Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Roberts"/1) | (@(roleclean,performerclean) "J Roberts")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
3376 results for: Keyword - J. Roberts
We found 1910 matches on Performance Comments, 943 matches on Author, 724 matches on Event Comments, 187 matches on Performance Title, and 9 matches on Roles/Actors.

3326
24 May 1774 @ Covent Garden

Event Comment: By Particular Desire. Benefit for Symonds, Norbury, Francis. Tickets deliver'd by Perry, Roberts, Wooley, Stevenson, Singleton, Shuter, Miller, Walker, and Real as well as those deliver'd for The Recruiting Officer will be Taken. [No charges. House rec'd the ready money receipts plus half-value of the tickets deliver'd:] @Tickets Box Pit Gallery Value Half Value@Symonds 27 50 107 #27 16s. #13 18s.@Norbury 23 33 31 #13 14s. #6 17s.@Francis 13 36 17 #9 8s. #4 14s.@Perry 4 14 25 #6 3s. #3 1s. 6d.@Roberts 9 80 191 #38 18s. #19 9s.@Wooley 3 24 3 #3 12s. #1 16s.@Stephenson 14 107 64 #23 16s. #11 18s.@Singleton 3 48 10 #7 1s. #3 10s. 6d.@Shuter 11 39 86 #19 11s. #9 15s. 6d.@Miller 8 74 49 #16 #8@Walker .. 95 19 #12 7s. #6 3s. 6d.@Read 7 65 21 #11 8s. #5 14s.@Total 122 665 618 #189 14s. #94 13s.@ Paid Symonds for performing 5 nights in The Fair to 13 Nov. last 5s., and for 25 nights in The Sylphs to the 4th of April #1 5s. Receipts: #57 15s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Mother Shipton

3327
26 May 1774 @ Drury Lane Theatre

Event Comment: Benefit for Watson, Roberts, Wilson and Palmer. Tickets delivered by Humphreys will be taken. Receipts: #267 13s. Charges: #84. Profits to beneficiaries: #183 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Miller of Mansfield

Entertainment: End Opera: Bucks Have at Ye All-Palmer

3328
27 May 1775 @ Covent Garden

Event Comment: Benefit for Curteen, Roberts, Shuter. Tickets delivered by Miller, Walker, Reed, Colley, Robinson, Brandon, Booth, Flight, Mrs Paddick, Mr Watson will be taken. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: End: The Pilgrim, as17750503

3329
24 November 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751118

3330
21 May 1776 @ Covent Garden

Event Comment: Benefit for T. Ansell, Pilford, Wooley, Marks, Symonds, Furkins, Tickets deliver'd by Flight, Roberts, Claridge, Doe, Wells, Francis, Brandon, Budd, Miller, Constable will be taken this night

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Lyar

Dance: End: The Italian Gardeners, as17751011

3331
16 April 1777 @ Covent Garden

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

3332
23 May 1777 @ Covent Garden

Event Comment: Benefit for Thomas Ansell, Pilfold, Woolley, Symmonds Furkins & Roberts. Tickets delivered by Clarridge, Doe, Wells, Longley, Francis, Brandon, Walker, Varley will be taken this Night. Receipts: #278 11s. 6d. (21.8.6; 0.6.0; tickets: 256.17.0) (charge: none listed)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Dance: End: New Comic Dance, as17770425

3333
21 May 1778 @ Covent Garden

Event Comment: Benefit for T. Ansell, Pilfold, Woolley & Marks. Tickets delivered by Furkins, Roberts, Clarridge, Doe, Wells, Francis, Walker, Brandon, Shuter and Abbot will be received. Tickets delivered for The Busy Body will be taken. Receipts: #243 13s. 6d. (137.12.6; 0.13.0; tickets: 105.8.0)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Mother Shipton

3334
15 May 1779 @ Covent Garden

Event Comment: Benefit for T. Ansell, Pilfold, Woolley, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Francis, Walker, Whittington, Abbot, Haliburton, Ledger Jun. will be admitted

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Liverpool Prize

Dance: As17790222

3335
17 April 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Jewish Education

