SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J and Ch Rich"/1) | (@(roleclean,performerclean) "J and Ch Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 924 matches on Performance Comments, 856 matches on Event Comments, 670 matches on Author, 128 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Among the Instrumental Performers are C. Ashley, Patria, Sarjant, Mahon, Boyce, Mountain, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Wood, &c. &c. Double Drums, Bass Trumpets, &c. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Places to be had of Brandon at the Box-Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance, 6d. each, may be had at the Theatre. The Director's Books have these words at the bottom of each Title Page: "Printed by H. Macleish, Recorder Office, Duke's-court, Drury-lane.

Performances

Mainpiece Title: A Grand Selection 0

Performance Comment: Principal Vocal Parts-Incledon, Bartleman, Reynolds (from Durham), Kelly, Mme Mara, Miss Sharp, Mrs Crouch; Leader of the Band-G. Ashley; Organ-J. Ashley.
Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture, Dead March-(Saul); When the ear heard him-Quartetto see17930313 His body is buried-Semi-Chorus; But his Name liveth-Chorus (Funeral Anthems); O God@like Youth-Miss Sharp (Saul); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Fall'n is the Foe-Chorus (Judas Maccabaeus); What tho' I trace each herb and flow'r-Mrs Crouch (Solomon); Lord of Eternity-Chorus; Behold the Nations-; O Baal-Chorus (Deborah); Pious orgies-Mme Mara (Judas Maccabaeus); He gave them hailstones-Double Chorus (Israel in Egypt); Concerto on the violin-Mme Gautherot.

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Sound an Alarm-Kelly; We hear-Chorus (Judas Maccabaeus); Ye sacred Priests, Farewell ye limpid springs-Mme Mara (Jephtha); Hear Jacob's God-Chorus (Samson); Arm arm ye brave-Bartleman; We come-Chorus (Judas Maccabaeus); O Magnify the Lord-Mrs Crouch (Chandos? Anthems); The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mme Mara; The horse and his rider-Double Chorus (Israel in Egypt); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Organ Concerto-J. Ashley; Softly sweet in Lydian measures-Mrs Crouch [Alexander's Feast]; The trumpet's loud clangor-Kelly, Chorus [Dryden's Ode]; Wave from wave-Bartleman; He smote all the first born-Chorus [Israel in Egypt]; Where shall I seek-Incledon [Acis and Galatea]; From the censer curling rise-Chorus [Solomon].Solomon].

Afterpiece Title: Grand Selection 3

Performance Comment: Eighth Concerto-(Corelli); How willing-Bartleman [Samson]; Hear us O God-Chorus Coronation Anthems]; Deeper and deeper still, Waft her angels to the skies-Kelly [Jephtha]; From harmony-Chorus [Dryden's Ode]; The Captive Kings-Incledon, Chorus [, as17930306 Captivity-Mrs Crouch [, as17930220; Let the Bright seraphim-Mme Dussek; Let their celestial concerts-Chorus [Samson]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Performances

Mainpiece Title: The German Hotel

Performance Comment: Principal Characters by Quick, Holman, Aickin, Farren, Blanchard, Wilson, Bernard, Mrs Mattocks, Mrs Pope Cast from text (G. G. J. and J. Robinson, 1790): Count Werling-Quick; Dorville-Holman; Count Kolberg-Aickin; Baron Thorck-Farren; Henry-Blanchard; Rummer-Wilson; William-Bernard; Stephen-Cross; Servant-Evatt; Messenger-Farley; Adelaide-Mrs Mattocks; Mrs Dorville-Mrs Pope; A New Prelude-Ryder, Davies, Bernard; Cast from text: McCarnock-Ryder; +Williams-Davies; +Frankly-Bernard; +Epilogue-Ryder, Mrs Mattocks.
Related Works
Related Work: Trau, Schau, Wem! Author(s): Johann Christian Brandes

Afterpiece Title: Love in a Camp or Patrick in Prussia

Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald. Prologue by Thomas Vaughan (see text)]: The Dresses and Scenery are new. Morning Chronicle, 26 Nov. 1794: This Day is published The Wedding Day (1s.). Powell: Wedding Day rehearsed at 10; Siege of Belgrade at 11. Receipts: #295 2s. 6d. (207.7.6; 76.7.0; 11.8.0)

