SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J and C M Rich"/1) | (@(roleclean,performerclean) "J and C M Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2081 matches on Event Comments, 1680 matches on Performance Comments, 682 matches on Author, 233 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

Event Comment: [In afterpiece the playbill assigns Shelty to Edwin, but "Ryder in the stead of Edwin, who was said to be indisposed, played the part of Shelty" (World, 29 Sept.).] Afterpiece: The Music by Handel, Rizzio, ?J. C.? Bach, Gretry, Corri, Shield. A new Scotch Overture by Shield. Paid Music 25th Inst. #11 7s. 6d.; Properties 2s. 4d.; Kettle Drum 5s.; Wardrobe #5 10s. 6d.; Supernumeraries #8 12s. 6d.; Chorus Singers #2; Cox for Scenemen #28 1s.; Hodgins #4 4s. Receipts: #254 4s. 6d. (250.15.0; 3.9.6)

Performances

Mainpiece Title: King Richard The Third

Cast
Role: King Richard Actor: Harley
Role: Richmond Actor: Holman

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Quick; Shelty-Ryder; Serjeant Jack-Bannister; Sandy (or Young Donald)-Johnstone; Charley-Blanchard; Captain Dash-Davies; Donald Laird of Col-Gardner; Croudy-Cubitt; Laird of Raasay-Thompson; Jenny-Mrs Mountain; Moggy-Mrs Martyr (Their 1st appearance in those characters).
Cast
Role: Sandy Actor: Johnstone
Event Comment: Oratorio: Written by Milton. Set to Music by Handel. Among the instrumental performers are Messrs Ashley andSons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, Howard, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Lyon, &c. Double Drums by J. Ashley. The whole under the direction of Harrison and Ashley. At Play-house Prices. No money to be returned. Places for the Boxes to be had of Brandon at the Theatre. The Doors to be opened at 5:30. To begin precisely at 6:30 [same throughout oratorio season]. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Books of the Performance, with the names of the performers to their respective songs, price 6d., may be had at the Theatre, and to prevent imposition in the streets, the Manager's books are printed with the following words at the bottom of each title-page, "Printed by H. Macleish, Duke's court, Drury-Lane.

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Performance Comment: Principal Vocal Parts-Harrison, Bartleman, Page, Champness, Mrs Second, Mrs Addison, Mrs Billington; Leader of the Band-G. Ashley; Organ-Knyvett.
Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: L'Alegro ed il Pensieroso 1

Performance Comment: First Grand Concerto-; Hence! loathed melancholy-Harrison; Hence! vain deluding joys-Mrs Billington; Come thou Goddess fair and free-Harrison; Come rather Goddess sage and holy-Mrs Billington; Haste thee nymph-Page, Chorus; Come and trip it as you go-Mrs Addison, Chorus; Come pensive nun, Come but keep thy wonted state-Mrs Billington; Join with thee calm peace-Chorus; Mirth admit me of thy crew-Mrs Second; Sweet bird-Mrs Billington; accompanied on the violin-G. Ashley; Mirth admit me of thy crew [repeated]-Bartleman; Oft on a plat of rising ground-Harrison; Let me wander not unseen-Mrs Billington; And young and old-Chorus.

Afterpiece Title: L'Allegro ed il Pensieroso

Performance Comment: Hence vain deluding joys, But O! sad virgin-Mrs Billington; Populous cities please me then-Bartleman, Chorus; There let Hymen oft appear-Mrs Second; Me when the sun, Hide me from day's garish eye-Mrs Billington; I'll to the well@trod stage anon-Page; And ever against eating cares-Mrs Second; As steals the morn upon the night-Mrs Billington, Harrison; These delights if thou canst give-Page, Chorus.

Afterpiece Title: Grand Miscellaneous Act

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Bartleman, Leete, Page, Walker, Sale, Miss Leak, Miss Andrews, Miss Poole.

Music: In course: solo on the violin, of his own composition-Barthelemon

Event Comment: Mainpiece [1st time; T 5, by Joanna Baillie. "Adapted to the stage by J. P. Kemble" (note in his hand on Kemble playbill), Text in the author's A Series of Plays (T. Cadell Jun. and W. Davies, 1798). Prologue by the Hon. Francis North; Epilogue by Georgiana Cavendish, Duchess of Devonshire (Larpent MS 1287)]: The Scenery, Musick, Dresses, and Decorations entirely new. The Musick of the Third Act composed by Shaw [and sung by Sedgwick (Dramatic Censor, II, 162)] and of the Second and Fourth Acts by Kelly. The Scenes designed by Greenwood? Jun and Capon, and executed by them, Banks, &c. The Dresses and Decorations designed by Johnston, and executed under his direction by Gay and Underwood. The Female Dresses designed and executed by Miss Rein. Receipts: #308 12s. 6d. (264.3.0; 43.15.6; 0.14.0)

