SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "James Murphey French"/1) | (@(roleclean,performerclean) "James Murphey French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2140 matches on Author, 1342 matches on Performance Comments, 765 matches on Event Comments, 577 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: A Tragedy never performed there. Mrs Yates first appearance this stage in 8 years. This Play is from the Orestes of Voltaire Mrs Yates who has been at Covent Garden these 8 years is now return'd & chose to make her first appearance in the part of Electra. Mr Garrick wrote an Excellent Prologue & Epilogue for the Occasion both of which were greatly receiv'd With great Applause. The Play is very dull & heavy & Mrs Yates wanted Spirit greatly in the part of Electra had but little Applause (Hopkins Diary). Paid salary list 5 days at #91 8s. 10d. #457 4s. 2d.; Mr French on acct #5 5s. (Treasurer's Book). [From Westminster Magazine, Oct. (of the mainpiece): From its want of business, it is a very heavy, tedious performance. Most of the scenes are mere declamations; and a certain air of coldness and apathy, which is the peculiar characteristic of French drama, runs thro the whole, which must ever render it unpleasing as well as uninteresting to an English Audience." Gave a severe comment on the Prologue with its theme "home is home be it ever so homely." Preferred the Epilogue. The perspective scenery of Argosv, the Palace of Aegisthusv, and the Tomb of Agamemnonv, designed by Loutherbourg, and painted by Messrs French and Roy, were warm and spirited, and the dresses elegant and characteristic."] Receipts: #243 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Electra

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Afterpiece Title: Harlequin Junior; or, The Magic Cestus

Performance Comment: Characters by Hamoir, Bates, Staunton, Williames, Burton, Lamash, Fawcett, Phillimore, Wilson, Chaplin, Jones, Benson, Alfred, Spencer, Hollingsworth, Mrs Love, Mrs Booth, Miss Barnes, Mrs Cuyler, Miss Tidswell, Miss Cranford, Miss Stageldoir. Cast adjusted from playbill of 10 Nov. 1788: Old Harlequin-Hamoir; Harlequin-Bates; Magician-Staunton; Officer-Williames; French Gentlemen-Burton, Lamash; Cook-Fawcett; German Officer-Phillimore; Valet-Wilson; Miller-Chaplin; Landlord-Jones; Daemon-Benson; Taylor-Alfred; Clown-Hollingsworth; Old Colombine-Mrs Booth; French Ladies-Miss Barnes, Mrs Cuyler, Miss Tidswell; Fairy-Miss Cranford; Colombine-Miss Stageldoir; unassigned-Spencer, Mrs Love.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Junior; or, The Magic Cestus

Performance Comment: Harlequin-Banks (1st appearance in London [but see17881108]); Old Harlequin-Hamoir; Magician-Dignum; Officer-Williames; German Officer-Phillimore; French Gentlemen-Lamash, Burton; Valet-Wilson; Miller-Chaplin; Landlord-Jones; Cook-Fawcett; Daemon-Master Grimaldi; Taylor-Alfred; Clown-Hollingsworth; Old Colombine-Mrs Booth; Fairy-Miss Cranford; French Ladies-Miss Barnes, Miss Tidswell, Mrs Heard; Colombine-Miss Stageldoir.

Performances

Mainpiece Title: Love In Many Masks

Afterpiece Title: Harlequin Junior; or, The Magic Cestus

Performance Comment: Characters-Banks, Hollingsworth, Hamoir, Burton, Phillimore, Haymes, Benson, Maddocks, Fawcett, Jones, Alfred, Master Grimaldi, Miss Blanchet, Mrs Booth, Miss Tidswell; Vocal Parts-Dignum, Williames, Sedgwick, Danby, Lyons, Miss DeCamp. [Cast adjusted from playbill of 10 Nov. 1788: Harlequin-Banks; +Clown-Hollingsworth; +Old Harlequin-Hamoir; +French Gentlemen-Burton, Benson; +German Officer-Phillimore; +Valet-Haymes; +Miller-Maddocks; +Cook-Fawcett; +Landlord-Jones; +Taylor-Alfred; +Daemon-Master Grimaldi; +Magician-Dignum; +Officer-Williames; +Fairy-Miss Blanchet; +Old Colombine-Mrs Booth; +French Lady-Miss Tidswell; +Colombine-Miss DeCamp.]

Performances

Mainpiece Title: England Preserv'd

Performance Comment: Principal Characters by Holman, Pope, Farren, Harley, Middleton, Davies, Macready, Hull, Haymes, Richardson, Powel, Claremont, Thompson, Williamson, Miss Wallis. [Cast from text (T. N. Longman, 1795), and European Magazine, Mar. 1795, p. 197: Earl of Surrey-Holman; Earl of Pembroke-Pope; Earl of Chester-Farren; French Prince-Harley; Earl William Mareschal-Middleton; Earl of Lincoln-Davies; English Knight-Macready; Bishop of Winchester-Hull; Comte de Nevers-Haymes; Lord Robert Fitzwalter-Richardson; French Guard-Powel; Viscomte de Beaumont-Claremont; Heralds-Thompson, Williamson; John Plantaganet-Miss Standen; Lady Surrey-Miss Wallis; Prologue-Middleton; Address (instead of Epilogue)-Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: French Prince Actor: Harley
Role: French Guard Actor: Powel