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Wedding Day

Performance Comment: Characters by Barrymore, King, Packer, C. Kemble, Trueman, Evans, Miss Tidswell, Mrs Jordan, Mrs Hopkins, Miss Hopkins, Miss Heard. [Cast from text (G. G. J. and J. Robinson, 1794): Lord Rakeland-Barrymore; Sir Adam Contest-King; Mr Millden-Packer; Mr Contest-C. Kemble; Servant [not in text]-Trueman [see17941108]; Lady Autumn-Miss Tidswell; Lady Contest-Mrs Jordan; Mrs Hamford-Mrs Hopkins; Hannah-Miss Heard; unassigned-Evans; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]
Cast
Role: Lord Rakeland Actor: Barrymore

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]

Event Comment: Principal Instrumental Performers-C. Ashley, Bridgtower, Archer, Harvey, Sarjant, Mahon, Boyce, Cantelo, Parkinson, Taylor, J. Sharp, Lavenu, Napier, Simpson, the Flacks, Purney, Seutze, Gwilliam, Monro, Wood, Warren, Woodham, Francis, M. Sharp, &c. Organ by J. Ashley. Double Drums by R. Ashley. The Chorusses will be numerous and compleat, and the Orchestra will consist of upwards of Two Hundred Performers. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places to be taken, and Tickets for the Boxes may be had of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. [This performance was originally advertised to take place at the Pantheon, Oxford-street, but "The routed Host of Harmonists, driven from their new works in Oxford-road, hastily encamped last night [at Covent Garden]. Their performance...went off as might be expected from a scanty band, thus collected, without any previous rehearsal" (Morning Herald, 21 Feb.). The Pantheon had been destroyed by fire in January 1792. Work on its reconstruction had only recently been begun, and Was still not completed. It was reopened with a masquerade on 9 April 1795, the "usual licenses being now fully renewed and established" (Morning Herald, 9 Apr.).

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music From The Works Of handel

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Linton, Bartleman, Miss Parke, Miss Poole; Leader of the Band-G. Ashley.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Gentle Airs-; accompanied on violoncello-C. Ashley (Athalia); Fall'n is the foe-Chorus (Judas Maccabaeus); He was eyes unto the blind [Redemption]-; Lord of Eternity-Chorus; Behold the nations-; O Baal=-Chorus (Deborah); Tune your Harps [Esther]-; He smote all the first born-Chorus (Israel in Egypt); What though I trace-Miss Parke (Solomon); He gave them hailstones-Double Chorus (Israel in Egypt).
Cast
Role: Overture and Dead March Actor:

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Happy Iphis (Jephtha)-; My arms, Sound an alarm, We hear-Chorus (Judas Maccabaeus); O magnify the Lord [Chandos Anthems]-; Hear Jacob's God-Chorus (Samson); What's sweeter than the new@blown rose (Joseph)-; I feel the Deity within-; Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); From mighty Kings-Miss Parke (Judas Maccabaeus); Gloria Patri-Chorus (Jubilate).
Cast
Role: Chandos Anthems] Actor:
Event Comment: [In afterpiece the playbill retains J. D'Egville as Alexander the Aumer as Hephestion , but "D'Egville being suddenly taken ill, Aumer play'd Alexander and C. Kemble Hephestion" (Powell).] Powell: King John rehearsed at 10; Edwy and Elgiva at 12 (dismissed). Receipts: #484 17s. (439.18.6; 41.17.6; 3.1.0)

Performances

Mainpiece Title: The Wheel Of Fortune

Cast
Role: Jenkins Actor: Bland
Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: Alexander the Great

Performance Comment: As17950302but Alexander-Aumer; Hephestion-C. Kemble.
Cast
Role: 950302but Alexander Actor: Aumer
Role: Alexander Actor: J. D'Egville
Role: Eumenes Actor: Bland
Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue and Epilogue by the author (Knapp, pp. 119, 309)]: With new Scenes and Dresses. Oracle, 30 Jan. 1796: On Tuesday next [2 Feb.] will be published The Man of Ten Thousand (2s.). Receipts: #540 7s. (538.19.6; 1.7.6)

