SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "John Doe"/1) | (@(roleclean,performerclean) "John Doe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11035 matches on Author, 1716 matches on Performance Comments, 1292 matches on Event Comments, 332 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for T. Ansell, Pilford, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Walker, Whittington, Abbot, Sarjant, R. Ledger and Seymour will be admitted this Evening. Receipts: #248 9s. 6d. (22.9.0; 1.3.6; tickets: 224.17.0)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Thompson

Ballet: End IV: The Humours of New-Market. As17800518

Event Comment: Benefit for T. Ansell, Pilfold, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Walker, Whittington, Abbott, R. Ledger, Sarjent, Seymour [Account-Book adds Wewitzer] will be taken. Receipts: #271 (22.5.6; 1.7.6; tickets: 247.7)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Thompson

Dance: As17810426

Event Comment: A New Comic Opera in 2 acts; The Music by Sacchini. [Opera in place of I Viaggiatori Felici, announced in Public Advertiser, 1 Mar. Nonini, who is unidentified, was from the Opera, Lisbon.] Public Advertiser, 6 Apr.: To the credit of Sacchini, it is the best Burletta extant. It is in all parts excellent . . . while it amuses, it does not fail equally to interest

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Event Comment: "Allegranti displayed unusual powers--a most brilliant shake, which she does not always favour us with, a sostenuto of prodigious extent, and above all, what she never fails to favour us with: exquisite grace, taste and feeling" {Public Advertiser, 4 Nov.)

Performances

Mainpiece Title: Il Convito

Dance: As17821102 throughout, but the New Divertisement is here entitled (but on no other occasion) La Bergire Constante

Event Comment: Benefit for T. Ansell, Pilford, Marks & Furkins. Tickets delivered by Clarridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Sloper, Abbot, Akrey [Account-Book adds Rolles] will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Yates's last appearance on the stage in London; he subsequently acted in Edinburgh in March, 1785. Afterpiece in place of The Country Mad-Cap, announced on playbill of 30 May.] Receipts: #255 3s. 6d. (20/5/0; 0/15/6; tickets: 234/3/0)

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Barnaby Brittle As17820930 but Jeremy W

Dance: As17821231

Event Comment: Benefit for Marks, T. Ansell, Pilford & Furkins. Tickets delivered by Claridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Rye, Abbott, Akery, Rolles, Hall will be admitted this Evening. Receipts: #224 10s. 6d. (15/18/0; 0/6/6; tickets: 228/6/0)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Young Meadows Actor: Johnstone

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece Statute Dance, as17840428

Event Comment: "Nothing could be more affecting than [Mrs Crawford's] expression of the sorrows in the character; nor anything more languid and undecorous than her level recitation . . . Discharge the fire, and she sinks into a tasteless disregard of the business, which injures, if it does not destroy the illusion. It is in this that Mrs Siddons triumphs over her... But she cannot, so powerfully as Mrs Crawford, assail at intervals the heart" (Gazetteer, 30 Nov.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Tom Thumb

Event Comment: [By Permission of the Lord Chamberlain (but this notice does not appear on the playbill)]. Benefit for Miss Llewellin. The Doors to be opened at 6:00. To begin at 7:00. Tickets delivered for Monday the 24th, and Thursday the 7th of April will be admitted. Miss Llewellin is the daughter of a late eminent and respectable Merchant in one of our neighbouring islands, whose family have been great sufferers by the late war, and is left with two sisters, orphans. She solicits the patronage of a generous publick for that night only. Tickets to be had of Miss Llewellin, No. 204, Piccadilly

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Apprentice

Event Comment: [For changes in the cast of afterpiece see Public Advertiser, 6 Dec., which does not state who took Miss Kemble's place as Lady Macbeth.] Receipts: #285 4s. (262/9; 21/14; 1/1)

Performances

Mainpiece Title: The Country Girl

Related Works
Related Work: The Country Wife Author(s): John Lee

Afterpiece Title: The Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): John A. Fisher

Dance: As17851028

Event Comment: Chronicle, 18 Jan., prints the Prologue "spoken on opening the Theatre," but does not state what was acted

Performances

Mainpiece Title:

Event Comment: Tickets delivered by Furlcins, Turtle, Doe, Rye, Luxmore, Dalby, Crosby, Shuter, Pilbrow, Paddick, Mrs Lampe, Hall (carpenter), Mrs Green will be admitted (Account-Book). Receipts: #224 11s. 6d. (35/0/6; 4/12/0; tickets: 184/19/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Love in a Camp

Cast
Role: : Captain Patrick Actor: Johnstone
Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): John O'Keeffe

Dance: As17860426

Event Comment: Tickets delivered by Marks, Brandon, Edwards, Hall, Rolles, Turtle, Walker, Doe will be admitted (Account-Book). Receipts: #265 5s. 6d. (60.8.6; 3.4.0; tickets: 201.13.0)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Midas

Cast
Role: Apollo Actor: Johnstone
Event Comment: A new Comic Opera [1st time; COM 2, librettist unknown]; the Music composed by Storace. "Signor Storace does not appear to have studied that art [of music] much in Italy; for he has entirely deviated from the usual plan of Italian authors...The overture anneunces entirely a French author, and the finales are in the German style of Gluck, loaded with harsh, terrifying music of trumpeting and drumming" (Public Advertiser, 6 Mar.). Receipts: !162 [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Afterpiece Title: Grand Concerto Spirituale 1

