SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.
Event Comment: Benefit for Miss Younge. Last time of performing till Easter. Mainpiece: Not acted these 5 years. [See 9 Nov. 1768.] Afterpiece: Never acted here (playbill). Part of pit laid into boxes. Ladies and Gentlemen requested to come early. Rec'd stopages #2 12s. 6d.; short charge for new farce on 8 March #10 10s.; Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr S. Barry on note #100; Mr Cook's 4 boys 4 nights (the 7th incl.) #6 Mr J. French on acct #10 10s. (Treasurer's Book). Receipts: #282 19s. 6d. Charges #64 17s. Profit to Miss Younge: #218 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Warwick-Reddish; King Edward-Clinch; Pembroke-J. Aickin; Buckingham-Fawcett; Messenger-Griffith; Lady Elizabeth-Mrs Baddeley, first appearance here in 3 years; Lady Clifford-Miss Sherry; Margaret of Anjou-Miss Younge; Suffolk-Packer; Original Epilogue-Miss Younge.

Afterpiece Title: The Pantheonites

Performance Comment: Parts-Weston, Dodd, Parsons, Dimond, Bannister, Baddeley, Mas. Blanchard, Mrs Greville, Miss Platt, Mrs Hopkins; Dan Drugger-Weston; Farmer Tilwell-Bannister; Anna-Miss Platt (Genest, V, 408).

Dance: V: The Sailors Revels, as17730928

Event Comment: Benefit for Palmer. Afterpiece: Not acted these 3 years. [See 9 April 1771. Seemingly MacNamara Morgan's adaptation of the Winter's Tale.] Paid half yrs. New River Water to Xmas last #3 2s.; Housekeeper's Bills 2 weeks #8 8s. 6d. (Treasurer's Book). Receipts: #199 16s. Charges: #65 5s. Profit to J. Palmer: #134 11s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Performance Comment: As17731120, but Cassio-Cautherly; Iago-Palmer; Desdemona-Miss Younge.

Afterpiece Title: Florizel and Perdita

Performance Comment: Autolicus-King; Florizel-Cautherly; Polixines-Hurst; Antigonus-J. Aickin; Clown-Moody; Perdita-Mrs Canning, first time in this character; the sheep@shearing song-Mrs Smith; Camillo-Wright; The Vocal Parts-Bannister, Mrs Scott, Mrs Wrighten; With a Dance incidental to the piece,-Como, Giorgi, Sga Crespi, Mrs Sutton.

Entertainment: End: Bucks have at ye all-Palmer

Event Comment: Benefit for Waldron and Dimond. Rec'd stopages #15 16s. Paid salary list #525 12s.; Mr King's extra salary #3; Mrs Canning in full of salary not on list (10 Guineas paid 20 Nov. last deducted)-#32 10s.; Mr G. Garrick on Acct in full for this season #50; Mr J. French ditto #5 5s. (Treasurer's Book). Receipts: #188 11s. 6d. Charges: #64 11s. Profits to Waldron & Dimond: #124 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of Kent

Performance Comment: Wm Strongbow-Vernon; George-Dimond; Sealand-J. Bannister; Sir Thomas-Parsons; Brian-Moody; Dr Goodman-Packer; La Poudre-Baddeley; Metre-Waldron; Robert-Griffith; Patty-Miss Pope; Dame Quickset-Mrs Bradshaw; Emily-Miss Younge.

Afterpiece Title: Florizel and Perdita

Performance Comment: As17740412 but Florizel-Dimond; Perdita (with the Sheep Shearing Song)-Mrs Smith, first time for both.

Dance: End: The Taylors, as17740428

Event Comment: Last time of performing before the Holidays. Benefit for Johnston (Housekeeper). [Mr A. Johnston (Treasurer's Book). Paid Mr J. French's draft #32 5s.; Mr Calthorpe's 2nd & last payment this season #157 10s. Receipts: #294 19s. Charges: #84. Profits to A. Johnston: #210 19s. (Treasurer's Book)

Performances

Mainpiece Title: Amphitryon

Performance Comment: Mercury-Brereton, first time; Phoebus-Wrighten; Jupiter-Reddish; Amphitryon-J. Aickin; Gripus-Parsons; Polydas-Wright; Tranio-Fawcett; Sosia-King; Phaedra-Miss Pope; Bromia-Mrs Bradshaw; Night-Miss Platt; Alcmena-Miss Younge; In which will be introduced an Interlude of singing and Dancing-; Plutus-Bannister; Wit-Mrs Scott; The Dance-Como, Giorgi.

