Event Comment: Benefit Vaughan, Powell (Box keepers); Gwinn (Pit Doorkeeper)

Event Comment: Benefit Lawrence and Powell (Boxkeepers)

Event Comment: Benefit Dunstall, Morland, Demembray (Machinist), Desse, Baudouin, and Mr Powell (Deputy Treasurer). Tickets to be had of Hobson

Event Comment: Benefit Stoppelaer, and Powell and Gardener (Boxkeepers)

Event Comment: Tickets Smith, Powell, Fulwell, Owen, Foxwell, Toole, Jackson, and Gray taken. 7 p.m. [Concert formula; prices as 30 April.

Event Comment: Benefit Vaughan, Powell, Gardiner [Box Keepers]

Event Comment: 1 Written by Shakespear. Benefit Powell, Howard, and others; by particular Desire. Afterpiece: Never acted there before. [The Debauchees; or, The Jesuit Caught, originally issued as The Old Debauchees by Henry Fielding, 1 June 1732, dl. Concluding the program with the National Anthem now omitted from the advertisements.

Event Comment: Benefit Lawrence, Gardiner, Powell [Boxkeepers]

Event Comment: Benefit Lawrence, Powell, and Gardiner [Door-Keepers]. [Profits to the beneficiaries unspecified.] Charges #70

Event Comment: Benefit for Paget, Lawrence and Powell (Box Keepers). Tickets deliver'd out for the Provok'd Wife for this day will be taken. Mainpiece: At the Desire of Several Persons of Quality

Event Comment: [Benefit] for a Gentlewoman under Misfortunes (Cross). Tickets to be had fo Mrs Powell, at the Golden Leg in Fleet St.; at the Turk's Head Coffee-House in New Bond St.; and of Mr Varney at the theatre, where places in the Boxes may be taken (Public Advertiser). Receipts: #160 (Cross)

Event Comment: Receipts: #140 17s. Barry's 1!3 of surplus came to #20 5s. 8d. The Renters were this night increased to 17 by purchases of one share each by Robert Randoll, Margaret Randoll, and John Powell. Paid Mr Arne for composing the Music in Dioclesian, #26 5s. (Account Book)

Event Comment: Receipts: #151 15s. 6d. Sent Mrs Ward by order of Rich #10. Paid Messrs Powell & Co for Miss White #3 12s

Event Comment: Receipts: #155 2s. Miss Mowat's 2nd appearance. Paid Powell for his attendance and adjusting the Accounts for two seasons to the end of May #100

Event Comment: Mainpiece: Not acted these two years. [George II's death had closed the theatres on 4 Nov. the previous year.] Income from Boxes #14 15s. Paid Mr Powell for two years att[endin]g Office & pass [?] Ac[count]. #100. Advanced to Hull #20. Receipts: #64 16s. (Winston Theatrical Record)

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Event Comment: Mainpiece: By Particular Desire. Benefit for Bowers (box-keeper) and Veal (1st gallery door-keeper). Play begins exactly at six o'clock. House charges #84. [Deficit to beneficiaries #61 5s. 6d.] Tickets deliver'd for The Busy Body will be taken. Paid Rector's rate and Watch 4 quarters #1 13s. Rec'd from Messrs Powell & Co for cloaths #11 11s.; Eight days from the Certainties #82 13s. 4d.; Stopages #1 18s. (Treasurer's Book). Receipts: #22 14s. 6d. (Treasurer's Book). Took a place in ye front Boxes at Drury Lane for Wednesday next, when ye Suspicious Husband is to be performed for ye Decayed Actors' Fund, scarcely a place remaining untaken. I wanted one in ye Pit (Neville MS Diary)

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Event Comment: RRomeo and Juliet oblig'd to be deferr'd on account of Indisposition of Powell. Paid Jos. Besford for performing the Lyon two nights in Perseus 5s.; Paid Wm Gard for performing on the Horse and in the Lyon two nights in Perseus 7s. (Account Book). [See Perseus and Andromeda 19 and 25 Sept.] Receipts: #103 7s. 6d. (Account Book)

Event Comment: At 5 went into the Pit to see Mrs Yates' first appearance on that stage....Hastings for the first time by Powell, but I like Barry better in that character....Mrs Bellamy always excelled in the character of Alicia. Jane Shore by Mrs Yates who far surpasses Mrs Dancer in that character...Woodward is the best Fine Gentleman [in the farce] I ever saw. Drunken man very well by Dunstall (Neville MS Diary). Receipts: #189 12s. 6d. (Account Book)

Event Comment: [The playbill notes Powell and Bensley as appearing in the parts of Hastings and Shore for "second time," but see 17 Oct. 1767.] Receipts: #171 (Account Book)

Event Comment: Books of the Opera to be had at the Theatre. Received of Condell 45 Nights Fruit Rent due 8th Inst. #20 (Account Book). Paid Powell and Bickerstaffe balances due them. Paid Mrs Paddick for cleaning of feathers #1 19s. (Account Book). Receipts: #188 17s. 6d. (Account Book)

Event Comment: Benefit for Mrs Thompson. The Roman Father is oblig'd to be deferr'd on account of the indisposition of Powell (playbill). Charges #66 2s. 6d. Balance to Mrs Thompson #62 11s. plus #31 14s. in tickets (Box 92; Pit 58) (Account Book). Receipts: #128 13s. 6d. (Account Book)

Event Comment: Doors will be open'd at 5 o'clock. Play to begin exactly at six o'clock. Powell after the play advised the Audience they had been applied to make 5 o'clock the hour to admit the company and that the Doors in the future would not be opened till that hour (London Evening Post, 7 Oct.). Receipts: #102 19s. (Account Book)