Afterpiece Title: Grand Concerto Spirituale 2

Performance Comment: Honor and Arms-Reinhold (Samson); New concerto hautboy-W. Parke; On the Charmer fondly gazing-Miss Hagley (Dr Arnold); Concerto bassoon-Parkinson; Let me wander not unseen-Mrs Ambrose (L'Allegro); Concerto violoncello (1st time)-Mason; Why does the God of Israel sleep?-Kelly (Samson); Farewell ye limpid springs-Mrs Crouch (Jephtha); Quest' alma sventurata-Mrs Ambrose (Sacchini); Coronation Anthem, God save the King-.

Afterpiece Title: Grand Concerto Spirituale 3

Music: As17890311

Event Comment: [In afterpiece the assignment of Captain Cook is from Diary, 27 Apr., which does not state who performed Koah.] Receipts: #234 3s. (222.14; 11.9)

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Inkle Actor: Johnstone

Afterpiece Title: The Death of Captain Cook

Dance: As17890101

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Wave from Wave-Sale; He rebuked the Red Sea He led them through the deep-Chorus (Israel in Egypt); Justly these Evils Why does the God of Israel sleep?-Harrison (Samson); Cease thy Anguish-Miss Mahon, Saville (Athalia); O God! who in thy heavenly Hand-Chorus (Joseph); The smiling Dawn of happy Days-Miss Cantelo (Jephtha); How excellent thy Name-Chorus (Saul).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: As17900226, but Overture (Samson)-; Wave from Wave-_; He led them through the deep-_; Justly these evils-_; Why does the God of Israel sleep?-_; Softly rise-Harrison; Ye southern breezes-Chorus.

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: As17900224; End Part I: Miserere Mei Deus, as17900317

Event Comment: Benefit for Labourie. Smith, 15: The Favourite Opera Dances for the year 1790...selected by F. Chabran contains selections from the previously mentioned ballets and Lauretta. This last title does not appear in newspaper records, but it was doubtless the "new ballet" announced for 22 April and subsequently

Performances

Mainpiece Title: Lusurpator Innocente

Dance: End I: La Jalousie sans Raison, as17900415; End Opera: an entire New Ballet- [See17900504]; [in which the Pas Russe-Labourie, Mlle Hilligsberg

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Related Works
Related Work: Rinaldo and Armida Author(s): John Dennis

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Ye sons of Israel-Chorus (Joshua); Tear such as tender Fathers shed-Bellamy (Deborah); O had I Jubal's Lyre-Miss Broadhurst (Joshua); There beneath a lowly shade-Dignum (Alexander Balus); Concerto Violin-Master Clement (1st appearance at this theatre); +Fallen is the Foe-Chorus (Judas Maccabaeus); Why does the God of Israel sleep?-Spence (Samson); O Liberty!-Miss Cecilia Davies (Judas Maccabaeus); accompanied violoncello-Mason; The many rend the skies-Chorus (Alexander's Feast).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Fifth Grand Concerto-; Honour and Arms-Griffith; Ye Men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Justly these evils, Why does the God of Israel sleep?-Incledon; Then round about the starry Throne-Chorus (Samson); O come let us worship-Harrison (Coronation Anthems); The Mighty Power-Chorus (Athalia); O worse than Death and Angels ever bright-Mrs Billington (Theodora); Gird on thy Sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Event Comment: Benefit for Wood, Percey, Cameron, Wilson, George, Woollams. Kemble Mem.: Benefit for the Boxkeepers. A New Edition of the [mainpiece] to be had at the Theatre. "Went to play. Mrs Jordan in 'Rosalind.' I am still of opinion, there is more in her person and natural manners than in her acting. Her merit lies out of her part. The words set down by the author she does not repeat with great propriety of tone, emphasis, or gesture, than others. But she has of these, certain peculiarities, which indicate dispositions, such as take strong hold of the affections, at least of the male part of her audience; and therefore, when the part is of a sort to admit a large portion of these, she produces a great effect. The true acting of the part may, in many instances, not require what she throws into it, but it may admit it; and if the expression so thrown in is of the sort described, the effect of the whole will be improved, though the part is thereby neither better nor worse acted" (Windham Diary, 28 May 1791, 227). Receipts: #363 4s. 6d. (33.5.0; 9.5.6; 2.13.0; tickets: 318.1.0) (charge: #117 1s. 7d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: All the Worlds a Stage

Song: As17901027

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Cantata-Reinhold (Giordani); But thou didst not leave-Master Welsh (The Messiah); Trio-Kelly, Morelli, Mrs Crouch; Song-Mrs Bland (Attwood); Shake the dome-Chorus (Solomon); Song-Mrs Crouch; accompanied on the harp-Meyer; Little these evils, Why does the God of Israel sleep?-Incledon (Samson); Worthy is the lamb-Chorus (The Messiah).

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Song: End II: Mad Bess-Mrs Crouch (Purcell)