Performances

Mainpiece Title: De Montfort

Performance Comment: Characters by Kemble, Talbot, Barrymore, Cory, Dowton, Powell, Caulfield, Packer, Holland, Archer, Maddocks, Clarke, Sparks, Trueman, Surmont, Fisher, Chippendale, Ryder, Mrs Siddons, Miss Heard, Mrs Crouch, Miss DeCamp, Miss Tidswell. Cast from Dramatic Censor, II, 115: De Montfort-Kemble; Rezenvelt-Talbot; Count Freberg (Albert)-Barrymore; Jerome-Dowton; Manuel-Powell; Grimbald (Conrad)-Caulfield; Jane De Montfort-Mrs Siddons; Countess Freberg-Miss Heard; Abbess-Mrs Crouch; Nuns-Miss DeCamp, Miss Stephens; Maid-Miss Tidswell; unassigned-Cory, Packer, Holland, Archer, Maddocks, Clarke, Sparks, Trueman, Surmont, Fisher, Chippendale, Ryder; Prologue-Mrs Powell; Epilogue-Mrs Siddons.

Afterpiece Title: The Purse

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Wentworth, Maddocks, Evans, Cook, Danby Jun., Tett, Caulfield Jun., Sawyer, Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Stephens, Ms Leak, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Jacobs, Ms Saunders, Ms Maddocks, Ms Bristow, Ms Butler, Ms Gawdry

Event Comment: Mainpiece: With New Scenes, Dresses and Decorations. This New Comedy by Mr Bickerstaff much hiss'd (Hopkins Diary). [See comment on mainpiece in Town and Country Magazine (from Theatre No. XXII, p. 593.

Performances

Mainpiece Title: 'tis Well It's No Worse

Performance Comment: Parts-King, Reddish, Parsons, Brereton, Baddeley, Davies, J. Aickin, W. Palmer, Wrighten, Keen, Castle, Booth, J. Burton, Mrs Baddeley, Mrs Jeffries, Mrs Love, Mrs Dorman, Mrs Abington. Muskato-King; Don Carlos-Reddish; Don Guzman-Parsons; Don Ferdinand-Brereton; Lazarillo-Baddeley; Don Pedro-Davies; Officers, Lawyers, Servants-J. Aickin, W. Palmer, Wrighten, Keen, Castle, Booth, J. Burton; Aurora-Mrs Baddeley; Marcella-Mrs Jeffries; Leonarda-Mrs Love; Old Nun-Mrs Dorman; Beatrice-Mrs Abington; Prologue written by Garrick spoken-Moody; Epilogue by Garrick spoken-King (Edition of 1770).
Cast
Role: Don Ferdinand Actor: Brereton

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-J. Aickin; Miller-Moody; Richard-Palmer; Joe (with song)-Fawcett; Lord Lurewell-Ackman; Madge-Mrs Love; Kate-Mrs Simson; Peggy-Miss Platt.
Cast
Role: Richard Actor: Palmer
Event Comment: Benefit for Holland. Farce never before acted. Part of Pit laid into boxes. Farce written by the author of Lionel and Clarissa

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Barry; Ventidius-Holland; Dolabella-Aickin; Octavia-Mrs Hopkins; Alexas-Packer; Serapion-Bransby; Charmion-Mrs Johnston; Romans-Ackman, Strange; Iras-Mrs Hippisley; Cleopatra-Mrs Dancer; In Act II, a Dance- incident to the play.
Cast
Role: Ventidius Actor: Holland

Afterpiece Title: The Absent Man

Performance Comment: Parts-King, Palmer, Cautherly, J. Palmer, Hurst, Fawcett, J. Burton, Mrs Barry, Mrs Jeffries, Mrs Bradshaw, Mrs Hopkins. With a Prologue-; Shatterbrain-King; Frank-Palmer; Weldon-Cautherly; Dr Gruel-Hurst; Capt. Slang-J. Palmer; Mrs Junket-Mrs Hopkins; Miss Frolick-Mrs Jeffries; Flavia-Mrs W. Barry; Landlady-Mrs Bradshaw; Coxcomb-Fawcett (Genest, V, 167).
Cast
Role: Landlady Actor: Mrs Bradshaw

