SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Christopher Smith"/1) | (@(roleclean,performerclean) "John Christopher Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9990 matches on Author, 3534 matches on Performance Comments, 1479 matches on Event Comments, 555 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. The same cast is listed in the Yale MS. See Davenant's Macbeth from the Yale Manuscript, ed. Christopher Spencer (New Haven, 1961), p. 78. Downes, Roscius Anglicanus, p. 34: Mr Nat. Lee, had the same Fate [as Otway in undertaking the King in Behn's The Jealous Bridgeroom] in Acting Duncan in Macbeth, ruin'd him for an Actor too

Performances

Mainpiece Title: Macbeth

Performance Comment: Edition of 1673: King of Scotland-Nath. Lee; Malcolm-Norris; Donalbain-Cademan; Lenox-Medburn; Macbeth-Betterton; Banquo-Smith; Macduff-Harris; Macbeth's Wife-Mrs Betterton; Macduff's Wife-Mrs Long; Hecate?-Sandford. See also 12 Aug. 1668.
Cast
Role: Banquo Actor: Smith
Related Works
Related Work: Macbeth Author(s): John Philip Kemble
Event Comment: Mainpiece: With Alterations [by John Philip Kemble. In his version, as published in 1793, Lewis is assigned to Barrymore, Helena to Mrs Siddons, the Countess to Mrs Ward, Diana to Mrs Powell. Genest lists the present cast; it appears to be reliable. He omits Phillimore, who is assigned in the text, and Miss Tidswell]. A new Edition of All's Well that Ends Well to be had in the Theatre. Afterpiece: With a Sea Fightv. Powell: Drummer rehearsed at 10; Critic at 11:30; Cherokee at 1. Receipts: #282 1s. (178.19; 99.16; 3.6)

Performances

Mainpiece Title: All's Well That Ends Well

Related Works
Related Work: All's Well that Ends Well Author(s): John Philip Kemble

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Ritornello-Dubois; Interpreter-Benson; Under Prompter-Maddocks; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Leak; Mrs Bland, Miss DeCamp; Tragedians : Lord Burleigh-Caulfield; Governor-Hollingsworth; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-Waldron; Master of Horse-Webb; Beefeater-Phillimore; Justice-Packer; Tom Jenkins-Suett; Constable-Bland; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.
Event Comment: [Mrs Mountain was from cg. "To her claims as a singer she adds (what we rarely find associated in one and the same person) the qualifications requisite to constitute a performer" (Dramatic Censor, III, 5).] Afterpiece [1st time; F 2, by John Till Allingham]

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Emery; Medium-Davenport; Campley-Trueman; Mate-Bannister; Waiter-Atkins; Planters-Klanert, J. Palmer, Abbot; Sailors-Ledger, Linton, Whitmore; Trudge-Fawcett; Narcissa-Miss Gaudry; Wowski-Mrs Bland; Patty-Mrs Gibbs; Yarico-Mrs Mountain (1st appearance on this stage).
Cast
Role: Inkle Actor: Johnstone
Role: Sir Christopher Curry Actor: Emery

Afterpiece Title: 'Tis All a Farce

Related Works
Related Work: Tis All a Farce Author(s): John Till Allingham
Event Comment: Benefit Christopher Smith Jr (the composer). The Habits and the Scenes proper to the Subject. Words by Mr Humphrey. Pit and Boxes 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d

Performances

Mainpiece Title: Ulysses

Related Works
Related Work: Ulysses Author(s): Christopher Smith Jr.
Event Comment: Benefit Christopher Smith, who at his own Expence, hath provided for, and brought up the Children of the late Mr Dahuron. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: Instrumental Music-Clegg, Weideman, Caporale, Miller; The Vocal Parts to consist of several of Mr Handel's Choruses-

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq-.
Cast
Role: Lorenzo Actor: Smith
Role: Mr John Dryden Actor: Mr Betterton

Performances

Mainpiece Title: The Cautious Coxcomb

Related Works
Related Work: Sir Salomon; or, The Cautious Coxcomb Author(s): John Caryll

Music: Together with 3 several New Entertainments of Musick perform'd in Consort upon Hautboys Flutes and German Horns-7 young Men lately brought over by their Master the famous Godfrede Pepusch, Musician in Ordinary to his Majesty the King of Prussia. The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch

Performance Comment: The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch.
Event Comment: Benefit Smith and a Tradesman under Misfortunes. 6 p.m. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Tickets at Ed. Pinchbeck's in Fleet St.

