SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "John Doe"/1) | (@(roleclean,performerclean) "John Doe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 11035 matches on Author, 1716 matches on Performance Comments, 1292 matches on Event Comments, 332 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Event Comment: Benefit for the Middlesex Hospital. House Charges #84. [Profit to Hospital #10 11s. The Treasurer's Book does not break down charges as minutely as does the Covent Garden Account Book. They are lump sum affairs. Nor does Victor include ticket receipt analysis.] Paid George Garrick for use of the managers #169; B. Johnson's Head Bill #1 11s. 9d. Philips for men's cloaths #10 10s.; Costain for old point lace #1 15s. (Treasurer's Book). Receipts: #94 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble

Afterpiece Title: The Old Maid

Dance: II: The Vintage, as17661011

Event Comment: A drunken man and a livery servant were both very troublesome in the first gallery [according to an account in the Morning Chronicle, 11 Dec., which continued]: It is a very great insult to respectable citizens and gentlemen of moderate fortunes, who from principles of economy choose to sit in the first gallery, that they admit too men in liveries. Their prices of admission have been raised within these thirty years, and every art practised for interest of the managers; and in these times, when every necessary and convenience of life is considerably enhanced, it is a matter of prudence in persons of the middle rank of life to prefer the gallery to the pit. But this is no reason why livery servants should be allowed to place themselves by the wives and daughters of private gentlemen and reputable tradesmen, to whom they often behave with great insolence and indecency. [It is desirable] to know why a constable does not make his appearance in the back row of the first, as well as the second, gallery, being frequently as much wanted in the one as the other (John Hampden Diary, p. 122)

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Don John Actor: Booth
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: The Druids

Performances

Mainpiece Title: Music

Performance Comment: Part I Overture to Samson-; Airs: Total Eclipse in Samson-Beard; Preso al Caro amato Cido in Meraspe-Sga Galli; Return O God of Hosts from Samson-Miss Robinson; Myself I Shall Adore in Semele-Sga Francesina; Del Minacciar del Vento in Otho-Reinhold; Part II Concerto-Weideman; Airs: Per Pieta nell' Incostanza Delusa-Sga Frasi; O Ruddier than the Cherry in Acis and Galatea-Reinhold; O Sleep in Semele-Sga Francesina; Concerto-Sga Caporale; Air: Dirti ben Mio in Alexander in Persia-Miss Robinson; Part III Concerto-Miller; Airs: Tremende oscure atroci in Meraspe-Sga Galli; Why does the God of Israel Sleep in Samson-Beard; Scherza Quest' Alma Mia del Sig Lampugnani-Sga Frasi; Concerto-Vincent; Trio in Acis and Galatea-Sga Francesina, Miss Robinson, Reinhold; Handel's Grand Sonata-.

Performances

Mainpiece Title: The Miser

Performance Comment: Clerimont-Palmer; Starved Cook-Shuter; Frederick-Mozeen; Wheedle-Mrs Bennet; Ramilie-James; Mrs Wisely-Mrs Pitt; Harriet-Mrs Willoughby; Mariana-Mrs Mills; List-Marr; Miser-Yates; Lappet-Mrs Clive; Sparkle-Bransby; Furnish-Raftor; Decoy-Ray (Macmillan); The last three not listed in the General Advertiser, which does list Mrs Clive's song The Life of a Beau. The last three not listed in the General Advertiser, which does list Mrs Clive's song The Life of a Beau.
Related Works
Related Work: The Miser; or, Wagner and Abericock Author(s): John Thurmond

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I Overture by Sg Paradies-; Airs Why does the God of Israel Sleep (Handel)-Beard; Infelice in van mi lagno (Chiampi)-Sga Frasi; Concerto-Pasquilano; Airs: False Imagine (Handel)-Sga Cuzzoni; Non pavento il pastorello (Resta)-Guadagni; Part II Concerto by DuBourg-DuBourg; Airs Father of Heaven (Handel)-Sga Galli; Se vedi nascere (Chinzer)-Sga Frasi; Concerto-Miller; Benche mi siu crudele (Handel)-Sga Cuzzoni; Pastorella io giurerei (Chiampi)-Sga Galli; Part III Concerto-Vincent; Airs Return O God of Hosts (Handel)-Sga Frasi; Varcan col' Vento istesso (Chiampi)-Sga Galli; Se non Timor allata (Chiampi)-Guadagni; Tune your Harps (Handel)-Beard; Duetto Piu amabile belta (Handel)-Sga Cuzzoni, Guadagni; A Grand Concerto of Handel's-.

