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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J and P Knapton"/1) | (@(roleclean,performerclean) "J and P Knapton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3077 results for: Keyword - J. and P. Knapton
We found 2026 matches on Event Comments, 1158 matches on Performance Comments, 111 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

2376
05 June 1710 @ Queen's Theatre

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Doodle-Johnson; Dashwell-Bowen; Wiseacre-Bullock; Ramble-Mills; Townly-Husband; Arbella-Mrs Bicknell; Eugenia-Mrs Porter; Peggy-Miss Willis.
Cast
Role: Townly Actor: Husband

2377
16 June 1710 @ Queen's Theatre

Performances

Mainpiece Title: Sir Martin Marall; Or, The Feign'd Innocence

2378
22 June 1710 @ Queen's Theatre

Event Comment: Benefit Cibber. At the Desire of several Ladies of Quality. London in 1710 (p. 96): It was a fine piece, and on that account had a large audience

Performances

Mainpiece Title: Othello, Moor Of Venice

2379
06 December 1710 @ Queen's Theatre

Event Comment: Receipts: #128 18s. 6d. [According to Deutsch, p. 30, Francesca Vanini-Boschi introduced a Handel aria into this opera on this day.

Performances

Mainpiece Title: Pyrrhus And Demetrius

2380
09 January 1712 @ Queen's Theatre

Event Comment: Admission by ticket only at half a guinea. First Gallery 5s. Upper Gallery 2s. At 6 p.m. Letter by Peter Wentworth, 11 Jan.: Wednesday was the Opera and there he [Prince Eugene] brought a great crowd, so much that Operas are to be perform'd thrice a week whilst he stays here (Wentworth Papers, p. 246)

Performances

Mainpiece Title: Antiochus

2381
31 December 1712 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda

2382
03 January 1713 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda

2383
10 January 1713 @ Queen's Theatre

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] Colman's Opera Register: Mr O. Swiny ye Manager of ye Theatre was now setting out a New Opera, Heroick. all ye Habits new & richer than ye former with 4 New Scenes, & other Decorations & Machines. Ye Tragick Opera was called Theseus. Ye Musick composed by Mr Handel....ye Opera being thus prepared Mr Swiny would have got a Subscription for Six times, but could not.--he then did give out Tickets at half a Guinea each, for two Nights ye Boxes lay'd open to ye Pit, ye House was very full these two Nights

Performances

Mainpiece Title: Theseus

2384
11 April 1713 @ Queen's Theatre

Event Comment: Benefit Valentino Urbani. Admission as 21 March. [He received #75 8s. 5d. See the Heidegger Memoranda in Deutsch, p. 59.

Performances

Mainpiece Title: Ernelinda

2385
14 April 1713 @ Drury Lane Theatre

Event Comment: [By Joseph Addison.] Never Acted before. G. Berkeley to Sir John Percival, 16 April: On Tuesday last...Cato was acted the first time. I am informed the front boxes were all bespoke for nine days, a fortnight before the play was acted. I was present with Mr Addison, and two or three more friends in a side box, where we had a table and two or three flasks of burgundy and champagne, with which the author (who is a very sober man) thought it necessary to support his spirits in the concern he was then under, and indeed it was a pleasant refreshment to us all between the acts....The actors were at the expence of new habits, which were very magnificent. (Rand, p. 113. See also Victor, II, 29-31, and Cibber, I, 122-23, II, 127-33)

Performances

Mainpiece Title: Cato

2386
25 April 1713 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda (acts I And Ii)

Music: An Entertainment of the choicest Songs out of several Operas-; Also a Piece (never perform'd before)-Signior Cavaliero Valeriano; The Songs out of the Opera will be as follows Convezzo luinghiero, Pria che la doglia-Signora Pilotti; Del fallo ful camin, Ti stringo o miodiletto-Signor Valentini; E vano ognipensiero, To Beauty devoted, Love wou'd invade me-Signora Margaretta; Di se senti, Nume Alata-Mrs Barbier; Solo pieta vi chiedo-; Di luci adourno-Mrs Manina; concluding with the Chorus of Clotilda-; a new piece-Signior Cavaliero Valeriano

