SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "James Graves"/1) | (@(roleclean,performerclean) "James Graves")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2140 matches on Author, 1050 matches on Performance Comments, 340 matches on Event Comments, 18 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: By Particular Desire. Benefit for Mr Dexter (Cross). No building on Stage. Tickets to be had of Dexter at his lodgings in James St., Covent Garden, at the Grecian Coffee House, and at the stage dobr. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: II: A Comic Dance, as17530402 IV: L'Entree de Flore, as17530324 End Farce: Le Matelot Basque, as17521005

Event Comment: Newly compos'd by Mr Arne. Benefit for the Charitable Hospital for Lying-In Women, in Jermyn St., St James. Pit and Boxes a half guinea. First Gallery 5s. Upper Gallery 3s. 6d. To begin at 12 noon. Ladies are not expected to come dress'd

Performances

Mainpiece Title: Alfred The Great

Related Works
Related Work: Alfred the Great, King of England Author(s): James Thomson

Music: In which will be introduced a new solemn dirge- in honor of the heroes who die in the service of their country

Event Comment: Towards a fund for ye Support of a publick Charity-(ye Lock Hospl.). King Lear & Duke & no Duke given out for Wed., 23 & bills put up, but not play'd on account of Mr Havard's illness, at 12 at noon, bills were dispers'd saying--the Play of King Lear, design'd for to Night is oblig'd to be defer'd on Account of Mr Havard's sudden illness. N.B--It was a very hot day (Cross). Tickets to be had at the following Coffee Houses: The St James, in St James's St.; The Mount, in Grosvenor St.; George's the upper end of the Haymarket; the Bedford and Tom's in Covent Garden; Garraway's in Cornhill; and at the Stage Door of the Theatre. Tickets deliver'd out for 16 April will be taken. [Cross lists no Receipts.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Scapin

Dance: CCountry Amusements-. See17530412

Event Comment: To begin exactly at 6:00 o'clock. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage door. [Repeated throughout the season.] Ye Naturalizing Bill having made some Noise against the Jews, some people call'd out for ye Merchant of Venice, & a Letter was thrown upon ye Stage desiring that play instead of the Opera, but we took no Notice of it, some little hissing but it dy'd away (Cross). [Sometime in the calendar year 1753, Lacy and Garrick drew up a mortgage on the Drury Lane property for #10,000, to be amortized to James Clutterbuck over a period of twenty-one years at the rate of #4 per acting night, and permission to grant free seats in any part of the theatre (except the stage, scenes and orchestra) to forty persons. These latter to be named and seats assigned ten days prior to the opening of any season. This thirteen-page document, which describes accurately the bounds of the 13,134 square feet of land on which the ten buildings comprising Drury Lane Theatre stood, contains protective clauses for Clutterbuck, to the effect that Garrick and Lacy will exhibit nowhere else in London without the #4 nightly payment and for Garrick and Lacy, to the effect that arrears in payment could be collected solely from Drury Lane property, and not from the individual incomes of the mortgagees. It was not signed, so apprently was not executed. (See Havard, Collection of Documents dealing with affairs of Drury Lane, No 2, fMS, Thr 12.)] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: On Tuesday next a New Tragedy called Philoclea. On Monday 28 January will be a Benefit for Sga Nicolina Giordani, A comic Opera with dances. Tickets and places for the Boxes may be had at Sg Giordani's Lodging, at Mr Milbourn's Grocer, in James St. Covent Garden. To the Young Gentlewoman who has performed Hermione [see 19 Jan.]: @Great was th' Applause you met, great your desert,@You charm'd the Eye, the Ear, the Head, the Heart.@Amaz'd we saw you at the first appear,@Ev'n in the hardest part, a perfect play'r.@Your person, your deportment set to view,@The youthful princess that the poet drew.@All was propriety, and all was grace,@We read the author's meaning in your face.@Your elocution was both just and strong,@Mix'd with due ease, and not an accent wrong,@Such varied Musick in your voice we heard,@That in the Tones both Taste and Sense appear'd.@Love, Jealousy, and Rage so well expres't@Engag'd our souls, nor knew we which was best,@'Twas Nature all-she form'd you for the stage,@Follow her steps, and glad th' Admiring Age.-Public Advertiser@

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Philips and Mrs Cowper. Tickets deliver'd by Jefferson, Dennison, Ward, and Mrs Wright will be taken. Buck in the afterpiece being by Particular Desire, and the last time of his performing it this season. Tickets of Philips at his house in Martlet Court, Bow St., Covent Garden; of Mrs Cowper, at Fryer's, Hosier, corner of James St., Long-Acre. Receipts: #140 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Englishman in Paris

