SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "James Love"/1) | (@(roleclean,performerclean) "James Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2785 matches on Performance Title, 2140 matches on Author, 1994 matches on Performance Comments, 644 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Holland; Siffredi-Love; Osmond-Havard; Officers-Castle, Strange, Marr; Rhodolpho-Ackman; Laura-Mrs Hopkins; Sigismunda-Mrs Palmer.
Cast
Role: Siffredi Actor: Love
Related Works
Related Work: Tancred and Sigismunda Author(s): James Thomson

Afterpiece Title: Daphne and Amintor

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): James Messink
Event Comment: SSigismunda by Mrs Dancer, being her first appearance on this stage, --was well received and great applause, --She is a good figure, and has a great deal of merit, --and is an acquisition to the theatre (Hopkins MS Notes). Mainpiece: Not acted these 2 years. [See 21 Nov. 1765.] Got with difficulty into the Pit before the play began. Holland played Tancred pretty well but can never divest himself of a certain stiffness...Mrs Dancer was affecting in Sigismunda...Lovel [in the afterpiece] by King, much better than by Cautherly. Saw the Duchess of Ancaster at the Play, who tho upwards of 40, is still remarkably handsome (Neville MS Diary)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Holland; Siffredi-Love; Osmond-Aickin; Rodolpho-Ackman; Officers-Keen, Strange, Marr; Laura-Mrs Hopkins; Sigismunda-Mrs Dancer, 1st appearance there.
Cast
Role: Siffredi Actor: Love
Related Works
Related Work: Tancred and Sigismunda Author(s): James Thomson

Afterpiece Title: High Life below Stairs

Performance Comment: Lovell-King; Sir Harry's Servt-Dodd; Philip-Baddeley; Duke's Servt-Palmer; Freeman-Packer; Kitty-Mrs Clive.
Cast
Role: Lovell Actor: King
Related Works
Related Work: High Life Below Stairs Author(s): James Townley

Dance: End: The Irish Hay@makers, as17670919

Event Comment: Benefit for Mr Love. Afterpiece: By Particular Desire. Paid half year's Poor's Rate for St Martin's to Xmas last #28 5s.; Two extra hautboys 2 nights #1 (Treasurer's Book). Receipts: #187 10s. Charges: #64 11s. Profits to Love: #122 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: High Life below Stairs

Cast
Role: Lovel Actor: Cautherly
Related Works
Related Work: High Life Below Stairs Author(s): James Townley

Dance: III: The Sailors Revels, as17711008

Entertainment: I: (by Particular Desire) A Comic Paraphrase of Shakespeare's Seven Ages-King

Monologue: End: By particular Desire Linco's Travels. As 24 March

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

Event Comment: Benefit for Macklin. Public Advertiser, 8 Mar.: Tickets to be had of Macklin, James-street, Covent Garden. Receipts: #273 16s. (charge: #64 10s.). [Of this amount #177 17s. was "Money," i.e. tickets sold at the door. The remainder, #95 19s., was "Tickets," disposed of by Macklin: 305 in the boxes, 104 in the pit, 41 in the gallery.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: Pastoral Dance, as17761123; End IV: Mirth and Jollity, as17761015

Performances

Mainpiece Title: The New Peerage

Cast
Role: Sir John Lovelace Actor: Suett

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Performance Comment: Characters-Bannister Jun., Dignum, Waldron, Burton, Fawcett, Chaplin, Phillimore, Wilson, Jones, Benson, Spencer, Alfred, Mrs Love, Mrs Booth, Miss Tidswell, Miss Cranford, Miss Collett, Mrs Wilson. [for partial cast see17871123] .for partial cast see17871123] .
Related Works
Related Work: Hurly-Burly; or, The Fairy of the Well Author(s): James Cobb

Dance: In afterpiece: Ferrere, the Miss Stageldoirs

Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): James Marshall

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): James Marshall

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: Powell: All's Well rehearsed at 10; Wedding Day at 11:30; Love for Love at 12. Receipts: #244 1s. (183.19.6; 56.1.0; 4.0.6),

Performances

Mainpiece Title: The Siege Of Belgrade

Related Works
Related Work: The Siege of Belgrade Author(s): James Cobb

Afterpiece Title: The Wedding Day

Event Comment: The New Tragedy entitled Love's the Cause and Cure of Grief intended to have been acted this night is deferr'd till Monday Next. Daily Advertiser: The Fable of the Iron and the Earthen Pot. To Mr Macklin. Vers'd thou art in every Wile Thy conduct who can Reconcile? Who'll think thee knowing in Intrigue With Garrick e'er to join in League? Was not the Maxim to thee known That Leaguers. 'Twixt Equals suit alone? We grant thee Merit; yet how far Does Sol outshine the brightest Star? Thy strength hads't thou by duly weigh'd No Feuds had then to ills betray'd. Still if thou well or ill deserve Pity, methinks, to let thee starve Pity that thou shoulds't find too late Sage Aesop's Earthen Pot thy fate

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lawyer's Feast

Related Works
Related Work: The Lawyer's Feast Author(s): James Ralph

Song: II: Song-Morland

Dance: V: New Dance, as17431123

Event Comment: [The playbill announces The Duenna, with The Duenna (1st time)-Mrs Pitt [see 25 May]. In the Account-Book this is deleted, and Love in a Village substituted.] Receipts: #122 11s. (121.14; 0.17)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Norwood Gypsies

