SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jack Follett"/1) | (@(roleclean,performerclean) "Jack Follett")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 654 matches on Performance Comments, 66 matches on Performance Title, 41 matches on Event Comments, 3 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tamerlane The Great; Or, The Fall Of Bajazet, Emperor Of The Turks

Performance Comment: Tamerlane-Simpson; Moneses-Curtis; Axalla-Chambers; Prince of Tanais-Jackson; Dervise-Lewis; Hali-Webb; Omar-Follett Sen.; Zama-Jefferson; Mirvan-Follett Jun.; Bajazet-L'Estrange; Selima-Mrs Hemley; Arpasia-Mrs Farrer (1st appearance on any stage).
Cast
Role: Prince of Tanais Actor: Jackson
Role: Omar Actor: Follett Sen.
Role: Mirvan Actor: Follett Jun.

Afterpiece Title: Who's the Dupe

Performance Comment: Doiley-Follett? Sen.; Granger-Chambers; Sandford-Brooke; Gradus-Simpson; Miss Doiley-Mrs Day; Charlotte-Mrs Hemley.
Cast
Role: Doiley Actor: Follett? Sen.

Song: IV: To Thee O Gentle Sleep-a Young Lady (1st appearance in public [unidentified])

Entertainment: Monologue End: Hippisley's Drunken Man-Jackson

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: General Wolfe-Cranfield; Brigadier Moncton-Macready; Brigadier Townshend-King; Brigadier Murray-Ratchford; Adjutant-Lee; Surgeon Adair-Thompson; Aid@de@Camp-Farley; Grenadier-Evatt; Indian Chief-Follett; General Wolfe's favourite song, How stands the Glass around-Incledon; Irish Drinking Song [Of the ancients its speaking]-Johnstone; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees; [Conclude with an exact Representation of the Siege of Quebec-; the Death of General Wolfe-.

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: Just In Time

Performance Comment: Principal Characters by Quick, Blanchard, Munden, Powel, Marshall, Thompson, C. Powell, Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton, Incledon, Mrs Martyr, Mrs Mountain, Mrs Webb, Miss Dall (1st appearance this season). The other Vocal Parts-Mrs Arnold, Miss Francis, Mrs Davenett, Miss Leserve, Mrs Watts, Mrs Gray, Mrs Lloyd, Mrs Powell, Miss Barnett, Mrs Masters, Mrs Cross; Cast from London Chronicle, 12 May 1792: Sir Solomon Oddly-Quick; Handy-Blanchard; Stave-Munden; Commodore Larboard-Powel; Dr Julep-Marshall; Roger-Thompson; Le Friz-C. Powell; Captain Melville-Incledon; Judith-Mrs Martyr; Maria-Mrs Mountain; Lady Oddly-Mrs Webb; Augusta-Miss Dall; Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned. Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned.

Afterpiece Title: The Deaf Lover

Dance: In: Dance incidental to the piece,-Byrne, Mlle St.Amand

Entertainment: Monologue End: (by way of Epilogue) Poetical Sketch, Jemmy Jumps in the Dumps; or, A Sunday Lounge in Hyde Park-Munden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: Principal Characters in the Ballet-Byrn, Follett, Farley, Cranfield, Blurton, Mme Rossi (1st appearance on this stage); Musical Characters-Munden, Darley, Gray, Mrs Blanchard, Miss Broadhurst, Mrs Martyr. Cast adjusted from Songs (T. Cadell, 1791): Oscar-Byrn; Carrol-Follett; Morven-Farley; Draco-Cranfield; Fingal-Blurton; Malvina-Mme Rossi; Pedlar-Munden; Bards, Peasantry-Darley, Gray, Mrs Blanchard, Miss Broadhurst, Mrs Martyr.

