SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Hough"/1) | (@(roleclean,performerclean) "J Hough")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 912 matches on Performance Comments, 456 matches on Event Comments, 95 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Harlequin's Jacket

Performances

Mainpiece Title: The Choleric Man

Afterpiece Title: Harlequin's Jacket

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Cobler

Performances

Mainpiece Title: The Choleric Man

Afterpiece Title: Harlequin's Jacket

Dance: I: Grand Provencalle Dance, as17741213

Performances

Mainpiece Title: Matilda

Afterpiece Title: Harlequin's Jacket

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Catharine and Petruchio

Performances

Mainpiece Title: Matilda

Afterpiece Title: Harlequin's Jacket

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Deuce Is in Him

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Guardian

Dance: The Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: A Peep behind the Curtain

Dance: End: The Lilliputian Camp-, not performed these 6 years

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Polly Honeycomb

Dance: I: The Pirates, as17750422

Event Comment: Benefit for Reinhold. Tickets delivered for An Opera will be taken. Books of the Entertainment [i.e., afterpiece] to be had at the theatre. Afterpiece: A Musical Entertainment by D. J. Piguenit. 8vo 1774, played this one night only (Biographia Dramatica). [It had been played as a Burletta at Marybone Gardens according to the Westminster Magazine for April, and though some of its music was good, the Burletta writer had taken great liberty with his original.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Don Quixote

Entertainment: Interlude.End: True Blue, as17760409

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Matilda

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Life and Death of Tom Thumb the Great

Dance: End: The Wapping Landlady; or, Jack in Distress-; [with a Hornpipe [in character,-a Lady from London [unidentified]

Song: As17760925

Entertainment: Imitations. As17760930 Monologue. Teague's Ramble to London. Captain O'Blunder-Broderick

Performances

Mainpiece Title: Ethelinda; Or, The Royal Convert

Afterpiece Title: The Seraglio

Music: V: the Original Music for the Sacrifice by Purcell-

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Elopement

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Selima and Azor

Dance: In I: Masquerade-; Dance-Giorgi, Blurton, Mrs Sutton. [This was included, as here assigned, in all subsequent perfomances.

Song: Mainpiece: with the Funeral Procession. Vocal Parts-Gaudry, Legg, Kear, Fawcett, Brown, Carpenter, Follett, Chaplin, Miss Abrams, Miss Collett, Mrs Scott, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Boyd, Mrs Booth, Mrs Pitt

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Selima and Azor

Dance: As17761218

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Deserter

Dance: End V: The Irish Fair, as17761031

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Milesian