Performances

Mainpiece Title: The Country Lasses; Or, Custom Of The Manor

Performance Comment: Modely-Smith; Heartwell-Bowman (son of Late Bowman of Drury Lane); Flora-Mrs Smith; Aura-Mrs Daniel; Sir John-Daniel.
Cast
Role: Modely Actor: Smith
Role: Flora Actor: Mrs Smith
Role: Sir John Actor: Daniel.
Related Works
Related Work: The Country Lasses: or, The Custom of the Manor Author(s): Charles Johnson
Related Work: The Country Lasses Author(s): Charles Johnson
Related Work: The Farm House Author(s): Charles JohnsonJohn Philip Kemble

Afterpiece Title: The Fond Husband: or, The Intriguing Wife

Song: Blogg, Mrs Freeman

Event Comment: Benefit for Marten, Anderson, R. Smith

Performances

Mainpiece Title: The Relapse

Performance Comment: As17631015, but Shoemaker-Anderson; Sir John Friendly-R. Smith; Miss Hoyden-Mrs Green.
Cast
Role: Sir John Friendly Actor: R. Smith
Role: Loveless Actor: Smith
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Mattocks
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: II: A Hornpipe-Miss Pitt; End: The Dutch Skippers, as17640509

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Hotspur-Smith; King Henry-Bensley (1st appearance in that character); Worchester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir Walter Blunt-Hurst; Prince John-Lamash; Westmorland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Sheriff-Griffiths; Gadshill-Holcroft; Peto-Nash; Prince of Wales-Palmer; Falstaff (1st time [at this theatre])-Henderson; Hostess-Mrs Bradshaw; Lady Piercy (1st time)-Mrs Cuyler.
Cast
Role: Hotspur Actor: Smith
Role: Prince John Actor: Lamash

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Dance: End II: Comic Dance-the Miss Stageldoirs

Event Comment: Benefit for Smith. Mainpiece: Not acted these 4 years [acted 31 Mar. 1777]. Public Advertiser, 2 Mar.: Tickets to be had of Smith at his house, Beaufort Buildings, Strand. Receipts: #243 17s. 6d. (129.3.0; 18.17.6; 2.9.0; tickets: 93.8.0) (charge: #74 15s. 6d.)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Philimore; Sir Bashful Constant-Yates; Mrs Lovemore-Miss Younge; Muslin-Miss Pope; Lady Constant (1st time)-Mrs Brereton; Mignionet-Mrs Bradshaw; Widow Belmour (with a song in character)-Mrs Abington.
Cast
Role: Lovemore Actor: Smith
Role: John Actor: Philimore

Afterpiece Title: The Camp

Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): John O'Keeffe
Event Comment: Benefit for Smith. [See note for 6 March.] Part of Pit laid into Boxes. Ladies send servants by half past 4 o'clock, and those who have taken places in the Pit requested to come early to prevent Confusion in getting to their seats. Tickets deliver'd for Lady Jane Grey will be taken. Charges #65 10s. Profit to Smith #84 6s. 6d., plus #172 15s. from tickets (Box 640; Pit 85). Paid Blanchville Clark as per certificate from Sir John Fielding 10s. (Account Book). Receipts: #149 16s. 6d

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; King Edward-Bensley; Pembroke-Perry; Buckingham-Wignel; Officer-Thompson; Messenger-R. Smith; Suffolk-Gardner; Lady Eliz Grey-Mrs Mattocks; Lady Clifford-Miss Pearce; Margaret of Anjou-Mrs Yates; The Original Epilogue by Garrick-Mrs Yates.
Cast
Role: Earl of Warwick Actor: Smith
Role: Messenger Actor: R. Smith

