SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Hough"/1) | (@(roleclean,performerclean) "J Hough")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 912 matches on Performance Comments, 456 matches on Event Comments, 95 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: Flora

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Wit's Last Stake

Dance: III: The Wake, as17680220

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Like Master Like Man

Music: II: By Desire, Concert on Harpsichord-Master Love

Dance: III: The Medley, as17680416

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Fatal Discovery

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

Event Comment: The Jubilee consists of Dialogue Singing & Dancing. This Entertainment was written & compil'd by Mr G.-and it was receiv'd with bursts of Applause the Procession of Shakespear's Characters &c. is the most Superb that ever was Exhibited or I believe ever will. There never was an Entertainment produc'd that gave so much pleasure to all Degrees Boxes pit and Gallery (Hopkins Diary). The Music by Dibdin. With New Scenes, Dresses, and Decorations. [On all subsequent bills, though some are shortened, the PAGEANT is advertised in large capitals. Larpent MS 298, includes descriptive notes and stage directions, p. 24: "Here follows the Pageant, with Bells ringing, Fifes playing, Drums beating, and Cannons firing. In The Procession every scene in the different plays represents some capital part of it in action...The last Scene is a magnificent Transparent one in which the Capital characters of Shakespeare are exhibited at full length with Shakespeare's Statue in the middle crowned by Tragedy and Comedy, fairies and Cupids surrounding him and all the banners waving at the upper end. Then enter the dancers." The Pageant appeared at the top of the stage and came forward, Reviewed in Freeholder's Magazine, Oct.

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Minor

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Almida

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Author

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Elopement

Dance: III: A New Dance call'd The Shepherds Frolic-Atkins, Mrs King

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Amelia

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Lethe

Dance: III: The Amusements of Strasburgh-as17711118, but now By the scholars of Sg Daigville

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Timoleon; Or, Liberty Restored

Afterpiece Title: The Author

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Register Office

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Catharine and Petruchio

Dance: V: A New Dance call'd The Surprize-Master Holland, Miss Ross, Miss Armstrong, others, scholars of Daigville

Performances

Mainpiece Title: The Chances

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: Philaster

Afterpiece Title: A Peep behind the Curtain

Dance: I: A Dance-Daigville's scholars

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Minor

Monologue: 1773 5 11 After the Play: True Blue; or, The Press Gang. True Blue-Davies; Lieut.-Bannister; Careful-Wright; Nancy-Mrs Wrighten; In which will be introduced a Hornpipe-Atkins