SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J Mahon"/1) | (@(roleclean,performerclean) "J Mahon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1056 matches on Performance Comments, 471 matches on Event Comments, 107 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Register Office

Song: II: A Song, The Judicious Choice-Kear

Dance: End: A Minuet-Miss Collett, Miss Giorgi, as17670508

Entertainment: BBucks Have At Ye All-J. Palmer

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Lyar

Dance: II: The Cow@keepers- (with alterations and additions) (see17680426; IV: The Cotillion, as17680426 but Sga Lucchi to the dancers; End: +New Comic Dance, as17680116

Entertainment: End: Bucks Have at ye all-J. Palmer

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Double Disguise

Dance: End II: an entire New Dance-Hamoir, Miss J. Stageldoir; End: The Irish Fair, as17880306

Performances

Mainpiece Title: The Siege Of Belgrade

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Barry; Lockit-Thompson; Mat-Bannister; Ben Budge-Palmer; Peachum-Shuter; Filch-Weston; Jemmy Twitcher-Smith; Crook@finger'd Jack-Lyngs; Wat Dreary-Newton; Robin o Bagshot-Gardner; Nymming Ned-Pynn; Harry Paddington-Loveman; Player-Strange; Beggar-Castle; Lucy-Mrs Mahon (being her first appearance on that Stage); Mrs Peachum-Mrs Johnson; Mrs Slammekin-Mrs Gardner; Molly Brazen-Mrs Burden; Dolly Trull-Mrs Kirby; Betty Doxy-Mrs Palmer; Polly-Mrs Dancer.
Cast
Role: Lucy Actor: Mrs Mahon

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Performances

Mainpiece Title: The Fatal Legacy

Performances

Mainpiece Title: The Fatal Legacy

Performances

Mainpiece Title: La Calamita Di Cuori

Performances

Mainpiece Title: La Calamita Di Cuori

Performances

Mainpiece Title: La Calamita Di Cuori

Performances

Mainpiece Title: La Calamita Di Cuori

Performances

Mainpiece Title: La Calamita Di Cuori

Performances

Mainpiece Title: La Calamita Di Cuori

Performances

Mainpiece Title: La Calamita Di Cuori

Afterpiece Title: La Serva Padrona

Dance: MMinuet-Gallini, Signora DeAmicis by Desire

Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Performances

Mainpiece Title: Philodamus

Performance Comment: Principal Characters by Henderson, Lewis, Whitfield, Hull, Davies, Fearon, Booth, Mahon; Miss Satchell, Miss Younge. [Cast from text (J. Dodsley [1783]): Philodamus-Henderson; Philippus-Lewis; Epicrates-Whitfield; Dolabella-Hull; Verres-Davies; Earinus-Fearon; Rubrius-Booth; Sestius-Mahon; Erato-Miss Satchell; Euphemia-Miss Younge.] New Prologue [spoken by Hull]. New Epilogue [spoken by Miss Younge (see text)] . New Prologue [spoken by Hull]. New Epilogue [spoken by Miss Younge (see text)] .
Cast
Role: Sestius Actor: Mahon

Afterpiece Title: The Quaker

Dance: End of mainpiece Diversion a-la-Mode, as17821211 in which The Devonshire Minuet, as17821129

Song: In Act III of mainpiece an Epithalamium by Mrs Kennedy and Mrs Martyr

Event Comment: Among the Instrumental Performers are Messrs Ashley and Sons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, J. Mahon, the Leanders, Ware, Kaye, Rawlings, Sharp, Lyon, &c. &c. &c. Double Drums by J. Ashley. The Whole under the Direction of Harrison and Ashley. No Money to be returned. Places for the Boxes to be had of Brandon at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the Names of the Performers to their respective Songs, to be had at the Theatre, Price Six-pence. And to prevent imposition in the Streets, the Manager's Books are printed with the following Words at the bottom of each Title Page: "Printed by H. Macleish, Duke's-Court, Drury-Lane.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Performance Comment: Characters by Lee Lewes, Edwin, Booth, Whitfield, Wewitzer, Fearon, Mahon, Stevens, Thompson, Bates; Mrs Wilson, Mrs Webb, Miss Morris, Mrs Whitfield, Miss Platt, Mrs Poussin, Miss Stuart, Mrs Davenett, Mrs Mattocks. [Cast from London Chronicle, 4 Oct., and European Magazine, Oct. 1782, p. 308: Harlequin-Lee Lewes; Pierrot-Edwin; Pantaloon-Booth; Mezzetin-Whitfield; Distress-Wewitzer; Members of the Conversazione-Fearon, Mahon; Taylor-Stevens; Invoice-Thompson; Gardener-Bates; Lord Furious-W. Bates; Mr Wrath-L'Estrange; Martinette-Mrs Wilson; Virtue-Mrs Webb; Manto-Miss Morris; Pleasure-Mrs Whitfield; Lady Pindar-Miss Piatt; Lady Avontree-Mrs Poussin; Miss Yewtree-Mrs Davenett; Colombine-Mrs Mattocks. Miss Stuart is unassigned. Larpent MS 586 has unassigned parts as above, and adds: Parte-per-pale, Portico, Four Somebodies, Chorus, Servants; Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] . Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] .
Event Comment: Among the Instrumental Performers are G. Ashley (leader of the Band), Sperati, Sarjant, Patria, Reinagle, C. Ashley, Boyce, Mahon, Mountain, Holmes, Lyon, Schram, Kaye, the Leanders, &c. Double Drums by J. Ashley. The Organ on Fridays by Knyvett, and on Wednesdays by Greatorex. The whole conducted by Harrison and Ashley. The Band will consist of 150 Performers. Places for the Boxes to be taken of Brandon, at the Stage Door. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. No Money to be returned. Places may be taken in the Theatrical Orchestra at 5s. each [i.e. at the oratorios the instrumentalists sat on the stage]. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the names of the performers to their respective songs, to be had at the Theatre. And to prevent imposition in the Streets, the Managers have directed that they should be sold in the Theatre, at 6d. each

Performances

Mainpiece Title: The Messiah Preceded By god Save The Kingcoronation Anthems

Performance Comment: Principal Singers-Harrison, Sale, Griffiths, Champness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1st appearance), Miss Cantelo, with the Choristers of His Majesty's Chapel-Royal and Westminster-Abbey.