Afterpiece Title: Man and Wife

Dance: End: The Irish Lilt, as17721028

Event Comment: Mainpiece: Not acted these 3 years. [See 27 Nov. 1765. Hogan noted the following additions from the 1770 edn.: Mortimer-Lewes; Glendower-Morris; Prince John-Miss Cockayne; Northumberland-Redman; Gadshill-P. Smith; Peto-Wild.] Receipts: #149 17s. 6d

Performances

Mainpiece Title: King Henry Iv, Part I, With The Humours Of Falstaff

Performance Comment: Hotspur-Smith; King-Gibson; Worcester-Hull; Prince of Wales-Wroughton; Vernon-Davis; Douglas-Gardner; Falstaff-Shuter; Poins-Perry; Westmorland-Cushing; Blunt-R. Smith; Bardolph-Wignell; Francis-Hamilton; Carriers-Dunstall, Quick; Hostess-Mrs Pitt; Lady Percy-Mrs Bulkley.
Cast
Role: Hotspur Actor: Smith
Role: Blunt Actor: R. Smith
Related Works
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne
Related Work: The Misery of Civil War Author(s): John Crowne
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Afterpiece Title: The Rape of Proserpine

Dance: II: The Merry Sailors, as17691018

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
Cast
Role: Sir Fopling Actor: Smith
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Cast
Role: Scandal Actor: Smith

Performances

Mainpiece Title: The Busie Body

Performance Comment: Parts-John Leigh, Smith, Pack, Bullock Sr, Mrs Rogers, Mrs Cross, Mrs Spillar.

Afterpiece Title: The Walking Statue

Dance:

Event Comment: By His Majesty's Command. Afterpiece: a New Dramatick Entertainment of Musick and Grotesque Dancing. Edition of 1740: Set to Musick by Mr John-Frederick Lampe. [For further letters concerning John Hill and Rich, see London Daily Post and General Advertiser, 11 and 12 Feb.

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Orpheus and Eurydice: With The Metamorphoses of Harlequin

Performance Comment: Orpheus-Salway; Rhodope-Mrs Lampe; Eurydice-Miss Young; Followers of Eurydice-Mlle Roland, Miss Oates, Mrs LeBrun, Mrs Villeneuve, Mrs Ozanne; Pluto-Leveridge; Ascalax-Laguerre; Daemons-Villeneuve, Delagarde, Richardson; Harlequin-Lun; Colombine-Mrs Kilby; Pantaloon-Grimaldi; Squire Gawkey-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Thompson; Drudge-Hippisley; Woman Dwarf-French Boy; Country Lads-Desse, Villeneuve, Richardson, Dupre; Lasses-Miss Oates, Mrs LeBrun, Mrs Villeneuve, Mlle Ozanne; Rural Swain and Nymph-Glover, Mlle Roland; Arcadian Shepherdess-French Girl; Swains-Desse, Villeneuve, Richardson, Delegarde, Fromont, Dupre; Villagers-Waltz, Berry, Lad, Thompson, Roberts, Smith, Davies, Mrs Wright, Mrs Chambers, Miss Davies.
Event Comment: Benefit for Smith

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Barry; Sir John-Bridgwater; Sealand-Sparks; Tom-Dyer; Phillis-Mrs Vincent; Cimberton-Arthur; Mrs Sealand-Mrs Bambridge; Lucinda-Mrs Baker; Humphrey-Anderson; Isabella-Miss Ferguson; Daniel-Collins; Myrtle-Smith, 1st time; Indiana-Miss Bellamy; Singing-Lowe.
Cast
Role: Sir John Actor: Bridgwater
Role: Myrtle Actor: Smith, 1st time

Afterpiece Title: The Lying Valet

Dance: Maranesi, Sga Bugiani

Event Comment: Mon: 29 Sept. Mr Rich open'd wth ye Nonjuror. Mr Smith not coming to town, Mr Palmer, from Drury Lane, play'd Frankly wth great Applause (Cross). Jno. Rich paid to Charlotte Lane for the Theatre for Mr Sparks in Dr Wolfe for a superfine full trim'd black cloth coat and breeches, 14s. Sewing silk & twist 4s. 6d. Buckram stays 2s. 6d. Frilly sleeve lining, pockets, & interlining Cuffs 2s. 6d. Hair Cloth, wadding & Poll Davy 5s. Dimety lining, leather pockets, & silk garters 6s. 6d. 4 doz 2 Coat Death's Head Buttons at 14d.-4s. 11d. 12 breast ditto at 7d.-7s. 7d. 5 yds fine black shaloon at 2s. 2d.-10s. 10d. Making a Camblet Surtout Coat, 7s. 6d. Sewing silk, twist, buckram & stays, 4s. Velvet to line the collar, 1s. 17 Coat, 1 breast black basket buttons, 1s. 8d. (MS list Folger Library, Davies, Life of Garrick, Extra Illustrated, II, 322)

