SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jean Pierre de Ours de Mandajors"/1) | (@(roleclean,performerclean) "Jean Pierre de Ours de Mandajors")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1040 matches on Performance Title, 657 matches on Performance Comments, 403 matches on Event Comments, 297 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: Cromwell's Conspiracy

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Performances

Mainpiece Title: The Moore Of Venice

Performances

Mainpiece Title: Argalus And Parthenia

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

Performances

Mainpiece Title: The Bondman

Performances

Mainpiece Title: Love In A Maze

Performances

Mainpiece Title: London's Triumph: Presented In Severall Delightfull Scaenes

Performances

Mainpiece Title: Entertainments

Event Comment: W. S. Clark (Works of Orrery, 1, 40-41) believes that this is Thomas Middleton's play, not one by Orrery. Henry Savile to George Savile: I am come newly from my Lord of Orrery's new play called The Widow, whose character you will receive from better hands. I will only say that one part of it is the humour of a man that has great need to go to the close stool, where there are such indecent postures as would never be suffered upon any stage but ours, which has quite turn'd the stomach of so squeamish a man as I am, that am used to see nothing upon a theatre that might not appear in the ruelle of a fine lady (Savile Correspondence, ed. W. D. Cooper, Camden Society, LXXI [1858], 4)

Performances

Mainpiece Title: The Widow

Performances

Mainpiece Title: The Silent Woman

Performances

Mainpiece Title: The Custom Of The Country

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Performances

Mainpiece Title: The Virgin Martyr

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: The Faithful Shepherdess

Performances

Mainpiece Title: Henry The Eighth

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen