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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J Nick all"/1) | (@(roleclean,performerclean) "J Nick all")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2872 results for: Keyword - J. Nick-all
We found 876 matches on Performance Comments, 450 matches on Event Comments, 94 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

2351
13 November 1762 @ King's Theatre

Event Comment: A new Comic Opera, music by several celebrated Composers. With new Cloaths, new Decorations, and new Dances. Pit and Boxes put together, and no Persons to be admitted without Tickets, which will be delivered that Day, at half a Guinea each. Gallery 5s. By Their Majesties Command no Persons whatsoever to be admitted behind the Scenes, nor into the Orchestra. Gallery, Pit and Boxes will be opened at Five; To begin at 6:30. [Prices, terms of admission, and time repeated in subsequent bills.] Subscription Money to be paid to Andrew Drummond and Co. Bankers, or to Mr Crawford, Treasurer, for Silver t ickets. Signor Giardini the principal serious singer has arrived, and serious opera will begin as soon as possible (Public Advertiser). [Signora Mattei was again the promoter of Operas this season; Crawford the Treasurer.

Performances

Mainpiece Title: Il Tutore E La Pupilla

2352
20 November 1762 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggars Opera

Related Works
Related Work: L'Opera du Gueux Author(s): M.A. Hallam

Afterpiece Title: The Genii

Dance: I: A New Dance call'd The Lilliputian Fisherman-Miss Froment (her 2nd appearance on this Stage)

2353
20 November 1762 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2354
27 November 1762 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2355
29 November 1762 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2356
06 December 1762 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2357
20 December 1762 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggars Opera

Related Works
Related Work: L'Opera du Gueux Author(s): M.A. Hallam

Afterpiece Title: The Witches

2358
20 December 1762 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2359
01 January 1763 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2360
15 January 1763 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2361
24 January 1763 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2362
14 February 1763 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2363
19 February 1763 @ King's Theatre

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

Performance Comment: Several vocal and instrumental performers are engaged for the performance of this opera which will be decorated with new Scenes, Cloaths, and new Dances. Enopian-Gaetano Quilici; Orion-Domenico Ciardini; Retrea-Livia Segantini; Candiope-Anna Lucia d'Amicis; Argia-Giovanni Carrignani; Nice-Clementina Cremonini; Thirsis-Giuseppe Giustinelli; Diana-Marianna Valsecchi; Mercury-Giovan Battista Zingoni; Dancers-Gallini, Mlle Asselin, Binetti, Sga Binetti (Libretto of 1763).

2364
26 February 1763 @ King's Theatre

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

2365
28 February 1763 @ King's Theatre

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

2366
05 March 1763 @ King's Theatre

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

2367
12 March 1763 @ King's Theatre

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

2368
14 March 1763 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

2369
19 March 1763 @ King's Theatre

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

2370
24 March 1763 @ King's Theatre

Event Comment: Benefit for Sga DeAmicis, who will present it [the afterpiece] in its own natural beauty, such as it originally came from the hands of the ingenious author Sig Pergolesi, and as it was first done at Naples, in order to give the Nobility and Gentry the most favorable idea of so masterly a piece. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s

Performances

Mainpiece Title: Il Tutore E La Pupilla

Afterpiece Title: La Serva Padrona

Dance:

2371
26 March 1763 @ King's Theatre

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

2372
07 April 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Witches

2373
09 April 1763 @ King's Theatre

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

2374
16 April 1763 @ King's Theatre

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

2375
18 April 1763 @ Covent Garden

Event Comment: Benefit for Dunstall. Afterpiece: By Particular Desire. No Building on Stage

Performances

Mainpiece Title: The Beggars Opera

Related Works
Related Work: L'Opera du Gueux Author(s): M.A. Hallam

Afterpiece Title: The Citizen

Related Works
Related Work: Retaliation Author(s): Leonard Macnally

Dance: A Hornpipe-Miss Poitier; a Country Dance-characters in the Opera; End II: A New Comic Dance, as17630224