Related Works
Related Work: The Norwood Gypsies Author(s): James Messink

Dance: As17771229

Event Comment: [As afterpiece the playbill announces Love in a Camp, but "Changed to The Padlock" (Account-Book), and see 17 Oct. "Edwin was very much indisposed on Wednesday evening, [which] prevented his appearing(World, 12 Oct.).] Receipts: #145 6s. (137.12.6; 7.13.6)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Brothers Author(s): James Shirley

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Harlequin's Chaplet

Performance Comment: [and see17891221] Harlequin-Boyce; Clown-Delpini; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Bannister; Shepherd, Shepherdess (with Cast my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Platt; Monkey-Rayner; Peacock-Sloper; Principal Witches-Darley, Duffey, Mrs Mountain, Mrs Martyr; Fishwomen-Mrs Gray, Mrs Lefevre, Mrs Masters, Mrs White; Colombine-Mrs Watts.
Cast
Role: Lover Actor: Farley
Role: Lover's Servant Actor: Platt
Related Works
Related Work: Harlequin's Chaplet Author(s): James Wild

Dance: As17891231

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Boyce; Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Cubitt; Shepherd, Shepherdess (with Cast, my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal Witches-Davies, Reeve [Public Advertiser: Linton], Miss Williams, Mrs Mountain; Colombine-Mrs Watts.
Cast
Role: Lover Actor: Farley
Role: Lover's Servant Actor: Master Simmons
Related Works
Related Work: Harlequin's Chaplet Author(s): James Wild

Dance: As17901020

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Boyce; Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Cubitt; Shepherd, Shepherdess (with Cast, my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal Witches-Davies, Reeve [Public Advertiser: Linton], Miss Williams, Mrs Mountain; Colombine-Mrs Watts.
Cast
Role: Lover Actor: Farley
Role: Lover's Servant Actor: Master Simmons
Related Works
Related Work: Harlequin's Chaplet Author(s): James Wild

Dance: As17931020

Event Comment: Powell: Love a-la-Mode rehearsed at 10 (King two scenes); Gamester at 11 (Mrs Siddons one scene; Mrs Heard). Receipts: #283 7s. 6d. (225/16/0; 52/5/0; 5/6/6)

Performances

Mainpiece Title: The Siege Of Belgrade

Related Works
Related Work: The Siege of Belgrade Author(s): James Cobb

Afterpiece Title: THE CITIZEN

Event Comment: Powell: Love a-la-Mode rehearsed at 12 (King one scene); Lodoiska music at 1 (for Caulfield, Danby, Cooke, Annereau, Boyce). Receipts: #318 3s. 6d. (256/4/0; 58/14/0; 3/5/6)

Performances

Mainpiece Title: The Pirates

Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): James Sanderson
Related Work: The Pirates Author(s): James Cobb

Afterpiece Title: LOVE A-LA-MODE

Event Comment: [Mainpiece in place of First Love, advertised on playbill of 14 Mar. In it the playbill retain Palmer as Frederick Bertram and Miss Farren as Eliza Ratcliffe, but "The Publick are most respectfully informed that in consequence of the Indisposition of Palmer and Miss Farren, the Characters of Charles [sic] Bertram and Eliza in The Jew will be performed by C. Kemble and Mrs Goodall" (printed slip attached to Kemble playbill).] Receipts: #145 14s. 6d. (102.3.0; 38.5.0; 5.6.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Doctor and the Apothecary

Related Works
Related Work: The Doctor and the Apothecary Author(s): James Cobb

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Bologna Jun.; Lover-Simmons; Pantaloon-Hawtin; Farmer (with a song in character)-Street; Shepherd and Shepherdess (with duet, Cast my Love thine eyes around)-Mrs Martyr, Mrs Atkins; Bricklayers-Thompson, Jones; Carpenter-Lee; Sportsmen-Klanert, Claremont; Gardner-Wilkins; Serjeant-Whitmore; Recruits-Abbot, Findlay; Woodcutter-Dyke; Mandarine-Wilde; Lover's Servant-Rees; Monkey-Rayner; Clown-Farley; Principal Witches-Linton, Street [i.e. doubled Farmer]; Miss Mitchell, Mrs Chapman; Columbine-Mrs Wybrow.
Cast
Role: Lover Actor: Simmons
Role: Lover's Servant Actor: Rees
Related Works
Related Work: Harlequin's Chaplet Author(s): James Wild

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Performance Comment: Sir Charles Racket-Lewis; Woodly-Claremont; Lovelace-Farley; Drugget-Quick; Dimity-Mrs Litchfield; Mrs Drugget-Mrs Davenport; Nancy (with a song)-Miss Sims; Lady Racket-Mrs Jordan [of dl].of dl].
Cast
Role: Lovelace Actor: Farley

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): James Cobb

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

Event Comment: [W+Winston MS 8 lists the mainpiece as All for Love. But Love for Love appears in the Public Advertiser and in Rich's Register.

Performances

Mainpiece Title: Love For Love

Cast
Role: Loveless Actor: Lowe

Afterpiece Title: The Englishman Return'd from Paris

Dance: As17551101