Dance: V: The Wake, as17680220

Event Comment: This Tragedy written by Mr Hume was receiv'd with very great Applause Indeed Mrs Barry Seem'd inspir'd She never Appeard to moor Advantage uncommon Applause (Hopkins Diary). New Scenes, Dresses, and Decorations. Paid 4 Day's salary list #348 5s.; Tallow chandler's 6th bill #44 14s. Mr Reddish's draft #10 10s.; Mr Racket for Women's cloaths #12; Mr Dibdin Draft #70 (Treasurer's Book). [Westminster Magazine for March gives a long, and unfavorable review of the new tragedy, concluding Home's genius lies not in the tragic way.] Receipts: #237 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Anatomist

Event Comment: Benefit for Bencraft and Mrs Hale. Afterpiece: By particular Desire and for that night only. Mainpiece: Written by Congreve

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Tea

Performance Comment: To conclude with a Grand Country Dance call'd Foote's Vagaries-.

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Holland; Sir Bashful Constant-King; Sir Brilliant Fashion-Palmer; William-Baddeley; Sideboard-Ackman; Widow Bellmour (with song in character)-Mrs Abington; Mrs Lovemore-Mrs Palmer, 1st time; Muslin-Mrs Clive; Lady Constant-Mrs Barry; Mignionette-Mrs Bradshaw.
Cast
Role: Lovemore Actor: Holland

Afterpiece Title: The National Prejudice

Dance: Act I afterpiece: a French Dance call'd The Cotillion-Giorgi, Duquesney, Tassoni, Rolley, Mrs King, Sga Giorgi, Miss Tetley, Mrs Grimaldi; V: The Irish Hay@makers, as17670919

Event Comment: Benefit for Mrs Abington. Afterpiece: A Farce in 2 Acts, never acted, taken from George Dandin by Moliere. Part of Pit will be laid into the Boxes

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: No Wit Like a Woman's

Dance: End: Pantomime Dance, The Lilliputian Camp, as17680922

Performances

Mainpiece Title: 'tis Well It's No Worse

Performance Comment: As17701129 [but to avoid confusion full bill listed.] Parts-King, Reddish, Parsons, Brereton, Baddeley, Davies, J. Aickin, W. Palmer, Keen, Booth, J. Burton, Wheeler, Mrs Jeffries, Mrs Morland, Mrs Love, Mrs Abington; Prologue-Moody; [Address to the Town by way of Epilogue-King.

Afterpiece Title: The Jubilee

Event Comment: Benefit for Henderson. Mainpiece: Written by Congreve; and now carefully revised and corrected, by expunging the exceptionable passages. [The playbill assigns Lord Touchwood to Clarke, but on the Kemble playbill his name is deleted; the substitute name has been cut by the binder.] Afterpiece: Contracted into 3 acts. With a Grand Dance, and a Reinforcement of Bayes's Troops [for which, and for a list of the other parts, see DL, 13 Dec. 1777. In the Dancing Banti is announced as making his 5th appearance (see 25 Feb., 5 Mar.)]. Public Advertiser, 2 Mar.: Tickets to be had of Henderson, Buckingham-street, York Buildings. Receipts: #238 9s. 6d. (144/9/6; tickets: 94/0/0) (charge: #105)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Teague

Performance Comment: As17820819, but Pierrot and Dr Caterpillar-Wewitzer; Dame Furrow-Mrs Morris; Sailor-Davis; in other Characters: Mrs Poussin in place of Mrs Love; Humane Scalper-J. Bates; omitted: Lieutenant of the Press Gang, Man with Two Heads; from other Characters: Kenny, Darley, J. Bates . omitted: Lieutenant of the Press Gang, Man with Two Heads; from other Characters: Kenny, Darley, J. Bates .

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Event Comment: [Mrs Mountain was from cg. "To her claims as a singer she adds (what we rarely find associated in one and the same person) the qualifications requisite to constitute a performer" (Dramatic Censor, III, 5).] Afterpiece [1st time; F 2, by John Till Allingham]

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Emery; Medium-Davenport; Campley-Trueman; Mate-Bannister; Waiter-Atkins; Planters-Klanert, J. Palmer, Abbot; Sailors-Ledger, Linton, Whitmore; Trudge-Fawcett; Narcissa-Miss Gaudry; Wowski-Mrs Bland; Patty-Mrs Gibbs; Yarico-Mrs Mountain (1st appearance on this stage).
Cast
Role: Wowski Actor: Mrs Bland