Afterpiece Title: The Critic

3336
24 May 1780 @ Covent Garden

Event Comment: Benefit for T. Ansell, Pilford, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Walker, Whittington, Abbot, Sarjant, R. Ledger and Seymour will be admitted this Evening. Receipts: #248 9s. 6d. (22.9.0; 1.3.6; tickets: 224.17.0)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Deaf Lover

Ballet: End IV: The Humours of New-Market. As17800518

3337
25 May 1781 @ Covent Garden

Event Comment: Benefit for T. Ansell, Pilfold, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Walker, Whittington, Abbott, R. Ledger, Sarjent, Seymour [Account-Book adds Wewitzer] will be taken. Receipts: #271 (22.5.6; 1.7.6; tickets: 247.7)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deaf Lover

Dance: As17810426

3338
31 May 1783 @ Covent Garden

Event Comment: Benefit for T. Ansell, Pilford, Marks & Furkins. Tickets delivered by Clarridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Sloper, Abbot, Akrey [Account-Book adds Rolles] will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Yates's last appearance on the stage in London; he subsequently acted in Edinburgh in March, 1785. Afterpiece in place of The Country Mad-Cap, announced on playbill of 30 May.] Receipts: #255 3s. 6d. (20/5/0; 0/15/6; tickets: 234/3/0)

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Barnaby Brittle, As17820930, but Jeremy-W

Dance: As17821231

3339
22 May 1784 @ Covent Garden

Event Comment: Benefit for Marks, T. Ansell, Pilford & Furkins. Tickets delivered by Claridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Rye, Abbott, Akery, Rolles, Hall will be admitted this Evening. Receipts: #224 10s. 6d. (15/18/0; 0/6/6; tickets: 228/6/0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece Statute Dance, as17840428

3340
10 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

3341
11 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Afterpiece Title: The St

Afterpiece Title: Rosina

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

3342
31 May 1786 @ Covent Garden

Event Comment: Tickets delivered by Hall, Young, Brandon, Curteen, Bourrelier, Rolls, Cox, Robson, Ansell, Roberts, Orme will be admitted (Account-Book). Receipts: #311 15s. (25/4/6; 2/5/6; tickets: 284/5/0)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Duke and No Duke

Dance: As17851019

3343
23 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II mainpiece) Jewish Courtship

Afterpiece Title: The Mistake of a Minute

3344
19 May 1787 @ Covent Garden

Event Comment: Tickets delivered for The Provok'd Wife will be admitted. Tickets delivered by Jackson, Pilfold, Roberts, Clarke, Painter, Atkins, Curteen, Grey, Orme, Bourrelier will be admitted (Account-Book). Receipts: #340 15s. 6d. (22.18.0; 2.7.6; tickets: 315.10.0)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Love in a Camp

Dance: End: The Waterman-; to conclude with a Double Hornpipe-Jackson, Mrs Ratchford

Song: a Roman Ovation-; Vocal Parts, as17861021, but Miss _Stevenson, Mrs Byrn

3345
15 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

3346
06 June 1789 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Atkins, Masters, Roberts, Young, Painter, Curteen, Bourrelier, Longley, Dalby, Mrs Doyle, Jackson, Mrs Clark will be admitted. Receipts: #378 17s. (56.16.6; 5.14.6; tickets: 316.6.0)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Don Juan

Dance: In Afterpiece: Mrs Ratchford, Mrs Goodwin, Byrne, Jackson

3347
07 October 1789 @ Covent Garden

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

3348
06 April 1790 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Catherine and Petruchio

Dance: After Singing: As17891021

Song: End: A Laugh and a Cry (composed by Blewitt)-Darley, Blanchard

Entertainment: Monologue. Preceding: an Introductory Address-Ryder

3349
14 April 1790 @ Covent Garden

Performances

Mainpiece Title: Arden Of Feversham

Afterpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: Afterpiece: As17891128.; End: Tamborine Dance, as17891021

3350
29 April 1790 @ Covent Garden

Performances

Mainpiece Title: The Female Adventure; Or, Stop Her Who Can

Afterpiece Title: Cymon

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells