SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J Brook"/1) | (@(roleclean,performerclean) "J Brook")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 935 matches on Performance Comments, 479 matches on Event Comments, 96 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The National Prejudice

Dance: Act I afterpiece: a French Dance call'd The Cotillion-Giorgi, Duquesney, Tassoni, Rolley, Mrs King, Sga Giorgi, Miss Tetley, Mrs Grimaldi; V: The Irish Hay@makers, as17670919

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: No Wit Like a Womans

Dance: End: Pantomime Dance, The Lilliputian Camp, as17680922

Performances

Mainpiece Title: tis Well Its No Worse

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Magic Oak or Harlequin Woodcutter

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: Sir Hercules Buffoon Or The Poetical Squire

Performances

Mainpiece Title: King Henry Iv Part Ii

Afterpiece Title: The Capricious Lovers

Dance: End: A Minuet-Miss Giorgi, Miss Collett Scholars to Sg Giorgi; End I of the Farce: Hearts of Oak, as17670212, but-Grimaldi, Mrs King

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: A Peep behind the Curtain or The New Rehearsal

Performances

Mainpiece Title: The Widowd Wife

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Widowd Wife

Afterpiece Title: Flora or Hob in the Well

Performances

Mainpiece Title: the Widowd Wife

Afterpiece Title: The Lyar

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: Flora

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Wits Last Stake

Dance: III: The Wake, as17680220

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Like Master Like Man

Music: II: By Desire, Concert on Harpsichord-Master Love

Dance: III: The Medley, as17680416

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Fatal Discovery

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Minor

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequins Invasion