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: The Shepherds Artifice

Performance Comment: Parts-Mattocks, Dibdin, Fawcett, Miss Miller, Miss Poitier; Alexis-Mattocks; Strephon-Dibdin; Sylvia-Miss Hallam; Caelia-Miss Poitier (Genest, V, 58); Parts-Fawcett, Miss Miller playbill, however, does not list Miss Hallam; Dance incident to the Entertainment,-Duquesney, Miss Valois. Larpent MS 240 lists parts as Palemon, Strephon, Thyrsis, Caelia and Sylvia.
Event Comment: Benefit for Mr and Mrs Baddeley. House charges #67 9s. 6d. [Profits to Baddeley family 16s. plus tickets.] Tickets deliver'd for this night will be taken. Paid Palmer of Bath for Spermecetti candles #128 4s. Paid Mr Deeble (chorus singer) omitted 3 nights 15s.; Chorus singers 1 night #2 10s. 6d.; Salary list #435 19s. (Treasurer's Book). Receipts: #68 5s. 6d. (Treasurer's Book). I find ye corner of ye orchestra is ye best place to stand in...Holland played Iago very well, and Mrs Baddeley Desdemona pretty well, being her 1st appearance in that character...End of ye play Baddeley spoke a composition of his own, called "Search after Scrubs," to hear which Garrick came into ye orchestra. He looks healthy and strong, and should oftener entertain ye Public to which he owes so much. Entertainment Daphne and Amintor. Daphne (for ye first time) Mrs Baddeley, who does not shine in the singing part, as Mrs Arne does (Neville MS Diary)

Performances

Mainpiece Title: Othello

Afterpiece Title: Daphne and Amintor

Dance: IV: The Irish Lilt, as17670430

Entertainment: End: the Particulars of a Humorous Descriptive Search After Scrubs-Mr Baddeley

Event Comment: [G$Genest, V, 140, notes that Bannister's name does not appear in the playbill; the Public Advertiser bill, which does not specify any parts, includes Bannister as well as Strange, Loveman, Keen, and Smith, for which there is no support in the 1767 edition.] Before six went into the Pit to see the new tragedy of The Countess of Salisbury performed for the first time. One cannot judge perfectly of a Play without reading it, but it was received with vast applause. The author being an Irishman, Weston spoke a Prologue in the character of an Hibernian (Neville MS Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Lethe

Dance: End: Dance-Miss Froment

Event Comment: At 6, the Pit being full, went into the First Gallery...Love does Stirling with propriety, but not with that ease and humour with which Yates does it (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Sir John Melvil Actor: Holland

Afterpiece Title: A Peep behind the Curtain

Event Comment: Mainpiece [by Oliver Goldsmith]: Never Perform'd Before. [Quick, mentioned by Genest, does not appear on the playbill. The Edition of 1768 casts Mrs White as Landlady, and Cushing as Butler. It does not include Morris or Morgan, but adds Post@Boy-Quick; Bailiff-R. Smith; Dubardieu-Holtom. (See 1 Feb.) The Theatrical Monitor, No XI (6 Feb.), reviews the mainpiece in a lukewarm, judicial manner.] Receipts: #227 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: Hamlet

Cast
Role: Player Queen Actor: Mrs Johnson

Afterpiece Title: The Absent Man

Performance Comment: As17680321 but Mrs Junket-Mrs Johnston; Miss Frolick-Miss Reynolds (MacMillan). [Public Advertiser does not list Miss Reynolds, and omits Mrs Hopkins.]Public Advertiser does not list Miss Reynolds, and omits Mrs Hopkins.]
Cast
Role: Mrs Junket Actor: Mrs Johnston

Dance: End: The Wake, as17680220

Event Comment: The Doors to be opened at Half an Hour after Five. To begin exactly at Half an Hour after six. [The Account Book indicates that the following paid up their deficits of half values of tickets: Rose, Mrs Griffiths, Claridge, Doe, Pullen, Fransdorf, Norbury, Robson, Pilfold, Roberts and Singleton.] Receipts: #163 9s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Related Works
Related Work: Cyrus the Great; or, The Tragedy of Love Author(s): John Banks
Related Work: Cyrus Author(s): John Hoole