Music: In afterpiece: the Harp and Pipes-Weippert, Courtney

Performances

Mainpiece Title: Love's Frailties

Afterpiece Title: OSCAR AND MALVINA; or, The Hall of Fingal

Performance Comment: Principal Characters in the Ballet by Holland, Follett, Farley, Cranfield, Blurton//Mme Rossi. Musical Characters by Munden, Townsend, Linton//Mrs Mountain, Miss Barnett, Mrs Martyr. [Cast adjusted from Songs (T. Cadell, 1791): Oscar-Holland; Carrol-Follett; Morven-Farley; Draco-Cranfield; Fingal-Blurton//Malvina-Mme Rossi. Pedlar-Munden; Bards and Peasantry Townsend, Linton//Mrs Mountain, Miss Barnett, Mrs Martyr.] hathi. Bards and Peasantry Townsend, Linton//Mrs Mountain, Miss Barnett, Mrs Martyr.] hathi.
Cast
Role: Carrol Actor: Follett

Music: In afterpiece the Irish Pipes by Courtney; the Harp by Weippert

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: Principal Characters in Ballet-Holland, Follett, Farley, Cranfield, Blurton, Mme Rossi; Musical Characters-Munden, Townsend, Linton, Mrs Mountain, Mrs Martyr. [Cast adjusted from playbill of 20 Oct. 1791: Oscar-Holland; Carrol-Follett; Morven-Farley; Draco-Cranfield; Fingal-Blurton; Malvina-Mme Rossi; Pedlar-Munden; Bards, Peasantry-Townsend, Linton, Mrs Mountain, Mrs Martyr.]

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Characters by Lewis, Quick, Johnstone, Munden, Fawcett, Bernard, Townsend, Farley, Thompson, Rees, Davenport, Burton, Rock, Follett, Cross, Williamson, Ledger, Wilde, Blurton, Abbot, Miss Wallis, Mrs Lee (1st appearance on this stage), Miss Stuart, Mrs Platt, Mrs Watts, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman, 1795), and O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), and playbill of 27 Nov. 1795: Arthur D'Aumerle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Bernard; Robin Hoofs-Townsend; L'Oeillet-Farley; Coachman-Thompson; Tradesmen-Davenport, Follett, Cross, Williamson; John-Ledger; Constable-Blurton; Robinson-Abbot; Thomas-Simmons; Augusta-Miss Wallis; Fanny-Mrs Lee; Miss Clare-Miss Stuart; Landlady-Mrs Platt; Fruit Woman-Mrs Watts; Martha-Miss Leserve; Lady Torrendel-Mrs Pope; unassigned-Rees, Burton, Rock, Wilde; Prologue-Middleton [This was spoken, as here assigned, at all subsequent performances.; An Address by way of Epilogue [not listed on playbill,-Lewis [(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].

Afterpiece Title: Rosina

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Oscar and Malvina

Performance Comment: Principal Characters in the Ballet-Byrn, Follett, Farley, Cranfield, Blurton, Mlle St.Amand. Principal Musical Characters-Townsend, Linton, Street, Mrs Mountain, Miss Kirton, Mrs Martyr. Cast from playbill of 16 May 1796: Oscar (the Descendant of Fingal)-Byrn; Carrol (the Scottish Chieftain)-Follett; Morven and Draco (Attendants upon Carrol)-Farley, Cranfield; Fingal-Blurton; Scotch Pedlar-Townsend; Bards-Linton, Street, Miss Kirton; Scotch Lad-Mrs Martyr; Malvina (Daughter to Toscar)-Mlle St.Amand; Scotch Lassie-Mrs Mountain.

Dance: In I: As17950921

Song: As17950921

Music: In afterpiece: the Harp-Weippert [This was played, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Cast
Role: Robin Hood Actor: Follett

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: Benefit for Mr and Mrs Follett. [Egerton was from the hay (see 23 Jan.).] 2nd piece: In one Act. 3rd piece: Two new Scenes, as 17 Apr.; Procession, as 26 May. Morning Herald. 5 June: Tickets to be had of Follett, No. 46, Drury-lane. Receipts: #360 18s. (116.13.6; 3.11.0; tickets: 240.13.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Waterman

