SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Dryden Esq"/1) | (@(roleclean,performerclean) "John Dryden Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11034 matches on Author, 1782 matches on Performance Comments, 1657 matches on Event Comments, 371 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances

Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pedro-Milward; Alphonso-Johnson; Roderigo-Quin; Curio-Cross; Seberto-Ridout; Pilgrim-Woodburn; Jacques-Turbutt; Lopez-Shepard; Mad Englishman-Winstone; Mad Scholar-Havard; Mad Priest-Raftor; Mad Taylor-Woodward; Mad Welchman-Macklin; Master of sadhouse-Furnival; Keeper-Marshall; Alinda-Mrs Mills; Juletta-Mrs Pritchard; In which will be introduced the Original Mad Dialogue set to Musick by Mr H. Purcell-Beard, Mrs Clive.
Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: Colombine Courtezan

Dance: II: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Philips; IV: Grand Dance-Mlle Roland

Event Comment: Benefit Castelman, the Treasurer. Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden. [Tickets at Castelman's Lodgings, at Mr Watford's, Upholder, over-against the Sun Tavern, Russel Street, Bloomsbury.

Performances

Mainpiece Title: The Pilgrim

Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Dance: I: Punches Dance-Master Ferg, Miss Wright; III: Pierots-Leviez, Pelling; IV: Moors Dance-Muilment, Mrs Walter

Music: V: A Concerto-Henry Burgess Jr

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pedro-Milward; Roderigo-Quin; Alphonso-Johnson; Alinda-Mrs Mills; Juletta-Mrs Pritchard; Mad Scholar-Havard; Mad Englishman-Winstone; Mad Welshman-Reed; Mad Taylor-Woodward; Mad Priest-Raftor; Old Pilgrim-Woodburn; Drunken Servant-Ray; Stuttering Servant-Yates; Lopez-Shepard; Jacques-Turbutt; Curio-Cashell; Seberto-Ridout; Master of Madhouse-Taswell; Keeper-Marshall.
Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: Robin Goodfellow

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher, by Sir John Vanbrugh and Mr Dryden. Afterpiece: An English Opera, written by the late Mr Addison, and new set to Musick by Mr Arne, reserving two or three Favourite Songs, out of his former Opera

Performances

Mainpiece Title: The Pilgrim

Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: Rosamond

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright

Performances

Mainpiece Title: Sophonisba Or Hannibals Overthrow

Performance Comment: Edition of 1676 (imperfect edition): Hannibal-Moon; Maherbal-Wats; Bomilcar-Haris; Scipio-Kingiston; Lelius-Wintersel; Massinissa-Harte; Massina-Clarke; Sophonisba-Mrs Cosh; Rosalinda-Mrs Damport. Edition of 1681: The Prologue to the University of Oxford, Written by J. Dryden, Esquire. Hannibal-Mohun; Maherbal-Burt; Bomilcar-Wintershul; Scipio-Kynaston; Lelius-Lydall; Varro-Watson; Massinisa-Hart; Trebellius-Powell; Massina-Clark; Menander-Griffin; Sophonisba-Mrs Cox; Rosalinda-Mrs Boutell; Aglave-Mrs Nep; Cumana-Mrs Cory. Epilogue Spoken to Sophonisba at its Playing at Oxford. Downes (Roscius Anglicanus, p. 15): Hannibal-Mohun; Maherbal-Burt; Bomilcar-Wintersel; Scipio-Kynaston; Lelius-Lydall; Massinissa-Hart; Massina-Clark; Sophonisba-Mrs Cox; Rosalinda-Mrs Boutel.

Performances

Mainpiece Title: Circe

Performance Comment: Edition of 1677: The Prologue by Mr Dryden-; The Epilogue by the Earl of Rochester-; Downes (Roscius Anglicanus, pp. 36-37): Orestes-Betterton; Pylades-Williams; Ithacus-Smith; Thoas-Harris; Circe-Lady Slingsby; Iphigenia-Mrs Betterton; Osmida-Mrs Twiford.
Cast
Role: The Prologue by Mr Dryden Actor:

Performances

Mainpiece Title: Mithridates King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.
Cast
Role: Mr Dryden Actor: .

Performances

Mainpiece Title: A True Widow

Performance Comment: Edition of 1679: Prologue by Mr Dryden-; Epilogue by the Author-.
Cast
Role: Mr Dryden Actor:

Performances

Mainpiece Title: Caesar Borgia Son Of Pope Alexander The Sixth

Performance Comment: Edition of 1680: Prologue by Mr Dryden-; Caesar Borgia-Betterton; Palante-Williams; Machiavel-Smith; Paul Orsino-Gillow; Ascanio Sforza-Lee; Vitellozzo-Peircifull; Bellamira-Mrs Lee; Adorna-Mrs Price; Epilogue-.
Cast
Role: Prologue by Mr Dryden Actor:

Performances

Mainpiece Title: Tamerlane The Great

Performance Comment: Edition of 1681: Prologue-; Epilogue by Mr Dryden-.
Cast
Role: Mr Dryden Actor: .

