SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Biggs"/1) | (@(roleclean,performerclean) "John Biggs")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1746 matches on Performance Comments, 1140 matches on Event Comments, 325 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: [With alterations by John Philip Kemble] Not acted these 4 years. [In his prompt copy (1808) now in Harvard Theatre Collection Kemble's annotation lists the following as needed in the opening scene: 10 principals, Captain of the Guard, 3 Knights, 2 Pages, 2 Gentlemen with Crown, 2 Gentlemen with Map, Physician, Herald, 2 Ladies with Goneril, 2 Ladies with Regan, 2 Standard Bearers, 12 Guards. Nearly every scene opens or closes with drums and trumpets. In the storm scene, "Thunder and lightning; lamps down," i.e. the footlights lowered out of sight into a shallow trough. It is not unlikely that these arrangements were adhered to in this present revival.] "Kemble said that, however singular it might be, in Lear an audience quite unsettled him; the noise of the box-doors caught his ear, and routed all his meditated effects; and he found it absolutely impossible to do that at night which he had thrown out during the rehearsal in the morning" (Boaden, Siddons, II, 376). Receipts: #350 9s. 6d. (310.9.6; 38.12.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Deserter

Event Comment: Benefit for Holman. Mainpiece: Not acted these 3 years. In IV a Grand Banquet. Morning Herald, 28 Mar.: Tickets to be had of Holman at his chambers, No. 14 John-street, Adelphi. "There is a deficiency in the length of [Holman's] upper lip that continually exposes his teeth to the audience...He has a method of hurrying over the latter part of a sentence, as if to give it more effect, but in reality destroys the intention and solemnity of the scene" (Candid Strictures,45-46). Receipts: #280 11s. 6d. (188.10.6; 3.16.0; tickets: 88.5.0) (charge: #105)

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: Alexander the Great Author(s): John Philip Kemble
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: Modern Antiques

Related Works
Related Work: Modern Antiques; or, The Merry Mourners Author(s): John O'Keeffe

Song: II: Grand Triumphal Entry of Alexander into Babylon-; Vocal Parts-Johnston, Incledon, Darley, Cubitt, Marshall, Gray, Rock, Rowson, Letteney, Mrs Mountain, Mrs Harlowe, Miss Broadhurst, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Mrs Powell, Miss Leserve, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Miss Taylor, Mrs Lloyd, Mrs Martyr; End: Wine cannot cure the Pain I endure-Johnstone, Incledon; with new Accompaniments by Shield-

Event Comment: Benefit for Wilson. Wilson's most violent and sudden Indisposition will prevent his having the honor of appearing before the Public and his Friends this Evening, and sincerely hopes the Pieces he is under the necessity of substituting will meet their approbation. [2nd piece in place of Hail Fellow Well Met; 3rd piece of The Rights of Woman, both advertised on playbill of 7 May. A 4th (and new) play, The Point of Honor, by John Peter Roberdeau, was also advertised on playbill of 7 May. It was never acted. Hail Fellows [sic] Well Met and The Rights of Women [sic] were 1st acted, for Wilson's benefit, at the hay, 9 Aug. 1792.] Morning Herald, 24 Apr.: Tickets to be had of Wilson at his house, Park-lane, Church-lane, Chelsea. Receipts: #285 5s. (93.17; 1.14; tickets: 189.14) (charge: #105)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Rosina

Cast
Role: Belville Actor: Johnstone

Afterpiece Title: Modern Antiques

Related Works
Related Work: Modern Antiques; or, The Merry Mourners Author(s): John O'Keeffe
Event Comment: The Proprietor of this Theatre having informed us that a report has been recently circulated, highly injurious to this Building; we, in consequence of his request, beg leave to asure the Public that such report is unfounded. John Johnson, Mary-le-bone; James Paine, Northend, Hammersmith; Thomas Hardwicke, Rathbone Place; Robert Brettingham, Berkley-Square. Architects

Performances

Mainpiece Title: I Giuochi D'agrigento

Dance: As17930216

Event Comment: Benefit for Holman. 2nd piece: Not acted these 6 years [not acted since 10 May 1786]. Morning Herald, 27 Mar.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #273 1s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: True Blue

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): John DaltonJohn Milton

Dance: In 2nd piece: a Hornpipe-Blurton

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers-Incledon

Performances

Mainpiece Title: May Day; Or, The Little Gipsey

Performance Comment: William-Incledon; Clod-Blanchard; Furrow-Powel; Cryer-Rees; Dozey-Munden; Dolly-Mrs Martyr; The Little Gipsey (with a new Gipsey Ballad [The Wandering Gipsey], the Words written and the melody composed by Peter Pindar, Esq. [pseud. for John Wolcot], the Accompaniments by Shield)-Mrs Clendining.

