SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J and P Knapton"/1) | (@(roleclean,performerclean) "J and P Knapton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2026 matches on Event Comments, 1158 matches on Performance Comments, 111 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's company. On 31 Aug. or 1 Sept. 1664 Orrery wrote to Sir Henry Bennett: Ther was noe Play of myne Acted, they are now but Studyinge it; I hope within less then a Fortnight twill be on ye Theater And if you are not surfetted, with what of mine you have already seene [Henry V], I will beg ye honour to wait on you when tis Acted (see The Dramatic Works of Roger Boyle, ed. W. S. Clark@II [Cambridge, Mass., 1937], 1, 102). The play is also on the list of Herbert, Dramatic Records, p. 138. Boswell, Restoration Court Stage, p. 281, lists it among the plays given at court, but Sir Heneage Finch's note (see below) seems to indicate an afternoon performance. Sir Heneage Finch to Sir Edward Dering, 15 Sept. 1664: Yesterday was acted, in the Greatest and noblest presence wch ye Court can make, before ye fullest Theatre, & with the highest applause imaginable, my Lo Orerys new play calld ye Generall formerly acted in Ireland by the name of Altamira, but much altered & improved. From thence the whole Court went to Wallingford house, where the Earl of Arran and the Lady Mary Stuart were that night before Supper marryd in the Gallery (Dramatic Works of Roger Boyle, I, 103, from Stowe MS 744 f. 81)

Performances

Mainpiece Title: The Generall

Event Comment: On Herbert's list (Dramatic Records, p. 138) appears at the end Eluira [Elvira] which is characterised as "the last" of the sequence which begins with Floras Figarys on 3 Nov. 1663. As Henry V, The Generall, Parsons Wedding, and Macbeth were acted after that date-Macbeth on 5 Nov. 1664--it is possible that Elvira; or, The Worst Not Always True may have appeared in late November. Langbaine (English Dramatick Poets, p. 530) attributes it to Lord Digby

Performances

Performances

Mainpiece Title: Macbeth

Performance Comment: [Probably adapted by Sir William Davenant.] among those named in the quarto of 1673 these may have played at this time: Macbeth-Betterton?; Macduff-Harris?; Banquo-Smith?; Malcolm-Norris?; Lennox-Medbourne?; Donalbain-Cademan?; Lady Macbeth-Mrs Betterton?; Heccat-Sandford?.
Cast
Role: Heccat Actor: Sandford?.

Performances

Mainpiece Title: Worse And Worse

Performances

Mainpiece Title: The Adventures Of Five Hours

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: The Humorous Lieutenant

Performances

Mainpiece Title: The Villain

Performances

Mainpiece Title: The Indian Emperor

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. The play, licensed on 27 Nov. 1667, was not printed until 1667. There is no certainty that this is the premiere, but it may well have been, as Pepys saw it on 30 March and on 11 April suggested that it had recently had its first showing: [The Duchess of Newcastle] was the other day at her own play, The Humourous Lovers; the most ridiculous thing that ever was wrote, but yet she and her Lord mightily pleased with it; and she, at the end, made her respects to the players from her box, and did give them thanks

Performances

Mainpiece Title: The Humourous Lovers

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performances

Mainpiece Title: The Wits

Event Comment: The Duke's Company. This play is on the L. C. list 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Gervase Jaquis to the Earl of Huntington, 7 May: Upon monday last the Duchesse of Newcastl's play was Acted in the theater in Lincolns Inne field the King and the Grandees of the Court being present and soe was her grace and the Duke her husband (Hastings MS., Ha 7657, Huntington Library)

Performances

Mainpiece Title: The Humorous Lovers

Performances

Mainpiece Title: The Schoole Of Complements

Event Comment: The Duke's Company. This performance is on L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: But, Lord! how it went against my heart to go away from the very door of the Duke's play-house, and my Lady Castlemayne's coach, and many great coaches there, to see The Siege of Rhodes. I was very near making a forfait, but I did command myself

Performances

Mainpiece Title: The Siege Of Rhodes

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: The Sea Voyage

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

Event Comment: The Duke's Company. This play in on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. It is possible that this is a delayed third performance and that the conjectured one for 7 Oct. did not occur. Pepys, Diary: My wife and I and Willet to the Duke of York's house, where, after long stay, the King and Duke of York come, and there saw The Coffee House, the most ridiculous, inspid play that ever I saw in my life, and glad we were that Betterton had no part in it

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

Performances

Mainpiece Title: Mustapha

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: The Tempest