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Wild, Miss Madden, Roffe, Ansell, and Miss Woolley. Tickets deliver'd by Symonds, Furkins, Hartle, Francis, Abbott, Walters, Miss Stede, the Widow Trott, the Widow Pullin, Mrs Hitchcock, Mrs Paddick, Mr Pilfold, Mr Doe, Claridge, and Reed will be taken. @ Tickets Box Pit Gallery Value 1!2 Value@ Wild 4 43 53 #12 15s. #6 7s. 6d.@ Miss Madden 41 17 29 #15 14s. #7 17s.@ Rose 23 55 35 #17 10s. #8 15s.@ Ansell 11 31 41 #11 10s. #5 15s.@ Wooley 3 28 56 #10 11s. #5 5s. 6d.@ Symonds 3 18 47 #8 3s. #4 1s. 6d.@ Furkins 9 9 9 #4 10s. #2 5s.@ Mrs Hartle 4 28 60 #11 4s. #5 12s.@ Francis .. 19 34 #6 5s. #3 2s. 6d.@ Abbott 12 60 53 #18 6s. 9 3s.@ Walters 3 44 106 #17 19s. #8 19s. 6d.@ Miss Stede 22 30 68 #16 6s. #8 8s.@ Miss Trott 17 10 10 #6 15s. #3 7s. 6d.@ Mrs Pullen 17 28 65 #14 19s. #7 9s. 6d.@ Mrs Hitchcock 29 42 16 #15 3s. #7 11s. 6d.@ Mrs Paddick .. 14 21 #4 4s. #2 2s@ Pilfold 27 200 67 #43 9s. #21 14s. 6d.@ Doe .. 18 39 #6 12s. #3 6s.@ Claridge 9 34 27 #10 1s. #5 0s. 6d.@ Reed .. .. .. .. .. .. ..@ Sharratt 1 8 10 #2 9s. #1 4s. 6d.@ Total 235 736 856 #254 15s. #127 7s. 6d.@ [A total of 1,817 seats given out in the three categories. Full capacity must have been nearly 2,250. No charges. House took half value of tickets.] Receipts: #13 2s. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Chaplet

Entertainment: III: A Minuet-Hussey, Miss Madden; End: A Hornpipe-Miss Stede (scholar to Fishar)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Biron-Smith; Villeroy-Bensley; Carlos-Gardner; Baldwin-Clarke; Belford-Perry; Sampson-Dunstall; Child-Miss Doe; Nurse-Mrs Pitt; Isabella-Mrs Yates, 1st time; With the Epithalamium-Mattocks, Mrs Baker.
Cast
Role: Child Actor: Miss Doe

Afterpiece Title: The Choice or Merit before Mnney

Dance: End: The Lilt, as17720326

Performances

Mainpiece Title: Alzuma

Performance Comment: Smith, Bensley, Hull, Gardiner, Perry, Miss Pearce, Mrs Willems, Miss Miller, Mrs Hartley Alzuma-Smith; Don Carlos-Bensley; Pizarro-Hull; Gonzalez-Gardner; Ozmar-Perry; Orazia-Miss Miller; Orellana-Mrs Hartley; Virgins of the Sun-Miss Pearce, Mrs Willems; In Act II, a Procession of the Virgins of the Sun-; principal vocal parts-Miss Wewitzer, Miss Brown (Edition of 1773, which also lists Ezmont-$Thompson, whose name does not appear on the bills).

Afterpiece Title: The Commissary

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: La Fraschetana

Performance Comment: Principal Characters by Trebbi, Fochetti, Savoi, Micheli, Sga Prudom, Sga Luiggia? Farnese, Sga Sestini. [Cast from libretto (T. Cadell, 1776): Nardone-Trebbi; Don Fabrizio-Fochetti; Il Cavaliere Giocondo-Savoi; Pagnotta-Micheli; Donna Stella-Sga Maria Prudom [Inglesina]; Lisetta-Sga Luiggia Farnese; Violante-Sga Sestini. [The libretto does not assign Violante, but see Larpent MS 417.The libretto does not assign Violante, but see Larpent MS 417.

