SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Duke of Bedford"/1) | (@(roleclean,performerclean) "John Duke of Bedford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10210 matches on Author, 2799 matches on Performance Comments, 2237 matches on Event Comments, 654 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Event Comment: [The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 16-17. This performance may have been the premiere. Shadwell, in his Preface, implies that it was acted six days. As Saturday was a day frequently chosen for a first showing and as the play was certainly given again on 14 Dec. 1670, the sequence of performaces which follow in this Calendar is based on the assumption that Saturday 10 Dec. 1670 was the first day, Wednesday 14 Dec. 1670 the fourth day of acting. The Preface: This Play...came upon the Stage with all the disadvantages imaginable: First, I was forced, after I had finish'd it, to blot out the main design of it; finding, that, contrary to my intention, it had given offence. The second disadvantage was, that notwithstanding I had (to the great prejudice of the Play) given satisfaction to all the exceptions made against it, it met with the clamorous opposition of a numerous party, bandied against it, and resolved, as much as they could, to damn it, right or wrong, before they had heard or seen a word on't. The last, and not the least, was, that the Actors (though since they have done me some right) at first were extreamly imperfect in the Action of it.... This of mine, after all these blows, had fall'n beyond Redemption, had it not been revived, after the second day, by her [Mrs Johnson's (?)] kindness (which I can never enough acknowledge) who, for four days together, beautified it with the most excellent Dancings that ever has been seen upon the Stage. This drew my enemies, as well as friends, till it was something better acted, understood, and liked, than at first

Performances

Mainpiece Title: The Humorists

Performance Comment: Prologue-; Epilogue-. [Edition of 1671: Prologue Written by a Gentleman of Quality. No actors' names. Epilogue. [The dancer referred to in Shadwell's Preface may well have been Mrs Johnson.]Edition of 1671: Prologue Written by a Gentleman of Quality. No actors' names. Epilogue. [The dancer referred to in Shadwell's Preface may well have been Mrs Johnson.]
Event Comment: The Duke's Company. This performance is on the L. C. lists. See VanLennep, "Plays on the English Stage", p. 17

Performances

Mainpiece Title: The Humorists

Event Comment: The Duke's Company. The source of this performance is the diary of Jeffrey Boys. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 17

Performances

Mainpiece Title: The Humorists

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 17-18: The Schoole of Complements

Performances

Mainpiece Title: Love Tricks; Or, The School Of Compliments

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18. It should be noted that this performance falls on a Friday in Lent; there is no indication as to whether this is the premiere

Performances

Mainpiece Title: The Amorous Prince; Or, The Curious Husband

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: The New Utopia. There is no indication as to whether this performance was the premiere. The Preface refers to malice against the plays, and the edition of 1671 has a poem: To the Author of the New Utopia. On the Miscarriage of his Play in Acting

Performances

Mainpiece Title: The Six Days' Adventure; Or, The New Utopia

Event Comment: William Cartwright's The Lady Errant was licensed by Sir Henry Herbert to the Duke's Company on this date. See Bentley, Jacobean and Caroline Stage, III, 128-32

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," pp. 18-19: The Town Shifts. There is no indication as to whether this is the premiere, and it should be noted that this date is a Wednesday in Lent

Performances

Mainpiece Title: The Town-shifts; Or, The Suburb-justice

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 17. There is no indication as to whether this is the premiere. The play was licensed 6 March 1670 [1671]. Downes (Roscius Anglicanus, p. 27) refers to it as being the first "new Play" acted at Dorset Garden in 1666, an error as to both place and time of presentation. Downes adds: All the other Parts, being perfectly well Acted, Succeeded six Days with a full Audience. It seems unlikely that Cambyses was given six days consecutively at this time. A performance of The Forc'd Marriage on Monday 9 Jan. 1670@1 and one of The Humorists on Saturday 14 Jan. 1670@1 do not permit six uninterrupted days for Cambyses at this time

Performances

Mainpiece Title: Cambyses, King Of Persia

Related Works
Related Work: Darius, King of Persia Author(s): John Crowne
Event Comment: The Duke's Company acted at Oxford during this month, offering Cambyses and, presumably, other plays of which we have no record. See W. J. Lawrence, "Oxford Restoration Prologues," Times Literary Supplement, 16 Jan. 1930, p. 43, and Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713," Review of English Studies, XIX (1943), 368

Performances

Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Performances

Mainpiece Title: The History Of Charles The Eighth Of France; Or, The Invasion Of Naples Of The French

Related Works
Related Work: The History of Charles the Eighth of France Author(s): John Crowne
Related Work: The History of Charles the Eighth of France; or, The Invasion of Naples by the French Author(s): John Crowne
Event Comment: An entry in A Calendar of the Middle Temple Records, ed. Hopwood, p. 174, indicates a performance but does not name the play. The Duke's Company

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," p. 18: Love in a Tubb. Downes, Roscius Anglicanus, p. 32: [After Sir Martin Marall] Next was Acted Love in a Tub, it was perform'd 2 Days together to a full Audience

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: the King and Queen &c Two Boxes. See VanLennep, Plays on the English Stage," p. 18. See also Tuesday 14 Nov. 1671

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 18. British Museum Add. Mss. 36916, folio 233: 18 Nov. 1671: The new playhouse in Salisbury Court opened on the 9th instant, since which his Majesty hath been often there, and likes it so well that he hath given the players #1000 towards the building of it

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Related Works
Related Work: The Married Beau; or, The Curious Impertinent Author(s): John Crowne
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: The Villain. See VanLennep, Plays on the English Stage, pp. 18-19

Performances

Mainpiece Title: The Villain

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: Pompey

Event Comment: The Duke's Company gave an unnamed play. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 174

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: The Guardian

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, pp. 12, 19

Performances

Mainpiece Title: Wit A La Mode

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347); but see the discussion under 9 March 1671@2 for the dating

Performances

Mainpiece Title: The Romantic Lady

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347); for the dating of this performance, see the discussion under 9 March 1671@2

Performances

Mainpiece Title: Pompey

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Adventures Of Five Hours