SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Duke of Bedford"/1) | (@(roleclean,performerclean) "John Duke of Bedford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10210 matches on Author, 2799 matches on Performance Comments, 2237 matches on Event Comments, 654 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. It is not certain that this play was revived at this time, but Tom Essence, which was probably acted toward the end of August or in early September (it was licensed 4 Nov. 1676) contains a scene in "Malfey's Chamber," suggesting that a revival of The Duchess of Malfi had occurred not long before the production of Tom Essence. On the other hand, it should be noted that the cast in the edition of 1678 contains names which point to a much earlier production; for example, Cademan probably acted little after his injury in the summer of 1673 and Downes (Roscius Anglicanus, p. 35) states that Cogan and Price died ca. 1673-74

Performances

Mainpiece Title: The Duchess Of Malfy

Related Works
Related Work: The Duchess of Malfi Author(s): John Webster
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Country Wit

Related Works
Related Work: The Country Wit Author(s): John Crowne
Related Work: Sir Mannerly Shallow; or, The Country Wit Author(s): John Crowne
Event Comment: G. Lady Chaworth to Lord Roos, 2 Nov. 1676: I have not yet seen Mr Pack, being att Lord Major's show when hee was heere....The pageants were but three and worse then others formerly, but the King, Queen, Duke and Duchess finer in both clothes, liveries, coaches and traine then ever, to the honour of the Citty (HMC, 12th Report, Part V, Rutland Papers, II, 31)

Performances

Mainpiece Title: London's Triumphs

Related Works
Related Work: London's Triumphs Author(s): John Tatham
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham
Event Comment: The Duke's Company. This performance is on the L. C., 5@145, p. 120: Mr Lymberham. See also Nicoll, Restoration Drama, P. 349. There is no indication as to whether this performance was the premiere, but it probably was part of its initial run, which was limited to three days. Langbaine (English Dramatick Poets): In this Play (which I take to be the best Comedy of his) he so much expos'd the keeping part of the Town, that the Play was stopt, when it had but thrice appear'd on the Stage (p. 164). [In the Dedication to the play, Dryden also refers to its being stopped.

Performances

Mainpiece Title: The Kind Keeper; Or, Mr Limberham

Related Works
Related Work: The Kind Keeper; or, Mr Limberham Author(s): John Dryden
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162; on a similar list (L. C. 5@145, p. 120) the date is given as 25 May, but the second list may have been compiled from the first one and subject to error. See also Nicoll, Restoration Drama, p. 349. There is no indication that this is the first production, but the Epilogue refers to the shortly expected "long Vacation," a suggestion that the premiere came in May. The play was not licensed until 29 Aug. 1678

Performances

Mainpiece Title: The Counterfeits

Related Works
Related Work: The Counterfeits Author(s): John Learnerd
Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Related Works
Related Work: Oedipus Author(s): John Dryden
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Event Comment: The Duke's Company. The date of the first production is not known, but the fact that Medbourne, who is in the cast, was sent to Newgate Prison on 26 Nov. 1678 establishes November as the latest probable date for the first production. The play was not licensed for printing until 19 Jan. 1678@9. A Compleat List of all the English Dramatic Poets (London, 1747): This Play had no Success on the Stage (p. 168)

Performances

Mainpiece Title: The Destruction Of Troy

Related Works
Related Work: The Destruction of Troy Author(s): John Banks
Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that the play was entered in the Stationers' Register on 14 April 1679 suggests a premiere not later than April 1679. A song, Can life be a blessing, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Troilus And Cressida; Or, Truth Found Too Late

Related Works
Related Work: Troilus and Cressida; or, Truth Found Too Late Author(s): John Dryden
Event Comment: The Duke's Company. The date of the first production is not certain, particularly since an entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists this play for 8 March, the year uncertain. Since the entry follows one for The Souldier's Fortune which followed the premiere of The Female Prelate, 31 May 1680, the L. C. entry probably is one for 8 March 1680@1. That the premiere occurred near 1 Nov. 1680 is suggested by a letter of Anne Montague to Lady Hatton, 1 Nov. 1680: For I never see the towne fuller, for I was to see the new play, The Spanish Frier, and there was all the world, but the Court is a letell dull yet; the Queen being sick, there is noe drawing room (Hatton Correspondence, Camden Society, XXII [1878], 240). A song, Farewell ungratefull Traytor, with music by Captain Pack and sung by Mrs Crofts, is in Act V. For Leigh's and Nokes' acting, see Cibber, Apology, ed. Lowe, I, 143, 145-46. Downes (Roscius Anglicanus, p. 37): 'Twas Admirably Acted, and produc'd vast Profit to the Company

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden
Event Comment: The Duke's Company. This play is on the L. C. list, 5@145, p. 120--see also Nicoll, Restoration Drama, p. 349--immediately following the 1 March listing for The Soldier's Fortune. Because The Spanish Fryar was apparently a newly acted play on 1 Nov. 1680, the performance on this L. C. list is assigned to 8 March 1680@1 rather than to 8 March 1679@80

