SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Duke of Bedford"/1) | (@(roleclean,performerclean) "John Duke of Bedford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10210 matches on Author, 2799 matches on Performance Comments, 2237 matches on Event Comments, 654 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The date of the premiere is not known, but the date of licensing, 4 May 1676, suggests a production not later than March or April 1676. The Dedication indicates that the play was also acted privately at the residence of the Duchess of Albemarle, New-Hall

Performances

Mainpiece Title: Ibrahim The Illustrious Bassa

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode and Box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Man Of Mode

Event Comment: See a note from the Marquis Cattaneo to the Duke of Modena (in Campana de Cavelli, Les derniers Stuarts [Paris and London, 1871], I, 171), in which he states that the entire court went three or four times to see The Man of Mode

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Event Comment: The Duke's Company. This play may well have been performed regularly since 25 May. The Diary of Robert Hooke, 2 June 1676: with Godfrey and Tompion at Play. Met Oliver there. Damned Doggs. Vindica me Deus. People almost pointed. [Several entries in Hooke's Diary concern The Virtuoso. See his entries for 1 June, 3 June, 1 July.

Performances

Mainpiece Title: The Virtuoso

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 408. There is no certainty that this is the premiere, but the reference in the Prologue to the long vacation and the licensing date of 25 Sept. 1676 point to a summer production

Performances

Mainpiece Title: The Wrangling Lovers; Or, The Invisible Mistress

Related Works
Related Work: The Wrangling Lovers Author(s): John Vanbrugh
Event Comment: The Duke's Company. The date of the premiere is not known, but the large proportion of minor actors and the licensing for printing on 4 Nov. 1676 suggest a production in the late summer or early autumn

Performances

Mainpiece Title: Tom Essence; Or, The Modish Wife

Event Comment: The Duke's Company. The date of the first production is not known, but the licensing date of 20 Sept. 1676 establishes this month as the latest date for its premiere

Performances

Mainpiece Title: The Town-fopp; Or, Sir Timothy Tawdry

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Guardian

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. An edition appeared in 1676

Performances

Mainpiece Title: Epsom Wells

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Libertine

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Herod And Mariamne

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408: Sr Fopling

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Villain

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Town Fop; Or, Sir Timothy Tawdry

Event Comment: The Duke's Company acted at the Revels on this day, but the play is not known. See A Calendar of the Middle Temple Records, ed. Hopwood, p.177

Performances

Event Comment: The Duke's Company. There is no indication of the first date of performance, but a licensing date of 19 Feb. 1676@7 suggests a December 1676 or January 1677 production.Downes (Roscius Anglicanus, p. 38): Titus and Berenice, Wrote by the same Author [Thomas Otway], consisting of 3 Acts: With the Farce of the Cheats of Scapin at the end: This Play, with the Farce, being perfectly well Acted; had good Success

Performances

Mainpiece Title: Titus And Berenice

Afterpiece Title: The Cheats of Scapin

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that play was licensed for printing on 23 Feb. 1676@7 suggests a first performance about this time. The play was entered in the Term Catalogues, May 1677. Langbaine (English Dramatick Poets, p. 36) refers to this play as altered from Richard Brome's The Mad Couple

Performances

Mainpiece Title: The Debauchee; Or, The Credulous Cuckold

Event Comment: An unnamed play was acted by the Duke's Company. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 177

Performances