Afterpiece Title: The Irish Widow

Performance Comment: As17740416.

Dance: I: The Sailors Revels, as17730928

Event Comment: A new short Introductory Piece before a play [The Meeting of the Company]. This new Prelude call'd The Meeting of the Company or Bayes' Art of Acting by D. G. Esq--it is full of fine Satyr & an Excellent Lesson to all performers, it was receiv'd with very great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in the wording. The salaries this season were #94 7s. 8d. per day; #566 6s. per week. Kemble's note as to total receipts is short by 8 pence.] Prices: Box 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Unfavorable review of Meeting of the Company in The Westminster Magazine (Sept., p. 472). The actor Aickin referred to this season is J. Aickin. Francis Aickin left dl before the beginning of this season. He was dismissed by Garrick in May. See Booden, Private Correspondence of David Garrick, I, 651-55.] Paid Renters #8; Advanced Mr Watson (box office keeper) #10; Ditto to Mr Mortimer (box office keeper) #15 (Treasurer's Book). [The funds to the box office keepers was operating cash which was returned 29 May 1775. Payment to Renters was same for each acting night until the eighty-eighth night (9 Jan. 1775) when it dropped to #4 nightly, since half of the stock holders (the Old Renters) were paid up by that time. The remaining 100 nights of the season plus 11 Oratorio nights yielded #448 to the Renters. No further mention of this item of expense will be made this season.] Total to Renters #1,152. Receipts: #212 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Drummer

Performance Comment: Tinsel-Dodd; Sir George-J. Aickin; Vellum-Parsons; Fantom-Packer; Butler-Baddeley; Gardener-Weston; Coachman-Moody; Lady Trueman-Mrs Hopkins; Abingail-Miss Pope.

Afterpiece Title: The Meeting of the Company

Performance Comment: Parts-King, Weston, Parsons, Aickin, Hurst, Bransby, Wright, Ackman, Miss Platt. Bayes-King; Weston-Weston; Parsons-Parsons; Patent-Aickin; Hurst=-Hurst; Prompter-Ackman; Phill-Wright; Miss Platt-Miss Platt (character assignments tentative based on Huntington Library MS).

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksey-Dodd; Sir Patrick-Moody; Bates-Baddeley; Newphew-Cautherly; Thomas-Weston; Widow (With an Epilogue Song)-Mrs Greville.

Dance: I: The Irish Fair-Atkins, Mrs Sutton

Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-a Young Gentleman, first appearance on this stage; Clytus-Jefferson; Lysimachus-Brereton; Cassander-Palmer; Hephestion-Davies; Thessalus-Wright; Perdiccas-Wheeler; Parisatis-Miss Hopkins; Polyperchon-Bransby; Eumenes-Keen; Sysigambis-Mrs Johnston; Statira-Mrs Baddeley, first time; Roxana-Miss Young; With the Triumphal Entry-; and an Occasional Prologue-King.

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-J. Aickin; Miller-Moody; Richard-Palmer; Joe (with Song)-Kear; Kate-Mrs Millidge; Margery-Mrs Bradshaw; Peggy-Miss Platt; Lord Lurewell-Lamash.
Event Comment: Mainpiece: Acted but once these 14 years. [See 4 May 1772.] Paid Hewetson & Co. (lacemen) #13 6s.; Thomson (smith) #52 7s. 6d.; Stacy (colourman) #13 12s.; J. Johnston's Music Bill #26 15s.; Mr Hopkins (for author of Maid of Oak's) Bill #4 4s.; Mr Luppino for making dresses &c. #64 14s. 6d.; Cole (turner) #16 2s.; G. Garrick on Acct #100; Chorus 2 nights (Courtney excluded) #2 15s. Receipts: #123 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Smith; Villeroy-Palmer; Count Baldwin-Jefferson; Belford-Usher; Child-Master Pulley; Carlos-J. Aickin; Sampson-Bransby; Nurse-Mrs Johnston; Isabella-Mrs Yates; In III: Epithalamium-(with a new Duet by Dibdin); the Vocal Parts-Mrs Wrighten, Mrs Scott.

