SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Nick all"/1) | (@(roleclean,performerclean) "J Nick all")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 876 matches on Performance Comments, 450 matches on Event Comments, 94 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: Duplicity

Afterpiece Title: Midas

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Comus

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane (1st time)-Hull; Moneses-Wroughton; Axalla-Whitfield; Omar-Fearon; Dervise-L'Estrange; Prince of Tanais-Booth; Hali-Robson; Stratocles-Thompson; Zama-J. Wilson; Bajazet-Aickin; Selima-Mrs Inchbald; Arpasia-Miss Younge. The usual Prologue spoken by Wroughton .
Cast
Role: Axalla Actor: Whitfield

Afterpiece Title: The Touchstone

Song: In Act IV of mainpiece To thee, O gentle sleep by Mrs Morton

Event Comment: "[Henderson] stands before me with the muster of his recruits legible in his eye, and I hear the fat and chuffy tones by which he added humour to the ludicrous terms of the poet's description . . . The bursts of laughter he excited by this, which he did not hurry, but seemed mentally to enjoy, as the images rose in succession, were beyond measure delightful. He made his audience for the time as intelligent as himself" (Boaden, Siddons, I, 124-25). Receipts: #170 15s. 6d. (168/8/6; 2/7/0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff

Afterpiece Title: The Son-in-Law

Dance: End of Act II of mainpiece, as17811101

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Choice of Harlequin

Dance: End of Act I of mainpiece, as17811219; In Act V a Dance of Fortsters (performers not listed)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Country Mad-Cap

Performance Comment: Ballad-Mattocks; Cantileno (with Imitations')-Reinhold; Zorobabel-Quick; Thomas-Whitfield; Goodwill-Fearon; John-Thompson; Lord Bawble-Lee Lewes; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad-Cap-Mrs Mattocks .
Cast
Role: Ballad Actor: Mattocks

Dance: End of Act II of mainpiece The Poney Races by Harris, Ratchford, Miss Matthews; End of mainpiece The Gala, as17820409

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Upholsterer

Dance: As17811219

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Barnaby Brittle

Dance: End of mainpiece The Gala, as17820409, but omitted: Harris

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .

Afterpiece Title: The What d'ye Call It

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Touchstone

Dance: End of mainpiece, as17820401, but omitted: Holloway

Song: End of Act IV of mainpiece Tally ho, as17820427

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Touchstone

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: All the World's a Stage

Dance: End of mainpiece a new pantomimical Dance, Anticipation; or, Harlequin's Visit to Greenwich on Whit-Monday, in which will be introduced two favorite Scenes from Harlequin Skeleton. The Pantomime Parts by W. Bates, Baker, Jones, Stevens; Miss Matthews; the Dance by Aldridge, Langrish, Miss Matthews, Miss Besford

Song: End of Act IV of mainpiece, as17820423; End of Dance Rule Britannia by Darley

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Comus

Dance: As17811211

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Cast
Role: Pallas Actor: Mrs Morton

Dance: End of mainpiece The Merry Sailors by Langrish and others

Performances

Mainpiece Title: The Life And Death Of Common Sense

Afterpiece Title: Love in a Village

Cast
Role: Catcall Actor: Wood

Afterpiece Title: The Devil to Pay

Monologue: 1782 09 16 End of 2nd piece Joe Haynes's Epilogue, riding on an Ass, by Wilson

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Commissary

Dance: As17820927

Event Comment: [Afterpiece in place of Tom Thumb, announced on playbill of 3 Oct.] "Covent Garden Theatre. As personal allusions and party views have been attributed to the dramatic satire, called The Wishes, the author thinks he cannot so effectively disclaim them as by entirely withdrawing the piece" (Unidentified clipping, dated 5 Oct. 1782, The Tale Edition of Horace Walpoles Correspondence, cd. W. S. Lewis, 1955, xxix, 219). Paid Guard for Scene Men from 8 June to 21 Sept., on 9 occasions, approximately #900. Paid Music #7 14s.; properties 9s. [both being an average payment throughout the season per night]. Receipts: #221 8s. 6d. (218/11/0; 2/17/6)

Performances

Mainpiece Title: The Walloons

Afterpiece Title: The Wishes

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Positive Man

Dance: As17821009