Performances

Mainpiece Title: Venice Preservd

Performance Comment: See16820209, but Prologue To His Royal Highness Upon His first appearance at the Duke's Theatre since his Return from Scotland. Written by Mr Dryden-Mr Smith; The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-. The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-.
Cast
Role: Mr Dryden Actor: Mr Smith

Performances

Mainpiece Title: Venice Preserved

Performance Comment: See16820209, but Prologue to The Dutchess On Her Return from Scotland, by Mr Dryden-; Epilogue to Her Royal Highness On Her Return from Scotland, by $Mr Otway-.
Cast
Role: Mr Dryden Actor:
Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.
Cast
Role: Mr Dryden Actor: Mr Batterton

Performances

Mainpiece Title: The Widow Ranter Or The History Of Bacon In Virginia

Performance Comment: Edition of 1690: Prologue [By Mr Dryden-a Woman; Cavarnio-Bowman; Bacon-Williams; Col. Wellman-Freeman; Col. Downright-Harris; Hazard-Alexander [Verbruggen (?)]; Friendly-Powell; Dareing-Sandford; Fearless-Cudworth; Dullman-Bright; Timerous Cornet-Underhill; Whimsey-Trefuse; Whiff-Bowen; Boozer-Barns; Semernia-Mrs Bracegirdle; Madame Surelove-Mrs Knight; Mrs Crisante-Mrs Jordon; Widow Ranter-Mrs Currer; Mrs Flirt-Mrs Cory; Petitioner-Blunt; Parson Dunce-Baker; The Epilogue-a Woman.
Cast
Role: Mr Dryden Actor: a Woman

Performances

Mainpiece Title: The Mistakes

Performance Comment: Edition of 1691: Don Juan de Mendoza-Hodgson; Alberto-Powell; Antonio-Alexander [Verbruggen]; Ricardo-Montford; Lopez-Bowen; Bernardo-Trefusis; Miranda-Mrs Bracegirdle; Astella-Mrs Butler; Maria-Mrs Richardson; Prologue [by Mr Dryden-Bright, Bowen, Williams; Epilogue [by Mr Tate-Mrs Butler [in Mans Cloaths; Another Epilogue-Mr Montfort.
Cast
Role: Mr Dryden Actor: Bright, Bowen, Williams
Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Event Comment: Luttrell, A Brief Relation, II, 413: By order of the queen, the lord chamberlain has sent an order to the playhouse prohibiting the acting Mr Dryden s play called the tragedy of Cleomenes, reflecting much on the government. Gentleman's Journal, April 1692 (licensed 13 April): I was in hopes to have given you in this Letter an account of the Acting of Mr Dryden's Cleomenes; it was to have appear'd upon the Stage on Saturday last, and you need not doubt but that the Town was big with Expectation of the performance; but Orders came from Her Majesty to hinder its being Acted; so that none can tell when it shall be play'd

Performances

Performances

Mainpiece Title: Henry The Second King Of England With The Death Of Rosamond

Performance Comment: Edition of 1693: Prologue-; Epilogue by Mr Dryden-Mrs Bracegirdle; King Henry the Second-Betterton; Prince Henry-Mich. Lee; Sir Tho. Vaughan-Ant. Leigh; Abbot-Sandford; Verulam-Kynaston; Sussex-Hodgson; Aumerle-Bridges; Bertrard-Dogget; Queen Eleanor-Mrs Barry; Rosamond-Mrs Bracegirdle; Rosamond's Woman-Mrs Kent.
Cast
Role: Mr Dryden Actor: Mrs Bracegirdle
Event Comment: The Gentleman's Journal, November 1693: Mr Durfey's Richmond Heiress has been Revis'd, and Acted several times, with Alterations and Amendments. We are to have this Winter a Play by him, call'd Don Quixote....We are impatiently expecting a Play by Mr Dryden; 'tis of the Nature of his Spanish Fryar. We are also to have a Tragedy by Mr Southern; a Comedy by Mr Crown; and the Tragedy of Pyrrhus, by Mr H. I need not say any thing of Mr Congreve's Double-Dealer (the only new Play since my last) after the Character which Mr Dryden has given of it

Performances

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Performances

Mainpiece Title: An Attic Evenings Entertainment

Performance Comment: Readings from Milton-; Caractacus-; Gray's Elegy-Sheridan; Two Pieces of prose composition of interest to both sexes. Dryden's Ode on the Power of Music-; pieces of vocal and instrumental music-; the vocal parts-Guistinelli, Mrs Jewel [formerly Miss Edwards].formerly Miss Edwards].

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Meredith (from Liverpool; 1st appearance in London), Master Welsh, Dignum, Miller, Kelly//Sga Storace, Miss Leak, Mrs Crouch. Leader of the Band-Shaw. PART I. Zadock the Priest (CORONATION ANTHEMS). He layeth the beams. Fall'n is the Foe (JUDAS MACCABAEUS). Let the bright Seraphim (SAMSON). For unto us (THE MESSIAH). O magnify the Lord. Deeper and deeper; Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) . Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley