SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J and P Knapton"/1) | (@(roleclean,performerclean) "J and P Knapton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2026 matches on Event Comments, 1158 matches on Performance Comments, 111 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Rose Didelot. Tickets to be had of Mrs Rose Didelot, No. 8, Haymarket. 2nd ballet: 1st time; composed by J. D'Egville. [In all subsequent performances this was billed as Tarare.] "D'Egville, Laborie, and St.Pierre are excellent dancers and fine manly figures. Laborie possesses more elegance than St. Pierre; but the latter greater animation. D'Egville displays much taste and poetical spirit in the invention of ballets...[which] are far richer in naive situations, and possess a more free poetical spirit than those of Paris" (Goede, 265-66)

Performances

Mainpiece Title: Elfrida

Cast
Role: Orgando Actor: Rovedino

Dance: End I: Hylas et Temire, as17990418; End Opera: Tarare et Irza-D'Egville, Didelot, Laborie, St.Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg

Performances

Mainpiece Title: The Maid's Tragedy

Performances

Mainpiece Title: A Kinge And No Kinge

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, which begins again to-day with The Witts, never acted yet with scenes; and the King and Duke and Duchess were there...and indeed it is a most excellent play, and admirable scenes. Downes (p. 21): All the other Parts being exactly Perform'd; it continu'd 8 Days Acting Successively

Performances

Mainpiece Title: The Wits

Event Comment: The Duke's Company. If the run of The Wits occurred as it is outlined above, this would presumably be the first day of Hamlet. Pepys, Diary: To the Opera, and there saw Hamlet, Prince of Denmark, done with scenes very well, but above all, Betterton did the prince's part beyond imagination. Downes (p. 21): The Tragedy of Hamlet: Hamlet being Perform'd by Mr Betterton, Sir William (having seen Mr Taylor of the Black-Fryars Company Act it, who being Instructed by the Author Mr Shakespear) taught Mr Betterton in every Particle of it; which by his exact Performance of it, gain'd him Esteem and Reputation, Superlative to all other Plays...No succeeding Tragedy for several Years got more Reputation, or Money to the Company than this

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Downes (Roscius Anglicanus, p. 21): Hamlet-Betterton; Horatio-Harris; King-Lilliston; Ghost-Richards; Polonius-Lovel; Rosencrans-Dixon; Guilderstern-Price; 1st Gravemaker-Underhill; 2d Gravemaker-Dacres; Queen-Mrs Davenport; Ophelia-Mrs Sanderson.
Cast
Role: Ophelia Actor: Mrs Sanderson.

Performances

Mainpiece Title: Aglaura

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: This performance was attended by Jacques Thierry and Will Schellinks, who stated: Judged to be their best play (Seaton, Literary Relationships, pp. 334-36). This performance may have been the premiere. The Duke's Company. BM Add. Mss. 34217, in Hotson (Commonwealth and Restoration Stage, p. 247): @Then came the Knight agen with his Lawe@Against Lovers the worst that ever you sawe@In dressing of which he playnely did shew it@Hee was a far better Cooke then a Poet@And only he the Art of it had@Of two good Playes to make one bad.

Performances

Mainpiece Title: The Law Against Lovers

Performance Comment: [Altered from William Shakespeare's Measure for Measure and Much Ado About Nothing by Sir William Davenant.] Downes (Roscius Anglicanus, p. 26) and the edition of 1673 have no actors' names. But see16610218@2.
Event Comment: The Duke's Company. Pepys, Diary, 20 Oct.: Young Killigrew did so commend The Villaine, a new play made by Tom Porter, and acted only on Saturday at the Duke's house, as if there never had been any such play come upon the stage. The same yesterday was told me by Captain Ferrers; and this morning afterwards by Dr Clerke, who saw it. Downes, p. 23: Written by Major Thomas Porter; this Play by its being well perform'd, had Success extremly beyond the Company's Expectation....It Succeeded 10 Days with a full House, to the last. [Downes especially praises Price. The edition of 1663 has a Prologue but no actors' names and no epilogue.