Afterpiece Title: Harlequin and Oberon

Related Works
Related Work: Harlequin and Oberon; or, The Chace to Gretna Author(s): John Follett

Entertainment: Vaudeville. In 3rd piece: (for that Night only) a Leap through a Wheel of Fire@Works and a Hoop of Daggers-Simpson

Performances

Mainpiece Title: False Impressions

Cast
Role: Jack Actor: Simmons
Role: Isaac Actor: Follett

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: The Hall of Fingalv. Oscar (the Descendant of Fingal)-Bologna Jun.; Fingal-Bologna; Male Domestics-Blurton, Platt, Wilde, Dyke, T. Cranfield, Gourion, Pitman, Parsloe; Male Bards-Linton, Street, Sawyer, Smith; Malvina-Mrs Parker; Female Domestics-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cranfield, Miss Burnett, Miss Cox, Miss Crow, Miss Davenett; Female Bards-Mrs Castelle, Mrs Henley, Miss Wheatley, Miss Gray; A View of a Cataractv, with the Descent of the Irish from the Mountains of Ben Lomond. Carrol (the Irish Chieftain)-Follett; Draco (his Captain)-Simpson; Officers-Lee, Abbot, Barnes; Morven (his lieutenant)-Farley; Vocal Charactersv. Scotch Lad-Mrs Martyr; Scotch Pedlar (with I'm a jolly gay Pedlar)-Simmons; Farmer-Gray; Scotch Lassie-Mrs Mountain.

Song: In afterpiece: Come every jovial Fellow-Mrs Martyr, Gray, Mrs Mountain; O ever in my Bosom live-Mrs Martyr, Mrs Mountain

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft; or, Both Sides of the Water

Performance Comment: Principal Characters by Johnstone, Townsend, Waddy, Farley, Simmons, Wilde, Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Martyr. Cast from text (J. Barker, 1798): O'Bowling-Johnstone; Rivers-Townsend; Chip-Waddy; Drunken French Gaoler-Farley; Busy-Simmons; Monsieur Machine-Wilde; Countrymen, French and English Soldiers, Sailors-Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Noble; Countrywomen-Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Iliff; Fanny-Mrs Martyr.

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: A Day at Rome

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Townsend, Rees, Linton, Gray, Street, Abbot, Blurton, Platt, Dyke, Whitmore, Lee, Mrs Davenport, Miss Wheatley, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts, Mrs Martyr. Cast from text (H. D. Symonds and G. Cawthorn, 1798): Rivers-Incledon; Sir Timothy Hopkins-Munden; Pisani-Fawcett; MacRusty-Townsend; Gioachino-Abbot; Lady Hopkins-Mrs Davenport; Juliana-Miss Wheatley; Mrs Blarney-Mrs Martyr; unAssigned-Rees, Linton, Gray, Street, Blurton, Platt, Dyke, Whitmore, Lee, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts.

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.
Cast
Role: unassigned Actor: Follett

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performances

Mainpiece Title: The Author's Farce; With The Pleasures Of The Town

Performance Comment: Luckless-Mullart; Witmore-Lacy; Marplay-Reynolds; Sparkish-Stopler; Don Tragedio-Marshall; Sir Farcical Comick-Davenport; Sig Opera-Stopler; Dr Orator-Jones; Mons Pantomime-Knott; Charon-Ayres; Bookweight-Jones; Scarecrow-Marshall; Harriet-Miss Palms; Goddess of Nonsense-Mrs Mullart; Somebody-Harris; Nobody-Wells; Poet-Hallam; Bookseller-Dove; Mrs Novel-Mrs Martin; Lady Kingcall-Mrs Clark; Punch-Reynolds; Joan-Hicks; but edition of 1730 lists: Luckless-Mullart; Witmore-Lacy; Marplay-Reynolds; Sparkish-Stopler; Bookweight-Jones; Scarecrow-Marshal; Dash-Hallam; Quibble-Dove; Blotpage-Wells Jr; Jack-Achurch; Jack Pudding-Reynolds; Bantomite-Marshall; Mrs Moneywood-Mrs Mullart; Harriet-Miss Palms; in Puppet Show: Player-Dove; Constable-Wells; Murdertext-Hallam; Goddess of Nonsense-Mrs Mullart; Charon-Ayres; Curry (Bookseller)-Dove; Poet-W. Hallam; Signior Opera-Stopler; Don Tragedio-Marshal; Sir Farcical Comick-Davenport; Dr Orator-Jones; Mons Pantomime-Knott; Mrs Novel-Mrs Martin; Robgrave-Harris; Saylor-Achurch; Somebody-Harris Jr; Nobody-Wells Jr; Punch-Reynolds; Joan-Hicks; Lady Kingcall-Miss Clarke; Mrs Cheatem-Mrs Wind; Mrs Glassring-Mrs Blunt; Prologue-Jones.
Cast
Role: Jack Actor: Achurch
Role: Jack Pudding Actor: Reynolds

