Event Comment: Benefit for Miss Polly Capitani. Boxes 10s. 6d. Pit 5s. To begin at seven. The House will be illuminated with wax candles

Event Comment: Benefit for Younger and Miss Polly Young. No Building on Stage

Event Comment: Benefit for Miss Polly Young

Event Comment: Benefit for Bransby and Burton ["Died Miss Weller, aged 19, pupil of Dr Arne, appeared at dl as Polly, and Carissa, in School for Fathers" (Winston MS 10, from Dr Burney's Newspapers)

Event Comment: [Mainpiece in place of Polly; afterpiece of Lilliput, both announced on playbill of 3 July.

Event Comment: [As mainpiece the playbill announces She Wou'd and She Wou'd Not, but "The Beggar's Opera being performed in lieu of She Wou'd and She Wou'd Not (because of Mrs Jordan's illness) was very well received." Reference is made to Dignum as Macheath and Mrs Crouch as Polly (Public Advertiser, 23 Oct.).] Receipts: #110 10s. 6d. [83.11.0; 26.3.0; 0.16.6)

Event Comment: [3rd piece in place of Polly Honeycombe, advertised on playbill of 1 Aug

Event Comment: [No notice of production exists. See William VanLennep, "Thomas Killigrew Prepares His Plays for Production," Joseph Quincy Adams; Memorial Studies, p. 805

Event Comment: A quarrel occurred at the King's Theatre on this day (apparently) between Ravenscroft and Sir George Hewitt. See Letters Adressed from London to Sir Joseph Williamson, Camden Society, VIII (1874), 87

Event Comment: The United Company. The date of this revival is not precisely known but that it occurred in mid-March is indicated by Luttrell's date of 21 March 1683@4 on his copy of the separately-printed Prologue and Epilogue (Bindley Collection, William Andrews Clark@Jr@Library). It should be noted, however, that Friday 21 March is a Friday in Lent, a day on which the companies sometimes did not act. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 202-6. When this play was advertised to be acted on 8 Nov. 1704, the bill bore the heading: "Not Acted these 20 Years." Langbaine (English Dramatic Poets, p. 37): This Play was reviv'd by the Players, since the Union of the Two Houses, and reprinted in quarto Lond. 1684 with a new Prologue and Epilogue, the former written by Jo. Haynes the Comedian

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 4 June 1684 (Bindley Collection, William Andrews Clark@Jr@Library). Ordinarily the broadside prologues and epilogues appear to have been available shortly after the premier; hence, it is likely that this play appeared in the first week of June 1684. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 211-14

Event Comment: According to Anthony Aston, A Brief Supplement to Colley Cibber (in Cibber, Apology, ed. Lowe, II, 314-15) Joseph Haynes had a booth at Bartholomew Fair and presented this droll in the first year of James II's reign

Event Comment: Rich's Company. The date of the first performance is not known, but it cannot be later than December 1698, for the play was advertised in the Post Man, 27-29 Dec. 1698. The play may have been produced earlier in the season, but it apparently followed the two operatic works (The Island Princess and Rinaldo and Armida), as the Epilogue alludes to the "late Singers." It also refers to Sigismondo Fideli, as being lately arrived, and he is known to have given a concert on 22 Dec. 1698

Event Comment: Not Acted these Fifteen Years. [After this performance the dl at Oxford, where Betterton spoke a prologue written by Joseph Trapp. It appeared as a broadside and in The Players Turn'd Academicks and has been reprinted by Wiley. p. 124.

Event Comment: [By Joseph Trapp. Possibly the premiere. For 20 Jan. it is advertised as The Sixth Day of Acting; if performed consecutively, this date would be the first performance.

Event Comment: Benefit Thurmond. For the Entertainment of his Excellency Don Joseph Dias, Ambassador from the Emperour of Morocco, lately arriv'd

Event Comment: Benefit Bowen. At the Desire of several Persons of Quality. For the Entertainment of his Excellency Don Joseph Diaz, Ambassador extraordinary from Muley Ismael Ben Shreif Elhossemy, Emperor of Morocco. [In Daily Courant, 1 June: "The Play-House at Dorset-Stairs is now pulling down."

Event Comment: Benefit Joseph Abbington, Jr. At 6 p.m. Tickets 5s

Event Comment: DDaily Advertiser, 17 Aug.: Yesterday Morning died at his House at Strand on the Green after three Days Illness, Mr Joseph Miller, a celebrated Comedian

Event Comment: Benefit the Author of Sir Roger DeCoverley [Joseph Dorman]. Receipts: money #38 8s. 6d.; tickets #120 3s. (Account Book); #170 (Rylands MS.). [On 19 Nov. Dorman paid the Treasurer #15.

Event Comment: [This Pastoral Serenata first appeared 21 March 1744 at the Crown and Anchor in the Strand, qv. At that time Beard, Savage, Mrs Clive and Miss Edwards sang in it.] By Subscription for three nights will be performed an English Pastoral Serenata, set to Music by Mr DeFesch. Pit and Boxes laid together at 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. On the 20th of March and 3rd of April will be performed a New Oratorio call'd Joseph, also set to Music by Mr DeFesch. For the encouragement of such persons as shall please to favour Mr Defesch by subscribing one Guinea, they shall be entitled to six tickets, each of which will admit one into the boxes, or Two into the Gallery. Nobody to be admitted into the boxes without printed tickets, which will be deliver'd at the theatre. Subscriptions to be taken till the 5th of March, at Mr DeFesch's at the sign of the Angel and Trumpet, in St. Martin's Lane, at the Bedford Coffee House, Covent Garden; and at Mr Page's Stage Door-keeper. To begin at half an hour after six. This day is publish'd Papal Tyranny in the Reign of King John. [No price given, but the 1st edition lists it as 1s. 6d. Watts would have had to sell about two thousand copies to cover his investment in copyright and printing costs.