Performances

Mainpiece Title: The Villain

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and there saw Twelfth Night acted well, though it be but a silly play, and not related at all to the name or day. Downes, p. 23: Twelfth Night, Or what you will; Wrote by Mr Shakespear, had mighty Success by its well Performance:...All the Parts being justly Acted Crown'd the Play. Note, It aas got up on purpose to be Acted on Twelfth Night

Performances

Mainpiece Title: Twelfth Night; Or, What You Will

Performance Comment: Downes (Roscius Anglicanus, p. 23): Sir Toby Belch-Betterton; Sir Andrew Ague@Cheek-Harris; Fool-Underhill; Malvolio-Lovel; Olivia-Mrs Ann Gibbs. See also 11 Sept. 1661.
Cast
Role: Sir Andrew Ague@Cheek Actor: Harris
Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Performance Comment: Edition of 1669: Prologue-; Epilogue in a Ballad-Two; [Downes (Roscius Anglicanus, p. 30): Master-Harris; The Man-Underhill; Singing the Epilogue [like two Street Ballad-Singers-Mr Harris, Mr Sandford. [According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]
Event Comment: The Duke's Company. Although Downes refers to the play's being acted "12 Days together" [see below], these were not consecutive, as Pepys saw another play at lif on 7 May. Pepys, Diary: To the Duke of York's playhouse, at a little past twelve, to get a good place in the pit, against the new play, and there setting a poor man to keep my Place, I out...and so back again, where I find the house quite full. But I had my place, and by and by the King comes and the Duke of York; and then the play begins, called The Sullen Lovers; or, The Impertinents, having many good humours in it, but the play tedious, and no design at all in it. But a little boy, for a farce, do dance Polichinelli, the best that ever anything was done in the world, by all men's report: most pleased with that, beyond anything in the world, and much beyond all the play. Thence to the King's house to see Knepp, but the play done. Downes (p. 29): This Comedy being Admirably Acted:...This Play had wonderful Success, being Acted 12 Days together

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Performance Comment: Edition of 1668: Prologue-; Downes (Roscius Anglicanus, p. 29): Sir Positive At@All-Harris; Poet Ninny-Nokes; Woodcock-Angel; Standford-Smith; Emilia-Mrs Shadwell.
Cast
Role: Standford Actor: Smith
Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Cast
Role: Cydnon Actor: Mrs Eastland
Event Comment: All the other Parts being exactly done, and the Court very well pleas'd [Downes, p. 47]

Performances

Mainpiece Title: All For Love

Event Comment: [Librettist unknown. Premiere. For the identification of this opera, see Loewenberg, pp. 58-59. Downes (p. 48) says that the opera lasted five days; Cibber (I, 325) states that it was given only three days, and those not crowded. This day marked the opening of the Queen's Theater in the Haymarket, the first new theatrical construction of the century. For a discussion of it, see Cibber, I, 319-22.

Performances

Mainpiece Title: The Loves Of Ergasto

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Performance Comment: The Actors of both Houses , and perfectly Perform'd (Downes, p. 47).

Song: Mrs del'Epine, Signora Maria Gallia, Mrs Lindsey, Mrs Hudson, Leveridge

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Miss Campion, Mrs duRuel, Devonshire Girl

Performances

Mainpiece Title: P Ormio

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Beggar's Wedding

Dance: P Peasant Dance-Master and Miss Oates; Serious Dance-Villeneuve, Miss Oates; Je ne scai quoi-Tench, Villeneuve, Miss Oates

Event Comment: Performed by the Academy of Ancient Music, probably at the Crown and Anchor-Deutsch, Handel, p. 560)

Performances

Mainpiece Title: Esther

Performance Comment: (Deutsch, Handel, p. 560.) Singers not listed.
Event Comment: The First Night. By Subscription. An Oratorio [Sung in English (Dean p. 238)]...with a Concerto on the Organ. Pit and Boxes to be put together and no Persons admitted without Tickets, which will be delivered this Day, at the Opera House in the Haymarket, at Half a Guinea each. Gallery 5s. The Gallery will be open'd at Four o'Clock, Pit and Boxes at Five. To begin at 6 p.m. Tickets are delivered to Subscribers at Mr Handel's House in Brooke St., near Hanover Square; at Mr Walsh's in Catherine St., in the Strand; and at White's Chocolate House in St. James St. [Repeated substantially in each ensuing bill.