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17350103, but Oroonoko-a Gentleman (at the Request of several Friends), a Citizen of London, the first and only time of his appearance on any stage; Driver-Johnson; Widow-Mrs Cross; Stanmore, Jack, Hottman omitted . Stanmore, Jack, Hottman omitted .
Cast
Role: Jack Stanmore Actor: Oates

Afterpiece Title: The Devil to Pay

Dance: I: A Clown by Nivelon. II: Drunken Peasant by Le Brun. V: Amorous Swain, as17350327

Performances

Mainpiece Title: The Fall Of Martinico; Or, Britannia Triumphant

Afterpiece Title: THE BELLE'S STRATAGEM

Cast
Role: Serjeant Jack Actor: Williamson

Afterpiece Title: THE HIGHLAND REEL

Performance Comment: As17931010, but Shelty (for that night)-Bernard; omitted: Serieant Jack, Captain Dash . omitted: Serieant Jack, Captain Dash .
Cast
Role: Serjeant Jack Actor: Williamson

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.
Cast
Role: Messenger Actor: Follett

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Malvolio-King, 1st time; Sir Andrew-Dodd, 1st time; Sebastian-Cautherly, 1st time; Sir Toby-Love; Orsino-Jefferson, 1st time; Antonio-Davies; Fabian-Waldron; Captain-Wright; Valentine-Wheeler; Priest-Griffith; Officers-Wrighten, Follett; Viola-Miss Younge, 1st time; Olivia, with song-Mrs Abington, 1st time; Maria-Mrs Egerton, 1st time; Clown, with the +song in character-Vernon (playbill).
Cast
Role: Officers Actor: Wrighten, Follett

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17711210, but to avoid confusion full cast listed: Malvolio-King; Sebastian-Cautherly; Sir Andrew-Dodd; Orsino-Jefferson; Sir Toby-Love; Clown, with the original Epilogue Song-Vernon; Antonio-Davies; Fabian-Waldron; Captain-Wright; Priest-Griffiths; Valentine-Wheeler; Officers-Wrighten, Follett; Viola-Miss Young; Maria-Mrs Egerton; Olivia with a song-Mrs Abington.
Cast
Role: Officers Actor: Wrighten, Follett

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Cooper

Performance Comment: Martin-Follett, first time; Colin-DuBellamy; Twig-Jacobs; Jarvis-Fearon; Fanny-Mrs Jewell.
Cast
Role: Martin Actor: Follett, first time

Dance: As17730630

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17730531, but Parts-Aickin, _Davis, +Follett, _Moss.
Cast
Role: Parts Actor:

Afterpiece Title: Damon and Phillida

Performance Comment: As17730618 but Corydon-Follett; Mopsus-Bannister.
Cast
Role: Corydon Actor: Follett

Dance: New Tambourine Dance-Giorgi's scholars

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: The Mock Doctor

Performance Comment: As17730623 but Harry-Osborne; James-Lamash; Helebore-Hamilton; Sir Jasper-Follett.
Cast
Role: Sir Jasper Actor: Follett.

Dance: End: New Tambourine Dance-Giorgi's scholars