Afterpiece Title: Fashionable Levities

Cast
Role: Belville Actor: Johnstone
Role: Sir John Evergreen Actor: Quick

Afterpiece Title: The Soldier's Festival

Afterpiece Title: Hartford Bridge

Dance: As17921116

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Clodio-Lewis; Don Louis-Munden; Anthonio-Wilson; Charion-Powel; Don Duart-Fennell; Governor-Davies; Sancho-Blanchard; Don Manuel-Macready; Carlos-Holman; Louisa-Mrs Bernard; Elvira-Miss Chapman; Angelina-Miss Brunton (1st appearance in that character); Edition of 1791 (John Bell) adds: Monsieur-C. Powell; Honoria-Mrs Platt.

Afterpiece Title: Harlequin's Chaplet

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on DER DEUTSCHE HAUSVATER, by Otto Heinrich Freiherr von Gemmingen. Prologue by the author and John Thelwall (Boaden, Kemble, II, 114). Epilogue by the author (Knapp, p. 263)]: With new Scenes, Dresses and Decorations. Morning Chronicle, 18 Feb. 1794: This Day is published LOVE'S FRAILTIES (2s.). Oulton, 1796, II, 154: It was the first play published at the advanced price of 2s. [i.e. hitherto (since, at least, 1776) the price of full-length plays had been 1s. 6d.]. Receipts: #308 17s. 6d. (296/8/6; 12/9/0)

Performances

Mainpiece Title: Love's Frailties; Or, Precept Against Practice

Afterpiece Title: HARTFORD BRIDGE

Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Event Comment: Benefit for Hull and Miss Hopkins. 2nd piece: Written by [John] Hoole, the elegant Translator of Tasso, Ariosto, &c. Receipts: #208 0s. 6d. (55/2/0; 7/10/0; tickets: 145/8/6)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship

Related Works
Related Work: British Fortitude and Hibernian Friendship; or, An Escape from France Author(s): John Cartwright Cross

Afterpiece Title: CYRUS

Related Works
Related Work: Cyrus the Great; or, The Tragedy of Love Author(s): John Banks
Related Work: Cyrus Author(s): John Hoole

Afterpiece Title: THE SPRIGS OF LAUREL

Cast
Role: Lenox Actor: Johnstone
Related Works
Related Work: Sprigs of Laurel Author(s): John O'Keeffe
Event Comment: Mainpiece: With Alterations [by John Philip Kemble. In his version, as published in 1793, Lewis is assigned to Barrymore, Helena to Mrs Siddons, the Countess to Mrs Ward, Diana to Mrs Powell. Genest lists the present cast; it appears to be reliable. He omits Phillimore, who is assigned in the text, and Miss Tidswell]. A new Edition of All's Well that Ends Well to be had in the Theatre. Afterpiece: With a Sea Fightv. Powell: Drummer rehearsed at 10; Critic at 11:30; Cherokee at 1. Receipts: #282 1s. (178.19; 99.16; 3.6)

Performances

Mainpiece Title: All's Well That Ends Well

Related Works
Related Work: All's Well that Ends Well Author(s): John Philip Kemble

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Event Comment: [In afterpiece the playbill retains J. D'Egville as Alexander the Aumer as Hephestion , but "D'Egville being suddenly taken ill, Aumer play'd Alexander and C. Kemble Hephestion" (Powell).] Powell: King John rehearsed at 10; Edwy and Elgiva at 12 (dismissed). Receipts: #484 17s. (439.18.6; 41.17.6; 3.1.0)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander the Great Author(s): John Philip Kemble
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston
Event Comment: Mainpiece [1st time; C 5, by Edward Jerningham. Prologue by John Taylor. Epilogue by Henry Seymour Conway (see text)]. Morning Chronicle, 22 May 1795: This Day is published The Welch Heiress (2s.). Receipts: #309 12s. 6d. (246.1.6; 51.15.6; 11.15.6)

Performances

Mainpiece Title: The Welch Heiress

Afterpiece Title: My Grandmother

Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher
Related Work: Bonduca Author(s): John Fletcher

Afterpiece Title: He Wou'd be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Event Comment: 1st piece [1st time; MD 5, by James Boaden, based on Herman von Unna, by Anders Fredrik, Count Skjoldebrand. Prologue by John Litchfield. Epilogue by the author (see text)]: In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgement-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. In the last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by Secrecy and Certainty of its Judgements, produced many alarming Events in the 15th Century, throughout the Germanic Empire. Morning Herald, 20 June 1795: This Day is published The Secret Tribunal (2s.). Receipts: #93 11s. (82.19; 10.12)

Performances

Mainpiece Title: The Secret Tribunal

Afterpiece Title: The Irish Mimick

Cast
Role: Parrots Actor: Johnstone
Related Works
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe

Afterpiece Title: The Tythe Pig

Cast
Role: Parrots Actor: Johnstone
Event Comment: [Mainpiece altered by John Philip Kemble.] An Accurate Edition of King Lear to be had in the Theatre. Receipts: #214 19s. 6d. (159.2.6; 54.9.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Village Lawyer

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: Alexander the Great Author(s): John Philip Kemble
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: My Grandmother

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

Related Works
Related Work: Tu Quoque; or, The City Gallant Author(s): John Cooke
Related Work: Tu Quoque Author(s): John Cooke
Related Work: The Capricious Lady Author(s): John Fletcher
Related Work: Prometheus Author(s): John A. Fisher
Related Work: The Court of Alexander Author(s): John A. Fisher
Related Work: Harlequin's Jubilee Author(s): John A. Fisher
Related Work: Zobeide Author(s): John A. Fisher
Related Work: The Sylphs; or, Harlequin's Gambols Author(s): John A. Fisher
Related Work: The Sirens Author(s): John A. Fisher

Performances

Mainpiece Title: The Dramatist

Performance Comment: As17950916, but Floriville-Macready; Willoughby-Claremont; John-_; Letty-_.