Afterpiece Title: The Irish Widow

Performance Comment: As17740917.

Dance: I: The Irish Fair, as17740917

Event Comment: Benefit for King. The Play was very Imperfect. Bon Ton is a Comedy in Two Acts. Written 15 or 16 years ago Mr G. out of Friendship for Mr King gave it him to get up for his Benefit-It was verY well perform'd & receiv'd with the highest Applause (Hopkins Diary). Mainpiece: Not acted these 16 years. [See 29 Jan. 1759.] Part of Pit laid into boxes. Paid 4 days salary, list #377 4s.; J. French on acct #5 5s.; Mr Carter in full for Music for Rival Candidates #42 (Treasurer's Book). [Rather unfavorable review of Bon Ton in Westminster Magazine for March. Ascribes it to Burgoyne, with touches form Garrick.] Receipts: #291 2s. 6d. Charges: #66 7s. 6d. Profits to King: #224 15s. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Smith; Claudio-Reddish; Angelo-Palmer; Escalus-J. Aickin; Clown-Parsons; Provost-Davies; Friar Peter-Usher; Elbow-Wright; Barnardine-Keen; Abhorson-Carpenter; Lucio-King; Mariana-Miss Hopkins; Juliet-Miss Platt; Mistress Overdone-Mrs Bradshaw; Francisca-Mrs Johnson; Isabella-Mrs Yates.

Afterpiece Title: Bon Ton; or, High Life Above Stairs

Performance Comment: Parts by King, Dodd, Parsons, Baddeley, Burton, Brereton, Lamash, Wheeler, Miss Pope, Miss Platt, Mrs Abington, Prologue-King; Sir John Trotley-King; Lord Minikin-Dodd; Davy-Parsons; Col. Tivy-Brereton; Jessamy-Lamash; Mignon-Burton; Lady Minikin-Miss Pope; Gymp-Miss Platt; Miss Titup-Mrs Abington; Riffle-Baddeley; Whisp-Wheeler (the parts of Riffle and Whisp removed after 1st performance) (Genest, V, 449).
Event Comment: Benefit for Bannister. Mainpiece: By Desire. Rec'd stopages #12 7s. Paid salary list #566 6s.; J. French on acct #5 5s. (Treasurer's Book). Mrs Smith's Benefit for 2 May advertised as Cymbeline and a new Comic Opera (in 2 Acts) call'd the Wish. The Music entirely new, the principal characters by Vernon, Bannister, Davies, Mrs Wrighten and Mrs Smith. With a New Occasional Prologue spoken by King. [But this was changed on 27 April.] Receipts: #212 1s. Charges: #66 3s. Profits to Bannister #145 18s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorne-Bannister; Justice Woodcock-Parsons; Young Meadows-Dodd; Sir Wm. Meadows-J. Aickin; Eustace-Davies; Hodge-King; Margery-Miss Pope; Deborah-Mrs Love; Rosetta-Mrs Smith; Lucinda-Miss Jarratt, first time.

Afterpiece Title: The Mayor of Garratt

Performance Comment: As17750203, but Lint-Wrighten; Heeltap-Bransby; Oh what a charming Thing's a Battle!-Bannister (in character of Sturgeon); Song of Johnny Pringle-Weston as Jerry.

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Performance Comment: [See17730422.]

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

Event Comment: Mrs Baddeley who play'd the Lady in Comus got out of the Enchanted Seat before her time & made a great Laugh the Farce was much hiss'd at the End (Hopkins Diary). [The Masque (never performed there) is the version reduced to two Acts by George Colman.] Benefit for Cautherly. Paid Mr J. Aickin in part of #60 in lieu of Benefit (remiting #10 to his credit) #50. Receipts: #197 11s. 6d. Charges: #68 17s. Profits to Cautherly: #128 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Smith; King-J. Aickin; Garcia-Cautherly; Alonzo-Wrighten; Almeria-Mrs Yates; Zara-Miss Younge; Gonzales-Packer; Leonora-Mrs Johnston; Heli-Hurst; Selim-Fawcett; Perez-Keen.

Afterpiece Title: Comus

Performance Comment: Comus-Cautherly; Euphrosyne-Mrs Barree, first appearance this stage; Spirit-Davies; Brothers-Lamash, Wheeler; Lady (With Song, Sweet Echo)-Mrs Baddeley; Bacchanals-Vernon, Bannister, Fawcett, Kear, Legg, Carpenter, Blanchard, Master Blanchard; Bacchants-Mrs Davies, Mrs Love; Pastoral Nymph, Sabrina-Mrs Scott; In Act II, a Dance- incident to the piece.

