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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jean Pierre de Ours de Mandajors"/1) | (@(roleclean,performerclean) "Jean Pierre de Ours de Mandajors")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2217 results for: Keyword - Jean Pierre de Ours de Mandajors
We found 1040 matches on Performance Title, 657 matches on Performance Comments, 403 matches on Event Comments, 297 matches on Author, and 0 matches on Roles/Actors.

1551
22 June 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Peeping Tom

Afterpiece Title: The Swop

1552
12 June 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: An Evening's Love[; Or, the Mock Astrologer

1553
25 July 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Wrangling Lovers; Or, The Invisible Mistress

Related Works
Related Work: The Mistaken Beauty; or, The Lyar Author(s): Pierre Corneille

1554
24 October 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco

1555
13 February 1735 @ Covent Garden

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

1556
09 May 1735 @ Haymarket Theatre

Performances

Mainpiece Title: George Dandin; Or, The Wanton Wife

Afterpiece Title: Le Cocu Imaginaire

Dance:

1557
26 May 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End III: an entire new Ballet (composed by Vestris Jun.) Les Folies d'Espagne- see17910610; (for that night only) Pas de Trois-Vestris Jun., Mlle Hilligsberg, Mlle Mozon; Pas Seul-Juber (principal dancer from France); a Pas de Deux-Juber, Mlle Mozon; conclude with Minuet de la Cour-as17910505Vestris Sen

Ballet: End I: L'Amadriade. As17910517

1558
23 July 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

1559
14 December 1717 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mangora, King Of The Timbusians

1560
23 August 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Tamerlane The Great; With The Fall Of Bajazet, Emperor Of The Turks

Afterpiece Title: The Miser

Afterpiece Title: The Ridotto Al' Fresco

1561
04 September 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Comical Humours of Sir John Falstaff, Justice Shallow, Ancient Pistol, and Others

Afterpiece Title: The Ridotto Al' Fresco

Dance: End I Second Piece: Black Joke-Smith, Miss Brett; II: Comic Dance-Mrs Booth

1562
01 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Cg The Busy Body

Afterpiece Title: Apollo and Daphne

1563
17 October 1735 @ Covent Garden

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: The Mistaken Beauty; or, The Lyar Author(s): Pierre Corneille

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

1564
01 January 1736 @ Covent Garden

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Apollo and Daphne

Dance: French Peasant by Lalauze and Mlle D'Hervigni

1565
28 October 1741 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Contrivances

1566
05 May 1743 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The School Boy

Dance: LLes Boufons du Cour, as17430305 Characters of Dancing, as17421025; Dutch Skipper, as17421025

1567
25 March 1746 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

1568
03 February 1747 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Miss in Her Teens

1569
07 January 1748 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Royal Chace

1570
25 April 1763 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

1571
29 April 1766 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Apprentice

Dance: I: A Hornpipe-Miss Twist; III: The Venetian Gardeners, as17650925; End: The Village Romps, as17651019

1572
06 May 1769 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Padlock

Dance: I: New Comic Dance, as17681210

1573
28 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Afterpiece Title: The Apprentice

1574
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

1575
18 March 1784 @ King's Theatre

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages