farmer Author(s): John O'Keeffe

Dance: As17871129

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Duke-Packer; Petruchio-Aickin; Antonio-Waldron; Peter-Burton; Antony-Phillimore; Francisco-Chaplin; Surgeon-Jones; Frederick-Barrymore; 1st Constantia-Mrs Ward; Mother-Mrs Hopkins; Landlady-Mrs Love; Nurse-Mrs Booth; 2nd Constantia-Miss Farren. [Edition of 1791 (John Bell) adds: Musician-$Spencer; Antonio's Boy-$Alfred; Kinswoman-$Miss Barnes.]
Cast
Role: Don John Actor: Palmer
Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Waterman

Event Comment: Mainpiece [1st time; T 5, by the Hon. John St.John. Prologue by William Fawkener.-Epilogue by the author (see text)]. Public Advertiser, 1 May 1789: This Day is published Mary Queen of Scots (1s. 6d.). [As afterpiece the playbill announces Who's the Dupe?, but it was not acted. Kemble Mem. lists the substitute play.] Receipts: #240 9s. (226.4.0; 13.8.6;0.16.6)

Performances

Mainpiece Title: Mary Queen Of Scots

Related Works
Related Work: Mary Queen of Scots Author(s): John St. John

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wronghead-Parsons; Squire Richard-Burton; John Moody-Moody [sic]; Count Basset-Dodd; James-Benson; Poundage-Fawcett; Constable-Maddocks; Servant-Lyons; Lady Townly-Miss Farren; Lady Grace-Mrs Ward; Lady Wronghead-Mrs Hopkins; Miss Jenny-Miss Collins; Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard; Mrs Trusty-Mrs Heard [Kemble playbill erroneously lists Miss Hagley].Kemble playbill erroneously lists Miss Hagley].
Cast
Role: John Moody Actor: Moody
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): John Vanbrugh

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne
Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Related Works
Related Work: The Roman Actor Author(s): John Philip Kemble

Afterpiece Title: Celadon and Florimel or The Happy Counterplot

Related Works
Related Work: Celadon and Florimel; or, The Happy Counterplot Author(s): John Philip Kemble

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: Sir John Brute-Bannister Jun. (1st appearance in that character); Constant-Palmer Jun.; Heartfree-C. Kemble; Colonel Bully (with a song)-Davies; Lord Rake-Trueman; Justice-Waldron; Taylor-Suett; Constable-Caulfield; Watchmen-Ledger, Waldron Jun.; Porter-Abbot; Servants-Lyons, Chippendale; Razor-R. Palmer; Lady Brute-Mrs Kemble; Lady Fanciful-Miss DeCamp; Mademoiselle-Miss Heard; Belinda-Mrs Gibbs (Their 1st appearance in those characters).
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Follies of a Day

Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

Related Works
Related Work: The Cheats; or, The Tavern Bilkers Author(s): John Rich
Related Work: The Cheats Author(s): John Wilson
Related Work: Imposture Defeated; or, A Trick to Cheat the Devil Author(s): George Powell

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Sir John Swallow Actor: Smith
Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Mohun; The Prologue by John Dryden-Mohun.
Cast
Role: John Dryden Actor: Mohun.
Related Works
Related Work: Wit Without Money Author(s): John Fletcher

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian Part I

Performance Comment: Edition of 1677: The Prologue to the First Part-; the Epilogue to Part II states that Mrs Marshal acted Queen Berenice. The Epilogue to the First Part-; Downes (Roscius Anglicanus, p. 13): Titus Vespasian-Kynaston; Phraartes-Hart; Matthias High Priest-Major Mohun; John-Cartwright; Clarona D. to Matthias-Mrs Boutell; Queen Berenice-Mrs Marshall.
Cast
Role: John Actor: Cartwright
Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Related Works
Related Work: The City Politiques Author(s): John Crowne
Event Comment: The United Company. The date of this Performance is stated as 16 Feb. (L. C. records) or 17 Feb. (Peregrine Bertie), but as Lent began on Wednesday 17 Feb., the performance probably occurred on Shrove Tuesday. This performance is on the L. C. list, 5@147, P. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 17 Feb. 1685@6: To night will be the last play at court, they tell mee 'tis the Mocke Astrologer (HMC, 12th Report, Appendix, Rutland MSS., Part V, p. 105). John Povey to Sir Robert Southwell, 18 Feb. 1685@6: Sir, the enclosed had been sent last post, had it not been detained late by a play at Court which ended our Carnival. The night before the King and Queen were entertained by the Lord President at a ball or masque in Lady Portsmouth's lodgings. The Masquers were twelve couples whose habits were of several nations' and prescribed by a picture sent to each of them from the Queen, and the least habit cost !bove a hundred Pounds, and some above three hundred pounds, besides jewels of which Mrs Fox and some others had above thirty thousand pounds value each (Savile-Finch Correspondence, Add. Mss. 28,569; I owe this quotation to Professor John Harold Wilson)

Performances

Mainpiece Title: An Evenings Love Or The Mock Astrologer

Related Works
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Performance Comment: [Edition of 1690: No actors' names. Geta-Leigh (Cibber, Apology, ed. $Lowe, I, 149).] A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue. A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue.
Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

Related Works
Related Work: The Indian Queen Author(s): John Dryden
Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication to the play, written in Rome, is dated 20 Aug. 1695 N.S., and advertisement of the play in the London Gazette, No 3200, 9-13 July 1696, represent the limits on its production. In a letter, dated (probably) November 1695, Dryden refers to the forthcoming appearance of his son's play, and on 26 May 1696 he negotiates with Tonson for its publication (Letters of John Dryden, pp. 79, 82). Probably the play appeared early in 1696, and certainly not much later than April 1696. John Barnard, The Dates of Six Dryden Letters, Philological Quarterly, XLII (1963), 400-401, believes that Dryden's letter was written ca. 26 May 1695 and that the play was probably acted in late 1695

Performances

Mainpiece Title: The Husband His Own Cuckold

Related Works
Related Work: The Husband His Own Cuckold Author(s): John Dryden Jr.