Dance: I: The Grand Provencalle Dance, as17750202

Event Comment: Tickets delivered by Prosser, Simpkinson, Jackson, J. Wilson, Smith, Mrs Lampe, Mrs Hamilton, Miss Willis, the Widow Wise, the Widow of the late Dr Arne will be admitted this Evening. Receipts: #169 (50.14.6; 5.2.6; tickets: 113.3.0)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17801006, but Strickland-Thompson; Buckle-J. Wilson; Jacintha-Mrs Lewis; Simon-_.

Afterpiece Title: Barnaby Brittle

Performance Comment: As17810419.

Dance: End II: The Rakes of Mallow, as17810501; End IV: Hornpipe-Prosser

Ballet: End: St. David's Day. As17810501

Performance Comment: David's Day. As17810501.
Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .
Event Comment: 2nd ballet: With entire new Scenes, Dresses and Decorations, the Scenes designed by Marinari, and executed by himself and others under his direction; the Dresses by Sestini; the Stage Decorations by Johnston of the Theatre-Royal, Drury-lane. "Telemaque is the same as that produced by Dauberval at Bordeaux, as to the management of the story the story on the stage; but the Dances are the composition of Degville. The music is [compiled by D'Egville and Bossi] from Haydn, Pleyel, Sacchini, Gluck, Schulz, Moreau" (Morning Chronicle, 27 Mar.). [Synopsis of action in London Chronicle, 27 Mar.

Performances

Mainpiece Title: La Frascatana

Performance Comment: Principal Parts-Morelli, Viganoni, Mrs Bland. [Libretto (C. Clarke [1794] lists the parts: Don Fabrizio, Nardone, Il Cavaliere Giocondo, Pagnotta, Violante, Donna Stella, Lisetta.]Libretto (C. Clarke [1794] lists the parts: Don Fabrizio, Nardone, Il Cavaliere Giocondo, Pagnotta, Violante, Donna Stella, Lisetta.]

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

Performance Comment: D'Egville=; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville.

Performances

Mainpiece Title: I Zingari In Fiera

Performance Comment: As18000111, but Principal Characters-_Rovedino.

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: a new Ballet (1st time; composed by D'Egville) Hyppomene et Atalante-Deshayes, Laborie, Didelot, D'Egville, Mlle Parisot, Mme Laborie, Mme Hilligsberg, Mlle J. Hilligsberg, Mme Rose Didelot. [Cast from dl playbill of 14 May 1800 (and see18000322 Hyppomenus-Deshayes; +Adrastus-Laborie; +Pelus-Didelot; +Atalante-Mlle Parisot; +Zelie-Mme Laborie; +Clitie-Mme Hilligsberg; +Sererine-Mlle J. Hilligsberg.

Performance Comment: Hilligsberg, Mme Rose Didelot. [Cast from dl playbill of 14 May 1800 (and see18000322 Hyppomenus-Deshayes; +Adrastus-Laborie; +Pelus-Didelot; +Atalante-Mlle Parisot; +Zelie-Mme Laborie; +Clitie-Mme Hilligsberg; +Sererine-Mlle J. Hilligsberg.]
Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Don John

Performance Comment: J ohn-Bridgwater; Antonio-W. Mills; Lopez-Marshall; Jacomo-Harper; Francisco-Shepard; Octavio-Charke; Hermit-Oates; Pedro's Ghost-Fielding; John's Father's Ghost-Boman; Maria-Mrs Cibber; Leonora-Mrs Butler; Flora-Mrs Charke; Flavia-Mrs Walter; Clara-Mrs Shireburn; Shepherds-Cibber Jr, Wetherilt; John's Wives-Mrs Shireburn, Mrs Wetherilt, Miss Williams, Mrs Walter, Miss Oates, Miss Mears.