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time; M. INT 1, by John Cartwright Cross. Larpent MS 1124; not published]: Founded on the recent and glorious Achievement, at the above French Fort, of Sir Sydney Smith. [On 17 Mar. 1796 a force under Sir William Sydney Smith had destroyed six French vessels in the Bay of Herqui.] To conclude with the British striking the French Colours on the Fort, burning their Corvettes in the Harbour. The new Music by Shield. Oracle, 29 Mar.: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett-court, Bow-street, Covent-Garden. Receipts: #384 11s. 6d. (192.14.0; 10.1.0; tickets: 181.16.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Point at Herqui; or, British Bravery Triumphant

Dance: II: a Negro Dance-; 3rd piece: a new incidental Dance by Byrn-Mlle St.Amand, Holland, Byrn

Song: End I: Sweet Bird-Mrs Serres; accompanied on the German Flute (for this night only)-Ashe, from the Hanover-Square Concert; In Evening: Admiral Benbow-Incledon; 3rd piece: the following songs: The Mid Watch-Incledon; Tippy Bob-Munden; The Waiter-Fawcett; Irish Song-Johnstone; New Loyal Song-Mrs Martyr; Rondo-Mrs Clendining; Ye Gentlemen of England-Linton, Street, Incledon; Rule Britannia-Incledon, Johnstone, Chorus

Related Works
Related Work: The Disbanded Officer; or, The Baroness of Bruchsal Author(s): James Johnstone

Performances

Mainpiece Title: England Preserv'd

Performance Comment: Earl of Surry-Holman; Earl of Pembroke-Pope; Earl William-Betterton; Robert Fitzwalter-Whitfield; Bishop of Winchester-Hull; Earl of Chester-Davenport; English Squire-Clarke; Earl of Lincoln-Waddy; French Prince-Toms; Viscount de Beaumont-Claremont; French Guard-Powel; Count de Nevers-Thompson; Herald-Farley; John de Warrenne-Miss Standen; Lady Surry-Miss Betterton.
Cast
Role: French Prince Actor: Toms
Role: French Guard Actor: Powel

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold
Related Work: The Disbanded Officer; or, The Baroness of Bruchsal Author(s): James Johnstone

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft; or, Both Sides of the Water

Performance Comment: Principal Characters by Johnstone, Townsend, Waddy, Farley, Simmons, Wilde, Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Martyr. Cast from text (J. Barker, 1798): O'Bowling-Johnstone; Rivers-Townsend; Chip-Waddy; Drunken French Gaoler-Farley; Busy-Simmons; Monsieur Machine-Wilde; Countrymen, French and English Soldiers, Sailors-Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Noble; Countrywomen-Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Iliff; Fanny-Mrs Martyr.
Cast
Role: Drunken French Gaoler Actor: Farley

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Mouth of the Nile

Performance Comment: Vocal Characters-Incledon, Fawcett, Townsend, Emery, Dibdin Jun., Wilde, Gray, Linton, Street, Thompson, Miss Walcup, Miss Sims. +Characters in the Ballet-Farley, Bologna Jun., Follett, Dyke, Bologna, Blurton, Platt, Mrs Watts, Mrs Bologna, Miss Burnett, Mrs Masters, Mrs Wybrow; [Cast from text (J. Barker, 1798), and playbill of 9 Nov. 1799: Michael (an Egyptian Peasant)-Incledon; William-Fawcett; Jack Junk-Townsend; Old Peasant-Emery [in text: Simmons (see17981029)]; Pat-Dibdin Jun.; French Officer-Wilde; Peasants, Sailors-Gray, Linton, Street, Thompson, Cranfield, Lewiss, Rauner, Powers, Platt; Adela-Miss Walcup; Susan-Miss Sims; [Commencing with a Grand Ballet of Action, expressive of Egyptian Costume, contrasted with the Habits and Manners of the Turks and Arabs; and introducing, thro' the Medium of a Domestic Story, the Effects produced by the Landing of the French Army, and subsequent Arrival of the British Fleet at the Mouth of the Nile. Comic Dialogue and Songs form the Second Part, for the purpose of introducing a correct Scenic Representation of the Battle of the Glorious First of August [1798]. An Occasional Prologue-H. Johnston.
Cast
Role: French Officer Actor: Wilde
Event Comment: Early in 1672 a group of French players may have acted in London, but the evidence is not precise or detailed. See W. J. Lawrence, Early French Players in England, p. 142

Performances

Event Comment: See 22 May 1677. John Verney to Edmund Verney, 31 May 1677: On Wednesday his Majesty's birth night was some gallantry at Whitehall, where was acted a French opera, but most pitifully done, so ill that the King was aweary on't, and some say it was not well contrived to entertain the English gentry, who came that night in honour to their King, with a lamentable ill-acted French play, when our English actors so much surpass; however, the dances and voices were pretty well performed (HMC, 7th Report, Appendix, Part I, 1879, p. 468)