Performances

Mainpiece Title: The Spanish Fryar

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: Venice Preserv'd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble
Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Related Works
Related Work: Vertue Betray'd; or, Anna Bullen Author(s): John Banks
Event Comment: The Duke's Company. The players received the customary #20. See A Calendar of the Inner Temple Records, III, 183. Loyal Protestant and True Domestick Union. 4 Nov. 1682: London November 2. Yesterday began the Revels at the Temple; where all the Judges belonging thereunto were nobly entertained by a Splendid Banquet, and afterwards by an excellent new Comedy, acted by His Royal Highness's Servants in the Inner-Temple-Hall, called, Rule a Wife and have a Wife, to the great satisfaction of all the Spectators

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Related Works
Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher
Event Comment: Betterton's Company. There may have been a revival of Oedipus in the summer of 1696. In Francis Manning's Poems upon Several Occasions and to Several Persons (1701) there is a poem To Mr Betterton, Acting Oedipus King of Thebes. The first stanza describes the splendor of the installation of the Duke of Gloucester as a Knight of the Garter, an event which occurred at Windsor Castle in July 1696; but there is no certainty that Betterton's performance occurred before that date. It should be noted also that the play was reprinted in 1696

Performances

Mainpiece Title: Oedipus, King Of Thebes

Related Works
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Related Work: Oedipus Author(s): John Dryden
Event Comment: Benefit Bowen. For the Entertainment of the Duke d'Aumont

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Cast
Role: John Actor: Mills
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: Sir Courtly Nice; or, It Cannot Be Author(s): John Crowne
Related Work: The Rambling Justice; or, The Jealous Husbands: With the Humours of Sir John Twiford Author(s): John Leanerd
Related Work: Mary Queen of Scots Author(s): John St. John
Related Work: The Island of St. Marguerite Author(s): John St. John
Related Work: Aglaura Author(s): John Suckling
Related Work: Brenoralt; or, The Discontented Colonel Author(s): John Suckling
Related Work: The Goblins Author(s): John Suckling
Related Work: Aminta: The Famous Pastoral Author(s): John Dancer
Related Work: The Little French Lawyer Author(s): John Fletcher
Related Work: The Beggar's Bush Author(s): John Fletcher
Related Work: Philaster Author(s): John Fletcher
Related Work: The Loyal Subject Author(s): John Fletcher
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher

Afterpiece Title: A Woman Will Have Her Will

Related Works
Related Work: Women Pleas'd Author(s): John Fletcher
Related Work: A Woman's Revenge Author(s): John Marston
Related Work: Women Pleased Author(s): John Fletcher
Related Work: A Commonwealth of Women Author(s): John Fletcher
Related Work: A Woman Will Have Her Will Author(s): John Eccles
Related Work: The Tamer Tamed Author(s): John Fletcher
Event Comment: Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The Country Wake

Related Works
Related Work: Hob's Opera Author(s): John Hippisley
Event Comment: Mainpiece: As it was Alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The Stage Coach

Event Comment: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher
Event Comment: Mainpiece: As it was Alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: Hob

Related Works
Related Work: Hob's Wedding Author(s): John Leigh
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley
Event Comment: Benefit Mrs Wantlow; By Their Royal Highness's Command. Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The School Boy; or, The Comical Rivals

Dance: Wade, Mrs Santlow

Event Comment: Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The School Boy; or, The Comical Rivals

Dance: As17151014

Event Comment: Benefit Mrs Porter. At the Desire of several Ladies of Quality. As it was alter'd by the late Duke of Buckingham. Pit and Boxes together at 5s. Note, to prevent the Company's waiting, none but the Gallery Doors will be opened till 5 a Clock

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher

Dance: Shaw, Wade, Thurmond Jr, Topham, Mrs Santlow, Mrs Bicknell, Mrs Tenoe, Miss Lindar

Related Works
Related Work: The Island of St. Marguerite Author(s): John St. John
Event Comment: At the Desire of several Persons of Quality. Weekly Journal or Saturday's Post, 30 Jan.: On Saturday Night, after the Actors...had perform'd the Maid's Tragedy, a Proclamation was made upon the Stage from the Duke of Newcastle, Lord Chamberlain, signifying that it was his Majesty's Pleasure to suspend for the present any more Acting at that House

Performances

Mainpiece Title: The Maid's Tragedy

Related Works
Related Work: The Maid's Tragedy Author(s): John Fletcher

Song: As17191003

Event Comment: Mainpiece: As it was alter'd by the late Duke of Buckingham. Afterpiece: A new Dramatick Entertainment of Dancing in Grotesque Characters

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The Escapes of Harlequin

Event Comment: Mainpiece: As it was altered by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): John Thurmond
Related Work: Apollo and Daphne Author(s): John Hughes
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond

Dance: new Dance of Fawns-