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Don Quixote

Performance Comment: Principal Parts-Reinhold, Mahon, Baker, Fox, DuBellamy, Miss Dayes, Mrs Mattocks.

Entertainment: Interlude.End: True Blue, as17760409

Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

Event Comment: Benefit for Wild, prompter, and Mahon. Gazetteer, 26 Apr.: Tickets to be had of Wild, No. 20, Martlet-court, Bow-street, Covent-garden; of Mahon, No. 6, Paradise-street, Marybone. Mainpiece: With the Triumphal Entry of Alexander into Babylon. Afterpiece [1st time; CO 2, by-Richards]: The Music entirely new, composed by William? Bates. Receipts: #256 13s. 6d. (126.0.6; tickets: 130.13.0) (charge: #72 15s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Alexander-Peile (1st appearance in that character); Clytus-Clarke; Hephestion-Whitefield; Lysimachus-Mahon; Cassander-Fearon; Thessalus-Thompson; Polyperchon-Booth; Roxana-Mrs Ward (1st appearance in that character); Parisatis-Mrs Whitefield; Sysigambis-Mrs Poussin; Statira-Mrs Hartley.
Cast
Role: Lysimachus Actor: Mahon

Afterpiece Title: The Device or The Marriage Office

Performance Comment: [Characters by Mattocks, Robson, Mahon, Wewitzer, Thompson, Stevens, Wilson, Mrs Wilson, Mrs Booth, Miss Brown. Cast from Airs, (no pub. 1777)]: Townley-Mattocks; Sharpley-Robson; O'Donnely-Mahon; Lumber-Wewitzer; Colonel Olive-Wilson; Miss Blond-Mrs Wilson; Mrs Olive-Mrs Booth, [in Airs: Mrs Pitt; Miss Olive-Miss Brown; Thompson; Stevens. Thompson; Stevens.
Cast
Role: O'Donnely Actor: Mahon

Dance: End: The Humours of New@Market with the Pony Races, as17770428

Song: End I: A Welcome to the Spring (composed by Dr Arne)-Mrs Farrell

Event Comment: Afterpiece [1st time; burl 2, by Charles Dibdin, based on The Loves of Mars and Venus, by Peter Anthony Motteux]: With New Scenes and Dresses. The Music chiefly composed by Dibdin. [Dr Arne and Dr Arnold each wrote one air.] Books of the Burletta to be had at the Theatre. Public Advertiser, 5 Feb. 1778: This Day at Noon is published Poor Vulcan! (1s.). [The playbill lists Reinhold in place of Mahon, but on the Kemble playbill his name is deleted and a MS annotation substitutes Mahon's.] Receipts: #232 5s. 6d. (230.2.6; 2.3.0)

Performances

Mainpiece Title: Percy

Afterpiece Title: Poor Vulcan

Performance Comment: . Principal Characters by Quick, Mattocks, Mahon, Robson, Battishill, Leoni, Miss Dayes, Miss Brown. Cast from text (G. Kearsley, 1778): Vulcan, Crump-Quick; Jupiter, Stud-Mattocks; Mars, Pike-Mahon [in text: Reinhold (see17780421)]; Apollo, Wiseman-Robson; Bacchus, Guage-Battishill; Adonis, Joe-Leoni; Grace-Miss Dayes; Venus, Maudlin-Miss Brown [all the characters, except Grace, are alternateley Gods and mortals].all the characters, except Grace, are alternateley Gods and mortals].
Cast
Role: Pike Actor: Mahon
Event Comment: Among the Instrumental Performers are C. Ashley, Patria, Sarjant, Mahon, Boyce, Mountain, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Wood, &c. &c. Double Drums, Bass Trumpets, &c. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Places to be had of Brandon at the Box-Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance, 6d. each, may be had at the Theatre. The Director's Books have these words at the bottom of each Title Page: "Printed by H. Macleish, Recorder Office, Duke's-court, Drury-lane.

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Event Comment: Benefit for Mahon. Tickets deliver'd for Lionel and Clarissa, an Opera and Master Harris will be taken. Charges: 1!2 House charge plus 1!2 Receipts: #62 18s. 3d. Deficit to Mahon #1 6s. 9d. covered by #37 15s. from tickets (Box 77; Pit 66; Gallery 86). Mas. Harris Disposed of #40 19s. worth of tickets (Box 97; Pit 68; Gallery 65) from which he receiv'd 1!2 value. Receipts: #61 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lovewell-Cautherly (from Drury Lane); Ogleby-Austin (from Theatre Royal Dublin); Sir John Melvile-Mahon; Sterling-Yates; Flower-Dunstall; Canton-Quick; Brush-Dyer; Miss Sterling-Mrs Bulkley; Fanny-Mrs Baddeley (from Drury Lane); Betty-Mrs Lessingham; Chambermaid-Miss Ward; Mrs Heidleberg-Mrs Green.
Cast
Role: Sir John Melvile Actor: Mahon

Afterpiece Title: The Upholsterer

Dance: III: Hornpipe-Mas. Harris; End: The Lamplighters, as17681101