Performances

Mainpiece Title: The Man Of Ten Thousand

Performance Comment: Principal Characters by Barrymore, Palmer, Kemble, Bannister Jun., Dodd, Suett, R. Palmer, Wewitzer, Aickin, Phillimore, Maddocks, Trueman, Banks, Webb, Fisher, Evans, Mrs Pope, Miss Farren, Mrs Gibbs, Miss Tidswell. Cast from text (G. G. J. and J. Robinson, 1796), and Oracle, 25 Jan.: Sir Pertinax Pitiful-Barrymore; Lord Laroon-Palmer; Dorington-Kemble; Hairbrain-Bannister Jun.; Curfew-Dodd; Consol-Suett; Major Rampart-R. Palmer; Herbert-Wewitzer; Hudson-Aickin; Clerk-Phillimore; Thomas-Maddocks; Robert-Trueman; John-Banks; Thomas[sic]-Webb; William-Fisher; Harry-Evans; Lady Taunton-Miss Pope; Olivia-Miss Farren; Annabel-Mrs Gibbs; Girl-Miss Tidswell; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Event Comment: Ode: Written in Honour of St. Cecilia, by Dryden, and set to Music by Handel. Among the Instrumental Performers are G. Ashley, leader of the band, Mara, Sarjant, C. Ashley, Boyce, Bridgetower, Harvey, Parkinson, Taylor, Nix, two Flacks, Dresler, Gwilliam, Shutze, Price, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, two Munros, Wood, Cornish, Purney, Leffler, Woodham, Cantelo, Skillern, Franki, Simpson, Jenkinson, &c. Organ-J. Ashley. Double Drums (used at Westminster Abbey)-R. Ashley. The Chorusses will be numerous and complete. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the Imprimatur of H. Macleish) to be had at the Theatre

Performances

Mainpiece Title: Alexanders Feast Or the Power Of Music Grand Selection 0

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

Afterpiece Title: Alexanders Feast 3

Performance Comment: [i.e. the ode being in 2 parts.] The Music- [by Handel--that was performed by Command of his Majesty, at St. James's on the late Marriage of their Royal Highnesses the Prince and Princess of Wales (on 8 Apr. 1795); composed by Handel, to celebrate the Nuptials (in Apr. 1736) of his late Royal Highness Frederick, Prince of Wales, with the Princess of Saxe-Gotha; [To conclude with the Coronation Anthem, Zadock the Priest-.

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Performance Comment: As17960414, but Servants and Sailors-_Gray.

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performance Comment: End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett.
Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud Or The Prince Of Persia

Performance Comment: [Characters-Aickin, Kemble, Braham (1st appearance on any stage i.e. as an actor, not a singer]), Packer, Suett, Bannister Jun., Kelly, Dignum, Sedgwick, Maddocks, Cooke, Caulfield, Evans, Webb, Trueman, Wentworth, Phillimore, Banks, Master Gregson, Miss Menage, Miss Leak, Miss Miller, Mrs Bland, Sga Storace; Cast from Songs (no pub., 1796): Sultan-Aickin; Mahmoud-Kemble; Noureddin-Braham (whose 1st appearance on the stage was at cg, 21 Apr. 1787); Helim-Packer; Barakka-Suett; Abdoul Cassan-Bannister Jun.; Mossafer-Kelly; Hassan-Dignum; Malek-Sedgwick; Petitioners-Caulfield; Muley-Banks; Aladdin-Miss Menage; Balsora-Miss Leak; Zobeide-Miss Miller; Desra-Mrs Bland; Zelica-Sga Storace; unassigned-Maddocks, Cooke, Evans, Webb, Trueman, Wentworth, Phillimore, Master Gregson; General Chorus-Danby, J. Fisher, Welsh, Master DeCamp, Atkins, Boyce, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Walker, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Jackson, Mrs Maddocks, Miss Mellon, Miss Stuart, Miss Wentworth. [Prologue, not listed on playbill, spoken by Benson.]Prologue, not listed on playbill, spoken by Benson.]
Cast
Role: Desra Actor: Mrs Bland

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Barataria or Sancho Turnd Governor

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Haymes, Linton, Blurton, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mrs Martyr

Event Comment: Afterpiece: Never [previously] performed at this Theatre [1st acted by the dl Company at king's, 18 Oct. 1792]. The new Scenes by Greenwood. The Musick composed principally by Attwood; rest from Mozart and Sarti. Receipts: #363 9s. (262.10; 99.2; 1.17)

Performances

Mainpiece Title: The Wheel Of Fortune

Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: The Prisoner

Performance Comment: Marcos-Kelly; Bernardo-Dignum; Pasqual-Caulfield; Roberto-Suett; Lewis-Wewitzer; Narcisso-Master Welsh; Clara-Miss DeCamp; Theresa-Miss Leak; Nina-Mrs Bland; Juliana-Miss Menage; Chorus of Soldiers-Evans, J.? Fisher, Maddocks, Phillimore, Trueman, Welsh, Atkins, Burrows, Meyers, Caulfield Jun., Denman, Fisher, Tett, Aylmer, Dibble, Gallot, Potts, Annereau, Bardoleau, Walker, Willoughby, Peck.
Cast
Role: Nina Actor: Mrs Bland