Afterpiece Title: 'Tis All a Farce

Event Comment: HHarlequin Ranger oblig'd to be deferr'd. A new Dramatic Entertainment call'd Taste written by Mr Foote. The House was full as soon as open--before the first Music, several Speeches were made in ye Pit, moving the Farce might be acted before the Play, wch was insisted on by some, & oppos'd by others Cross, Cross, Prompter &c. was often call'd--The Curtain went up, & ye Clamour encreas'd, ye farce &c. Mr Mossop (who did Zanga ) came off--I went on, & spoke--Gentlemen, I perceive the farce has been desir'd before ye Play, wch cannot be comply'd with, for ye performers in ye Farce, having nothing to do in the Play, are not come--a great applause follow'd--Mr Mossop went on again--but ye noise renew'd, & he retir'd again, & wanted to undress wch I prevented; Mr Lacy (Manager) then went on, # spoke to ye same effect I had done--The play was then call'd for, & it went on with Applause--Tho' I believe Audience wish'd it over--The play done--Mr Garrick spoke ye Prologue in the Character of an Auctioneer , with surprising Applause--when he had done, he made this Apology--Gents--a performer being taken ill, the Author, Mr Foote, is here & will if you please, perform his part, this he spoke in a Hesitating manner, & was greatly applauded--the first Act went off well, & Mr Worsdale, a painter (to whom Mr Foote had given the profits of the farce) play'd a Woman's part, & was greatly received--When Mr Foote came on--he made this Speech--Gent: I have left the Stage some time, nor have I any hopes of Profit from this Piece, but as a performer is taken ill, I had rather appear my self, than have so many people, whom Curiosity has drawn together, b disappointed--Great Applause--In ye Second Act, the people grew Dull, & towards ye End, hiss'd greatly, wch I believe wou'd not have been, had not Mr Foote, bid Blakes pull off his Wig at ye Discovery of Mr Puff --vide Farce--it ended with ye usual Noise, when given out, of No more--Encore &c. &c. Sunday we had great debates about it, & at last it ended it shou'd be play'd no more 'till Mr Worsdale's benefit & an advertisement was put in the paper to signifie that as ye Farce was not so well receiv'd as was expected, the Author had withdrawn it to Alter &c. &c. we put up--We were told on Monday it wou'd be call'd for by the Audience; but no such thing happen'd. The fact concerning the performer's being taken ill is this--At ye practise, the Night before, Mr Foote seem'd dissatisfied with Mr Yates in the part of Puff, so got Mr Garrick next Day, to prevail with Mr Yates to let 'em say he was sick, that Mr Foote might have occasion to do the part (Cross). Mr Goodfellow begs leave to acquaint his friends that through the Indisposition of two of his principal performers, he is compelled to postpone his Benefit to a farther Day; Timely notice of which shall be given in this paper; Tickets deliver'd out for Monday the 13th Instant will then be admitted.--As the sole intent of this Benefit is to satisfy his creditors, who are to share the profits arising from it, he humbly hopes to meet with encouragement, and assures those ladies and Gentlemen who honour him, that the whole performance shall be carried on with the utmost decorum, and will be free from all danger of interruption (General Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

Related Works
Related Work: Harlequin Restor'd; or, Taste a la Mode Author(s): Richard Charke
Event Comment: Mainpiece: The Music composed principally by Storace, with a few pieces selected from Anfossi, Bianchi, and Guglielmi. "But for the excellent acting of Falmer, [THE ENGLISHMAN IN PARIS] would now scarcely be tolerated" (Thespian Magazine, June 1794, p. 225). Powell: Pirates rehearsed at 11 (Sedgwick one scene; Bardeauleau, Boyce, Horsfall). Receipts: #337 3s. (277/3/6; 57/3/0; 2/16/6)

Performances

Mainpiece Title: The Pirates

Performance Comment: Don Altador-Kelly; Don Gaspero- Suett; Guillermo- Sedgwick; Captain-Benson; Genariello-Dignum; Captain of the Guard-Caulfield; Lieutenant-Phillimore; Blazio-Bannister Jun.; Sotillo-Parsons; Sailor-Welsh; Waiter-Bland; Lazzaroni-Banks, Trueman, Webb, Lyons, &c.; Pirates-Welsh, Maddocks, Cooke, Dorion, &c.; Vintagers-Bourk, Whitmell, Walker, Nicolini, Bidotti, Mrs Brooker, Mrs Brigg, Mrs Harris, Mrs Haskey, Mrs Barrett, Miss Bourk, &c.//Aurora-Mrs Crouch; Fabulina-Sga Storace; Fidelia-Mrs Bland; Marietta-Miss Leak. General Chorus by Danby, Reynoldson, Tett, Brown, Walker, Aylmer, Dorion Jun., Willoughby, Atkins, Dixon, Fisher, Pilbrow, Bardeauleau, Annereau, Cook//Miss Arne, Miss Redhead, Miss Stageldoir, Mrs Bramwell, Miss Chatterley, Miss Gawdry, Mrs Butler, Miss Wrighten, Miss C. Wrighten, Mrs Boimaison, &c .
Cast
Role: Waiter Actor: Bland
Role: Fidelia Actor: Mrs Bland
Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): James Sanderson