Performances

Mainpiece Title: Rare En Tout

Event Comment: See L. C. 5@142, p. 160 (in Nicoll, Restoration Drama, p. 380) for an order for altering the stage for the French comedians. Boswell (Restoration Court Stage, p. 160) believes that the first performance by the French troupe occurred on 5 Dec. 1677

Performances

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

Event Comment: A troupe of French Comedians played at theatre in Windsor Castle. On 25 July 1688 a warrant (L. C. 5@17, pp. 60, 65, in Boswell, Restoration Court Stage, pp. 61, 127) ordered the playhouse there to be made ready for the foreign company. According to L. C. 5@17, in Nicoll, Restoration Drama, p. 65, the French players arrived on 11 Aug. and remained at Windsor until 22 Sept

Performances

Event Comment: The warrant for the export of the goods of the French comedians who acted in the late summer is dated this day. See Calendar of Treasury Books, 1685-1689, p. 2082, and Boswell, Restoration Court Stage, p. 128. During October #200 was paid to John deSureis for himself and eleven companions, the French comedians who had been at Windsor (Boswell, Restoration Court Stage, p. 128)

Performances

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performance Comment: ..to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe.
Cast
Role: French Actor: Mr Abell

Performances

Mainpiece Title: Italian Interludes

Dance: Some mimical Entertainments a Famous-Scaramouch, Harlequin , who lately perform'd before the Court of Hanover and their Prussian Majesties, now arriv'd in England

Related Works
Related Work: The Escapes of Harlequin by Sea and Land; or, Columbine Made Happy at Last Author(s): James Thurmond
Related Work: The Medley; or, Harlequin At-All Author(s): James Messink

Entertainment: Vaulting. An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe

Performance Comment: An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe.

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: As17071025, but Nottingham-Mrs Oldfield; With the last new Vocal Epilogue , Compos'd and Perform'd by the famous-Signior Cibberini , after the newest English, French, Dutch, and Italian Manner.

Performances

Mainpiece Title: La Foire De St

Performance Comment: Germain. Parts-the French Company of Comedians , lately arriv'd from the Theatre Royal in Paris.
Event Comment: Performed after the French Manner. With New Scenes and Decorations proper to the Play. In which will be seen a Battle on Horseback between the Knight of the Sun and the Emperour of the Moon, call'd in French La Cavalcade Espagnol, a Performance never yet seen in England

Performances

Mainpiece Title: Arlequin Empereur Dans La Lune; Or, Harlequin Emperor In The Moon

Entertainment: A new leap over 14 Men-the Tumblers

Performances

Mainpiece Title: King Henry The Fourth Of France

Performance Comment: Edition of 1720 lists: Henry-Quin; Prince of Conde-Ryan; Duke of Vendosme-Leigh; Duke Bouillon-Ogden; Villeroy-Smith; Rosny-Diggs; Montmorency-Harper; Nuntio-C. Bullock; French Bishop-Boheme; Ravilliac-Egleton; Charlotta-Mrs Bullock; Louisa-Mrs Biggs; Alicia-Mrs Gulick; Prologue-Ryan; Epilogue written by Sewell-Mrs Bullock.
Cast
Role: French Bishop Actor: Boheme
Event Comment: By the Company of French Comedians, just arrived from France. A Comedy in French after the Italian Manner. Pit and Boxes at 5s. Stage Boxes 7s. 6d. Gallery 2s

Performances

Mainpiece Title: Harlequin Dead And Revived

Dance:

Performances

Mainpiece Title: King Henry The Vth; Or, The Conquest Of France By The English

Performance Comment: Edition of 1723 lists: King Henry-Booth; Dauphin-Wilks; King of France-Thurmond; Princess Catherine-Mrs Oldfield; Harriet-Mrs Thurmond; Charlot-Mrs Campbell; Duke of Exeter-Mills; Duke of York-Cory; Lord Scroop-Williams; Duke of Bourbon-Bridgwater; Duke of Orleans-Watson; Earl of Cambridge-Mills Jr; Sir Thomas Grey-Oates; French Officer-Roberts; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: French Officer Actor: Roberts

Performances

Mainpiece Title: The History Of King Lear And His Three Daughters

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performance Comment: As17260114, but Peasant Woman-Mrs Ogden (in place of Mrs Smythies); Bacchanals-_; Bacchants-_; Satyrs-_; French Woman-Mrs Laguerre.
Cast
Role: French Woman Actor: Mrs Laguerre.
Role: Frenchman Actor: Lally
Role: Frenchwoman Actor: Mrs Younger

Performances

Mainpiece Title: Camilla

Afterpiece Title: The Metamorphoses of Cartouche

Performance Comment: Pantalon, the Doctor, Brighella , being the first Time of their Appearing on that Stage, wherein Brighella transforms himself into the following Shapes, viz. 1st, An Idiot; 2d, A Swiss Musick-Master (with the Stuttering Song); 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady. 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady.

Dance: TTwo Pierrots-Nivelon, Poitier

Song: Two Songs in Italian by the Author-Rochetti