Performances

Mainpiece Title: The Non Juror

Performance Comment: Dr Wolf-Sparks; Sir John-Ridout; Colonel-Dyer; Heartly-Smith; Charles-White; Lady Woodvil-Mrs Elmy; Maria-Mrs Woffington.
Cast
Role: Sir John Actor: Ridout
Role: Heartly Actor: Smith

Afterpiece Title: Damon and Phillida

Event Comment: Benefit for furnishing the new Wards in the Middlesex Hospital. Paid Charlotte Lane for altering a cloth coat, and green corded silk waistcoat lac'd with silver for Mr Wm. Smith, 5s. 6d.; shalloos back & bod lining to coat & stiffening, 3s. (MS list in Davies, Life of Garrick II, 332). [The Occasional Prologue, written by Mr Boyce was publish'd in the Public Advertiser 19 Dec. 1755]: @And, Britons, Godlike charity is yours...@'Tis yours to silence Misry's plaintive moan@And make the grief of others all your own...@Give balm to Nature's accidental woes,@And sooth th'impovrish'd matron's pregnant throes...@ [The Epilogue, written by C. Smart, and spoken by Shuter in the character of a Man-midwife, was published in the same paper: Shuter enters with a child]: @Whoe'er begot thee has no cause to blush:@Thou'rt a brave chopping boy (child cries) nay, hush, hush, hush.@.......................@Nay if you once begin to puke and cough@Go to the nurse. Within, here, take him off.@Well Heav'n be prais'd, it is a peopling age,@Thanks to the Bar, the Army, and the Stage...

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Barry; Myrtle-Smith; Sir John Bevil-Gibson; Cimberton-Arthur; Humphrey-Anderson; Daniel-Collins; Tom (with a song in Character)-Dyer; Sealand-Sparks; Mrs Sealand-Mrs Stephens; Isabella-Miss Ferguson; Lucinda-Mrs Baker; Indiana-Mrs Bellamy; Phillis-Mrs Woffington; Occasional Prologue-Mrs Woffington; and an Epilogue-Shuter.
Cast
Role: Myrtle Actor: Smith
Role: Sir John Bevil Actor: Gibson

Afterpiece Title: The Cheats of Scapin

Cast
Role: Sly Actor: R. Smith.

Dance: Mrs Roland; and "By Desire" the Fingalian Dance, as17551126

Song: Lowe

Event Comment: Receipts: #58 4s. Paid for sundries for Mr Ross, viz.: a hat at #1 1s. and a pair of shoes at 14 shillings for Essex; a pair of black shoes at 14 shillings and a pair of black shammy shoes at 10s. 6d. for Hamlet (Account Book). [See Hamlet in Shammy Shoes, by John Yoklavitch, Shakespear Quarterly, III (1952), pp. 209-18.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Ross; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Cimberton-Arthur; Tom-Dyer; Humphrey-Anderson; Daniel-Collins; Lucinda-Mrs Baker; Phillis-Mrs Vincent; Mrs Sealand-Mrs Stephens; Isabella-Miss Ferguson; Indiana-Mrs Hamilton; with Singing-Lowe.
Cast
Role: Myrtle Actor: Smith
Role: Sir John Actor: Gibson

Afterpiece Title: Merlin (Harlequin Skeleton)

Dance: JJovial Coopers, as17571107

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Ogleby-Kniveton; Lovewell-Mattocks; Sterling-Dunstall; Sir John-Bensley; Flower-Morris; Brush-Dyer; Canton-Quick; Traverse-Thompson; Truman-R. Smith; Miss Sterling-Mrs Gardner; Fanny-Mrs Mattocks; Betty-Mrs Lessingham; Chambermaid-Miss Ward; Mrs Heidleberg-Mrs Green.
Cast
Role: Sir John Actor: Bensley
Role: Truman Actor: R. Smith