Afterpiece Title: The Amours of Billingsgate

Performance Comment: [The Cobler's Opera]. Melton Sr-Berry; Pyeflett Sr-Oates; Lieutenant-Fielding; Harry-Charke; Jenny-Miss Raftor; Peg-Mrs Mills.
Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Macduff-Reddish; Duncan-Bransby [Public Advertiser: Hurst]; Ross-Aickin; Malcolm-Davies; Banquo-Packer; Lenox-Grist; Donalbain-R. Palmer; Angus-Chaplin; Seward-Hurst [Public Advertiser: Wrighten]; Doctor-Wright; Captain-Farren; Fleance-Master Pulley; Seyton-Griffiths; Hecate (1st time)-Bannister; Witches-Parsons, Moody, Baddeley; Lady Macduff-Miss Sherry; Lady Macbeth-Mrs Melmoth (1st appearance on this stage).

Afterpiece Title: The Hotel

Performance Comment: As17761121.

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Performance Comment: [This was included in all subsequent performances.]

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Performance Comment: -Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd.
Event Comment: Paid five days salary at #82 5d. per diem--#411 12s. 1d.; Paid Mr French on Acct #30; Miss Ambrose salary short paid 15s.; Mr J. Richard's for Trumpeter's coats and banners #100 16s.; Miss Hayward 15 nights not on [salary] list #7 10s. (Treasurer's Book). Receipts: #109 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: Freeman-Palmer; Jerry Blackacre-Weston; Oakam-Wright; Fidelia-Miss Younge, 1st time; Manly-Aickin; Novel-King; Lord Plausible-Parsons; Major Oldfox-Love; Vernish-Packer; Quillet-Baddeley; Olivia-Miss Pope; Widow Blackacre-Mrs Hopkins; Eliza-Mrs Johnston.

Afterpiece Title: Peep Behind the Curtain

Performance Comment: Sir Toby Fuz-Love; Sir Macaroni Virtue-Dodd; Glib-King; Miss Fuz-Miss Rogers, 1st time; Lady Fuz-Mrs Hopkins; Rhodope-Mrs Wrighten; Orpheus-Vernon; Others-Packer, Palmer, Moody, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw.
Event Comment: Mr Reddish who has to perform the part of Alonzo was not come to begin the 3d Act, which put us in great Confusion, at Length Mr J. Aickin consented to read the part, & we Cut Mr Aickins part quite out-An Apology was made to the Audience that Mr Reddish was not come, nor had he sent any Message-The Play went on;-before the play was finish'd Mr Reddish came to the House when the Play was over Mr King & Mr Reddish went on the Stage Mr King apologis'd the Audience in behalf of Mr Reddish & told them that Mr R. was ready to make oath that he had entirely forgot that it was a play Night, & that it was by meer chance he came to the House at all-his looks were so truely pitiable, the Audience had Compassion & excus'd him (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Genest, V, 353, notes that the rebellion of the audience was quelled by an offer of return of entrance money to those wished to leave. He also notes that Reddish on the eleventh published an affidavit in confirmation of his statement, begging Pardon for disappointing the public.] Paid Mr Wright per order Mr G. G. #13 5s. 2d. Receipts: #143 7s. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Performance Comment: As17730227, but see note below.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Lady Fuz-Mrs Hopkins; Glib-King; Macaroni-Dodd; Sir Toby-Bransby; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz (first time)-Mrs Davies; Others-Packer, Palmer, Moody, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw.
Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Henderson; Theodore-Levis; Fabian-Thompson; Officers-Fearon, J. Wilson; Raymond-Wroughton; Adelaide-Miss Satchell; Jaqueline-Miss Platt; Countess-Miss Younge .