Afterpiece Title: Merry Sherwood

Cast
Role: Little John Actor: Simmons
Role: Song by Irish Pilgrim Actor: Johnstone
Event Comment: Mainpiece: With Alterations [by John Philip Kemble]. The Scenery and Dresses are entirely new. The Scenes designed and executed by Marinari and Capon. [Oracle, 29 Feb.: Capon painted three scenes of Westminster Hall.] An accurate Edition of The Plain Dealer to be had in the Theatre. Receipts: #324 14s. 6d. (322.6.6; 2.8.0)

Performances

Mainpiece Title: The Plain Dealer

Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble

Afterpiece Title: Harlequin Captive

Event Comment: Account-Book, 13 Feb.: Received from John Ashley Oratorio rent #52 10s. [i.e. for every performance]

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Music: End Part I: concerto on the violin-G. Ashley

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

Performance Comment: As17960220, but Lord Rakeland-Benson; Mrs Hamford-Mrs Maddocks; John-_; William-_.
Event Comment: Benefit for the Widow and Three Orphan Children of the late Mr Benson. [Address by John Taylor, Poems, I, 62.] "Benson [who committed suicide on 19 May] was remarkable for a very retentive memory, which enabled him on the slightest notice to become a substitute for almost any performer who might be suddenly disabled from appearing" (European Magazine, June 1796, p. 397). The house was a very good one, but it has been said that Sheridan went to the Treasury and carried off the money, so that Benson's widow and children never got a sixpence" (Genest, VII, 245). Receipts: #678 10s. 6d. (319.8.0; 66.3.6; 2.19.0; tickets: 276.6.0; odd money: 13.14.0) (charge: #212 15s.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Sultan

Song: End I: Whither my Love, Ah! Whither art thou fled? (from The Haunted Tower)-Sga Storace; From Shades of Night-Braham; This fond Sorrow-Braham, Sga Storace (both from Mahmoud); End II: the celebrated Harp Song Ah che nel petto io sento, from Idalide,-Mme Mara; In IV: a Masquerade Scene, in which Ally Croker-Miss Leak, Master Welsh

Entertainment: MonologueEnd: a new Occasional Address-Mrs Jordan

Event Comment: [As afterpiece the playbill announces Olympus in an Uproar, but it "was obliged to be postponed, on account of the sudden indisposition of Mrs Martyr. The change was announced in bills published at a late hour, and the door-keepers were ordered to acquaint the audience as they entered of the change. This information ought to have been given from the stage; but instead of that decent ceremony the curtain drew up on Rosina. John Bull resented this want of respect, and made a tremendous clamour, which Incledon and Townsend in vain attempted, by repeated apologies, to allay. At last, however, the storm gradually subsided, and Rosina was suffered to warble her mellifluous tones" (True Briton, 14 Nov.).] Receipts: #199 4s. (193.6; 5.18)

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Rosina

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson, based on La Clemenza di Tito. by Pietro Bonaventura Trapassi? Metastasio. Text (unauthorized), Dublin: John Archer, 1796; it assigns no parts. Authors of Prologue and Epilogue unknown]: The Scenery by Marinari. Receipts: #237 10s. (169.18; 64.12; 3.0)

Performances

Mainpiece Title: The Conspiracy

Afterpiece Title: Harlequin Captive

Event Comment: Mainpiece: Not acted these 9 years. [Mrs Worthington is identified in MS list in Kemble playbills of new performers for this season.] Ballet: 1st time; composed by Giacomo? Gentili. Afterpiece [1st time: ENT 1, by Richard Brinsley Sheridan; acted in place of The Prize, advertised on playbill of 4 Mar. Text (C. Lowndes, 1797)]: Altered from a Dramatick Entertainment performed 1794 [The Glorious First of June]. In the course of which will be introduced a representation of the late Glorious Engagement between the British and Spanish Fleets on the Fourteenth of February [1797, under Sir John Jervis, off Cape St. Vincent]. Receipts: #253 9s. (151.2.6; 100.17.0; 1.9.6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Cape St

Song: III: a Masquerade Scene-; with Hark! the Lark at Heaven's Gate sings-Sedgwick, Dignum, Welsh, Master Welsh

Ballet: End: The Labyrinth; or, The Country Madcap. Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp