SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J and P Knapton"/1) | (@(roleclean,performerclean) "J and P Knapton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2026 matches on Event Comments, 1158 matches on Performance Comments, 111 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The Journal of Baron von Schwerin, [14 June 1674 NS (?)], 4 June 1674 OS: (translation) Attended an English play, [The Tempest], or the Enchanted Island, which because of the changing of the scenes was well worth seeing (in Gesandtschafts-Berichten des Ministers Otto von Schwerin [Berlin, 1837], p. XXII). See also 16 May 1674

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The Unfortunate Lovers

Performances

Mainpiece Title: The Siege Of Constantinople

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Love And Revenge

Event Comment: [Newdigate newsletters (Folger Shakespeare Library), 4 Feb. 1674@5: Tuesday night after Counsell their Maties & Court were present at the Rehearsal of the great Maske wch is to be publiquely acted on Shrove Tuesday; by wch tyme her Royall Highness will be able to be present at it, being already very well after her Lying in, as is also ye young princess (Wilson, Theatre Notes, p. 79). The Bulstrode Papers (1, 277): 8 Feb. 1674@5: On Wed night after Councell their Maties and Royal Highnesses were present at the rehearsall of the Great Maske wch will be publiquely acted on Tuesday 7 night next. [The two sources agree on the intended date of the performance but disagree upon the date of the rehearsal.

Performances

Mainpiece Title: A Rehearsal Of Calisto

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.
Event Comment: On this date the masque was certainly acted, and the possible performance on 15 Feb. 1674@5 may have been a final rehearsal. Newdigate newsletters (Folger Shakespeare Library): This day the great maske at court is publiquely acted wch is intended to exceed all others of that Nature, the 2 young Princesses, the Duke of Monmouth & all ye principall persons of quality abt ye Court having parts in it (Wilson, Theatre Notes, p. 79). The Bulstrode Papers (1, 277): 15 Feb. 1674@5: To-morrow the great mask at Court is to be publickly acted in all its bravery and pompe, the like of whch was never yett seene, all the greatest persons of quality about Court having pts in it

Performances

Mainpiece Title: Calisto

Afterpiece Title: Calisto's Additional performers

Performances

Mainpiece Title: Psyche

Performances

Mainpiece Title: Ye Country Knight

Event Comment: John Verney to Sir Ralph Verney, 25 April 1675: The King on Saturday night sent for the keys from the Earl of Clarendon--'tis said the reason is, that last Thursday a play was acted at court, and after orders given that no more should be let in, his lordship came to the door, which the guard refused to open, tho' he told them who he was, on which he broke it open and struck a yeoman of the guard. Some say a chamberlain was never before turned out for beating a yeoman of the guard (HMC, 7th Report, Appendix, [1879], p. 464)

Performances

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Performances

Mainpiece Title: Herod And Mariamne

Performances

Mainpiece Title: Psyche

Performances

Mainpiece Title: King Lear

Event Comment: The King's Company. The Prologue and Epilogue are in New Poems, Songs, Prologues and Epilogues. Written by Thomas Duffett, 1676. See also Langbaine, English Dramatick Poets, p. 291

Performances

Mainpiece Title: Every Man Out His Humour

Event Comment: Andrew Marvell to William Popple, 24 July. Scaramuccio acting dayly in the Hall at Whitehall, and all Sorts of People flocking thither, and paying their Money as at a common Playhouse; nay even a twelve-penny Gallery is builded for the convenience of his Majesty's poorer Subjects (Marvell's Works, ed. H. M. Margoliouth, [Oxford, 1927], II, 320). For a warrant to Nicholas Staggins for writing "a chaccon" for "Scaramoucha" see Boswell, Restoration Court Stage, p. 122

Performances

Event Comment: The date of the premiere is not known, but Robert Hooke, attended play on 27 Aug. 1675 which might well refer not to Psyche but to Duffett's travesty of it. In addition, John Harold Wilson has argued that the reference in the Prologue to "The new-come Elephant" probably concerns the elephant imported by Lord George Berkeley and sold by 12 Aug. 1675 (see The Diary of Robert Hooke, p. 174). The cast also contains a number of "young actors" who might well have had an opportunity to act in a play in the summer vacation

Performances

Mainpiece Title: Psyche Debauched

Performance Comment: [Edition of 1678: King Andrew-Mrs Corbett; Nicholas-$Mrs Knep; Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?]; Justice Crabb-$Wiltshire; Wou'dhamore-$Mrs Rutter; None-so-fair-$Haynes; Redstreak-$Cory; Woossat-$Clarke; Prologue-; Epilogue-.
Cast
Role: King Andrew Actor: Mrs Corbett
Event Comment: The Duke's Company. This performance is known from a disturbance which occurred on this day; Langbaine states that the play was Macbeth. John Verney to Sir Ralph Verney, 30 Aug. 1675: On Saturday last, at the Duke's playhouse, Sir Tho. Armstrong killed Mr Scrope....Their quarrel is said to [be] about Mrs Uphill, the player, who came into the house maskt, and Scrope would have entertained discourse with her, which Sir T. Armstrong would not suffer, so a ring was made wherein they fought (HMC Verney MSS., 7th Report, 1879, p. 465). See also The Hatton Correspondence, Camden Society, XXII (1878), 121

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: Doctor Faustus