SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J and R Tonson"/1) | (@(roleclean,performerclean) "J and R Tonson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2555 matches on Performance Comments, 639 matches on Event Comments, 120 matches on Performance Title, 17 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Irish Widow

Dance: End of Act IV of mainpiece The Devonshire Minuet, as17821003; End of Act I of afterpiece, as17821005

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Bon Ton

Dance: End of mainpiece, as17820917

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III, as17820917

Song: In Masquerade, by Miss Romanzini

Related Works
Related Work: The Wandering Jew; or, Love's Masquerade Author(s): Andrew Franklin
Event Comment: The Clandestine Marriage [announced on playbill of 4 Mar.] is obliged to be deferred on account of the Indisposition of Parsons. Afterpiece: To conclude with a perspective Representation of the Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #145 4s. (99/7/0; 45/4/6; 0/0/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Camp

Dance: In Act I of mainpiece, as17821003; End of Act II, as17821016

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Performance Comment: Oroonoko-Bannister Jun.; Blandford-Aickin; Governor-Farren; Captain Driver-Wrightcn; Stanmore-R. Palmer; Hotman-Williames; Daniel-Suett; Jack Stanmore-Norris; Aboan-Palmer; Widow Lackit-Mrs Hopkins; Charlotte Weldon-Miss Collett; Lucy Weldon-Miss Simson; Imoinda-Miss Kemble .
Cast
Role: Blandford Actor: Aickin

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Dissipation

Performance Comment: SirAndrew Acorn-King; Alderman Uniform-Parsons; Charles-Brereton; Labradore-Baddeley; General Probe-Aickin; Dr Quintessence-Bannister Jun.; Metaphor-Suett; Trusty-Waldron; Gold Waiter-R. Palmer; Coquin-Burton; Lord Rentless-Palmer; Miss Uniform (1st time)-Mrs Bulkley; Harriet-Mrs Brercton; Winnifred-Mrs Love; Jew's Daughter-Miss Barnes; Lady Rentless-Miss Farren (1st appearance in that character) .
Cast
Role: SirAndrew Acorn Actor: King
Related Works
Related Work: Dissipation Author(s): Miles Peter Andrews

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Principal Bacchanals-Barrymore, Staunton, Williames; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; The Lady-Mrs Brereton; Euphrosyne and Principal Bacchant (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Miss Wright; Sabrina-Miss Field .

Dance: End of Act IV of mainpiece, as17821016; End of mainpiece, as17820917

Song: End of Act II of mainpiece A Soldier for Me (composed by Hook for The Best Bidder) by Mrs Wrighten

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Shamrock

Dance: As17830221

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The City Madam

Afterpiece Title: Bon Ton

Dance: As17821107

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: All the World's a Stage

Dance: In mainpiece The Merry Sailors, with a Double Hornpipe, by the Miss Stageldoirs

Song: In mainpiece Rule Britannia by Williames, Chapman, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst

Monologue: 1783 05 02 End of mainpiece The Picture of a Playhouse; or, Bucks have at Ye All by Palmer

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Agreeable Surprise

Dance: End of mainpiece, as17830531

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: End of Act II of mainpiece The Nosegay Lovers by Mr and Miss Byrn [and see17830611

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Genius of Nonsense

Performance Comment: As17830607 but omitted: Goddess of Health [and see17830614 .

Performances

Mainpiece Title: In A Village

Related Works
Related Work: The Village Fete Author(s): Richard Cumberland

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Palmer; Kitchen-Massey; Colonel Frankley-Riley; Snarl-Egan; Buck-Davis; Landlord-Usher; Luke-R. Palmer; Fleece-Stevens; Ostler-Swords; Mr Cross-Parsons; Charlotte-Mrs Bulkley; Sally-A Very Young Lady (1st appearance on any stage [Miss Logan]); Landlady-Mrs Love; Passenger-Mrs Poussin; Lettice-Miss Morris; Mrs Cross-Mrs Webb .
Cast
Role: Landlord Actor: Usher
Role: Landlady Actor: Mrs Love

Dance: As17830611

Event Comment: In order to prevent Confusion among the Carriages, Ladies and Gentlemen are humbly requested to order their Servants to set down and take up with their Horses' Heads towards Pali-Mall. Servants are particularly desired not to croud the Doors, or to come up till called for. 1st piece: In three Scenes of Dialogue

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-R. Palmer; Brothers-Wood, Riley; Principal Bacchanals-Bannis-ter, Brett; The Lady (with Sweet Echo, accompanied on the hautboy by Foster)-Mrs Bannister; Sabrina and Pastoral Nymph-Miss Morris; Bacchants-Miss Hooke, &c; Euphrosyne and 1st Bacchant-Miss George .

Song: As17830613

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Bensley; Orlando-Bannister Jun.; Adam-Aickin; Duke Senior-Usher; Corin-Massey; Sylvius-R. Palmer; Amiens (with songs)-Brett; Oliver-Williamson; Duke Frederick-Gardner; Le Beu-Riley; Charles-Egan; William-Barrett; Touchstone-Edwin; Celia (with the Cuckoo Song)-Miss Hooke; Audrey-Mrs Brett; Phoebe-Miss Morris; Rosalind-Miss Frodsham (1st appearance in London) .
Cast
Role: Orlando Actor: Bannister Jun.

Afterpiece Title: Harlequin Teague

Dance: End of Act I of mainpiece, as17830702 In Act V a Dance of Foresters by Byrne, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: Benefit for Wilson. 1st piece: Taken from Beaumont and Fletcher. 2nd piece [1st time; F 2, by John Dent. Prologue by Turner (see text)]. 4th piece: A Tragical, Comical, Operatical, Pastorical, Pantomimical, Farcical, Burlettical, Preludical, Interludical, Whimsical, Rhetorical, Diabolical, Oratorical Representation, being the most Comical Tragedy that ever was Tragedized by any Comical Company of Tragedians. With the Triumphal Entry of Chrononhotonthologos into Queerumania, attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagelcts, Lutes, Bag-Pipes, Tabours and Pipes, Marrowbones and Cleavers, Post-Horns, French-Horns, Salt Box, Broomstickados, &c

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Puff-Palmer; Sir Fretful Plagiary-Parsons; Dangle-R. Palmer; Interpreter-Baddeley; Signior Pasticcio Ritornello-Dclpini; Sneer-Williamson; Italian Girls-Miss George, Miss Morris; Mrs Dangle-Mrs Bulkley. Characters of the Tragedy: Don Ferolo Whiskerandos-Bannister Jun.; Governor-Wilson; Sir Walter Raleigh-Wewitzer; Sir Christopher Hatton-Riley; Beef-Eater-Egan; Lord Burleigh-Edwin; Confidante-Mrs Love; Tilburina-Mrs Wells .

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801