Afterpiece Title: The Wishes

Performance Comment: Characters by Lee Lewes, Edwin, Booth, Whitfield, Wewitzer, Fearon, Mahon, Stevens, Thompson, Bates; Mrs Wilson, Mrs Webb, Miss Morris, Mrs Whitfield, Miss Platt, Mrs Poussin, Miss Stuart, Mrs Davenett, Mrs Mattocks. [Cast from London Chronicle, 4 Oct., and European Magazine, Oct. 1782, p. 308: Harlequin-Lee Lewes; Pierrot-Edwin; Pantaloon-Booth; Mezzetin-Whitfield; Distress-Wewitzer; Members of the Conversazione-Fearon, Mahon; Taylor-Stevens; Invoice-Thompson; Gardener-Bates; Lord Furious-W. Bates; Mr Wrath-L'Estrange; Martinette-Mrs Wilson; Virtue-Mrs Webb; Manto-Miss Morris; Pleasure-Mrs Whitfield; Lady Pindar-Miss Piatt; Lady Avontree-Mrs Poussin; Miss Yewtree-Mrs Davenett; Colombine-Mrs Mattocks. Miss Stuart is unassigned. Larpent MS 586 has unassigned parts as above, and adds: Parte-per-pale, Portico, Four Somebodies, Chorus, Servants; Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] . Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] .
Event Comment: Benefit for Kelly. Opera: Not acted these 2 years [acted 9 June 1798]. 2nd ballet: Under the darections of J. D'Egville. With appropriate Scenery, Machinery, Dresses and Decorations. Morning Chronicle, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #697 4s. 6d (347.5.0; 48.11.6; 0.19.0; odd money: 5.0.6; tickets: 295.8.6) (charge: #213 4s. 9d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Barrymore; Ismael-Caulfield; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Michael-Hollingsworth; Soldier-Trueman; Katharine-Mrs Crouch; Fatima-Miss Heard; Lilla-Miss DeCamp; Ghita-Miss Jackson. [No afterpiece performed this night.]No afterpiece performed this night.]

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Performance Comment: D'Egville=), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-.

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

Performance Comment: Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House.
Event Comment: Mainpiece: Not acted these 4 years. Afterpiece [1st time; P 2 (?). Not published; Songs: Larpent MS 1272]: Invented by T. Dibdin, & produced under the Direction of Farley. To conclude with an Allegorical Procession of the Seasons, Months and Hours, to the Temple of Domestic Happiness. With entire new Music, Scenery, Machinery, Machinery, Dresses and Decorations. The Overture and Music composed by Moorehead. The Dances by Bologna Jun. The Scenery by Phillips, Lupino, Hollogan, Wilkins, Bromley, the two Whitmores, Powell. The Machinery by Cresswell, Sloper, Goostree, C. Dibdin Jun., &c. The Dresses by Dick and Mrs Egan. Books of the Songs [J. Barker, 1799] to be had in the Theatre. "The opening scene of the new pantomime is highly interesting. The representation of the Volcanov, and the fight in the air between Floridel and Cratero, may with justice claim the epithet of grand and magnificent" (Dramatic Censor, I, 13). Account-Book, 6 Feb, 1800: Paid Moorehead for music in Volcano #25. Receipts: #366 7s. (344.17; 21.10)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favorite

Performance Comment: Essex-Holman; Burleigh-Murray; Raleigh-Claremont; Lieutenant-Thompson; Southampton-Betterton; Rutland-Miss Betterton; Nottingham-Mrs Litchfield; Queen Elizabeth-Mrs St.Ledger.

Afterpiece Title: The Volcano; or, The Rival Harlequins

Performance Comment: Harlequin Whitesword-Bologna Jun.; Harlequin Blacksword-King; Clown-Bologna; Infernal Spirit-Delpini; Colombine's Father-Whitmore Jun.; Old Beau-Hawtin; Hermit-Lewiss; Colombine-Mrs Parker; The Other Pantomime Characters-Wilde, Blurton, Platt, Abbot, T. Cranfield, Powers, Vials, Howell, L. Bologna, Klanert, Atkins, Mills, Wilkins, Webb, Letteney, Griffiths, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs D'Egville, Miss Cox, Miss Coombs; Vocal Characters Cratero (Daemon of the Mountain)-Denman; Ballad Singers-Emery, Simmons; Irish Ship@builder-Macartney; Principal Daemon-Linton; 2nd Daemon-Street; Chorus of Infernal Spirits-Gardner, Thomas, Oddwell, Smith, J. Linton, Kenrick, Sawyer, Tett; Floridel (Spirit of the Air)-Miss Wheatley; Attendants on Floridel-Ms Sims, Ms Iliff, Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Sydney, Ms Blurton, Mrs Castelle.
Event Comment: Mainpiece: With New Scenes, Dresses and Decorations. This New Comedy by Mr Bickerstaff much hiss'd (Hopkins Diary). [See comment on mainpiece in Town and Country Magazine (from Theatre No. XXII, p. 593.