Performances

Mainpiece Title: Deborah

Performance Comment: Deborah-Signora Francesina; Barak-Miss Robinson; Jael-Mrs Cibber; Sisera-Beard; Abinoam-Reinhold; Priest-Corfe (Dean, Handel's Dramatic Oratorios, p. 238).
Event Comment: With New Additions and Alterations. [On 1 March (Baker, Diary, p. 106) went to Handel's and heard the rehearsal by "Frasi, Miss Young als [alias], Miss Scott, Cassandra Frederick, Beard, Champness, Baildon."

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Deutsch, Handel, p. 795, lists Judas Maccabaeus-Beard; Simon-Champness; Eupolemus-Baildon , and speculates as to the rest of the cast.
Event Comment: We cannot quit this aritcle without remarking to the credit of the managers at this theatre, that there probably never was an evening Performance of this nature before exhibited, consisting of so great a variety. However, the great applause the whole received evinced that the audience were sensible of an attentive effort to please, and, as such signified their approbation (Theatrical Review, p. 223). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. Addison's Hymn-(music by Handel); with a solo on the Violincello-Duport; Part II. Milton#s Morning Hymn, with a Duetto on the Hautboy and French Horn-Fisher, Ponta; Part III. Dixit Dominus, with concerto on Violin-Sga Sirmen; Her last time of performing in England. Part IV. Anthem-Negri (Theatrical Review, p. 223).

Performances

Mainpiece Title: The East Indian

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Gardner, Wilson, Webb, Usher, Staunton, Egan, Swords, Bensley; Miss Sherry, Miss Morris, Mrs Inchbald, Mrs Poussin, Mrs Bulkley. [Cast from European Magazine, July 1782, p. 67: Colonel Errwood-Palmer; Edmonds-Bannister Jun.; Young Johnson-R. Palmer; Johnson-Gardner; Cecil-Wilson; Landlord-Webb; Simpson-Usher; Danford-Staunton; Chairman-Egan; Savage-Bensley; Mrs Cecil-Miss Sherry; Nancy Johnson-Miss Morris; Emma Cecil-Mrs Inchbald; Mrs Johnson-Mrs Poussin; Harriet Sidney-Mrs Bulkley. Swords is unassigned.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Landlord Actor: Webb

Afterpiece Title: None are so Blind as Those Who Won't See

Dance: As17820613

Event Comment: Mainpiece [1st time; c 3, by Denis O'Bryen. Prologue by the author; Palmer was obliged to read it, he "not having received it in due time". Epilogue by George Colman, the elder, with name of speaker (Town and Country Magazine, July 1783, p. 339). MS: Larpent 626; not published; synopsis of plot in Public Advertiser, 7 July]

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Performance Comment: Principal Characters by Palmer, Parsons, Wewitzer, Usher, Williamson, Gardner, Davis, Baddeley, Massey, Pierce, Edwin; Mrs Inchbald, Mrs Wells, Miss Morris, Mrs Love, Mrs Bulkley. [Cast from European Magazine, July 1783, p. 67, and Public Advertiser, 7 July: Archley-Palmer; Sir Simon Howard-Parsons; Attorney-Wewitzer; Steward-Usher; Trustall-Williamson; Ragan-Baddeley; Citpup-Edwin; Emma Howard-Mrs Inchbald; Mrs Ragan-Mrs Wells; Fanny-Miss Morris; Lydia Howard-Mrs Bulkley. Gardner, Davis, Massey, Pierce, Mrs Love are unassigned. Larpent MS adds the following parts: Redtail, Richard, Betty, Hosier's Wife.) A new Prologue [read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .

Afterpiece Title: The Flitch of Bacon