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Netley Abbey

Performance Comment: Capt. Oakland-Incledon; Oakland-Munden; Gunnel-Fawcett; Jeffery-Townsend; Sterling-Powel; M'Scrape-Johnstone; Ellen Woodbine-Mrs Mountain; Lucy Oakland-Mrs Follett; Catherine-Mrs Martyr.
Cast
Role: Oakland Actor: Incledon
Role: Oakland Actor: Munden
Role: Lucy Oakland Actor: Mrs Follett
Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin and Oberon or The Chace to Gretna

Performance Comment: Principal Vocal Parts-Incledon, Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Lee, Philipps, Master Woodham, Master Platt, Master Goodwin, Master Paul, Master Ramage, Master Speare, Master Bernard, Mrs Henley, Mrs Castelle, Miss Burnett, Miss Leserve, Miss Walcup, Miss Owen, Mrs Masters, Mrs Watts, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Delpini, Hawtin, Simmons, Powers, Wilde, Abbot, Thompson, Lee, Rayner, Cranfield, Claremont, Curties, Lewiss, Davies, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton; Fantoccini-, executed byMarinelli; Cast from Airs (T. N. Longman, 1796): Postman-Townsend; Lieutenant-Linton; Gypsies-Gray, Street; Oberon-Miss Gray; Harlequin-Simpson; Clown-Follett; Lover-Delpini; Father-Hawtin; Lover's Servant-Simmons; Old Gypsey-Mrs Henley; Colombine-Mlle St.Amand. No other parts assigned.
Event Comment: By Command of Their Majesties. Receipts: #468 6s. 6d. (458.0.6; 10.6.0)
Event Comment: Mainpiece [1st time; CO 3, by Prince Hoare. Larpent MS 1159; not published; synopsis of plot in Universal Magazine, May 1797, p. 364]: Overture and rest of Music composed and selected by Shield. Harp by Weippert. The new Scenery by Richards. Books of the Songs to be had in the Theatre. Receipts: #172 10s. 6d. (169.6.6; 3.4.0)

Performances

Mainpiece Title: Italian Villagers

Afterpiece Title: The Farm House

Event Comment: 2nd piece [1st time; MD 3, by James Boaden]: With new Musick, Scenery, Dresses, and Decorations. The Overture and Musick by Dr Arnold. The Scenery by Marinari, Rooker, &c. Morning Herald, 26 Aug. 1797: This Day is published The Italian Monk (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Performance Comment: Characters by Palmer, C. Kemble, Aickin, Suett, R. Palmer, Trueman, Abbot, Caulfield, Waldron Jun., Usher, Ledger, Chippendale, Mrs Harlowe, Miss Heard, Miss DeCamp, Mrs Hale, Mrs Edward, Mrs Booth, Mrs Bland. [Cast from text (G. G. J. and J. Robinson, 1797), and playbill of 30 June 1798: Schedoni-Palmer; Vivaldi-C. Kemble; Ansaldo-Aickin; Paullo-Suett; Spalatro-R. Palmer; Carlo-Trueman; Familiar-Abbot; Stiletto-Caulfield; Corvino-Waldron Jun.; Priest-Usher; Guards-Ledger, Chippendale; Marchioness-Mrs Harlowe; Olivia-Miss Heard; Ellen de Rosalba-Miss DeCamp; Abbess-Mrs Hale; Margaritone-Mrs Edward [in text: unassigned]; Gradisca-Mrs Booth; Fioresca-Mrs Bland.
Cast
Role: Fioresca Actor: Mrs Bland.