Dance: IV: The Pierrot's Dance-Dennison, Granier; V: A Punch Dance-Dennison

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: Hurly-Burly; or, The Fairy of the Well Author(s): James Cobb

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Event Comment: Benefit for Mrs Charke. By Authority. Mainpiece: Not acted these Seventeen Years. Wrote by the late Mr Lillo. Afterpiece: Wrote by the late Henry Fielding, Esq. Founded on a true Tragic Event which happened in Penryn, in Cornwall, in the reign of James I

Performances

Mainpiece Title: The Fatal Curiosity

Afterpiece Title: The Tragedy of Tragedies

Dance: A Hornpipe-Mrs Walker

Event Comment: [S$Simpson, the slack wire performer, ran a sword into his leg in a performance at The Theatre, James St., near the Haymarket; he has receovered and will continue (Daily Advertiser).

Performances

Event Comment: Benefit for Mr Scrase & Mathews (Cross). Tickets of Scrase at Tauranac's Wine Vault, in James St., Covent Garden, and at the Stage Door. Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Devil to Pay

Song:

Dance: [As express'd in the Bills of the Day (playbill). Advance notice.]

Event Comment: Benefit for Mr Foote for ye farce (Cross). Mainpiece:Not acted these 12 years. [See 20 Nov. 1745.] Austin did Bertran r(first time) (Indiff) (Cross). Tickets to be had of Foote at the Whalebone Warehouse in James St., Covent Garden, and of Varney at the stage door. Part of pit laid into boxes. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: The Author

Event Comment: Benefit for Wood [Sub-Treasurer]. Mainpiece: For last time this season. Tickets deliver'd by Miss Minors will be taken. Tickets to head of Wood at Mr Burn's in James St., Covent Garden, &c. Receipts: #140 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lying Valet

Event Comment: During this month was published The Case of Authors...Stated with Regard to Booksellers, the Stage, and the Public by James Ralph. Pages 23-31 condemn both Garrick and Rich for their treatment of authors: "Those who have custody of the stage claim also custody of the Muse...There is no drawback on the profit of the night in old plays....To fly from Garrick in case of any contempt or neglect to Mr Rich, is enough to deter any man in his senses from embarking a second time on such a hopeless voyage.

Performances

Event Comment: Receipts: #107 19s. [Additional Renters coming in at 1 share each were Frederick Hesse Esq and James Mann.] Paid Mr Blackmore a Bill for Sundrys for Dioclesian #104 14s. Paid Mr Bingner (Wigmaker) in full of Bill #13 13s. (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: Receipts: #124 7s. 6d. Barry's 1!3 of surplus came to #14 15s. 10d. [Three new Renters came in: James Partridge, Abraham Langford, William Williams at 1 share each] (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Cheats of Scapin

Dance: SSicilian Peasants, as17571217

Event Comment: The Profits of this Performance will be given to a Public Charity. Pit and Boxes 10s. 6d. First Gallery 5s. Upper Gallery 3s. 6d. The Ladies are desired for their own conveniency to come without Hoops, and to send servants by 3 o'clock to keep places. Tickets to be had at Arthur's Chocolate House and the St James Coffee House in St James's Street; The Mount Coffee-House in Grosvenor St.; the Cocoa-Tree in Pall Mall; George's facing the Haymarket; Tom's and the Bedford Coffee Houses in Covent Garden; and of Varney at the Stage Door, where Places may be taken

Performances

Mainpiece Title: Concerto Spirituale

Event Comment: Benefit for Signora Lucchi, There will be no building on the stage. Tickets to be had of Sga Lucchi at her lodgings, a Grocer's in James St, CG, and of Varney at the Stage Door. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The King and the Miller of Mansfield

Dance: II: A new Spanish Dance-Giorgi, Sga Lucchi; End: A new Comic Dance-Giorgi, Sga Lucchi

Event Comment: This is a farce of Macklin's Writing, it went off very greatly-he play'd Shylock too (Cross). Receipts: #190 (Cross). [Garrick and Lacy had contracted with Macklin for this Farce two weeks before this performance, according to the following document (BM Add. MS 27925): Memorandum of an Agreement relating to Mr Macklin's Farce and his Playing & performing in the said Farce, with such plays as shall be performed on which the said Farce shall be acted as aforesaid as follows: Imprimis: The said Farce to be publicly performed before Christmas, otherwise not this season on account of the Managers other engagements. Item: Mr Macklin to have for his performing in the said plays and Farce a Fifth part of the profits of the first five nights after deducting sixty-three pounds for the charges of each night during the said five nights-and the sixth night to be for the Benefit of Mr Macklin, he paying the usual charges of sixty-three pounds. Item: The Managers to have it in their power to stop the performances of the said Farce at the end of Six nights on account of their other engagements,-and in case the Receipt of any one night of the said nights on which the said Farce shall be performed as aforesaid shall fall short of One Hundred pounds. Then the Managers to have it in their power to stop the performance of said Farce as the Receipt does not amount to One Hundred pounds. Item: The said Six nights for the said Farce & plays in which Mr Macklin shall perform as aforesaid not to be played immediately succeeding one another, but alternately with such plays as the Managers shall think Convenient. Lastly: That if the said Farce shall meet with the disapprobation of the Publick, that then it shall be in the Power of Discretion of the Managers to stop the performance thereof. Dated this 28th day of November, 1759. S@ James Lacy, D. Garrick. Witness: R. Cross, Geo. Garrick.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: All Mistaken; or, The Mad Couple Author(s): James Howard

