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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Murray"/1) | (@(roleclean,performerclean) "J Murray")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1022 matches on Performance Comments, 461 matches on Event Comments, 94 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: [In mainpiece the playbill assigns Frederick to Murray, but on the playbill in the New York Public Library Theatre Collection his name is deleted and a MS annotation substitutes Francis's.] Boxes 3s. Pit 2s. Gallery 1s. To begin precisely at 7:00. The Public are respectfully informed that the Company will perform here but four or five Weeks longer, being engaged elsewhere. The Theatre is not only very commodious, but also remarkably cool. The Days of performing will be regularly Mondays, Wednesdays and Fridays

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

Performances

Mainpiece Title: The Renegado

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Performances

Mainpiece Title: The Destruction Of Troy

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The World In The Moon

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performances

Mainpiece Title: Love For Love

Dance: As17150113

Performances

Mainpiece Title: The Squire Of Alsatia

Song: As17150324

Dance: delaGarde, Sandham, Newhouse, Mrs Russell, Miss Schoolding

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Slip

Song: Lawrence, the New Boy

Dance: duPre, Moreau, Bovil, Miss Russell

Performances

Mainpiece Title: Amadis

Dance:

Performances

Mainpiece Title: The Boating Lovers; Or, The Libertine Tam'd

Dance: delaGarde, Mrs Bullock

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Dance: Shaw

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Dance: As17151001

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

Dance: Thurmond Jr, Shaw

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Song: As17151001

Dance: As17151005; Harlequin-Aubert, who never appear'd upon a Stage before

Performances

Mainpiece Title: The Recruiting Officer

Dance: As17151005; particularly Dutch Skippers-; Punchanello-

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Song: As17151001

Dance: Thurmond Jr, Mrs Cross; Dutch Skipper-; Miller's Dance-F. Leigh, Spiller, Mrs Spiller

Performances

Mainpiece Title: The Provok'd Wife

Dance: The What D'Ye Call It-delaGarde, Mrs Bullock

Performances

Mainpiece Title: The Royal Merchant

Dance: As17151104

Performances

Mainpiece Title: The Perfidious Brother

Performances

Mainpiece Title: The Woman Captain

Dance: As17160629

Performances

Mainpiece Title: Aurengzebe; Or, The Great Mogul

Dance: As17160629

Performances

Mainpiece Title: The Feigned Courtizans

Dance: Mrs Schoolding, Thurmond Jr, Miss Smith