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: [Mrs Siddons's 1st appearance as Mrs Lovemore was at Bath, 31 Oct. 1778. Afterpiece in place of The Humourist, announced on playbill of 25 Nov.] "[Mrs Siddons's] retort courteous, mimicry of laugh, and listless indifference of Lovemore were truly excellent . . . [Miss Farren's] descriptions of Ranelagh Ladies meeting, &c. were highly seasoned, and had an excellent counterpart in Smith's appendix" (Public Advertiser, 28 Nov.). Receipts: #232 2s. 6d. (219/3/0; 12/17/0; 0/2/6)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Widow Belmour (with a song in character)-Miss Farren; Muslin-Miss Pope; Lady Constant-Mrs Brereton; Mignionet-Miss Hale; Mrs Lovemore-Mrs Siddons(i st appearance in that character [in London]) .in London]) .
Cast
Role: Lovemore Actor: Smith
Role: John Actor: Phillimore

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe
Event Comment: 2nd piece [1st time; F 1, by Thomas John Dibdin; incidental music by John Moorehead]: Altered from [Die Witwe und das Reitpferd, This Day is published The Horse and the Widow (1s.). 3rd piece: Altered into Two acts. Receipts: #187 17s. 6d. (180.6.6; 7.11.0)

Performances

Mainpiece Title: The Birth Day

Cast
Role: Captain O'Neill Actor: Johnstone
Related Works
Related Work: The Birth Day; or, The Prince of Arragon Author(s): John O'Keeffe

Afterpiece Title: The Horse and the Widow

Performance Comment: Principal Characters by Johnstone, Murray, Emery, Farley, Abbot, Mrs Davenport. Cast from text (J. Barker, 1799): Killruddery-Johnstone; Touchwood-Murray; Ferret-Emery; Count Sans Chateau-Farley; Peter-Abbot; Mrs Touchwood-Mrs Davenport.
Cast
Role: Killruddery Actor: Johnstone

Afterpiece Title: Albert and Adelaide

Performance Comment: Principal Characters-Incledon, Emery, Clarke, Betterton, Townsend, Miss Gilbert, Simmons, Claremont, Mrs Atkins, Miss Walcup, Mrs Whitmore, Mrs Chapman; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee; Chorus of Guards in the Castle-Linton, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel. [And see17981211.]And see17981211.]

Dance: In 3rd piece: Procession and Dance of Swabian Peasants, as17981211, but Miss _Gray

Event Comment: The Duke's Company. The date of the first performance is not certain, but it was probably this day. A letter dated 26 Jan. 1681@2 speaks of the preceding day's performance as the "poet's day," presumably the third day; it is likely, therefore, that the premiere fell on Monday, 23 Jan. 1681@2. The Prologue and Epilogue, were printed separately in 1682 and reprinted in Wiley, Rare Prologues and Epilogues, pp. 50-51. Luttrell's copy (Huntington Library) bears his acquisition date of 14 Feb. 1681@2. A note on the Library of Congress copy indicated that Smith spoke the Prologue. A song, Great Augustus like the glorious sun, with music by John Blow, is in A New Collection of Poems and Songs, 1683. Another, Now the Tones all must droop, sung by Bowman, is in the same collection, but without indication of the composer, and a third, Twa bonny lads were Sawney and Jockey, without singer or composer, is in the same collection

Performances

Mainpiece Title: The Royalist

Performance Comment: Edition of 1682: The Prologue-; Sir Charles Kinglove-Smith; Heartall-Williams; Broom-Bowman; Sir Oliver Oldcut-Lee; Sir Paul Eitherside-Jevan; Captain Jonas-Persival; Copyhold-Underhill; Slouch-Bright; Camilla-Mrs Betterton; Aurelia-Mrs Twyford; Philipa-Mrs Petty; The Epilogue-Mr Underhill.
Cast
Role: Sir Charles Kinglove Actor: Smith