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Performances

Mainpiece Title: The Wishes; Or, Harlequin's Mouth Opened

Performance Comment: Actors only: O'Brien, Baddeley, Davis, Weston, Miller, Blakey, Marr, Foote, Watkins, Gardiner, Miss Haughton, Miss Ambross, Miss E. Ambross, Miss Elliott Prologue-; Epilogue-; Pantaloon-Baddeley; Harlequin-O'Brien; Doctor-Weston; Mezzetin (Harlequin's Valet)-Blakey; Pierrot-Davis; Distress (a Poet)-Foote; Isabella (Pantaloon's daughter)-Miss Haughton; Colombine (her maid)-Miss Elliott; Manto (a fairy)-Miss Ambrose (Genest, IV, 618); Also Parts-Marr, Watkins, Gardiner (Winston MS 9); Party per pale-Millar; Maid-Miss E. Ambrose (St James Chron. 28-30 July).

Dance: Master Rogier, Miss Capitani

Event Comment: The Principles not to be didactically and drily delivered but demonstrated by apt and familiar instances and illustrated by a set of Pupils long trained and properly prepared for the Purpose. [This performance originally scheduled for 26 April, but deferred to this date, a noon performance.] See Sketch of Mr Foote's Lectures on Oratory, as delivered Yesterday at the Little Theatre in the Haymarket (St James Chronicle, as 29 April)

Performances

Mainpiece Title: The Orators

Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Event Comment: Benefit for the Colleges of Philadelphia and New York. Mainpiece a Sacred Ode written by Dr Brown set to select Airs, Duets and Choruses from Mr Handel, and other Eminent Composers, with the addition of several new songs. Pit and Boxes to be put together. No Persons to be admitted without tickets, which will be deliver'd at the Office of the theatre at 1!2 a Guinea each; and also at the following Coffee House, viz: the Smyrna, Pall Mall; the Mount, Grosvenor St; George's, Temple Bar; the Rainbow, Cornhill, the New York, Sweetings's Alley; and the Pennsylvania, Birchin Lane. First Gallery 5s. Second Gallerp 3s. 6d. Galleries to be opened at half past Four, Pit and Boxes at Five. To begin at 1!2 after Six (playbill). This philanthropic enterprise, of which the theatrical benefit was but a part, seems not to have born much fruit for the respective Colleges. See Letter to the Governors of the Colleges of New York, respecting the Collection that was made in the Kingdom in 1762 and 1763, for the Colleges of Philadelphia and New York, to which are added Explanatory notes and appendix. By Sir James Jay, M. D. (London, 1771). The funds collected seem largely to have been used up in a law suit. The Governor of the College of New York, Rev. Dr Johnson, asked Jay to collect funds, which he did. Alderman Trecothick wrote Dr Johnson that the funds were not safe in Jay's hands. The Governors insulted Jay, and when they found they were wrong refused to apologize. They entered a bill against him in Chancery to gain the funds. It dragged out for four years. When the power of Attorney had been given to Trecothick, he claimed that a sum of #1437 15s. 6d. was unaccounted for by Jay, and was supposed to be in Jay's hands. Jay explained the Governors had not reckoned on reimbursement for his time and expenses for two years.

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Event Comment: Afterpiece: A comedy in 2 Acts not acted these 2 years. [See 30 April 1763.] The Relapse deferr'd on account of indisposition of Miss Elliot. James Bencraft Died at Covent Garden (Winston MS 9)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Catherine and Petruchio

Dance: III: Blind Man's Buff, as17641003; End: Rural Love, as17641212

Event Comment: Both pieces By Particular Desire. Afterpiece: Never performed there. Last night was deposited in the Vault of St Paul's Covent Garden the remains of James Bencraft, that truly honest, amiable, and benevolent man, whose perpetual pleasantry and delectable vein of humour cannot more aptly be described than in the words of Hamlet-"That fellow of infinite jest &c., Alas poor Jemmy" (+Winston MS 9 from The Gazetteer)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Male Coquette; or, 1765