SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J and P Knapton"/1) | (@(roleclean,performerclean) "J and P Knapton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2026 matches on Event Comments, 1158 matches on Performance Comments, 111 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Othello Moor Of Venice

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids of Honor at the Spanish Fryer. See also Nicoll, Restoration Drama, p. 352. A warrant, dated 8 June 1689, L. C. 5@149, p. 154 (see Nicoll, Restoration Drama, p. 356), calls for a payment of #25 to Mrs Barry and presumably represents payment for this performance. Daniel Finch, ca. June 1689: The only day Her Majesty gave herself the diversion of a play, and that on which she designed to see another, has furnished the town with discourse for a month. The choice of the play was the Spanish Fryar, the only play forbid by the late K@@. Some unhappy expressions, among which those that follow, put her in some disorder, and forc'd her to hold up her fan, and often look behind her and call for her palatine and hood, and any thing she could next think of, while those who were said. (Sir John Dalrymple, Memoirs of Great Britain [London, 1771-88], in the pit before her, whenever their fancy led them to make any application of what was Volume II, Appendix, Part II, pp. 78-80.) Henry Purcell's new setting for whilst I with grief did on you look may have been made by this date. It is in Deliciae Musicae, 1695

Performances

Mainpiece Title: The Spanish Fryar

Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Performances

Mainpiece Title: The Rover

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]

Performances

Mainpiece Title: Wit Without Money

Event Comment: L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 281. By the Duke's Company. Charles II to Madame (his sister), 9 Feb. 1662@3: I am just now called for to goe to Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 68)

Performances

Mainpiece Title: An Unidentified Play

Event Comment: The Duke's Company. Boswell (Restoration Court Stage, p. 282) thinks that this play given on the L. C. lists--see Nicoll, Restoration Drama, p. 346--between 29 Oct. and 6 Nov., may have been acted on this day. See also an order for supplies for the comedians acting at court in Alwin Thaler, Shakespear to Sheridan, p. 290. Pepys, Diary: I to White Hall, where I staid walking up and down till night, and then got almost into the playhouse, having much mind to go and see the play at Court this night; but fearing how I should get nome, because of the bonefires and the lateness of the night to get a coach, I did not stay

Performances

Mainpiece Title: Mustapha

Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Event Comment: The King's Company. L. C. list 5@139, p. 129 names Flora's Vagaries; L. C. 5@12, p. 17 names Rule a Wife, and Have a Wife. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: This performance is on the two L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list states that the King attended the play. See also Nicoll, Restoration Drama, p. 343. The play may have continued its run on 6, 7, 9, 11, 12, and 13 March, as it was certainly given on 14 March

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17: The Mayden Queene at court. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Event Comment: The King's Company. This performance is on the L. C. list, 5@139, p. 129, and 5@12, p. 17; Bartholomew fayre at the Theatre. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The King's Company. This performance is on the L. C. list, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: The Committee

Performances

Mainpiece Title: Auglaura

Event Comment: The King's Company. This performance is on L. C. lists 5@139, p. 129, and 5@12, p. 17, adds: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Country Captain

Performances

Mainpiece Title: Volpone Or The Fox

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list adds: The king here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Poetess

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344. Pepys, Diary: Thence Bruncker and I to be the King's House, thinking to have gone into a box above, for fear of being seen, the King being there, but the play being 3 acts done we would not give 4s., and so away

Performances

Mainpiece Title: The English Monsieur

Event Comment: The King's Company, This performance is on the L. C. lists 5@139, p. 129, and 5@12, p. 17. The latter states: The King here. See also Nicoll, Restoration Drama, p. 344. Elkanah Settle's Prologue to his revision of Philaster (1695): @The good old Play Philaster ne're can fail@But we Young Actors, how shall we prevail?@Philaster and Bellario, let me tell ye,@For these Bold Parts we have no Hart, no Nelly;@Those Darlings of the Stage, that charm'd you there.

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The former states: The Goblins at ye Theatre. The latter adds: The King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Goblins

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The former states: The Maydes Tragedie at ye Theatre. The second adds: The King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Maids Tragedy

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The Mayden Queene at the Theatre. The second list adds: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list states: King & Queene [present]. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Indian Emperour

Event Comment: The King's Company. This play is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Secret Love Or The Maiden Queen