SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Nick all"/1) | (@(roleclean,performerclean) "J Nick all")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 876 matches on Performance Comments, 450 matches on Event Comments, 94 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Younger. Tickets deliver'd for Macbeth , by Branson and Miss Helme, will be taken. Mr Younger being oblig'd by Mr Powell's illness, to change his play of Macbeth to the above tragedy, humbly hopes for the Indulgence of his Friends and the Public in general. Charges #67 9s. Balance to Younger #18 3s. 6d. plus #48 9s. from tickets (Box 97; Pit 110; Gallery 77). [Branson and Miss Helme seem to have borne none of the charges and to have received full value for their tickets]: Branson #33 (Box 29; Pit 99; Gallery 109); Miss Helme #16 14s. (Box 1; Pit 63; Gallery 70). Receipts: #85 12s. 6d. (Account Book)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Wapping Landlady, Double Hornpipe, as17690408

Performances

Mainpiece Title: Cymon

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: The Lame Lover

Afterpiece Title: Midas

Dance: II: The Cowkeeper, as17700521; End of Play: Double Hornpipe-Master and Miss West

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Commissary

Music: II: A Favourite Concerto on the Harpsichord-Hook

Ballet: End Opera: The Wapping Landlady and Double Hornpipe. As17710422

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Ogleby-Kniveton; Lovewell-Mattocks; Sterling-Dunstall; Sir John-Bensley; Flower-Morris; Brush-Dyer; Canton-Quick; Traverse-Thompson; Truman-R. Smith; Miss Sterling-Mrs Gardner; Fanny-Mrs Mattocks; Betty-Mrs Lessingham; Chambermaid-Miss Ward; Mrs Heidleberg-Mrs Green.

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Savigny; Aboan-Bensley; Governor-Perry; Blandford-Hull; Daniel-Quick; Hotman-Bates; Stanmore-Thompson; Jack Stanmore-Fox; Capt. Driver-Dunstall; Lucy Weldon-Miss Helme; Widow Lackit-Mrs Pitt; C. Weldon-Mrs Baker, 1st time; Imoinda-Miss Miller.

Afterpiece Title: Midas

Event Comment: Bills for Every Man in his Humour were posted to day--but Mr G. being taken very ill the Play was oblig'd to be chang'd & fresh Bills put up about Twelve o'clock (Hopkins Diary). [Also, according to Winston MS 10 the afterpiece was to have been Miss in Her Teens. See 8 Nov.] Paid Tallow Chandler's 1st bill #63 8s. 4d.; Mr Evans one year on Wardrobe Acct #10 10s.; half year Land and Window Tax for St Martin's to Michelmas last #46 8s. 7d.; Rec'd Stopages #12 17s. (Treasurer's Book). [Cast listed on playbill for afterpiece: Fribble (with song in character)-Dodd; Flash-$Palmer; Loveit-$J. Aickin; Puff-$Moody; Jasper-$Ackman; Tag-$Mrs Love; Miss Biddy-$Miss Pope.] Receipts: #165 7s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Institution of the Garter

Dance: V: Comic Dance, as17710921

Performances

Mainpiece Title: The Fox

Afterpiece Title: Mother Shipton

Event Comment: Benefit for Barry. Tickets deliver'd for King Arthur will be taken. Part of Pit laid into Boxes. Ladies send servants by 4 o'clock. Paid Supers, Kettle Drum, & practices to King Arthur #2 16s.; Printer's Bill #8 12s. (Treasurer's Book). Mary Martin to J. M. Rebow, 6 April (MS correspondence in Washington State University Library): There has not been any mention of Barry's Benefit in ye Papers till to Day when it is advertis'd for ye 23rd of this Month, & ye Play. After...ye Constant Couple, which I imagine is no very desirable thing to see so late in ye Season, therefore pray tell me if I must send ye Tickets back directly, or may keep them till you are in Town again, which I hope you certainly will be before that time; I find we are not ye only unfortunates that Mr Johnson disappoints of Places, for that it is his Constant Practice not to let a single Place, till all his Five Guinea Chaps are serv'd even if you are at ye Play House, & apply ye Instant ye Play is given out, for which reason Mr Garrick has desir'd Gentlemen will Write to him upon such Occasions, & it is now very commonly done. Receipts: #264 11s. 6d. Charges: #67. Profits to Barry: #197 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Dance: End of Play: By Particular Desire, The Louvre, Minuet-Noverre, Miss Rogers his scholar

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Mattocks; Pea chum-Shuter; Lockit-Dunstall; Filch-Holtom; Lucy-Mrs Mattocks; Mrs Peachum-Mrs Vincent; Diana Trapes-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-Miss Catley; In Act III, a Hornpipe-Miss Twist.

Afterpiece Title: The Commissary

Dance: II: The Fingalian Dance with Double Hornpipe, as17721009

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin's Invasion

Dance: IV: A Comic Dance, as17730325

Entertainment: End: Bucks have at ye all-Palmer

Event Comment: The Deserter deferr'd. Parsons Ill. Paid Mr Cropley (linnen draper) #12 11s.; Mr Cole (turner) #54 18s.; Mr Scott (laceman) #20 18s.; Mr Cubitt (tinman) #31 13s.; Mr Hatsell (mercer) #77 7s.; Mr Waller (hosier) #13 9s.; Mr J. French on account #10; Mr Clanfield for Fireworks #3 5s.; Chorus 2 nights (this incl.)#4 1s. (Treasurer's Book). Receipts: #170 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Genii

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17730918

Event Comment: The New Comedy, The School for Wives, (which was to have been performed this evening) oblig'd to be deferred till tomorrow. Reddish hoarse. Paid tallow chandler's 3rd bill #44 19s. 11d.; Mr Smeltzer for men's cloaths #5; J. Stevens on note #3 3s. (Treasurer's Book). [In the bill for the first planned performance of Twelfth Night this season (namely for 4 Dec.) Antonio was to be done by Fawcett; Sir Toby by Love; and the Clown by Davies.] Receipts: #122 6s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Genii

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Genii

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Citizen

Performance Comment: As17740312 but add Sir J. Wilding-Dunstall.
Related Works
Related Work: Retaliation Author(s): Leonard Macnally

Monologue: True Blue. As 26 March

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Dance: III: New Grand Spanish Dance-; End: A New Ballet, call'd The Pirates-Como, Sga Crespi, Sga Chiringhelli, being her first appearance in England; After I Farce: A Grand Serious Dance-Como, Sga Crespi

Event Comment: Benefit for Miss Barsanti. Charges #65 4s. 6d. Profit to Miss Barsanti #17 11s., plus #156 16s. from tickets (Box 388; Pit 300; Gallery 148). Receipts: #82 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Campley-Lewis, first time; Lord Hardy-Wroughton; Lord Brumpton-Gardner; Trusty-Hull; Puzzle-Dunstall; Tom-Hamilton; Sable-Quick; Trim (with Cries of London)-Shuter; Lady Harriet-Mrs Bulkley; Lady Charlotte-Miss Sherman; Tattleaid-Mrs Pitt; Fardingale-Mrs Green; Lady Brumpton-Miss Barsanti, first time.

Afterpiece Title: The Citizen

Related Works
Related Work: Retaliation Author(s): Leonard Macnally

Dance: End: The Highland Reel, as17731112

Monologue: Before: By Particular Desire, the Occasional Prelude. Manager-Wroughton; Author-Kniveton; Carpenter-Davies; Young Actress-Miss Barsanti. [See 10 May 1773.

Performances

Mainpiece Title: No Performance