SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Jean Baptiste Lourdet de Santerre"/1) | (@(roleclean,performerclean) "Jean Baptiste Lourdet de Santerre")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 996 matches on Performance Title, 431 matches on Performance Comments, 242 matches on Author, 183 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

Performances

Mainpiece Title: Ines De Castro

Dance: As17990418

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

Performances

Mainpiece Title: Ines De Castro

Dance: End I: La Double Epreuve, as17990617 End Opera: La Fille Mal Gardee, as17990418

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

Performances

Mainpiece Title: Ines De Castro

Dance: As18000304

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Key to the Lock

Related Works
Related Work: La Gageure Imprévue Author(s): Michel Jean Sedaine

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Francois a Londres

Dance:

Performances

Mainpiece Title: Letourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide or The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performances

Mainpiece Title: Erifile

Dance: End I: La Polonaise Favourite, as17780131; End II: Les Bohemiens, as17771216; End Opera: Divertisement-Mons and Mlle Banti, Vallouy@le@cadet, Mlle Baccelli

Song: In II: Air-Sga Danzi; accompanied on the Hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

Event Comment: Benefit Baptiste, lately arriv'd from Paris. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Flute-Baptiste; Violin-Claudio; Sonata in three Parts by C. A. Lunati, Inventor of the Double Stops-

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.