Dance: As17761102

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Principal Characters by Edwin, Quick, Booth, Davies, Darley, Thompson, Gardner, Farren, Miss Tweedale, Mrs Morton, Mrs Forster (of dl), Mrs Martyr. Cast suggested by Genest, VI, 493: Trudge-Edwin; Sir Christopher Curry-Quick; Medium-Booth; Campley-Davies; Inkle-Farren; Yarico-Miss Tweedale; Narcissa-Mrs Morton; Patty-Mrs Forster; Wosski-Mrs Martyr; Genest does not assign Darley, Thompson, Gardner. Genest does not assign Darley, Thompson, Gardner.

Afterpiece Title: The Apprentice

Song: II: a new comic song (1st time), Four@and@twenty Periwigs all on a Row-Edwin

Entertainment: Monologue. End: The Kensington Stage; or, The Fatigues of a Long Journey (a Comical, Poetical Description)-Edwin

Event Comment: "Miss Farren is almost beyond criticism; she is always animated, hurries you away, and does not leave you time to reflect. We are not too bold in asserting that Europe does not produce a finer actress in these lively, natural characters" (Prompter, 4 Nov.). Receipts: #155 19s. 6d. (120.7.0; 34.11.0; 1.1.6)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The Citizen

Song: As17891017

Performances

Mainpiece Title: Acis And Galatea 0

Afterpiece Title: Acis and Galatea 3 i

Performance Comment: e. serenata in 2 parts]. Overture- (Ariadne); Pour forth no more-Sale (Jephtha); Lord what is man-Miss Poole [Semele]; How willing my paternal love-Reinhold; Then round about the starry throne-Chorus; Why does the God of Israel sleep-Incledon [Samson]; The soldier tir'd-Mme Mara [Dr Arne]; The Coronation Anthem-.

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; The prince unable-Miss Poole (Alexander's Feast); Return O God-Miss Waters; Justly these evils, Why does the God of Israel-Incledon (Samson); Dulce Domum-Mme Mara, Chorus (Reading); The soldier tired-Mme Mara (Arne's Artaxerxes); How willing-Bartleman (Samson); Hallelujah-Chorus (The Messiah).

Music: As17990215

Event Comment: The Diary of Robert Hooke: With John? Oliver saw tigre in Bartholomew fair 2d. Saw the child doe strange tricks

Performances

Event Comment: This work is advertised in The Loyal Protestant 22, 27, and 29 Aug. 1682: at Mrs Saffry's, a Dutch Woman's booth, over against the Greyhound Inne in West Smithfield. [Her first announcement calls the company "By an Approved Company"; the other two notices refer to it as "the first New-market Company." See Rosenfeld, The Theatre of the London Fairs, p. 6.] John Coysh paid #6 for a booth at the Fair (Rosenfeld, The Theatre of the London Fairs, p. 6). See also Morley, Memoirs of Bartholomew Fair, p. 222, for notice of the Indian Water Worksv. In Wit and Drollery (1682), p. 304, are verses on the Fair: @Here's the Whore of Babylon the Devil and the Pope,@The Girl is just agoing on the Rope@Here's Dives and Lazarus and the World's Creation,@Here's the Tall Dutch Woman the like's not in the Nation,@Here is the Booth where the High-Dutch Made is@Hear are the Bears that dance like any Ladies,@Tat, tat, tat, tat, tat says the little penny Trumpet@Here's Jacob Hall, that does so jump it, jump it.@Sound Trumpet Sound, for Silver Spoon and Fork,@Come here's your dainty Pit and Pork.@ [See also August 1680.

Performances

Mainpiece Title: The Irish Evidence The Humours Of Tiege Or The Mercenary Whore

Event Comment: Benefit Leviez, Desse, and Powell (Deputy Treasurer). [The latter was probably John Powell, who later ingratiated himself with Lord Holland, became an accountant in the office of Paymaster General of His Majesties Forces and in 1783 was accused with Mr Bembridge of concealing a large sum in Accounts chargeable to Lord Holland, 1757-65. He committed suicide 26 May 1783, under the stress of the investigation, and the verdict of death as a result of Lunacy was issued. See account in Gentlemen's Magazine (1783) pp. 454, 539, 613. He is there described as having been a Teller in Drury Lane Theatre, a person who acts as a check upon the door keepers of the playhouse, by counting the number of people in the house, which he does from a small box, conveniently situated for that purpose.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Anatomist

Dance: I: Sga Bettini; III: Muilment

Song: II: Gentle Shepherd-Mrs Arne; IV: Mrs Arne