Event Comment: Benefit for Farren. Gazetteer, 6 Apr.: Tickets to be had of Farren, No. 35, Great Queen-street, Lincoln's-inn-fields. Mainpiece: With the Grand Triumphal Entry of Alexander into Babylon. Receipts: #308 17s. (85/16/0; 18/8/6; 0/5/6; tickets: 204/7/0) (charge: #81 18s.)

Event Comment: Mainpiece: Written by Ben Jonson. Afterpiece: With a New Overture by Dr Arnold. With Italian, French, Irish, Scotch, Welsh and English

Event Comment: Afterpiece: To conclude with the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Scenes designed and executed by Greenwood. [Public Advertiser, 20 Dec, adds: The Overture by Baumgarten. The New Music and Accompaniments to the adapted Airs by Shield. Words of the Songs to be had at the Theatre.] Receipts: #164 2s. (106/13; 57/8; 0/1)

Event Comment: [The play is opened by Mrs Beverley and Charlotte, and when Mrs Siddons came on she was hissed because of a widespread report that she had refused to act for Brereton's benefit in Dublin. "A considerable period of time was lost; it might be forty minutes before the play began . . . We could perceive that the lady supported herself with a great degree of firmness under this very aweful trial--a trial which, in great measure, determined her future fame--perhaps her residence in this metropolis" (Town and Country Magazine, Oct. 1784, p. 510). "The Breretons have used her shockingly--Mrs B. was mean enough to sneak off the stage and leave her to stand the insults of a malicious party tho' she knew the whole disturbance was on her account and that her husband had at least been obliged to contradict the reports that concern'd him" (Betsy Sheridan, Journal, 1960, p. 32). Mrs Siddons explained to the audience that the stories circulated against her were "calumnies." She had, in fact, on 19 Aug., acted Jane Shore in Dublin for Brereton's benefit (Dublin Public Register, 19 Aug. 1784). "Though Mrs Siddons delivered this address with her usual judgment and articulation, and it was received with reiterated bursts of applause, yet she was so agitated when off the stage as to be very near fainting, and continued for some time much flurried" (Public Advertiser, 6 Oct.).] Receipts: #304 5s. (291/13; 12/11; 0/1)

Event Comment: "We have been frequently displeased at [Palmer's] noisy extravagance of acting in many of his tragic parts, but in none more than in the character of Dionysius in that patched-up pantomimic drama entitled The Grecian Daughter" (Candid Strictures, pp. 6-7). Receipts: #279 16s. (249/8/0; 28/0/6; 1/12/6; tickets not come in: 0/15/0)