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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Nick all"/1) | (@(roleclean,performerclean) "J Nick all")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1311 results for: Keyword - J. Nick-all
We found 876 matches on Performance Comments, 450 matches on Event Comments, 94 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

751
16 October 1797 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

752
26 December 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.

753
16 January 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Palmer; Ibrahim-Suett; Selim-Kelly; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Mustapha-Webb; Aladin-Davis; Spahis-Sedgwick, Bannister, Dignum, Wathen, Trueman, Maddocks; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins, Phillimore, Fisher, Meyers, Peck, Bardoleau, Walker, Cook, J. Fisher, Dibble, Simpson; Male Peasants-Grimaldi, Gregson, Gallot, Aylmer, Potts, Willoughby, Evans; Male Slaves-Roffey, Thomson, Whitmell, Wells, Male, Garman, W. Banks, Nicolini; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Female Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot (1st appearance this season); Female Slaves-Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Hillingsworth [recte Illingham], Ms Byrne, Ms Willis, Ms Vining.recte Illingham], Ms Byrne, Ms Willis, Ms Vining.

754
01 February 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue-Beard

755
09 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Kelly. Ballet: By permission of the Proprietor of the Opera House. Composed by Gallet. With appropriate Dresses, Scenery, and Decorations. Times, 30 Apr.: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-fields. Receipts: #681 4s. (370.8.0; 45.1.6; 3.12.0; tickets: 262.2.6) (charge: #237 3s. 2d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

Performance Comment: Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg.

756
11 December 1798 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

757
14 January 1799 @ Covent Garden

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Albert and Adelaide

Dance: As17981211

758
05 February 1799 @ Drury Lane Theatre

Event Comment: Ballet: 1st time, composed by Roffey; the Musick by Rhodes. Receipts: #189 11s. (127.1.6; 61.2.6; 1.7.0)

Performances

Mainpiece Title: The Castle-spectre

Cast
Role: Allan Actor: Packer

Afterpiece Title: The Apprentice

Ballet: End: Moggy and Jemmy. Jemmy-Garman; Bauldi-Grimaldi; Lady-Miss Daniels; Maude-Mrs Brooker; Moggy-Sga Bossi DelCaro; Peasants-Goodman, Whitmell, Wells, Bayzand, Johnston, Gauron, Masters J. and W. Chatterley, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake, Ms Connelly

759
08 February 1799 @ Covent Garden

Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

760
11 February 1799 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: The Magic Oak

Music: As17990205

761
16 February 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Feudal Times

Cast
Role: Baron Fitzallan Actor: Cory

762
13 March 1799 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel, boyce And purcell

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; My cup is full, Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Ye men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Honour and arms-Bartleman (Samson); What though I trace-Mme Mara (Solomon); Sound an alarm-Chorus (Judas Maccabaeus).
Cast
Role: Shall I in Mamre's Actor: Sale
Role: For all these mercies Actor: Chorus

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17990306

763
13 April 1799 @ Covent Garden

Event Comment: A Translation [by Conrad Ludger] of Kotzebue's Reconciliation, having been advertised as the Play now performing at this Theatre, the Public are respectfully informed that the Genuine Copy of The Birth Day (which is materially altered from the above) will not published till next Season. 3rd piece: The Overture and Music by Reeve. The Ballet composed by Farley. [For synopsis of scenes see 16 Mar. 1797.] Receipts: #239 3s. 6d. (234.17.6; 4.6.0)

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: The Birth Day

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Dance: In: As17990316

764
23 April 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

765
24 April 1799 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Spoil'd Child

Afterpiece Title: Raymond and Agnes

766
04 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: Albert and Adelaide

Dance: In 3rd piece: Procession and Dance of Swabian Peasants, as17981211, but Miss _Gray

767
18 May 1799 @ Covent Garden

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

768
17 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: Family Distress

Afterpiece Title: The Agreeable Surprise

769
18 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Dead Alive

Afterpiece Title: Family Distress

Afterpiece Title: The Children in the Wood

770
19 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Purse

Performance Comment: The Baron-Waddy (1st appearance on this stage); William-Wathen; Edmund-Davies; Theodore-J. Palmer; Page-Miss Benson; Sally-Mrs Bland.
Cast
Role: Sally Actor: Mrs Bland.

Afterpiece Title: Family Distress

Afterpiece Title: The Prisoner at Large

771
20 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Fortune's Frolick

772
24 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Suett; Dick Dowlas-H. Johnston (1st appearance in that character); Doctor Pangloss-Fawcett; Henry Moreland-Trueman; Stedfast-Aickin; Zekiel Homespun-Wathen; Kenrick-Johnstone; John-Abbot; Waiters-Ledger, Chippendale; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer-Miss Heard; Cicely Homespun-Mrs Gibbs; Original Epilogue-the Characters. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Lying Valet

773
25 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: Ways and Means

Afterpiece Title: Fortune's Frolick

774
26 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Peeping Tom

775
27 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Jew and the Doctor

Entertainment: Monologue As17990622