Performances

Mainpiece Title: 'tis Well It's No Worse

Performance Comment: Parts-King, Reddish, Parsons, Brereton, Baddeley, Davies, J. Aickin, W. Palmer, Wrighten, Keen, Castle, Booth, J. Burton, Mrs Baddeley, Mrs Jeffries, Mrs Love, Mrs Dorman, Mrs Abington. Muskato-King; Don Carlos-Reddish; Don Guzman-Parsons; Don Ferdinand-Brereton; Lazarillo-Baddeley; Don Pedro-Davies; Officers, Lawyers, Servants-J. Aickin, W. Palmer, Wrighten, Keen, Castle, Booth, J. Burton; Aurora-Mrs Baddeley; Marcella-Mrs Jeffries; Leonarda-Mrs Love; Old Nun-Mrs Dorman; Beatrice-Mrs Abington; Prologue written by Garrick spoken-Moody; Epilogue by Garrick spoken-King (Edition of 1770).

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-J. Aickin; Miller-Moody; Richard-Palmer; Joe (with song)-Fawcett; Lord Lurewell-Ackman; Madge-Mrs Love; Kate-Mrs Simson; Peggy-Miss Platt.
Event Comment: This Tragedy written by Mr Hume was receiv'd with very great Applause Indeed Mrs Barry Seem'd inspir'd She never Appeard to moor Advantage uncommon Applause (Hopkins Diary). New Scenes, Dresses, and Decorations. Paid 4 Day's salary list #348 5s.; Tallow chandler's 6th bill #44 14s. Mr Reddish's draft #10 10s.; Mr Racket for Women's cloaths #12; Mr Dibdin Draft #70 (Treasurer's Book). [Westminster Magazine for March gives a long, and unfavorable review of the new tragedy, concluding Home's genius lies not in the tragic way.] Receipts: #237 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Performance Comment: Parts by: Reddish, Aickin, Palmer, Clinch, Jefferson, J. Aickin, Wright, J. Bannister, Miss Mansell, Mrs Barry. Prologue-Palmer; Epilogue-Mrs Barry; Alonzo-Reddish; Alberto-Clinch; King of Asturia-Aickin; Costolo-J. Aickin; Velasco-Jefferson; Sebastian-Palmer; Messenger-J. Bannister; Orisminda-Mrs Barry; Teresa-Miss Mansell; Hamet-Wright (Genest, V, 351-52).

Afterpiece Title: The Anatomist

Performance Comment: M Le Medicin-Baddeley; Crispin-Dodd; Old Gerald-Parsons; Young Gerald-Wheeler; Martin-W. Palmer; Doctor's Wife-Mrs Bradshaw; Angelica-Miss Platt; Beatrice-Mrs Love.
Event Comment: Benefit for Bencraft and Mrs Hale. Afterpiece: By particular Desire and for that night only. Mainpiece: Written by Congreve

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirabel-Ryan; Fainall-Ridout; Petulant-Bencraft; Sir Wilful-Dunstall; Waitwell-Arthur; Witwou'd-Cibber; Lady Wishfort-Mrs Bambridge; Mrs Fainall-Mrs Hale; Foible-Mrs Dunstall; Mincing-Miss Copen; Marwood-Mrs Ward; Millamant-Mrs Woffington; A Comic Dance in IV-J. Granier, J. Granier's Sister.

Afterpiece Title: Tea

Performance Comment: To conclude with a Grand Country Dance call'd Foote's Vagaries-.
Event Comment: Benefit for Holland. Farce never before acted. Part of Pit laid into boxes. Farce written by the author of Lionel and Clarissa

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Barry; Ventidius-Holland; Dolabella-Aickin; Octavia-Mrs Hopkins; Alexas-Packer; Serapion-Bransby; Charmion-Mrs Johnston; Romans-Ackman, Strange; Iras-Mrs Hippisley; Cleopatra-Mrs Dancer; In Act II, a Dance- incident to the play.

Afterpiece Title: The Absent Man

Performance Comment: Parts-King, Palmer, Cautherly, J. Palmer, Hurst, Fawcett, J. Burton, Mrs Barry, Mrs Jeffries, Mrs Bradshaw, Mrs Hopkins. With a Prologue-; Shatterbrain-King; Frank-Palmer; Weldon-Cautherly; Dr Gruel-Hurst; Capt. Slang-J. Palmer; Mrs Junket-Mrs Hopkins; Miss Frolick-Mrs Jeffries; Flavia-Mrs W. Barry; Landlady-Mrs Bradshaw; Coxcomb-Fawcett (Genest, V, 167).

Dance: V: The Wake, as17680220