2387
02 May 1713 @ Queen's Theatre

Performances

Mainpiece Title: Ernelinda

2388
07 May 1713 @ Drury Lane Theatre

Event Comment: G. Berkeley to Sir John Percival: Mr Addison's play has taken wonderfully, they have acted it now almost a month, and would I belive act it a month longer were it not that Mrs Oldfield cannot hold out any longer, having had for several nights past, as I am informed, a midwife behind the scenes (Rand, p. 115)

Performances

Mainpiece Title: Cato

2389
09 May 1713 @ Queen's Theatre

Event Comment: Benefit Mrs Barbier. With all the proper Scenes and Machines. [Mrs Barbier received #15. See Deutsch, p. 58.

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

2390
16 May 1713 @ Queen's Theatre

Event Comment: Benefit Handel. [Admission as 2 March.] In all its former Perfection, viz. As Scenes, Flights, and Decorations. [Handel received #73 10s. 11d. See Deutsch, p. 59.

Performances

Mainpiece Title: Theseus

Music: With the Addition ofseveral New Songs-; particularly an Entertainment for the Harpsichord Compos'd by Mr Hendel on purpose for that Day-

2391
15 September 1715 @ Southwark Fair

Event Comment: Ryder (p. 101): We first went into Norris's booth and then into Penkethman and Bullock booth. They are both of them very mean and fit only to make us laugh. The farces are made up out of several very comical parts of other plays which are collected together. Penkethman and Bullock are a mere farce to look at them only; they have both of them so very simple a look, but yet in a very different kind. There was the Duke of Montague and some compnay of fashion. There was rope dancing and tumbling at Penkethman and Bullock. It was very low life represented. There were now and then some good humorous turns came in that made us laugh with a just pleasure

Performances

Mainpiece Title: Entertainments

2392
13 February 1716 @ Drury Lane Theatre

Event Comment: Ryder (p. 181): It is a very good play and well acted. I observed that most of the clappings were upon party accounts. There happened to be some reflections upon the priests which the Whigs clapped extremely and the Tories made a faint hiss

Performances

Mainpiece Title: The Spanish Fryar

Cast
Role: Bertrand Actor: Mills

Dance: As17151029

2393
13 March 1716 @ Drury Lane Theatre

Event Comment: Ryder (p. 195): There is a good deal of mirth in [The Drummer] and something pleasant and entertaining. The prince was at the play. An epilogue was spoken to recommend the cause of religion and liberty and loyalty to the care of the ladies, some part of which was very good. The beginning of it was but dull. However, I was very well pleased to hear it clapped by a full house and a general approbation of the sentiments

Performances

Mainpiece Title: The Drummer

2394
05 November 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

2395
07 November 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

2396
15 November 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

2397
24 August 1717 @ Bartholomew Fair

Event Comment: Gibson, ed., Blundell's Diary, p. 143: This being Bartholemew Fair I went to Smithfield and saw a Fars acted which was called Argulus and Parthenia and a Poppy Play called Earl of Essex

Performances

Mainpiece Title: Argulus And Parthenia

Afterpiece Title: The Earl of Essex

2398
26 August 1717 @ Bartholomew Fair

Performances

Mainpiece Title: Robin Hood And Little John

Afterpiece Title: Patient Grisell and the Babes in the Woods

2399
23 September 1718 @ Hampton Court

Event Comment: Steele wrote a Prologue for the opening, but the Lord Chamberlain had already engaged one by Tickell. For Steele's Prologue, see Blanchard, Occasional Verse of Richard Steele, p. 49: for Tickell's, see R. E. Tickell, pp. 231-32. Original Weekly Journal, 27 Sept.: His Majesty beheld the Performance with much Satisfaction. The young Princesses were present, and a very great Concourse of Nobility and Gentry

Performances

Mainpiece Title: The Stratagem

2400
19 February 1719 @ King's Theatre

Performances

Mainpiece Title: Arlequin Balourd

Entertainment: Several new ones-