Afterpiece Title: THE ENGLISHMAN IN PARIS

Dance: In mainpiece Dances (composed by D'Egville) by Hamoir, G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp

Performance Comment: D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp .
Event Comment: The United Company. The date of the first performance is not certain, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 4 June 1684 (Bindley Collection, William Andrews Clark@Jr@Library). Ordinarily the broadside prologues and epilogues appear to have been available shortly after the premier; hence, it is likely that this play appeared in the first week of June 1684. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 211-14

Performances

Mainpiece Title: Sir Hercules Buffoon; Or, The Poetical Squire

Performance Comment: Edition of 1684: Prologue [by Tho. Durfey Gent-J. Haynes [Com; Epilogue [Wrote and spoke-J. H. [Joseph Haines] (Com.)Joseph Haines] (Com.)
Cast
Role: Wrote and spoke Actor: J. H.
Event Comment: Benefit for Aickin and Mrs Lee. House Charges #33 8s. Rec'd stopages #2 13s. (Treasurer's Book). Tickets deliver'd by Sg Giorgi and Miss Berkley will be admitted. Neville MS Diary: Went to ye Pit to see 2nd part of Henry IV. [Comments on performances of individual characters in general.] Falstaff very well by Love. This last uses his eyes with great propriety in this and many other characters....Pistol by Baddeley (King should have played it)

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King-Powell; Prince of Wales-Aickin, 1st time; Prince John-J. Palmer; Moldy-Moody; Pistol-King; Gloster-J. Burton; Doll Tearsheet-Mrs Lee; Achbp York-Havard; Clarence-Mas. Cape; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Fawcett; Feeble-Weston; Justice Shallow-Yates; Justice Silence-Rooker; Poins-Packer; Page-Miss Rogers; Hostess-Mrs Bradshaw; Falstaff-Love [Public Advertiser assigns Pistol-$Baddeley.]
Cast
Role: Westmorland Actor: Burton

Afterpiece Title: The Capricious Lovers

Dance: End: A Minuet-Miss Giorgi, Miss Collett Scholars to Sg Giorgi; End I of the Farce: Hearts of Oak, as17670212, but-Grimaldi, Mrs King

Performances

Mainpiece Title: The Orators

Cast
Role: Sir Richard Wealthy Actor: Gardner

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Lyar

Cast
Role: Sir Richard Wealthy Actor: Gardner

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Event Comment: Mainpiece: A Comedy [by Wm Kenrick] never perform'd before. The characters New Dress'd. [Theatrical Monitor, No VIII (16 Dec. 1767) approved the mainpiece--"engages the mind, affects the passions, totally divested of indecency"--but thought Garrick's art of "puffing" was evident in his note at foot of playbills, "Those Ladies and Gentlemen, who have taken places for this day, are desired to send their servants by one o'clock, in order to ascertain the same, otherwise they cannot be secured," since the house, except the first night, had not been half full. N.B. This note appeared in an Advance Bill, but did not appear in the Bill of the Day.

Performances

Mainpiece Title: The Widow'd Wife

Performance Comment: Parts by: Holland, King, Palmer, Reddish, Love, Dodd, Aickin, Watkins, Fox, Wright, Mrs Bradshaw, Mrs Clive, Mrs Palmer, Mrs Abington, Mrs Pritchard. With Prologue, Epilogue. Fred Melmoth-Reddish; Syllogism-King; General Melmoth-Holland; Col. Camply-Aickin; Alderman Lombard-Love; Furnival-J. Palmer; Lord Courtly-J. Aickin; Dr Mineral-Dodd; Mrs Mildmay-Mrs Pritchard; Narcissa-Mrs Abington; Sophia-Mrs Palmer; Sift-Mrs Clive; Susan-Mrs Bradshaw; Prologue-Holland; Epilogue-Mrs Palmer; Servants-Watkins, Wright, Fox (Genest, V, 160).
Cast
Role: General Melmoth Actor: Holland
Role: Prologue Actor: Holland

Afterpiece Title: The Old Maid