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

Performance Comment: , Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve.
Event Comment: [Mrs Gibbs was from the Haymarket.] Afterpiece: A Representation of the Defeat of the Dutch Fleet [at Camperdown] by Admiral Duncan, on the Glorious 11th of October [1797; in which Incledon, as a sailor, sang Come, cheer up, my lads, and, with full chorus, Rule Britannia (True Briton, 17 Oct.).] Receipts: #253 18s. 6d. (248.9.6; 5.9.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Young Rapid-Lewis; Vortex-Quick; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Fawcett; Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Waddy; Jessy Oatland-Mrs Gibbs (1st appearance on this stage); Miss Vortex-Mrs Mattocks; Ellen-Miss Mansel.
Cast
Role: Frank Oatland Actor: Fawcett
Role: Farmer Oatland Actor: Waddy
Role: Jessy Oatland Actor: Mrs Gibbs

Afterpiece Title: Harlequin and Oberon or The Chace to Gretna

Performance Comment: Principal Vocal Parts-Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Miss Leserve, Mrs Henley, Mrs Castelle, Miss Burnett, Mrs Watts, Miss Walcup, Mrs Masters, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Abbot, Hawtin, Simmons, Findlay, Wilde, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton.
Event Comment: Afterpiece [1st time; P 2 (?), by John Cartwright Cross]: With new Music, Scenery, Machinery, Dresses, &c. The Overture and new Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #314 15s. (303.1; 11.14)

Performances

Mainpiece Title: The Orphan

Cast
Role: Page Actor: Master Standen

Afterpiece Title: Harlequin and Quixotte or The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger, based on Raoul Barbe Bleue, by Michel Jean Sedaine (although, in the 1st edition of the play, this denied by Colman). Text (Cadell and Davies, 1798)]: The Scenery, Machinery, Dresses, and Decorations entirely new. The Musick composed and selected [from Paisiello] by Kelly. The Scenes designed and executed by Greenwood? Jun, Chalmers, and others. The Machinery, Decorations, and Dresses designed and under the direction of Johnston, and executed by him, Underwood, Gay, and Miss Rein. Books of the Songs to be had in the Theatre. Times, 8 Feb. 1798: This Day is published Blue Beard (1s. 6d.). "In the course of the representation, many blunders in working the scenery, which are unavoidable in a first representation of this nature, occurred, and the delays which took place were frequently very great...It was twelve o'-clock before the curtain dropped...The Expense of getting it up is said to be not less than #2,000" (London Chronicle, 18 Jan.). Proud swells the tide, with loads of capering heels, And vacant Folly shouts applause in peals; Hoards, even beyond th miser's wish, are thrown, To deck some sham farago for the town...Money for dresses, money for new scenes, New music, decorations, and machines; The cost of these, including every freak, Would pay ten decent players four pounds a week. Anthony Pasquin (pseud. for John Williams), "Innovation," in The Devil [1787], II, no. 2, 46. Receipts: #319 14s. 6d. (216.17.6; 102.2.0; 0.15.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue Beard or Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Palmer; Ibrahim-Suett; Selim-Kelly; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Mustapha-Webb; Aladin-Davis; Spahis-Sedgwick, Bannister, Dignum, Wathen, Trueman, Maddocks; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins, Phillimore, Fisher, Meyers, Peck, Bardoleau, Walker, Cook, J. Fisher, Dibble, Simpson; Male Peasants-Grimaldi, Gregson, Gallot, Aylmer, Potts, Willoughby, Evans; Male Slaves-Roffey, Thomson, Whitmell, Wells, Male, Garman, W. Banks, Nicolini; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Female Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot (1st appearance this season); Female Slaves-Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Hillingsworth [recte Illingham], Ms Byrne, Ms Willis, Ms Vining.recte Illingham], Ms Byrne, Ms Willis, Ms Vining.
Cast
Role: Beda Actor: Mrs Bland

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue Beard

Cast
Role: Beda Actor: Mrs Bland
Event Comment: Composed by G. F. Handel. Among the Instrumental Performers: C. Ashley, Sarjant, Wm. Parke, Boyce, R. Ashley, Bridgtower, Pinto, Parkinson, Lavenu. the Flacks, Taylor, Mackintosh, Wm. Ware, Dresler, Francis, Gwilliam, Nicks, the Munros, Archer, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Betts, Cobham, Jackson, Wood, Coyle, Cornish, Jones, Purney, Leffler, Woodham, Piele, the Cantelos, Skillern, &c. Organ-J. Ashley. Double Drums (used at Westminster-Abbey)-Jenkinson. The Chorusses will be numerous and complete; the whole under the direction of Ashley. The Doors to be opened at 6:00. To begin at 7:00 precisely [same throughout oratorio season]. Books of the Performance (with the Imprimatur of E. Macleish) to be had at the Theatre, price 6d. Places for the Boxes to be had of Brandon, at the Stage-Door in Hart-street. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Mme Mara, Master Elliot, Miss Poole, Incledon, Miss Dufour, Sale, Reinhold; Leader of the Band-G. Ashley.

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])